{"id":10452,"date":"2012-02-15T00:00:01","date_gmt":"2012-02-15T00:00:01","guid":{"rendered":"http:\/\/www.thevisualist.org\/?p=10452"},"modified":"2011-12-24T17:21:50","modified_gmt":"2011-12-24T23:21:50","slug":"opening-reception-feast","status":"publish","type":"post","link":"https:\/\/thevisualist.org\/2012\/02\/opening-reception-feast\/","title":{"rendered":"Opening Reception: Feast"},"content":{"rendered":"<p>Celebrate the opening of Feast: Radical Hospitality in Contemporary Art.<\/p>\n<p>The evening features drinks served as part of Tom Marioni&#8217;s social artwork The Act of Drinking Beer with Friends is the Highest Form of Art and a performance by Theaster Gates and the Black Monks of Mississippi.<\/p>\n<p>Plus, Michael Rakowitz\u2019s Enemy Kitchen food truck will be parked outside serving regional Iraqi cuisine on paper replicas of Saddam Hussein\u2019s china all night long.<\/p>\n<p>Image: Michael Rakowitz, detail of working sketch for the Enemy Kitchen food truck, courtesy of the artist.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Celebrate the opening of Feast: Radical Hospitality in Contemporary Art. The evening features drinks served as part of Tom Marioni&#8217;s social artwork The Act of Drinking Beer with Friends is the Highest Form of Art and a performance by Theaster Gates and the Black Monks of Mississippi. Plus, Michael Rakowitz\u2019s Enemy Kitchen food truck will<a href=\"https:\/\/thevisualist.org\/2012\/02\/opening-reception-feast\/\" class=\"read-more\">Continue Reading<\/a><\/p>\n","protected":false},"author":6,"featured_media":10453,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[39,5],"tags":[1646,37,836],"class_list":["post-10452","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition","category-reception","tag-feast","tag-hyde-park","tag-smart-museum","cat-39-id","cat-5-id"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/thevisualist.org\/wp-content\/uploads\/2012\/02\/Rakowitz_Sketch.jpg","_links":{"self":[{"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/10452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/comments?post=10452"}],"version-history":[{"count":1,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/10452\/revisions"}],"predecessor-version":[{"id":10464,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/10452\/revisions\/10464"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/media\/10453"}],"wp:attachment":[{"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/media?parent=10452"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/categories?post=10452"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thevisualist.org\/wp-json\/wp\/v2\/tags?post=10452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}