<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" > <channel> <title>matt mancini - The Visualist</title> <atom:link href="https://thevisualist.org/tag/matt-mancini/feed/" rel="self" type="application/rss+xml" /> <link>https://thevisualist.org</link> <description>Chicago Visual Arts Calendar</description> <lastBuildDate>Thu, 25 Jul 2024 13:03:32 +0000</lastBuildDate> <language>en-US</language> <sy:updatePeriod> hourly </sy:updatePeriod> <sy:updateFrequency> 1 </sy:updateFrequency> <generator>https://wordpress.org/?v=6.7.1</generator> <image> <url>https://thevisualist.org/wp-content/uploads/2023/11/13715238_1656465681341114_192907186_a1-200x200.jpg</url> <title>matt mancini - The Visualist</title> <link>https://thevisualist.org</link> <width>32</width> <height>32</height> </image> <site xmlns="com-wordpress:feed-additions:1">232801582</site> <item> <title>UP & UP</title> <link>https://thevisualist.org/2024/07/up-up/</link> <comments>https://thevisualist.org/2024/07/up-up/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Sun, 28 Jul 2024 16:00:00 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Performance]]></category> <category><![CDATA[Abigail Buzbee]]></category> <category><![CDATA[Alden Burke]]></category> <category><![CDATA[Angie Jennings]]></category> <category><![CDATA[Ash Dye]]></category> <category><![CDATA[Bronte Marsteller]]></category> <category><![CDATA[Caroline Lee Liu]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Christina Sadovnikov]]></category> <category><![CDATA[Eian Hsu]]></category> <category><![CDATA[Eli Greene]]></category> <category><![CDATA[Emily Vaughan Brown]]></category> <category><![CDATA[Eric Anthony Berdis]]></category> <category><![CDATA[Frank Hueter]]></category> <category><![CDATA[Genie Hong]]></category> <category><![CDATA[Grace Kubilius]]></category> <category><![CDATA[Hai-Wen Lin]]></category> <category><![CDATA[Hyde Park]]></category> <category><![CDATA[Inga Adda]]></category> <category><![CDATA[Jake Lahah]]></category> <category><![CDATA[Janet George]]></category> <category><![CDATA[Jenna Marie Alderiso]]></category> <category><![CDATA[Kate Klingbiel]]></category> <category><![CDATA[kg]]></category> <category><![CDATA[Kirsten Hemrich]]></category> <category><![CDATA[Lena Klett]]></category> <category><![CDATA[Lizzy DuQuette]]></category> <category><![CDATA[Madeline Gallucci]]></category> <category><![CDATA[Maggie Crowley]]></category> <category><![CDATA[matt mancini]]></category> <category><![CDATA[Michael Madrigali]]></category> <category><![CDATA[Noah Hook]]></category> <category><![CDATA[Noël Morical]]></category> <category><![CDATA[Nolan Barry]]></category> <category><![CDATA[Omar Abulsheikh]]></category> <category><![CDATA[promontory point]]></category> <category><![CDATA[Sam Dybeck]]></category> <category><![CDATA[Sana Masud]]></category> <category><![CDATA[Tieg Harte]]></category> <category><![CDATA[UP & UP]]></category> <category><![CDATA[Zehra Khan]]></category> <guid isPermaLink="false">https://thevisualist.org/?p=163553</guid> <description><![CDATA[<p>Up & Up is a collaborative kite project led by Nöel Morical and Christina Sadovnikov involving over 50 artists from various locations. The initiative was inspired by a desire to create a community-centered art project that engages with contemporary art in a unique way. Each artist created 1-2 kites to be flown collectively in Chicago,<a href="https://thevisualist.org/2024/07/up-up/" class="read-more">Continue Reading</a></p> <p>The post <a href="https://thevisualist.org/2024/07/up-up/">UP & UP</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Up & Up is a collaborative kite project led by Nöel Morical and Christina Sadovnikov involving over 50 artists from various locations. The initiative was inspired by a desire to create a community-centered art project that engages with contemporary art in a unique way. Each artist created 1-2 kites to be flown collectively in Chicago, creating a rich tapestry of kites in the sky.</p> <p>The history of kites as symbols of defiance and liberation, and tools for uplifting spirits through play is central to our project. We are mindful of the symbolic significance of kites flown in Palestine and stand in solidarity by denouncing the genocide against the people of Palestine. We strongly oppose the Israeli occupation of Gaza and its support backed by the U.S. government. We fly our kites to acknowledge the volatile injustices many Palestinians are facing and offer pathways for cultivating hope and solidarity with them during this time.