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	<title>Public Collectors - The Visualist</title>
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	<title>Public Collectors - The Visualist</title>
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<site xmlns="com-wordpress:feed-additions:1">232801582</site>	<item>
		<title>Day 2 of Publication Survey / Life Savings by Public Collectors</title>
		<link>https://thevisualist.org/2025/01/day-2-of-publication-survey-life-savings-by-public-collectors/</link>
					<comments>https://thevisualist.org/2025/01/day-2-of-publication-survey-life-savings-by-public-collectors/#respond</comments>
		
		<dc:creator><![CDATA[flor123]]></dc:creator>
		<pubDate>Sun, 26 Jan 2025 18:00:00 +0000</pubDate>
				<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Talk]]></category>
		<category><![CDATA[Bridgeport]]></category>
		<category><![CDATA[CAPE]]></category>
		<category><![CDATA[Chicago]]></category>
		<category><![CDATA[Day 2 of Publication Survey / Life Savings by Public Collectors]]></category>
		<category><![CDATA[Marc Fischer]]></category>
		<category><![CDATA[Public Collectors]]></category>
		<category><![CDATA[Retrospective]]></category>
		<category><![CDATA[Zines]]></category>
		<guid isPermaLink="false">https://thevisualist.org/?p=170653</guid>

					<description><![CDATA[<p>Chicago Arts Partnerships in Education (CAPE) is excited to host the one-weekend-only pop-up exhibition Publication Survey / Life Savings by Public Collectors, administered by longtime CAPE teaching artist Marc Fischer! Visit us in Bridgeport at 1010 W 35th Street, Suite 697 on Saturday and Sunday January 25-26 from 12-5 PM for an expansive exhibition of<a href="https://thevisualist.org/2025/01/day-2-of-publication-survey-life-savings-by-public-collectors/" class="read-more">Continue Reading</a></p>
<p>The post <a href="https://thevisualist.org/2025/01/day-2-of-publication-survey-life-savings-by-public-collectors/">Day 2 of Publication Survey / Life Savings by Public Collectors</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Chicago Arts Partnerships in Education (CAPE) is excited to host the one-weekend-only pop-up exhibition Publication Survey / Life Savings by Public Collectors, administered by longtime CAPE teaching artist Marc Fischer!</p>
<p>Visit us in Bridgeport at 1010 W 35th Street, Suite 697 on Saturday and Sunday January 25-26 from 12-5 PM for an expansive exhibition of 90 Public Collectors publications that Marc Fischer has made since 2007, and hundreds of other papers and publications from his collections. Don’t miss it!</p>
<p>Marc Fischer writes,</p>
<p>This will also be an opportunity to purchase any Public Collectors publications that remain in print. Sales will partially benefit CAPE’s important educational work in Chicago public schools. I’ve been a teaching artist with them for over 10 years and I’m thrilled for this mutually supportive opportunity. I promise you that the exhibit will be visually immersive, so carve out some time and don’t miss it.</p>
<p>I hope to repeat this model of exhibition / publication retrospective / and pop-up store in other places and spaces. My hope is to take this approach on the road (even if it’s just to another space on another end of this city) and create more short concentrated activations of my many publications and collections. Do you have tables, light, and a little bit of time? Let’s discuss and make a one or two day exhibition</p><p>The post <a href="https://thevisualist.org/2025/01/day-2-of-publication-survey-life-savings-by-public-collectors/">Day 2 of Publication Survey / Life Savings by Public Collectors</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded>
					
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">170653</post-id>	</item>
		<item>
		<title>Day 1 of Publication Survey / Life Savings by Public Collectors</title>
		<link>https://thevisualist.org/2025/01/day-1-of-publication-survey-life-savings-by-public-collectors/</link>
					<comments>https://thevisualist.org/2025/01/day-1-of-publication-survey-life-savings-by-public-collectors/#respond</comments>
		
		<dc:creator><![CDATA[flor123]]></dc:creator>
		<pubDate>Sat, 25 Jan 2025 18:00:00 +0000</pubDate>
				<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Reception]]></category>
		<category><![CDATA[Release Party]]></category>
		<category><![CDATA[Screening]]></category>
		<category><![CDATA[Talk]]></category>
		<category><![CDATA[Bridgeport]]></category>
		<category><![CDATA[CAPE]]></category>
		<category><![CDATA[Chicago]]></category>
		<category><![CDATA[Day 1 of Publication Survey / Life Savings by Public Collectors]]></category>
		<category><![CDATA[Marc Fischer]]></category>
		<category><![CDATA[Public Collectors]]></category>
		<category><![CDATA[Retrospective]]></category>
		<category><![CDATA[Zines]]></category>
		<guid isPermaLink="false">https://thevisualist.org/?p=170656</guid>

					<description><![CDATA[<p>Chicago Arts Partnerships in Education (CAPE) is excited to host the one-weekend-only pop-up exhibition Publication Survey / Life Savings by Public Collectors, administered by longtime CAPE teaching artist Marc Fischer! Visit us in Bridgeport at 1010 W 35th Street, Suite 697 on Saturday and Sunday January 25-26 from 12-5 PM for an expansive exhibition of<a href="https://thevisualist.org/2025/01/day-1-of-publication-survey-life-savings-by-public-collectors/" class="read-more">Continue Reading</a></p>
<p>The post <a href="https://thevisualist.org/2025/01/day-1-of-publication-survey-life-savings-by-public-collectors/">Day 1 of Publication Survey / Life Savings by Public Collectors</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Chicago Arts Partnerships in Education (CAPE) is excited to host the one-weekend-only pop-up exhibition Publication Survey / Life Savings by Public Collectors, administered by longtime CAPE teaching artist Marc Fischer!</p>
<p>Visit us in Bridgeport at 1010 W 35th Street, Suite 697 on Saturday and Sunday January 25-26 from 12-5 PM for an expansive exhibition of 90 Public Collectors publications that Marc Fischer has made since 2007, and hundreds of other papers and publications from his collections. Don’t miss it!</p>
<p>Marc Fischer writes,</p>
<p>This will also be an opportunity to purchase any Public Collectors publications that remain in print. Sales will partially benefit CAPE’s important educational work in Chicago public schools. I’ve been a teaching artist with them for over 10 years and I’m thrilled for this mutually supportive opportunity. I promise you that the exhibit will be visually immersive, so carve out some time and don’t miss it.</p>
<p>I hope to repeat this model of exhibition / publication retrospective / and pop-up store in other places and spaces. My hope is to take this approach on the road (even if it’s just to another space on another end of this city) and create more short concentrated activations of my many publications and collections. Do you have tables, light, and a little bit of time? Let’s discuss and make a one or two day exhibition</p><p>The post <a href="https://thevisualist.org/2025/01/day-1-of-publication-survey-life-savings-by-public-collectors/">Day 1 of Publication Survey / Life Savings by Public Collectors</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded>
					
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">170656</post-id>	</item>
		<item>
		<title>CAPE Proximities: participatory audio-visual</title>
		<link>https://thevisualist.org/2025/01/cape-proximities-participatory-audio-visual/</link>
					<comments>https://thevisualist.org/2025/01/cape-proximities-participatory-audio-visual/#respond</comments>
		
