{"id":146822,"date":"2023-07-13T00:00:01","date_gmt":"2023-07-13T00:00:01","guid":{"rendered":"http:\/\/www.thevisualist.org\/?p=146822"},"modified":"2023-07-08T14:50:04","modified_gmt":"2023-07-08T19:50:04","slug":"objects-in-mirror-are-closer-than-they-appear","status":"publish","type":"post","link":"https:\/\/thevisualist.org\/2023\/07\/objects-in-mirror-are-closer-than-they-appear\/","title":{"rendered":"Objects in Mirror are Closer than they Appear"},"content":{"rendered":"<p>Arts of Life and Circle Contemporary are excited to announce Objects in Mirror are Closer than they Appear. An exhibition that features representations of automobiles and car culture as symbols of freedom, self-expression, safety, and individuality; while simultaneously demarcating these phenomena as functions of time and desire that epitomize the economic, cultural, and social conditions from which they appear.<\/p>\n<p>Ari\u00e9e, Chris Austin, Alex Becerra, Renata Berdes, Montrel Beverly, Chris Bradley, Louis Cabral, Guy Conners, Amanda Gantner, Ted Hamel, Noel Herrera, Carlos Hernandez, Herb Herod, Shawn Jackson, Janno Juguilon, Aaron Kleeblatt, Lonell, John Martin, Allen McNair, Mike Rea, Ryan Richey, Haynes Riley, Alex Scott, Esmeralda Silva, Andrew Sloan, Marear Smith, Ray Smith, Ricky Willis, George Zuniga<\/p>\n<p>Opening reception:<br \/>\nJuly 13, 2023<br \/>\n5:00-7:00 pm.<\/p>\n<p>Image:<br \/>\nAri\u00e9e<br \/>\nWhite Pace Bus is a Nightmare, 2023<br \/>\nAcrylic on canvas<br \/>\n24\u2033x30\u2033<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Arts of Life and Circle Contemporary are excited to announce Objects in Mirror are Closer than they Appear. An exhibition that features representations of automobiles and car culture as symbols of freedom, self-expression, safety, and individuality; while simultaneously demarcating these phenomena as functions of time and desire that epitomize the economic, cultural, and social conditions<a href=\"https:\/\/thevisualist.org\/2023\/07\/objects-in-mirror-are-closer-than-they-appear\/\" class=\"read-more\">Continue Reading<\/a><\/p>\n","protected":false},"author":18,"featured_media":146823,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[39,5],"tags":[168590,163409,142688,223748,168604,168587,231875,93353,249776,397,170898,84497,162558,242745,249781,160346,178791,159223,181005,249777,99867,169968,249780,249779,249775,249782,3155,249774,237148,249906,60423,168607,198408,1938,249778,168605],"class_list":["post-146822","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition","category-reception","tag-aaron-kleeblatt","tag-alex-becerra","tag-alex-scott","tag-allen-mcnair","tag-amanda-gantner","tag-andrew-sloan","tag-ariee","tag-arts-of-life","tag-carlos-hernandez","tag-chicago","tag-chris-austin","tag-chris-bradley","tag-circle-contemporary","tag-circle-contemporary-north-shore","tag-esmeralda-silva","tag-george-zuniga","tag-glenview","tag-guy-conners","tag-haynes-riley","tag-herb-herod","tag-il","tag-janno-juguilon","tag-john-martin","tag-lonell","tag-louis-cabral","tag-marear-smith","tag-mike-rea","tag-montrel-beverly","tag-noel-herrera","tag-objects-in-mirror-are-closer-than-they-appear","tag-ray-smith","tag-renata-berdes","tag-ricky-willis","tag-ryan-richey","tag-shawn-jackson","tag-ted-hamel","cat-39-id","cat-5-id"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/thevisualist.org\/wp-content\/uploads\/2023\/07\/Gallery-images-19.png","_links":{"self":[{"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/146822","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/comments?post=146822"}],"version-history":[{"count":1,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/146822\/revisions"}],"predecessor-version":[{"id":146911,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/146822\/revisions\/146911"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/media\/146823"}],"wp:attachment":[{"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/media?parent=146822"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/categories?post=146822"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/tags?post=146822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}