{"id":118667,"date":"2020-11-06T00:00:01","date_gmt":"2020-11-06T00:00:01","guid":{"rendered":"http:\/\/www.thevisualist.org\/?p=118667"},"modified":"2020-10-26T06:32:46","modified_gmt":"2020-10-26T11:32:46","slug":"kelly-reaves-and-mel-cook-torrential-hag","status":"publish","type":"post","link":"https:\/\/thevisualist.org\/2020\/11\/kelly-reaves-and-mel-cook-torrential-hag\/","title":{"rendered":"Kelly Reaves and Mel Cook: Torrential Hag"},"content":{"rendered":"<p>TORRENTIAL HAG. New work by Kelly Reaves and Mel Cook. 6 November &#8211; 14 December.<br \/>\nReception is 6 November 6:30-9:30<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TORRENTIAL HAG. New work by Kelly Reaves and Mel Cook. 6 November &#8211; 14 December. Reception is 6 November 6:30-9:30<\/p>\n","protected":false},"author":9,"featured_media":118668,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[39,5],"tags":[397,221124,2812,157058,159569,225597],"class_list":["post-118667","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition","category-reception","tag-chicago","tag-cleaner-gallery","tag-kelly-reaves","tag-logan-sqare","tag-mel-cook","tag-torrential-hag","cat-39-id","cat-5-id"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/thevisualist.org\/wp-content\/uploads\/2020\/11\/HAG_INVERTED-POSTER-1.jpg","_links":{"self":[{"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/118667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/comments?post=118667"}],"version-history":[{"count":2,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/118667\/revisions"}],"predecessor-version":[{"id":118805,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/118667\/revisions\/118805"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/media\/118668"}],"wp:attachment":[{"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/media?parent=118667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/categories?post=118667"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/tags?post=118667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}