		<dc:creator><![CDATA[flor123]]></dc:creator>
		<pubDate>Fri, 17 Jan 2025 23:30:00 +0000</pubDate>
				<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Reception]]></category>
		<category><![CDATA[Release Party]]></category>
		<category><![CDATA[Screening]]></category>
		<category><![CDATA[Talk]]></category>
		<category><![CDATA[Alberto Aguilar]]></category>
		<category><![CDATA[Andres Hernandez]]></category>
		<category><![CDATA[Bridgeport]]></category>
		<category><![CDATA[Bridgeport Art Walk]]></category>
		<category><![CDATA[CAPE]]></category>
		<category><![CDATA[CAPE Proximities: participatory audio-visual]]></category>
		<category><![CDATA[Design Studio for Social Intervention]]></category>
		<category><![CDATA[Diana Q. Rivera]]></category>
		<category><![CDATA[Emilie Robinson]]></category>
		<category><![CDATA[Eseosa Ekiawowo Edebiri]]></category>
		<category><![CDATA[Flor Flores]]></category>
		<category><![CDATA[Greg Ruffing + Brandon Alvendia]]></category>
		<category><![CDATA[Gwendolyn Terry]]></category>
		<category><![CDATA[Jennifer Mannebach]]></category>
		<category><![CDATA[Jessica Mueller]]></category>
		<category><![CDATA[Katie Giritlian]]></category>
		<category><![CDATA[Kayla Anderson]]></category>
		<category><![CDATA[Kimi Hanauer]]></category>
		<category><![CDATA[Kirsten Leenaars]]></category>
		<category><![CDATA[Laura Sáenz]]></category>
		<category><![CDATA[Molly Cranch]]></category>
		<category><![CDATA[Niema Qureshi + Betsy Zacsek]]></category>
		<category><![CDATA[Public Collectors]]></category>
		<category><![CDATA[Timothy David Rey]]></category>
		<guid isPermaLink="false">https://thevisualist.org/?p=169650</guid>

					<description><![CDATA[<p>Join us during Bridgeport Art Walk for an evening of screenings at the Practices in Proximity exhibition. Participating artists will discuss their process of creating moving image works through collaborative practices. RSVP: https://capechicago.org/event/proximities-participatory-audio-visual/ Exhibition curator Josh Rios will facilitate an artist conversation followed by an audience Q&#38;A, exploring the question: “How can moving image and<a href="https://thevisualist.org/2025/01/cape-proximities-participatory-audio-visual/" class="read-more">Continue Reading</a></p>
<p>The post <a href="https://thevisualist.org/2025/01/cape-proximities-participatory-audio-visual/">CAPE Proximities: participatory audio-visual</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Join us during Bridgeport Art Walk for an evening of screenings at the Practices in Proximity exhibition. Participating artists will discuss their process of creating moving image works through collaborative practices. RSVP: <a href="https://capechicago.org/event/proximities-participatory">https://capechicago.org/event/proximities-participatory</a>-audio-visual/</p>
<p>Exhibition curator Josh Rios will facilitate an artist conversation followed by an audience Q&amp;A, exploring the question: “How can moving image and video work—which tends to favor certain authorial structures—also operate as a form of group dynamics?” The evening will open with a collaborative reading of Design Studio for Social Intervention’s Aesthetic Justice Manifesto.</p>
<p>Participating artists: Laura Sáenz, Kirsten Leenaars, Alberto Aguilar, Jessica Mueller, Timothy David Rey, and Diana Q. Rivera.</p>
<p>Practices in Proximity features works by Alberto Aguilar, Kayla Anderson, Molly Cranch, Design Studio for Social Intervention, Eseosa Ekiawowo Edebiri, Flor Flores, Katie Giritlian, Kimi Hanauer, Andres Hernandez, Niema Qureshi + Betsy Zacsek, Kirsten Leenaars, Jennifer Mannebach, Jessica Mueller, Timothy David Rey, Emilie Robinson, Greg Ruffing + Brandon Alvendia, Laura Sáenz, Public Collectors, and Gwendolyn Terry.</p>
<p>Practices in Proximity is on view up until January 17, 2025. Gallery hours 10 AM-4 PM Tuesday-Thursday or by appointment.</p>
<p>For more information on the exhibition, visit <a href="https://capechicago.org/event/practices-in-proximity/">https://capechicago.org/event/practices-in-proximity/</a></p><p>The post <a href="https://thevisualist.org/2025/01/cape-proximities-participatory-audio-visual/">CAPE Proximities: participatory audio-visual</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded>
					
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">169650</post-id>	</item>
		<item>
		<title>Proximities: conditions of exchange</title>
		<link>https://thevisualist.org/2024/11/proximities-conditions-of-exchange/</link>
					<comments>https://thevisualist.org/2024/11/proximities-conditions-of-exchange/#respond</comments>
		
		<dc:creator><![CDATA[flor123]]></dc:creator>
		<pubDate>Fri, 22 Nov 2024 23:30:00 +0000</pubDate>
				<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Reception]]></category>
		<category><![CDATA[Alberto Aguilar]]></category>
		<category><![CDATA[Andres Hernandez]]></category>
		<category><![CDATA[Betsy Zacsek]]></category>
		<category><![CDATA[Bridgeport]]></category>
		<category><![CDATA[Bridgeport Art Walk]]></category>
		<category><![CDATA[CAPE]]></category>
		<category><![CDATA[Chicago]]></category>
		<category><![CDATA[Chicago Arts Partnerships in Education]]></category>
		<category><![CDATA[Design Studio for Social Intervention]]></category>
		<category><![CDATA[Emilie Robinson]]></category>
		<category><![CDATA[Eseosa Edebiri]]></category>
		<category><![CDATA[Eseosa Ekiawowo Edebiri]]></category>
		<category><![CDATA[Flor Flores]]></category>
		<category><![CDATA[Greg Ruffing]]></category>
		<category><![CDATA[Greg Ruffing + Brandon Alvendia]]></category>
		<category><![CDATA[Gwendolyn Terry]]></category>
		<category><![CDATA[Jennifer Mannebach]]></category>
		<category><![CDATA[Jessica Mueller]]></category>
		<category><![CDATA[Katie Giritlian]]></category>
		<category><![CDATA[Kayla Anderson]]></category>
		<category><![CDATA[Kimi Hanauer]]></category>
		<category><![CDATA[Kirsten Leenaars]]></category>
		<category><![CDATA[Laura Sáenz]]></category>
		<category><![CDATA[Marc Fischer]]></category>
		<category><![CDATA[Molly Cranch]]></category>
		<category><![CDATA[Niema Qureshi]]></category>
		<category><![CDATA[Niema Qureshi + Betsy Zacsek]]></category>
		<category><![CDATA[Proximities: conditions of exchange]]></category>
		<category><![CDATA[Public Collectors]]></category>
		<category><![CDATA[Timothy David Rey]]></category>
		<guid isPermaLink="false">https://thevisualist.org/?p=167878</guid>

