Mar 21st 2019

Out of Nowhere: Artist Talk

@ Defibrillator Performance Art Gallery (DfbrL8r)

1029 W 35th St, Chicago, IL 60609

Opening Thursday, March 21st, from 6PM - 9PM

On view through Friday, April 5th

Defibrillator Gallery and Zhou B Art Center present

Artist Talks: Out of Nowhere

Tomasz Szrama [Finland]
Gabriele Longega [ Italy ]
Vicente Ugartechea [Chicago]

Artists in the exhibition, Out of Nowhere, present their approaches to performance art and answer questions about their work. Szrama and Longega are Defibrillator’s inaugural Performance Artists In Residence [PAIR]. PAIR invites national or international artists to spend three weeks in the historic Bridgeport neighborhood of Chicago to make and show artwork and engage with the community. Focusing on performance art practices, visiting artists are asked to present live performance art in a shared program; exhibit visual art as part of Zhou B Art Center’s popular FRI3RD; and engage with the community through a workshop, artist talk, discussion, screening, or collaboration.

= Out of Nowhere Exhibitions =
Visual Art Opening | FRI3RD 15 MAR | 7-10PM | Lower Level South
gallery hours: MON > FRI 10AM-5PM | 18 MAR > 05 APR
Performance Art Exhibition | SUN 24 MAR | 6-9PM | | Buildingwide

b i o g r a p h i e s

Tomasz Szrama [www.tomaszszrama.com] (b. 1970 in Poland) graduated in 1998 from the Academy of Fine Arts in Wroclaw, Poland. Currently he lives in Helsinki, Finland. Szrama shifts between multiple disciplines, including photography, video and other time-based works. Regardless of the medium, a dominant thread, common in his work is the use of his own body and methods of performance art, which he practices since 1995. Characteristic feature of his actions is the use of spectators, active participation of the audience and improvisation. Such a strategy embeds them into the tradition of understanding performance art as a process art, where the very moment of creation is essential. His work touches on themes of travel, trust in interpersonal relationships, and the ever present potential for personal failure. Szrama has been regularly performing internationally in various events and festivals in Europe, Asia, Africa, North and South America. Further, over the past 10 years, he has been an active performance art event organiser. Szrama has worked as a producer, designer, technical manager and has been responsible for organising live art events at HIAP – Helsinki International Artist Programme. Recently teaches, gives lectures, and offers workshops.
Szrama is a working grant recipient from the Arts Promotion Centre Finland for the year 2016 as well as the years 2018–2020 and from the Kone Foundation for 2017. His residency is made possible with support from the Finnish Cultural Foundation and Arts Promotion Centre Finland.

Gabriele Longega [www.gabrielelongega.com] (b.1986, Venice; lives in Glasgow) is interested in exploring the relation between queerness and utopia, and how being queer/trans/migrants leads to the creation of alternative spatiality and temporality, outside the gendered capitalist production, labor, and architecture. As José Esteban Muñoz said “queer utopian performativity suggests another modality of doing and being that is in the process, unfinished. […] The “should be” of utopia, its indeterminacy and its deployment of hope, stand against capitalism”, Gabriele’s work explores this utopian “not-yet”, allowing them to play with the construction of gender and sexuality. In their performances, actions and the use of found objects become tools to create new possibilities, sexualities, and alternative geographies; by activating the environmental installations created. Specifically, how nonconforming/trans/dysphoric bodies relate to these new surroundings, camouflaging and contaminating them. Their performances question the space between public and private, human and nature, body, and desire, and explore the concepts of hiding, waiting, melting, and bleeding. Their work has been presented at the Venice International Performance Art Week (IT) (also performing with La Pocha Nostra and Martin O’ Brien), Performa Festival (CH), Moving Bodies Festival (IT), Viafarini (IT), CREATurE Live Art (LT), and ]performancespace[ (UK).

Vicente Ugartechea [www.vicenteugartechea.com] is a trans, first generation Mexican-American artist and activist with an MFA in Performance from The School of the Art Institute of Chicago. He earned his BFA from the University of North Texas with a minor in LGBT Studies. Vicente is a KONEEN SÄÄTIÖ Annual Grant Winner and has had residencies at Kolin Keidas [Finland] and betOnest [Germany]. Vicente has shown his work throughout the United States and abroad, including PROJET PANGÉE Gallery in Toronto, Canada; OUTFEST Film Festival LA in California; and Neap Fest in Rio De Janeiro, Brazil; among others. Drawing from personal narrative, they explore landscapes of constructed normativities, ethnocentrism, and privilege as a way of defining and redefining issues that subsist within marginalized identities. Currently, they are primarily interested in queer cruising rituals (both in the digital and physical), bodily language and queer archives as a manner of investigating potentials of sex, sexuality and gender.

Defibrillator Gallery [DFBRL8R] Defibrillator is a 501c3 organization made possible with support from Elizabeth Morse Genius Charitable Trust; Martha Strutters Farley and Donald C. Farley, Jr. Family Foundation; Zhou B Art Center; DFBRL8R Board of Directors; and generous contributions from our loving community.

DFBRL8R is an international platform for Performance Art that embraces those who look to the body in concert and conversation with time, space, object, or society. Bold and courageous programming aims to provoke thought and stimulate discourse surrounding the discipline of Performance Art. DFBRL8R is part of Zhou B Art Center a complex founded in 2004 by the Zhou Brothers in Chicago’s historic Bridgeport neighborhood with a mission to to engage in cultural dialogue through contemporary art exhibitions and international programming.

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