Family Day: Enter the Blue-nivers
@ Smart Museum of Art, The University of Chicago
5550 S Greenwood Ave, Chicago, IL 60637
Opening Saturday, January 7th, from 1PM - 4PM
On view through Saturday, January 8th
Family Days at the Smart Museum are designed to celebrate the creative potential in all of us. With new projects every month, Family Days offer opportunities for kids and their caregivers to create together and connect with one another. Each program is unique, fun, and free, emphasizing invention, improvisation, and hands-on creativity.
Have you ever looked in the sky or looked deeply into Lake Michigan and just saw BLUE as far as the eye can see? This Saturday, jump into the color blue and explore how one single color can open up a universe of possibilities. Play with blue sand, create giant blue drawings and paintings, and listen to blues music all afternoon long. The activities are inspired by the blue room in Monochrome Multitudes, featuring works by Helen Frankenthaler, Ellsworth Kelly, Yves Klein, Haegue Yang, and others.
FREE, drop-in. Art-making supplies and other materials are provided. Family programs are best for kids 4–12, but all ages are welcomed! Children must be accompanied by an adult at all times.
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About this Exhibition
This exhibition traces “the monochrome” as a fundamental if surprisingly expansive artistic practice. Revisiting classic modernist ideas about flatness, idealized form, and colors, Monochrome Multitudes opens up this seemingly reductive art to reveal its global resonance and creative possibilities while working toward a more expansive narrative of 20th and 21st century art.
Within the exhibition, art is presented in monochromatic groupings—rooms of blue, white, yellow, gray, black, and red works respectively—alternating with thematic sections where single colors engage concerns with the body, urban space, sound, and other topics. Switching between these two types of spaces, the exhibition suggests that works that look alike are often quite different, and that works that look different can share historical, thematic, or conceptual propositions. Throughout, Monochrome Multitudes engages North American art in a global dialogue and emphasizes the significance of multiple media ranging from weaving to wall-painting to video, and multiple materials including footballs, pantyhose, and Vinylite.
Artists
Monochrome Multitudes features works by Magdalena Abakanowicz, Mary Abbott, Josef Albers, Alphonse Allais, Lynda Benglis, Ernő Berda, Mark Bradford, Alexander Calder, Enrico Castellani, Alan Cohen, Bethany Collins, Barbara Crane, Carlos Cruz-Diez, Jaime Davidovich, Walter De Maria, José de Rivera, Roy DeCarava, Beauford Delaney, Laddie John Dill, Charles and Ray Eames, Lucio Fontana, Helen Frankenthaler, Theaster Gates, Frank Gehry, Felix Gonzales-Torres, Wade Guyton, Irena Haiduk, David Hartt, Arturo Herrera, Carmen Herrera, Sheila Hicks, Jörg Immendorff, Lotte Jacobi, Derek Jarman, Rashid Johnson, Jennie C. Jones, Samuel Levi Jones, Ellsworth Kelly, Byron Kim, Lyman Kipp, Yves Klein, Yayoi Kusama, Tadaaki Kuwayama, Kwon Young-woo, Lee Ufan, Marilyn Lenkowsky, Ma Qiusha, Sally Mann, Allan McCollum, Manfred Mohr, Linda Montano, Mun Pyung, Louise Nevelson, Barnett Newman, Jules Olitski, Palermo, Palermo & Gerhard Richter, Dan Peterman, Francis Picabia, John Plumb, Avery Preesman, Tobias Rehberger, Ad Reinhardt, Dorothea Rockburne, Ugo Rondinone, Robert Ryman, Fred Sandback, Joe Scanlan, David Schutter, Richard Serra, F.N. Souza, Ted Stamm, Jessica Stockholder, Hiroshi Sugimoto, Hiroyuki Tajima, Tony Tasset, Anne Truitt, Naama Tsabar, William Turnbull, James Turrell, Raoul Ubac, Günther Uecker, Günter Umberg, Wolf Vostell, H. C. Westermann, Amanda Williams, Karl Wirsum, Haegue Yang, Yang Jiechang, and Claire Zeisler.
Expanding Narratives
Monochrome Multitudes is part of the Smart Museum’s ongoing “Expanding Narratives” series that mobilizes collection installations to reevaluate canonic histories and curatorial strategies. The majority of the approximately 120 works on display are drawn from the Smart Museum’s collection. They are supplemented by a number of loans from UChicago alumni, Chicago-area collections, and beyond.
Image: Claire Zeisler, Triptych, 1967, Knotted and tied dyed wool. Smart Museum of Art, The University of Chicago, Gift of Mr. and Mrs. Joel Starrels, Sr., 1973.213a-c.
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