					<description><![CDATA[<p>Let’s spark dialogue about exchange as part of creative practice on Friday, November 22 from 5:30-7:30 PM! Join “Proximities: conditions of exchange,” for presentations by exhibiting artists in Practices in Proximity: Greg Ruffing, Kirsten Leenaars, Marc Fischer, Eseosa Edebiri, Kayla Anderson, Niema Qureshi + Betsy Zacsek, and a collaborative reading of Design Studio for Social<a href="https://thevisualist.org/2024/11/proximities-conditions-of-exchange/" class="read-more">Continue Reading</a></p>
<p>The post <a href="https://thevisualist.org/2024/11/proximities-conditions-of-exchange/">Proximities: conditions of exchange</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Let’s spark dialogue about exchange as part of creative practice on Friday, November 22 from 5:30-7:30 PM! Join “Proximities: conditions of exchange,” for presentations by exhibiting artists in Practices in Proximity: Greg Ruffing, Kirsten Leenaars, Marc Fischer, Eseosa Edebiri, Kayla Anderson, Niema Qureshi + Betsy Zacsek, and a collaborative reading of Design Studio for Social Intervention’s Aesthetic Justice Manifesto.</p>
<p>Guided by the question “What strategies and methodologies do artists and educators employ in the creation of the conditions needed for participatory creativity?” curator Josh Rios will facilitate a group conversation followed by a Q&amp;A.</p>
<p>RSVP online: <a href="https://capechicago.org/event/proximities-conditions-of-exchange/">https://capechicago.org/event/proximities-conditions-of-exchange/</a></p>
<p>Practices in Proximity features works by Alberto Aguilar, Kayla Anderson, Molly Cranch, Design Studio for Social Intervention, Eseosa Ekiawowo Edebiri, Flor Flores, Katie Giritlian, Kimi Hanauer, Andres Hernandez, Niema Qureshi + Betsy Zacsek, Kirsten Leenaars, Jennifer Mannebach, Jessica Mueller, Timothy David Rey, Emilie Robinson, Greg Ruffing + Brandon Alvendia, Laura Sáenz, Public Collectors, and Gwendolyn Terry.</p>
<p>Practices in Proximity is on view up until January 17, 2025. Gallery hours 10 AM-4 PM Tuesday-Thursday or by appointment.</p><p>The post <a href="https://thevisualist.org/2024/11/proximities-conditions-of-exchange/">Proximities: conditions of exchange</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">167878</post-id>	</item>
		<item>
		<title>CAPE Proximities: in conjunction with others</title>
		<link>https://thevisualist.org/2024/10/cape-proximities-in-conjunction-with-others/</link>
					<comments>https://thevisualist.org/2024/10/cape-proximities-in-conjunction-with-others/#respond</comments>
		
		<dc:creator><![CDATA[flor123]]></dc:creator>
		<pubDate>Fri, 18 Oct 2024 22:30:00 +0000</pubDate>
				<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Reception]]></category>
		<category><![CDATA[Alberto Aguilar]]></category>
		<category><![CDATA[Andres Hernandez]]></category>
		<category><![CDATA[Bridgeport]]></category>
		<category><![CDATA[CAPE]]></category>
		<category><![CDATA[CAPE Proximities: in conjunction with others]]></category>
		<category><![CDATA[Design Studio for Social Intervention]]></category>
		<category><![CDATA[Emilie Robinson]]></category>
		<category><![CDATA[Eseosa Ekiawowo Edebiri]]></category>
		<category><![CDATA[Flor Flores]]></category>
		<category><![CDATA[Greg Ruffing + Brandon Alvendia]]></category>
		<category><![CDATA[Gwendolyn Terry]]></category>
		<category><![CDATA[Jennifer Mannebach]]></category>
		<category><![CDATA[Jessica Mueller]]></category>
		<category><![CDATA[JOSH RIOS]]></category>
		<category><![CDATA[Katie Giritlian]]></category>
		<category><![CDATA[Kayla Anderson]]></category>
		<category><![CDATA[Kimi Hanauer]]></category>
		<category><![CDATA[Kirsten Leenaars]]></category>
		<category><![CDATA[Laura Sáenz]]></category>
		<category><![CDATA[Molly Cranch]]></category>
		<category><![CDATA[Niema Qureshi + Betsy Zacsek]]></category>
		<category><![CDATA[Public Collectors]]></category>
		<category><![CDATA[Timothy David Rey]]></category>
		<guid isPermaLink="false">https://thevisualist.org/?p=166983</guid>

					<description><![CDATA[<p>Begin your Bridgeport Third Friday Art Walk at CAPE on Friday, October 18 from 5:30-7:30 PM! Join “Proximities: in conjunction with others,” in the current exhibition Practices in Proximity. Meet the exhibition&#8217;s artists who creatively explore collaboration through arts practices and education. With special performances by Flor Flores, Alberto Aguilar, Jessica Mueller and family, a<a href="https://thevisualist.org/2024/10/cape-proximities-in-conjunction-with-others/" class="read-more">Continue Reading</a></p>
<p>The post <a href="https://thevisualist.org/2024/10/cape-proximities-in-conjunction-with-others/">CAPE Proximities: in conjunction with others</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Begin your Bridgeport Third Friday Art Walk at CAPE on Friday, October 18 from 5:30-7:30 PM!</p>
<p>Join “Proximities: in conjunction with others,” in the current exhibition Practices in Proximity.</p>
<p>Meet the exhibition&#8217;s artists who creatively explore collaboration through arts practices and education. With special performances by Flor Flores, Alberto Aguilar, Jessica Mueller and family, a group reading of the Aesthetic Justice Manifesto by Design Studio for Social Intervention, and a conversation with Josh Rios.</p>
<p>“What does it mean to make work in conjunction with others, whether they be creative collaborators, family members, or mythic beings? This programming session, one of three associated with the exhibition, explores notions of adjacency, working through the capacities of others, and what is at stake as we explore ideas and practices of proximity. ” –Practices in Proximity exhibition curator Josh Rios</p>
<p>Practices in Proximity features works by Alberto Aguilar, Kayla Anderson, Molly Cranch, Design Studio for Social Intervention, Eseosa Ekiawowo Edebiri, Flor Flores, Katie Giritlian, Kimi Hanauer, Andres Hernandez, Niema Qureshi + Betsy Zacsek, Kirsten Leenaars, Jennifer Mannebach, Jessica Mueller, Timothy David Rey, Emilie Robinson, Greg Ruffing + Brandon Alvendia, Laura Sáenz, Public Collectors, and Gwendolyn Terry.</p>
<p>&nbsp;</p><p>The post <a href="https://thevisualist.org/2024/10/cape-proximities-in-conjunction-with-others/">CAPE Proximities: in conjunction with others</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">166983</post-id>	</item>
		<item>
		<title>CAPE Practices in Proximity: Learning and Unlearning from Pedagogical Experiences</title>
		<link>https://thevisualist.org/2024/09/cape-practices-in-proximity-learning-and-unlearning-from-pedagogical-experiences/</link>
					<comments>https://thevisualist.org/2024/09/cape-practices-in-proximity-learning-and-unlearning-from-pedagogical-experiences/#respond</comments>
		
		<dc:creator><![CDATA[flor123]]></dc:creator>
		<pubDate>Fri, 27 Sep 2024 22:00:00 +0000</pubDate>
				<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Reception]]></category>
		<category><![CDATA[Alberto Aguilar]]></category>
		<category><![CDATA[Andres Hernandez]]></category>
		<category><![CDATA[Bridgeport]]></category>
		<category><![CDATA[CAPE]]></category>
		<category><![CDATA[CAPE Practices in Proximity: Learning and Unlearning from Pedagogical Experiences]]></category>
		<category><![CDATA[Chicago]]></category>
		<category><![CDATA[Chicago Arts Partnerships in Education]]></category>
		<category><![CDATA[Design Studio for Social Intervention]]></category>
		<category><![CDATA[Emilie Robinson]]></category>
		<category><![CDATA[Eseosa Ekiawowo Edebiri]]></category>
		<category><![CDATA[Flor Flores]]></category>
		<category><![CDATA[Greg Ruffing + Brandon Alvendia]]></category>
		<category><![CDATA[Gwendolyn Terry]]></category>
		<category><![CDATA[Jennifer Mannebach]]></category>
		<category><![CDATA[Jessica Mueller]]></category>
		<category><![CDATA[Katie Giritlian]]></category>
		<category><![CDATA[Kayla Anderson]]></category>
		<category><![CDATA[Kimi Hanauer]]></category>
		<category><![CDATA[Kirsten Leenaars]]></category>
		<category><![CDATA[Laura Sáenz]]></category>
		<category><![CDATA[Molly Cranch]]></category>
		<category><![CDATA[Niema Qureshi + Betsy Zacsek]]></category>
		<category><![CDATA[Public Collectors]]></category>
		<category><![CDATA[Timothy David Rey]]></category>
		<guid isPermaLink="false">https://thevisualist.org/?p=164580</guid>