</p> <p>Our goal is to encourage more events prioritizing creative practices that engage with public spaces and spark meaningful dialogues with contemporary art outside of institutional settings. Through fostering new experiences among diverse participants and viewers, Up & Up aims to unite communities for critical conversations via collective play, drawing on a range of diverse perspectives.</p> <p>Omar Abulsheikh – Inga Adda – Jenna Marie Alderiso – Nolan Barry – Eric Anthony Berdis – Emily Vaughan Brown – Abigail Buzbee – Alden Burke – Maggie Crowley – Lizzy DuQuette – Sam Dybeck – Ash Dye – Madeline Gallucci – Janet George – KG – Eli Greene – Tieg Harte – Kirsten Hemrich – Genie Hong – Noah Hook – Eian Hsu – Frank Hueter – Angie Jennings – Zehra Khan – Lena Klett – Kate Klingbiel – Grace Kubilius – Jake Lahah – Hai-Wen Lin – Caroline Lee Liu – Michael Madrigali – Matt Mancini – Bronte Marsteller – Sana Masud</p> <p> </p> <p> </p><p>The post <a href="https://thevisualist.org/2024/07/up-up/">UP & UP</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>https://thevisualist.org/2024/07/up-up/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">163553</post-id> </item> <item> <title>Closing Reception: Tooth for a Tooth</title> <link>https://thevisualist.org/2024/04/closing-reception-tooth-for-a-tooth-2/</link> <comments>https://thevisualist.org/2024/04/closing-reception-tooth-for-a-tooth-2/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Sun, 14 Apr 2024 18:00:00 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Erin Washington]]></category> <category><![CDATA[Kevin Umaña]]></category> <category><![CDATA[LVL3]]></category> <category><![CDATA[matt mancini]]></category> <category><![CDATA[Noël Morical]]></category> <category><![CDATA[Ryan Oskin]]></category> <category><![CDATA[Tooth for a Tooth]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">https://thevisualist.org/?p=158568</guid> <description><![CDATA[<p>LVL3 proudly presents Tooth for a Tooth, a group exhibition celebrating the gallery’s 14th anniversary. For each anniversary, we welcome back five previously exhibited artists back to LVL3. This year, Matt Mancini, Kevin Umaña, Ryan Oskin, Noël Morical, and Erin Washington will contribute artworks to explore the relationship between these weighted histories, and to celebrate<a href="https://thevisualist.org/2024/04/closing-reception-tooth-for-a-tooth-2/" class="read-more">Continue Reading</a></p> <p>The post <a href="https://thevisualist.org/2024/04/closing-reception-tooth-for-a-tooth-2/">Closing Reception: Tooth for a Tooth</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>LVL3 proudly presents Tooth for a Tooth, a group exhibition celebrating the gallery’s 14th anniversary. For each anniversary, we welcome back five previously exhibited artists back to LVL3. This year, Matt Mancini, Kevin Umaña, Ryan Oskin, Noël Morical, and Erin Washington will contribute artworks to explore the relationship between these weighted histories, and to celebrate another year.</p> <p>14 is considered a karmic number. Karmic numbers can represent challenges you need to face in your life, as well as the potential for growth and positive change. They are sending you an important message about the different ways your life may change. Karmic debt number 14 is one of the most challenging numbers in the entire numerology system as it is closely associated with hope and fear. For people with this number, it is essential to remain modest to overcome their karmic debt to live freely.</p> <p>In American tradition, the 14th wedding anniversary gift is ivory. Ivory was one the first materials used to replace lost teeth. These dentures would often decay inside the users’ mouths, but would almost always get the job done.</p> <p>Opening: Saturday, March 9th, 6-9PM</p> <p>Extended EXPO hours: Friday, April 12, 5-8PM / Saturday, April 13, 1-4PM</p> <p>Closing Reception: Sunday, April 14th, 1-4PM</p> <p>Gallery hours are Sundays 1-4 pm and can also be made by appointment. Email team@lvl3official.com or call/text 312-469-0333 to reserve a time outside of gallery hours.