{"id":10452,"date":"2012-02-15T00:00:01","date_gmt":"2012-02-15T00:00:01","guid":{"rendered":"http:\/\/www.thevisualist.org\/?p=10452"},"modified":"2011-12-24T17:21:50","modified_gmt":"2011-12-24T23:21:50","slug":"opening-reception-feast","status":"publish","type":"post","link":"https:\/\/thevisualist.org\/2012\/02\/opening-reception-feast\/","title":{"rendered":"Opening Reception: Feast"},"content":{"rendered":"<p>Celebrate the opening of Feast: Radical Hospitality in Contemporary Art.<\/p>\n<p>The evening features drinks served as part of Tom Marioni’s social artwork The Act of Drinking Beer with Friends is the Highest Form of Art and a performance by Theaster Gates and the Black Monks of Mississippi.<\/p>\n<p>Plus, Michael Rakowitz\u2019s Enemy Kitchen food truck will be parked outside serving regional Iraqi cuisine on paper replicas of Saddam Hussein\u2019s china all night long.<\/p>\n<p>Image: Michael Rakowitz, detail of working sketch for the Enemy Kitchen food truck, courtesy of the artist.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Celebrate the opening of Feast: Radical Hospitality in Contemporary Art. The evening features drinks served as part of Tom Marioni’s social artwork The Act of Drinking Beer with Friends is the Highest Form of Art and a performance by Theaster Gates and the Black Monks of Mississippi. Plus, Michael Rakowitz\u2019s Enemy Kitchen food truck will<a href=\"https:\/\/thevisualist.org\/2012\/02\/opening-reception-feast\/\" class=\"read-more\">Continue Reading<\/a><\/p>\n","protected":false},"author":6,"featured_media":10453,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[39,5],"tags":[1646,37,836],"class_list":["post-10452","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition","category-reception","tag-feast","tag-hyde-park","tag-smart-museum","cat-39-id","cat-5-id"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/thevisualist.org\/wp-content\/uploads\/2012\/02\/Rakowitz_Sketch.jpg","_links":{"self":[{"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/10452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/comments?post=10452"}],"version-history":[{"count":1,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/10452\/revisions"}],"predecessor-version":[{"id":10464,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/10452\/revisions\/10464"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/media\/10453"}],"wp:attachment":[{"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/media?parent=10452"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/categories?post=10452"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/tags?post=10452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}