					<description><![CDATA[<p>The Practices in Proximity: Learning and Unlearning from Pedagogical Experiences exhibition brings CAPE teaching artists and invited creative practitioners into a dialogue about their pedagogical experiences. The sites, scenes, and social engagement of learning—whether formal, informal, institutional, or autonomous—impact how the artists negotiate collective spaces and their personal creativity. Manifesting in various ways, artistic concern<a href="https://thevisualist.org/2024/09/cape-practices-in-proximity-learning-and-unlearning-from-pedagogical-experiences/" class="read-more">Continue Reading</a></p>
<p>The post <a href="https://thevisualist.org/2024/09/cape-practices-in-proximity-learning-and-unlearning-from-pedagogical-experiences/">CAPE Practices in Proximity: Learning and Unlearning from Pedagogical Experiences</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>The Practices in Proximity: Learning and Unlearning from Pedagogical Experiences exhibition brings CAPE teaching artists and invited creative practitioners into a dialogue about their pedagogical experiences. The sites, scenes, and social engagement of learning—whether formal, informal, institutional, or autonomous—impact how the artists negotiate collective spaces and their personal creativity. Manifesting in various ways, artistic concern toward teaching and learning is a nuanced experience defined by proximity to others in improvisation and uncertainty.</p>
<p>Participating artists: Alberto Aguilar, Kayla Anderson, Molly Cranch, Design Studio for Social Intervention, Eseosa Ekiawowo Edebiri, Flor Flores, Katie Giritlian, Kimi Hanauer, Andres Hernandez, Niema Qureshi + Betsy Zacsek, Kirsten Leenaars, Jennifer Mannebach, Jessica Mueller, Timothy David Rey, Emilie Robinson, Greg Ruffing + Brandon Alvendia, Laura Sáenz, Public Collectors, and Gwendolyn Terry.</p>
<p>Curated by media artist, writer and educator Josh Rios.</p>
<p>Exhibition on view from September 10, 2024 – January 17, 2025. Gallery hours 10 AM-4 PM Tuesday-Thursday or by appointment.</p>
<p>Meet the artists and join the exhibition’s exploration of the layered influences of pedagogical environments. Opening reception Friday, September 27, 5-8 PM, RSVP here: <a href="https://capechicago.org/event/practices-in-proximity-opening-reception/">https://capechicago.org/event/practices-in-proximity-opening-reception/</a></p>
<p>Stay tuned for monthly public programs!</p><p>The post <a href="https://thevisualist.org/2024/09/cape-practices-in-proximity-learning-and-unlearning-from-pedagogical-experiences/">CAPE Practices in Proximity: Learning and Unlearning from Pedagogical Experiences</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">164580</post-id>	</item>
		<item>
		<title>Zine Not Dead Fest</title>
		<link>https://thevisualist.org/2024/06/zine-not-dead-fest/</link>
					<comments>https://thevisualist.org/2024/06/zine-not-dead-fest/#respond</comments>
		
		<dc:creator><![CDATA[flor123]]></dc:creator>
		<pubDate>Sat, 15 Jun 2024 17:00:00 +0000</pubDate>
				<category><![CDATA[sale]]></category>
		<category><![CDATA[-Cold Boy Press]]></category>
		<category><![CDATA[2DCloud]]></category>
		<category><![CDATA[A. T. Pratt]]></category>
		<category><![CDATA[Alex Nall]]></category>
		<category><![CDATA[Alexander Laird/FROG FARM]]></category>
		<category><![CDATA[Amy Lockhart]]></category>
		<category><![CDATA[Andrea Bell]]></category>
		<category><![CDATA[Andy Hood]]></category>
		<category><![CDATA[angela fance / katie lane]]></category>
		<category><![CDATA[Anya Davidson]]></category>
		<category><![CDATA[Atlan Arceo Witzl / Tenoch Press]]></category>
		<category><![CDATA[Audrey Hamilton]]></category>
		<category><![CDATA[BearBear]]></category>
		<category><![CDATA[Beatrix Urkowitz]]></category>
		<category><![CDATA[Beth Hetland]]></category>
		<category><![CDATA[Bonnie Guerra]]></category>
		<category><![CDATA[Braided Magazine]]></category>
		<category><![CDATA[Bred Press]]></category>
		<category><![CDATA[Brian Uhl]]></category>
		<category><![CDATA[Bubbles Fanzine]]></category>
		<category><![CDATA[Cam Collins]]></category>
		<category><![CDATA[Carmen Johns]]></category>
		<category><![CDATA[Chicago]]></category>
		<category><![CDATA[Comfort Station Logan Square]]></category>
		<category><![CDATA[Comics Blogger]]></category>
		<category><![CDATA[Conor Stechschulte]]></category>
		<category><![CDATA[CRAM books]]></category>
		<category><![CDATA[D.R.Y.]]></category>
		<category><![CDATA[Dave Ortega]]></category>
		<category><![CDATA[Derick Jones]]></category>
		<category><![CDATA[DOG EYE PRESS]]></category>
		<category><![CDATA[E. Joy Mehr]]></category>
		<category><![CDATA[Eileen Chavez]]></category>
		<category><![CDATA[Entropy Editions]]></category>
		<category><![CDATA[Ernie Roan]]></category>
		<category><![CDATA[Fieldmouse Press]]></category>
		<category><![CDATA[Flannery Cashill]]></category>
		<category><![CDATA[fscare]]></category>
		<category><![CDATA[Gabriel Mason Howell]]></category>
		<category><![CDATA[George Porteus]]></category>
		<category><![CDATA[Gina Wynbrandt]]></category>
		<category><![CDATA[Goodbye Press]]></category>
		<category><![CDATA[Grayson Bear]]></category>
		<category><![CDATA[Harrison & Nell]]></category>
		<category><![CDATA[Hoofprint]]></category>
		<category><![CDATA[Iona Fox]]></category>
		<category><![CDATA[Issue Press]]></category>
		<category><![CDATA[J. Marshall Smith]]></category>
		<category><![CDATA[J.E Paeth]]></category>
		<category><![CDATA[Jasjyot Singh Hans]]></category>
		<category><![CDATA[Jeremy Tinder and his Students]]></category>
		<category><![CDATA[Jetsy Merchblatt]]></category>
		<category><![CDATA[Jr]]></category>
		<category><![CDATA[JT Wilkins / TTRX]]></category>
		<category><![CDATA[Kaitlin Kostus]]></category>
		<category><![CDATA[Kelly Wang]]></category>
		<category><![CDATA[Kevin Huizenga]]></category>
		<category><![CDATA[King-Cat Comix/Spit and a Half Distro]]></category>
		<category><![CDATA[Lale Westvind]]></category>
		<category><![CDATA[Lark Pina Lou]]></category>
		<category><![CDATA[Late Night Copies Press]]></category>
		<category><![CDATA[Liana Fu]]></category>
		<category><![CDATA[Lily (Basil) MacLachlan]]></category>
		<category><![CDATA[liz yerby]]></category>
		<category><![CDATA[Logan Square]]></category>
		<category><![CDATA[Lucie Van Der Elst]]></category>
		<category><![CDATA[lucky risograph]]></category>
		<category><![CDATA[Lumpen Comics]]></category>
		<category><![CDATA[Maggie Umber]]></category>
		<category><![CDATA[Marnie Galloway]]></category>
		<category><![CDATA[Martian Press]]></category>
		<category><![CDATA[Math-You Land-Vote]]></category>
		<category><![CDATA[MAX HUFFMAN]]></category>
		<category><![CDATA[Midwest Cuban Comics]]></category>
		<category><![CDATA[Mike Centeno]]></category>
		<category><![CDATA[More Human Editions]]></category>
		<category><![CDATA[Most Ancient]]></category>
		<category><![CDATA[NEOGLYPHIC MEDIA]]></category>
		<category><![CDATA[NICK MERLOCK JACKSON]]></category>
		<category><![CDATA[Organ Bank]]></category>
		<category><![CDATA[Other World Riso]]></category>
		<category><![CDATA[Patrick Kyle]]></category>
		<category><![CDATA[Perfectly Acceptable Press]]></category>
		<category><![CDATA[Pete Faecke]]></category>
		<category><![CDATA[Pratima Pinnepalli]]></category>
		<category><![CDATA[Project Onward]]></category>
		<category><![CDATA[Public Collectors]]></category>
		<category><![CDATA[RAEANN VAN ZEE]]></category>
		<category><![CDATA[Reptile House Comix]]></category>
		<category><![CDATA[Robert Baxter]]></category>
		<category><![CDATA[Robert Zant]]></category>
		<category><![CDATA[Ron Rege]]></category>
		<category><![CDATA[Sage Coffey]]></category>
		<category><![CDATA[Sam Hensley]]></category>
		<category><![CDATA[Sam Sharpe]]></category>
		<category><![CDATA[Sam Szabo]]></category>
		<category><![CDATA[Sean Mac]]></category>
		<category><![CDATA[Secret Room Press]]></category>
		<category><![CDATA[Shea Cahill]]></category>
		<category><![CDATA[SLOP]]></category>
		<category><![CDATA[Sofia Brunwin & Joseph McColgan]]></category>
		<category><![CDATA[Sonnenzimmer]]></category>
		<category><![CDATA[Steve Schaberg]]></category>
		<category><![CDATA[Syd Madia]]></category>
		<category><![CDATA[Talya Modlin]]></category>
		<category><![CDATA[Taxonomy Press]]></category>
		<category><![CDATA[Teddie Bernard]]></category>
		<category><![CDATA[Tenderly & friends]]></category>
		<category><![CDATA[TOMATO TOMATO TOMATO]]></category>
		<category><![CDATA[Work Press & Publication]]></category>
		<category><![CDATA[Wormy Orchids]]></category>
		<category><![CDATA[Yewon Kwon]]></category>
		<category><![CDATA[Zine Not Dead Fest]]></category>
		<guid isPermaLink="false">http://thevisualist.org/?p=161742</guid>