</p><p>The post <a href="https://thevisualist.org/2024/04/closing-reception-tooth-for-a-tooth-2/">Closing Reception: Tooth for a Tooth</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>https://thevisualist.org/2024/04/closing-reception-tooth-for-a-tooth-2/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">158568</post-id> </item> <item> <title>Tooth for a Tooth</title> <link>https://thevisualist.org/2024/03/tooth-for-a-tooth/</link> <comments>https://thevisualist.org/2024/03/tooth-for-a-tooth/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 09 Mar 2024 16:36:10 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Erin Washington]]></category> <category><![CDATA[Kevin Umaña]]></category> <category><![CDATA[LVL3]]></category> <category><![CDATA[matt mancini]]></category> <category><![CDATA[Noël Morical]]></category> <category><![CDATA[Ryan Oskin]]></category> <category><![CDATA[Tooth for a Tooth]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://thevisualist.org/?p=156956</guid> <description><![CDATA[<p>LVL3 proudly presents Tooth for a Tooth, a group exhibition celebrating the gallery’s 14th anniversary. For each anniversary, we welcome back five previously exhibited artists back to LVL3. This year, Matt Mancini, Kevin Umaña, Ryan Oskin, Noël Morical, and Erin Washington will contribute artworks to explore the relationship between these weighted histories, and to celebrate<a href="https://thevisualist.org/2024/03/tooth-for-a-tooth/" class="read-more">Continue Reading</a></p> <p>The post <a href="https://thevisualist.org/2024/03/tooth-for-a-tooth/">Tooth for a Tooth</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>LVL3 proudly presents <i>Tooth for a Tooth,</i> a group exhibition celebrating the gallery’s 14th anniversary. For each anniversary, we welcome back five previously exhibited artists back to LVL3. This year,<b> Matt Mancini, Kevin Umaña, Ryan Oskin, Noël Morical</b>, and <b>Erin Washington</b> will contribute artworks to explore the relationship between these weighted histories, and to celebrate another year.</p> <p>14 is considered a karmic number. Karmic numbers can represent challenges you need to face in your life, as well as the potential for growth and positive change. They are sending you an important message about the different ways your life may change. Karmic debt number 14 is one of the most challenging numbers in the entire numerology system as it is closely associated with hope and fear. For people with this number, it is essential to remain modest to overcome their karmic debt to live freely.</p> <p>In American tradition, the 14th wedding anniversary gift is ivory. Ivory was one the first materials used to replace lost teeth. These dentures would often decay inside the users’ mouths, but would almost always get the job done.</p> <p> </p> <p><strong>Opening:</strong> Saturday, March 9th, 6-9PM</p> <p><span id="speechify-first-word-listening-nudge-7">Gallery hours are</span> Sundays 1-4 pm and can also be made by appointment. Email<strong> </strong></p> <p>or call/text <strong>312-469-0333</strong> to reserve a time outside of gallery hours.</p><p>The post <a href="https://thevisualist.org/2024/03/tooth-for-a-tooth/">Tooth for a Tooth</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>https://thevisualist.org/2024/03/tooth-for-a-tooth/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">156956</post-id> </item> <item> <title>Max Capus and Matt Mancini</title> <link>https://thevisualist.org/2023/04/max-capus-and-matt-mancini/</link> <comments>https://thevisualist.org/2023/04/max-capus-and-matt-mancini/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Fri, 28 Apr 2023 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[matt mancini]]></category> <category><![CDATA[Max Capus]]></category> <category><![CDATA[Max Capus and Matt Mancini]]></category> <category><![CDATA[Paris London Hong Kong]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=143520</guid> <description><![CDATA[<p>Paris London Hong Kong is excited to present a two person presentation of works by Max Capus and Matt Mancini. The exhibition will open on April 28, 2023 with a reception from 5-8pm and continue through June 17, 2023.</p> <p>The post <a href="https://thevisualist.org/2023/04/max-capus-and-matt-mancini/">Max Capus and Matt Mancini</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Paris London Hong Kong is excited to present a two person presentation of works by Max Capus and Matt Mancini. The exhibition will open on April 28, 2023 with a reception from 5-8pm and continue through June 17, 2023.