<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" > <channel> <title>Michael Marks - The Visualist</title> <atom:link href="https://thevisualist.org/tag/michael-marks/feed/" rel="self" type="application/rss+xml" /> <link>https://thevisualist.org</link> <description>Chicago Visual Arts Calendar</description> <lastBuildDate>Thu, 23 Jan 2020 13:15:52 +0000</lastBuildDate> <language>en-US</language> <sy:updatePeriod> hourly </sy:updatePeriod> <sy:updateFrequency> 1 </sy:updateFrequency> <generator>https://wordpress.org/?v=6.7.1</generator> <image> <url>https://thevisualist.org/wp-content/uploads/2023/11/13715238_1656465681341114_192907186_a1-200x200.jpg</url> <title>Michael Marks - The Visualist</title> <link>https://thevisualist.org</link> <width>32</width> <height>32</height> </image> <site xmlns="com-wordpress:feed-additions:1">232801582</site> <item> <title>States of Democracy and Borderstasis by Guillermo Gómez-Peña</title> <link>https://thevisualist.org/2020/01/states-of-democracy-and-borderstasis-by-guillermo-gomez-pena/</link> <comments>https://thevisualist.org/2020/01/states-of-democracy-and-borderstasis-by-guillermo-gomez-pena/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Thu, 23 Jan 2020 06:00:01 +0000</pubDate> <category><![CDATA[Uncategorized]]></category> <category><![CDATA[Ashanti McGee]]></category> <category><![CDATA[Danielle Kelly]]></category> <category><![CDATA[David Sanchez-Burr]]></category> <category><![CDATA[Durand Art Institute]]></category> <category><![CDATA[Guillermo Gomez-Pena]]></category> <category><![CDATA[Hina Barlas]]></category> <category><![CDATA[Jake Dockins]]></category> <category><![CDATA[Kelley O'Brien]]></category> <category><![CDATA[Lake Forest]]></category> <category><![CDATA[Lake Forest College]]></category> <category><![CDATA[Lindsay Garcia]]></category> <category><![CDATA[Martin Krafft]]></category> <category><![CDATA[Mia Adams]]></category> <category><![CDATA[Michael Marks]]></category> <category><![CDATA[Rebecca Goldberg]]></category> <category><![CDATA[Stacy Arezou Mehrfar]]></category> <category><![CDATA[States of Democracy and Borderstasis by Guillermo Gómez-PeñaStates of Democracy and Borderstasis by Guillermo Gómez-Peña]]></category> <category><![CDATA[Yasmina Chavez]]></category> <guid isPermaLink="false">https://www.thevisualist.org/?p=111177</guid> <description><![CDATA[<p>States of Democracy Artists Mia Adams Hina Barlas Yasmina Chavez Jake Dockins Lindsay Garcia Martin Krafft Michael Marks Ashanti McGee Stacy Arezou Mehrfar Kelley O’Brien Juried by David Sanchez Burr, Danielle Kelly and Rebecca Goldberg Curated by David Sanchez Burr Crucial to the success of democracy stand the challenges of equal representation, justice and human<a href="https://thevisualist.org/2020/01/states-of-democracy-and-borderstasis-by-guillermo-gomez-pena/" class="read-more">Continue Reading</a></p> <p>The post <a href="https://thevisualist.org/2020/01/states-of-democracy-and-borderstasis-by-guillermo-gomez-pena/">States of Democracy and Borderstasis by Guillermo Gómez-Peña</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>States of Democracy Artists<br /> Mia Adams<br /> Hina Barlas<br /> Yasmina Chavez<br /> Jake Dockins<br /> Lindsay Garcia<br /> Martin Krafft<br /> Michael Marks<br /> Ashanti McGee<br /> Stacy Arezou Mehrfar<br /> Kelley O’Brien</p> <p>Juried by David Sanchez Burr, Danielle Kelly and Rebecca Goldberg<br /> Curated by David Sanchez Burr</p> <p>Crucial to the success of democracy stand the challenges of equal representation, justice and human rights. Progress towards these goals can be fragile and recent election cycles have created salient evidence that deep regressions in democratic systems are warnings we must take seriously.</p> <p>Driven to explore states of democracy, poignant artworks are effective vehicles through which we encourage discourse and provide opportunities to critique, examine and reflect on the impact democracy has on our lives. The Artists chosen for this exhibit all brought to bear interesting interpretations through which we can think of democracy.</p> <p>The exhibit focuses on a variety of subjects that help form a broad representation of democracy. The work in this exhibition was selected for its potential as a collective of work capable of transmitting experiences, interpretations, situations and language associated with a laundry list of socio-political issues present in society. Each artist brings forth a valuable perspective and the cumulative effect of viewing their work makes one more aware of a distinctly convoluted state of democracy. The intent of the exhibit is to pierce through the mediated and prescribed notions of ourselves and find patient reflection on how to address the challenges ahead.</p> <p>Borderstasis</p> <p>Borderstasis by Guillermo Gómez Peña 1998 compliments the work of States of Democracy and is exhibited at the Albright Gallery, the video is on loan from the Video Data Bank at the School of the Art Institute of Chicago. If there are counter-culture super/anti heroes, Guillermo Gómez Peña certainly would stand among them. Borderstasis is a compilation of video performances that stab right through the facade of perceived notions of border culture, the American north and south, stereotypes and confrontations of race, ethnicity, culture, language, and politics. In tandem with States of Democracy, “Borderstasis” completes the journey through the gallery spaces. Gómez-Peña gives alternative and often maligned communities and lifestyles (“the others”) hope and the ammunition to stand up for each other and for anyone else that hasn’t found the itinerant, placeless, and ephemeral communities they have always belonged to.</p><p>The post <a href="https://thevisualist.org/2020/01/states-of-democracy-and-borderstasis-by-guillermo-gomez-pena/">States of Democracy and Borderstasis by Guillermo Gómez-Peña</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>https://thevisualist.org/2020/01/states-of-democracy-and-borderstasis-by-guillermo-gomez-pena/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">111177</post-id> </item> </channel> </rss>