					<description><![CDATA[<p>Zine Not Dead is pleased to announce the inaugural Zine Not Dead Fest: A Comics and Small Press Fair. Zine Not Dead Fest is a one-day event bringing together comics and small press artists and publishers from around the world to Chicago. A day of vending (featuring 60-80 artists &#38; publishers), talks, and workshops concludes<a href="https://thevisualist.org/2024/06/zine-not-dead-fest/" class="read-more">Continue Reading</a></p>
<p>The post <a href="https://thevisualist.org/2024/06/zine-not-dead-fest/">Zine Not Dead Fest</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Zine Not Dead is pleased to announce the inaugural Zine Not Dead Fest: A Comics and Small Press Fair.</p>
<p>Zine Not Dead Fest is a one-day event bringing together comics and small press artists and publishers from around the world to Chicago. A day of vending (featuring 60-80 artists &amp; publishers), talks, and workshops concludes with the biggest Zine Not Dead reading of all time in the evening.</p>
<p>Zine Not Dead Fest will be held at Grace Church of Logan Square (3325 W Wrightwood Ave) on June 15th, from noon to 6pm. The Fest will be free and open to the public! The evening&#8217;s Zine Not Dead will be ticketed, with more information to follow <img src="https://s.w.org/images/core/emoji/15.0.3/72x72/1f642.png" alt="🙂" class="wp-smiley" style="height: 1em; max-height: 1em;" /></p>
<p><a href="https://fest.zinenotdead.com/">https://fest.zinenotdead.com/</a></p>
<p>Exhibitor List:</p>
<p>A. T. Pratt ∙ Alex Nall ∙ Alexander Laird/FROG FARM ∙ Amy Lockhart ∙ Andrea Bell ∙ Andy Hood ∙ angela fance / katie lane ∙ Anya Davidson ∙ Atlan Arceo ∙Witzl / Tenoch Press ∙ Audrey Hamilton ∙ Beatrix Urkowitz ∙ BearBear ∙ Beth Hetland ∙ Bonnie Guerra ∙ Braided Magazine ∙ Brian Uhl ∙ Bred Press ∙ Bubbles Fanzine ∙ Cam Collins ∙ Carmen Johns ∙ Cold Boy Press ∙ Comics Blogger ∙ Conor Stechschulte ∙ CRAM books ∙ D.R.Y. ∙ Dave Ortega ∙ Derick Jones ∙ DOG EYE PRESS ∙ E. Joy Mehr ∙ Eileen Chavez ∙ Entropy Editions ∙ Ernie Roan ∙ Fieldmouse Press ∙ Flannery Cashill ∙ fscare ∙ Gabriel Mason Howell ∙ George Porteus ∙ Gina Wynbrandt ∙ Goodbye Press ∙ Grayson Bear ∙ Harrison &amp; Nell ∙ Hoofprint ∙ Iona Fox ∙ Issue Press ∙ J. Marshall Smith ∙ J.E Paeth ∙ Jasjyot Singh Hans ∙ Jeremy Tinder and his Students ∙ Jetsy Merchblatt ∙ JT Wilkins / TTRX ∙ Kaitlin Kostus ∙ Kelly Wang ∙ Kevin Huizenga ∙ King-Cat Comix/Spit and a Half Distro ∙ Lale Westvind ∙ Lark Lyra Lou Hill ∙ Late Night Copies Press ∙ Liana Fu ∙ Lily (Basil) MacLachlan ∙ liz yerby ∙ Lucie Van der Elst, Nick Merlock Jackson, &amp; Robert Zant ∙ lucky risograph ∙ Lumpen Comics ∙ Maggie Umber ∙ Marnie Galloway ∙ Martian Press ∙ Math-you Land-vote ∙ Max Huffman ∙ Midwest Cuban Comics ∙ Mike Centeno ∙ More Human Editions ∙ Most Ancient ∙ NEOGLYPHIC MEDIA ∙ Organ Bank ∙ Other World Riso ∙ Patrick Kyle ∙ Perfectly Acceptable Press ∙ Pete Faecke ∙ Pratima Pinnepalli ∙ Project Onward ∙ Public Collectors ∙ Raeann Van Zee ∙ Reptile House Comix ∙ Robert Baxter ∙ Ron Regè, Jr. ∙ Sage Coffey ∙ Sam Hensley ∙ Sam Sharpe ∙ Sam Szabo ∙ Sean Mac ∙ Secret Room Press ∙ Shea Cahill ∙ SLOP ∙ Sofia Brunwin &amp; Joseph McColgan ∙ Sonnenzimmer ∙ Steve Schaberg ∙ Syd Madia ∙ Talya Modlin ∙ Taxonomy Press ∙ Teddie Bernard ∙ Tenderly &amp; friends ∙ TOMATO TOMATO TOMATO ∙ Work Press &amp; Publication ∙ Wormy Orchids ∙ Yewon Kwon ∙ 2dcloud</p><p>The post <a href="https://thevisualist.org/2024/06/zine-not-dead-fest/">Zine Not Dead Fest</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">161742</post-id>	</item>
		<item>
		<title>Neo-Tang</title>
		<link>https://thevisualist.org/2022/05/neo-tang/</link>
					<comments>https://thevisualist.org/2022/05/neo-tang/#respond</comments>
		
		<dc:creator><![CDATA[Hannah McHugh]]></dc:creator>
		<pubDate>Sat, 07 May 2022 00:00:01 +0000</pubDate>
				<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Reception]]></category>
		<category><![CDATA[Allie Trigoso]]></category>
		<category><![CDATA[Amanda Joy Calobrisi]]></category>
		<category><![CDATA[Amy Lockhart]]></category>
		<category><![CDATA[ANDY DOUGLAS DAY]]></category>
		<category><![CDATA[Anonymous Alcoholics]]></category>
		<category><![CDATA[Bailey Scieszka]]></category>
		<category><![CDATA[Bridgeport]]></category>
		<category><![CDATA[Bruce Conkle]]></category>
		<category><![CDATA[Bumbo Krawczyk]]></category>
		<category><![CDATA[Charles Roberts III]]></category>
		<category><![CDATA[Chris Cajero Cilla]]></category>
		<category><![CDATA[Chris Riddell]]></category>
		<category><![CDATA[Co-prosperity]]></category>
		<category><![CDATA[David Alvarado]]></category>
		<category><![CDATA[David Leggett]]></category>
		<category><![CDATA[Earwig H Hairplug]]></category>
		<category><![CDATA[Eddy Rivera]]></category>
		<category><![CDATA[Emma Akins]]></category>
		<category><![CDATA[Emma Punch]]></category>
		<category><![CDATA[Gina Herzik]]></category>
		<category><![CDATA[Haylie Jimenez]]></category>
		<category><![CDATA[Jimbo Easter]]></category>
		<category><![CDATA[John Maggie]]></category>
		<category><![CDATA[Keith Herzik]]></category>
		<category><![CDATA[Mac Blackout]]></category>
		<category><![CDATA[Math-You Land-Vote]]></category>
		<category><![CDATA[Max Morris]]></category>
		<category><![CDATA[Molly Colleen O'Connell]]></category>
		<category><![CDATA[Mony Nuñez]]></category>
		<category><![CDATA[Nayef Nebhan]]></category>
		<category><![CDATA[Onsmith + Nudd]]></category>
		<category><![CDATA[Paul Nudd]]></category>
		<category><![CDATA[Public Collectors]]></category>
		<category><![CDATA[Ruby T]]></category>
		<category><![CDATA[Sam Hensley]]></category>
		<category><![CDATA[Sam Szabo]]></category>
		<category><![CDATA[Sarah Leitten]]></category>
		<category><![CDATA[Thelonius Bone]]></category>
		<category><![CDATA[Tom Torluemke]]></category>
		<guid isPermaLink="false">http://www.thevisualist.org/?p=132303</guid>

					<description><![CDATA[<p>Neo-Tang is an ambitious group show curated by Max Morris and Paul Nudd that consists of paintings, drawings, sculptures, and performances by some of the Midwest&#8217;s most daring and vibrant (mostly) underground artists. The opening will double as a release party for the publication Corpus Corpus 12: Neo-Tang which includes multiple artists featured on the<a href="https://thevisualist.org/2022/05/neo-tang/" class="read-more">Continue Reading</a></p>
<p>The post <a href="https://thevisualist.org/2022/05/neo-tang/">Neo-Tang</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Neo-Tang is an ambitious group show curated by Max Morris and Paul Nudd that consists of paintings, drawings, sculptures, and performances by some of the Midwest&#8217;s most daring and vibrant (mostly) underground artists. The opening will double as a release party for the publication Corpus Corpus 12: Neo-Tang which includes multiple artists featured on the show and will be for sale for $20.</p>
<p>Neo-Tang is about artificiality, fakeness, and the unnatural order of things. Artificial flavors, false culture, plastics everywhere, anti-caking agents, Polydimethylsiloxane, anti-info, cheese dust, monounsaturated fats and oils, black mayonnaise, the unchecked and unfettered. Neo-Tang is an homage to the pre-adolescent Adderall spiked KOOL-AID Ritalin laced sugar tweeker universe. Our collective ADHD. KOOL-AID (Tang, Flavor-AID, etc.) is a cultural phenomenon and quintessentially American emblem. Revelry in dystopian consumerism.</p>
<p>We look at the theme of Kool-Aid and fake Tang as a cultural phenomenon, as a vehicle for cyanide and LSD, as a low-brow consumable and post-war chemical wonder. The larger themes, we suppose, are artificiality and fakeness, the current unnatural order of things, cultishness and chemical mind expansion, the endgame, the invasion of plastics in our minds and environment, processed culture, and the deliberate policy-driven framing of information.</p>
<p>All participating artists, including the publication and the exhibition:</p>
<p>Tom Torluemke<br />
Jimbo Easter<br />
Bumbo Krawczyk<br />
Bailey Scieszka<br />
Chris Riddell<br />
John Maggie<br />
Molly Colleen O&#8217;Connell<br />
Mac Blackout<br />
Keith Herzik<br />
Sarah Leitten<br />
Thelonius Bone<br />
David Leggett<br />
Bruce Conkle<br />
Anonymous Alcoholics<br />
Emma Akins<br />
Onsmith &amp; Nudd<br />
Public Collectors<br />
Gina Herzik<br />
Ruby T<br />
Charles Roberts III<br />
Haylie Jimenez<br />
Amanda Joy Calobrisi<br />
Andy Douglas Day<br />
Chris Cajero Cilla<br />
Emma Punch<br />
David Alvarado<br />
Sam Hensley<br />
Eddy Rivera<br />
Earwig H Hairplug<br />
Sam Szabo<br />
Max Morris<br />
Math-You Land-Vote<br />
Allie Trigoso<br />
Amy Lockhart<br />
Nayef Nebhan<br />
Mony Nunez</p>
<p>Neo-Tang will be on view from May 7th through May 21st. Join us for the opening at Co-Prosperity on May 7th from 6 to 9 pm.* That same night, Sanctified by Rainn Thomas will be opening in the windows of Co-Pro. More information will be available at <a href="https://coprosperity.org">coprosperity.org.</a></p>
<p>*You must be fully vaccinated and all are advised to wear a mask. Let’s continue to keep each other and our communities safe. Proof of vaccination will be required.</p>
<p>&nbsp;</p>
<p>&nbsp;</p><p>The post <a href="https://thevisualist.org/2022/05/neo-tang/">Neo-Tang</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">132303</post-id>	</item>
		<item>
		<title>Public Collectors: Publication Retrospective</title>
		<link>https://thevisualist.org/2020/02/public-collectors-publication-retrospective/</link>
					<comments>https://thevisualist.org/2020/02/public-collectors-publication-retrospective/#respond</comments>
		
		<dc:creator><![CDATA[Hannah McHugh]]></dc:creator>
		<pubDate>Sun, 23 Feb 2020 00:00:01 +0000</pubDate>
				<category><![CDATA[Book Release]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Chicago]]></category>
		<category><![CDATA[Marc Fischer]]></category>
		<category><![CDATA[Public Collectors]]></category>
		<category><![CDATA[Public Collectors: Publication Retrospective]]></category>
		<category><![CDATA[West Town]]></category>
		<category><![CDATA[Western Exhibitions]]></category>
		<guid isPermaLink="false">http://www.thevisualist.org/?p=112385</guid>

					<description><![CDATA[<p>Publication Retrospective is a one-day event that will take place at Western Exhibitions on Sunday, February 23, from 3 to 6pm. In 2007 the Chicago-based artist Marc Fischer began working under the project name Public Collectors to elevate sub-cultural, underground, marginal and collective perspectives that many museum and institutional collections neglect. Public Collectors has gradually<a href="https://thevisualist.org/2020/02/public-collectors-publication-retrospective/" class="read-more">Continue Reading</a></p>
<p>The post <a href="https://thevisualist.org/2020/02/public-collectors-publication-retrospective/">Public Collectors: Publication Retrospective</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Publication Retrospective is a one-day event that will take place at Western Exhibitions on Sunday, February 23, from 3 to 6pm.</p>
<p>In 2007 the Chicago-based artist Marc Fischer began working under the project name Public Collectors to elevate sub-cultural, underground, marginal and collective perspectives that many museum and institutional collections neglect. Public Collectors has gradually shifted toward an emphasis on artist book publishing and research, exploring a range of topics from underground music to obscure public library holdings and the criminal justice system.</p>
<p>To date Public Collectors has produced 44 booklets and this one-day event will serve as an opportunity to view all of those publications in one place. They range from offset booklets with print runs of 1,000 copies or more, to Risograph-printed materials and small editions produced and assembled at home with a black and white laser printer. Copies of many Public Collectors booklets will be available for purchase during this brief retrospective. Other materials are out of print and will be presented for in-gallery reading only.</p>
<p>Some highlights of Public Collectors’ publishing-related projects:</p>
<p>Hardcore Architecture explores the relationship between the architecture of living spaces and the history of American hardcore punk bands in the 1980s. Fischer researches band addresses using contact listings published from 1982-89 in the fanzine MAXIMUM ROCKNROLL and use Google Street View to capture photos of the homes. The project exists as a series of publications, prints, exhibitions, events, and a Tumblr blog, that present a visual survey of underground music based on where people lived.</p>
<p>Library Excavations highlights and activates public library materials through a series of publications. The project is particularly focused on materials that may be overlooked and under-utilized, that Fischer encourages visitors to request and view. Public Collectors has authored, designed and printed ten Library Excavations publications to date that observe collection materials ranging from illustrations in US Government safety manuals to advertisements geared toward people working in the prison industry.</p>
<p>An untitled series of five recent chap book-style artist booklets considers the poetry of ephemeral social media posts and sales listings on eBay and Craigslist. GRAVE PLOTS surveys Craigslist ads where people attempt to either sell family cemetery plots, or trade them for items like cars and tractors. SOLD AS BLANK / POSSIBLE LOST MEDIA reveals how people get around an eBay restriction on selling home-recorded VHS tapes by offering them as blank, despite detailed descriptions of each tape’s contents.</p>
<p>Public Collectors started The Courtroom Artist Residency in 2018. For this project artists are invited to attend approximately three hours of court proceedings with Marc Fischer at Cook County Criminal Court on 2650 S. California Ave. Following court, Fischer treats the resident to a meal nearby at Taqueria El Milagro and we discuss what they observed. A publication series, The Courtroom Artist Residency Report, that Public Collectors designs, edits and prints focuses on transcripts of these conversations. To date the project has hosted sixteen residents and created four booklets.</p>
<p>For more information on the work of Public Collectors, visit www.publiccollectors.org.</p>
<p>***</p>
<p>Exhibitions and Press:</p>
<p>Public Collectors projects have been exhibited at the Whitney Museum of American Art (2014 Whitney Biennial), Harold Washington Library, Gallery 400, The Franklin, The Reinstitute, ABC No Rio, The Art Gallery of Knoxville, The Print Center, Seattle Art Fair, Experimental Sound Studio, Outhouse, The Storefront, and at numerous art book fairs including the NY Art Book Fair, LA Art Book Fair, Chicago Art Book Fair, Vienna Art Book Fair, Detroit Art Book Fair, Toronto Art Book Fair, and at Rrréplica in Mexico City.</p>
<p>Projects by Public Collectors have been written about in the Chicago Tribune, New York Times, A/V Club, ArtNews, Artforum, The Village Voice, Art Papers, The Art Newspaper, Sixty Inches From Center, and The Seen</p><p>The post <a href="https://thevisualist.org/2020/02/public-collectors-publication-retrospective/">Public Collectors: Publication Retrospective</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">112385</post-id>	</item>
		<item>
		<title>Alternative Histories, Alternative Archives: A one-day symposium on the state of the archive</title>
		<link>https://thevisualist.org/2017/10/alternative-histories-alternative-archives-a-one-day-symposium-on-the-state-of-the-archive/</link>
					<comments>https://thevisualist.org/2017/10/alternative-histories-alternative-archives-a-one-day-symposium-on-the-state-of-the-archive/#respond</comments>
		
		<dc:creator><![CDATA[Meg Duguid]]></dc:creator>
		<pubDate>Thu, 05 Oct 2017 00:00:01 +0000</pubDate>
				<category><![CDATA[Talk]]></category>
		<category><![CDATA[Alternative Archives: A one-day symposium on the state of the archive]]></category>
		<category><![CDATA[Black Film Center/Archive]]></category>
		<category><![CDATA[Bridgeport]]></category>
		<category><![CDATA[Chicago Alternative Histories]]></category>
		<category><![CDATA[Chicago Film Archives]]></category>
		<category><![CDATA[Co-Prosperity Sphere]]></category>
		<category><![CDATA[Experimental Sound Studio]]></category>
		<category><![CDATA[Josh MacPhee]]></category>
		<category><![CDATA[Joshua J. Kent.]]></category>
		<category><![CDATA[Media Burn]]></category>
		<category><![CDATA[Public Collectors]]></category>
		<category><![CDATA[Read/Write Library]]></category>
		<category><![CDATA[School of the Art Institute of Chicago]]></category>
		<category><![CDATA[Sixty Inches From Center]]></category>
		<category><![CDATA[South Side Home Movie Project]]></category>
		<category><![CDATA[video data bank]]></category>
		<guid isPermaLink="false">http://www.thevisualist.org/?p=72085</guid>

					<description><![CDATA[<p>“This material will still be here when you leave. Someone else will study it. These images will encounter other times, other faces.” — Akram Zaatari, artist, speaking about the Arab Image Foundation photography archive The concept of “the Archive” has gained potency over recent years, particularly in the realms of art and culture. Depository of<a href="https://thevisualist.org/2017/10/alternative-histories-alternative-archives-a-one-day-symposium-on-the-state-of-the-archive/" class="read-more">Continue Reading</a></p>
<p>The post <a href="https://thevisualist.org/2017/10/alternative-histories-alternative-archives-a-one-day-symposium-on-the-state-of-the-archive/">Alternative Histories, Alternative Archives: A one-day symposium on the state of the archive</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>“This material will still be here when you leave. Someone else will study it. These images will encounter other times, other faces.” — Akram Zaatari, artist, speaking about the Arab Image Foundation photography archive</p>
<p>The concept of “the Archive” has gained potency over recent years, particularly in the realms of art and culture. Depository of information, home for memory and data, source of inspiration and inquiry for artists and researchers — archives function in a multitude of ways across disciplines.</p>
<p>For more than forty years, Video Data Bank (VDB) has served as a valuable resource for alternative video art histories, and has itself evolved into an “accidental” archive. VDB is a pioneer in fostering awareness and scholarship of media art — from a renowned anthology of early video art, to feminist and queer-focused curatorial projects, and media activist collections — long advocating for this most democratic and widely distributed of art forms.</p>
<p>This October, VDB will host Alternative Histories, Alternative Archives, a one-day symposium centered on alternative archival content, practices, and strategies, from archivists, academics, and artists. Among the questions posed:</p>
<p>-What makes an archive?<br />
-Who is the archive for?<br />
-Is the archive neutral?<br />
-Who controls the archive?<br />
-Can the archive be a progressive tool?<br />
-How can the archive survive in the current political and financial climate?</p>
<p>We are happy to welcome Josh MacPhee of Interference Archive as our keynote speaker, as well as representatives from organizations including: Black Film Center/Archive, Chicago Film Archives, Experimental Sound Studio, Media Burn, Public Collectors, Read/Write Library, School of the Art Institute of Chicago, Sixty Inches From Center, South Side Home Movie Project, and artist Joshua J. Kent.</p>
<p>Co-Prosperity Sphere<br />
3219 South Morgan Street<br />
Chicago, IL 60608</p>
<p>Thursday, October 5th 9.00am-5.00pm</p>
<p>This event has been made possible thanks to the Lyn Blumenthal Memorial Fund</p><p>The post <a href="https://thevisualist.org/2017/10/alternative-histories-alternative-archives-a-one-day-symposium-on-the-state-of-the-archive/">Alternative Histories, Alternative Archives: A one-day symposium on the state of the archive</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">72085</post-id>	</item>
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		<title>Public Collectors: Hardcore Architecture</title>
		<link>https://thevisualist.org/2015/08/public-collectors-hardcore-architecture/</link>
					<comments>https://thevisualist.org/2015/08/public-collectors-hardcore-architecture/#respond</comments>
		
		<dc:creator><![CDATA[Meg Duguid]]></dc:creator>
		<pubDate>Sat, 08 Aug 2015 00:00:01 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[dock 6]]></category>
		<category><![CDATA[East Garfield Park]]></category>
		<category><![CDATA[Edra Soto]]></category>
		<category><![CDATA[Half Letter Press]]></category>
		<category><![CDATA[Marc Fischer]]></category>
		<category><![CDATA[Public Collectors]]></category>
		<category><![CDATA[Temporary Services]]></category>
		<category><![CDATA[The Franklin]]></category>
		<guid isPermaLink="false">http://www.thevisualist.org/?p=54240</guid>

					<description><![CDATA[<p>Hardcore Architecture explores the relationship between the architecture of living spaces and the history of underground American hardcore bands in the 1980s. Hardcore Architecture is a project of Marc Fischer and Public Collectors. Established in 2007 by Marc Fischer, Public Collectors encourages collectors of material culture—the kind that most museums won’t exhibit—to ‘open’ their collections<a href="https://thevisualist.org/2015/08/public-collectors-hardcore-architecture/" class="read-more">Continue Reading</a></p>
<p>The post <a href="https://thevisualist.org/2015/08/public-collectors-hardcore-architecture/">Public Collectors: Hardcore Architecture</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Hardcore Architecture explores the relationship between the architecture of living spaces and the history of underground American hardcore bands in the 1980s.<br />
Hardcore Architecture is a project of Marc Fischer and Public Collectors.</p>
<p>Established in 2007 by Marc Fischer, Public Collectors encourages collectors of material culture—the kind that most museums won’t exhibit—to ‘open’ their collections to the public.</p>
<p>Marc Fischer is a Chicago-based artist and a member of Temporary Services, a group that has produced over 110 publications and organized and participated in dozens of exhibitions, projects, and events. Fischer and Brett Bloom of Temporary Services also run the publishing imprint Half Letter Press.</p>
<p>Plus:<br />
SOUND TOURS</p>
<p>by Norman W Long</p>
<p>Outdoor sound tours will be available by appointment</p>
<p>Norman W. Long (b. 1973, Chicago, IL) is a local sound artist/designer/composer born and raised on the South Side of Chicago. His current work focuses on sound art production within the larger context of landscape.</p>
<p>THE FRANKLIN<br />
3522 W. Franklin Blvd, Chicago IL 60624<br />
(312)823-3632<br />
Hours: Saturdays 2-5PM and by appointment<br />
http://thefranklinoutdoor.tumblr.com/</p><p>The post <a href="https://thevisualist.org/2015/08/public-collectors-hardcore-architecture/">Public Collectors: Hardcore Architecture</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">54240</post-id>	</item>
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		<title>ETERNITY &#8211; The Rave and Club Flyer Collection of Bridgette Buckley</title>
		<link>https://thevisualist.org/2011/08/eternity-the-rave-and-club-flyer-collection-of-bridgette-buckley/</link>
					<comments>https://thevisualist.org/2011/08/eternity-the-rave-and-club-flyer-collection-of-bridgette-buckley/#respond</comments>
		
		<dc:creator><![CDATA[Hannah McHugh]]></dc:creator>
		<pubDate>Sat, 13 Aug 2011 10:00:22 +0000</pubDate>
				<category><![CDATA[Reception]]></category>
		<category><![CDATA[Bridget Buckley]]></category>
		<category><![CDATA[Logan Square]]></category>
		<category><![CDATA[Public Collectors]]></category>
		<guid isPermaLink="false">http://www.thevisualist.org/2011/08/eternity-the-rave-and-club-flyer-collection-of-bridgette-buckley/</guid>

					<description><![CDATA[<p>For this one night event, Chicago-based artist and designer Bridgette Buckley will share her collection of rave and club flyers spanning from 1992-2001. Buckley writes: &#8220;From the very first party I attended in Boulder, Colorado in 1993 called Back to the Basics, hosted by ‘Mike E’, I fastidiously collected flyers for every event I went<a href="https://thevisualist.org/2011/08/eternity-the-rave-and-club-flyer-collection-of-bridgette-buckley/" class="read-more">Continue Reading</a></p>
<p>The post <a href="https://thevisualist.org/2011/08/eternity-the-rave-and-club-flyer-collection-of-bridgette-buckley/">ETERNITY – The Rave and Club Flyer Collection of Bridgette Buckley</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>For this one night event, Chicago-based artist and designer Bridgette Buckley will share her collection of rave and club flyers spanning from 1992-2001. Buckley writes:</p>
<p>&#8220;From the very first party I attended in Boulder, Colorado in 1993 called Back to the Basics, hosted by ‘Mike E’, I fastidiously collected flyers for every event I went to, for events even loosely connected to those I attended or wanted to attend, and for events featuring acquaintances who were DJs, promoters, producers, dancers and artists. I kept them as a record of my own experience and to document that moment in history.&#8221;</p>
<p>Bridgette Buckley and Public Collectors have produced a free offset printed club invitation for the event which features a short text by Buckley on her collection. Additionally, Bridgette will be playing music from this period. If you can&#8217;t attend, the collection will be available for viewing by appointment for a week following August 13th. Contact Brandon Alvendia (alvendia1 [at] gmail.com) of The Storefront to schedule a visit. Scans from Bridgette Buckley&#8217;s collection will be uploaded to the Public Collectors Flickr page.</p><p>The post <a href="https://thevisualist.org/2011/08/eternity-the-rave-and-club-flyer-collection-of-bridgette-buckley/">ETERNITY – The Rave and Club Flyer Collection of Bridgette Buckley</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">8798</post-id>	</item>
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