</p><p>The post <a href="https://thevisualist.org/2023/04/max-capus-and-matt-mancini/">Max Capus and Matt Mancini</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>https://thevisualist.org/2023/04/max-capus-and-matt-mancini/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">143520</post-id> </item> <item> <title>Face in the Crowd: Curator talk</title> <link>https://thevisualist.org/2022/11/face-in-the-crowd-2/</link> <comments>https://thevisualist.org/2022/11/face-in-the-crowd-2/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Fri, 04 Nov 2022 21:34:04 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Talk]]></category> <category><![CDATA[Aaron Kleeblatt]]></category> <category><![CDATA[Alberto Aguilar]]></category> <category><![CDATA[Alex Bradley Cohen]]></category> <category><![CDATA[Alex Scott]]></category> <category><![CDATA[Andy Ozier]]></category> <category><![CDATA[Anna Degnbol with Ben Marcus]]></category> <category><![CDATA[arts of life]]></category> <category><![CDATA[Arts of Life and Circle Contemporary]]></category> <category><![CDATA[Brian Reed]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Christianne Msall]]></category> <category><![CDATA[Circle Contemporary]]></category> <category><![CDATA[Curator Talk]]></category> <category><![CDATA[Danny Frownfelter]]></category> <category><![CDATA[East Garfield Park]]></category> <category><![CDATA[Emilia Olsen]]></category> <category><![CDATA[Face in the Crowd]]></category> <category><![CDATA[Frances Roberts]]></category> <category><![CDATA[Hailee Va]]></category> <category><![CDATA[Jack O'Sullivan]]></category> <category><![CDATA[Jay White]]></category> <category><![CDATA[Kate Klingbeil]]></category> <category><![CDATA[Kelly Stone]]></category> <category><![CDATA[kg]]></category> <category><![CDATA[Lynnea Holland-Weiss]]></category> <category><![CDATA[Marcus Kennedy]]></category> <category><![CDATA[matt mancini]]></category> <category><![CDATA[Megan Capps]]></category> <category><![CDATA[Noël Morical]]></category> <category><![CDATA[Omar Abulsheikh]]></category> <category><![CDATA[Raina Carter]]></category> <category><![CDATA[Richard Hull]]></category> <category><![CDATA[Stefan Harhaj]]></category> <category><![CDATA[Steven Vainberg]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=137999</guid> <description><![CDATA[<p>Guest Curator talk: (RSVP to circlecontemporary@artsoflife.org) November 4th, 2022 1:00-2:00 pm. Omar Abulsheikh, Alberto Aguilar, Megan Capps, Raina Carter, Alex Bradley Cohen, Anna Degnbol with Ben Marcus, Danny Frownfelter, KG, Stefan Harhaj, Richard Hull, Marcus Kennedy, Aaron Kleeblatt, Kate Klingbeil, Matt Mancini, Christianne Msall, Emilia Olsen, Jack O’Sullivan, Andy Ozier, Brian Reed, Frances Roberts, Alex<a href="https://thevisualist.org/2022/11/face-in-the-crowd-2/" class="read-more">Continue Reading</a></p> <p>The post <a href="https://thevisualist.org/2022/11/face-in-the-crowd-2/">Face in the Crowd: Curator talk</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p><strong><a href="https://artsoflife.org/artist/omar-abulsheikh/">Guest Curator talk: (RSVP to circlecontemporary@artsoflife.org)<br /> November 4th, 2022<br /> 1:00-2:00 pm.</a></strong></p> <p><strong><a href="https://artsoflife.org/artist/omar-abulsheikh/">Omar Abulsheikh</a>, <a href="https://albertoaguilar.org/">Alberto Aguilar</a>, <a href="https://megancapps.com/">Megan Capps</a>, <a href="https://artsoflife.org/artist/raina-carter/">Raina Carter</a>, </strong><strong><a href="https://nicellebeauchene.com/artists/alex-bradley-cohen/">Alex Bradley Cohen</a></strong><strong>, <a href="https://annadegnbol.dk/">Anna Degnbol</a> with <a href="https://www.instagram.com/goodbye_press/?hl=en">Ben Marcus</a>, <a href="https://artsoflife.org/artist/danny-frownfelter/">Danny Frownfelter</a>, <a href="http://www.karolinagnatowski.com/">KG</a>, <a href="https://artsoflife.org/artist/stefan-harhaj/">Stefan Harhaj</a>, <a href="https://westernexhibitions.com/artist/richard-hull/">Richard Hull</a>, <a href="https://artsoflife.org/artist/marcus-kennedy/">Marcus Kennedy</a>, <a href="https://artsoflife.org/artist/aaron-kleeblatt/">Aaron Kleeblatt</a>, <a href="http://kateklingbeil.com/">Kate Klingbeil</a>, <a href="https://www.mattmancini.com/">Matt Mancini</a>, <a href="https://artsoflife.org/artist/christianne-msall/">Christianne Msall</a>, <a href="https://www.emiliawolsen.com/">Emilia Olsen</a>, <a href="https://artsoflife.org/artist/jack-osullivan/">Jack O’Sullivan</a>, <a href="https://www.totallyandy.com/">Andy Ozier</a>, <a href="https://artsoflife.org/artist/brian-reed/">Brian Reed</a>, <a href="https://artsoflife.org/artist/frances-roberts/">Frances Roberts</a>, </strong><strong><a href="https://artsoflife.org/artist/alex-scott/">Alex Scott, </a></strong><strong><a href="https://artsoflife.org/artist/kelly-stone/">Kelly Stone</a>, <a href="https://www.instagram.com/slimesistren/?hl=en">Hailee Va</a>, <a href="https://www.printedmatter.org/catalog/artist/28897">Steven Vainberg</a>, <a href="http://lynneahollandweiss.com/">Lynnea Holland-Weiss</a>, Jay White.</strong></p> <p> </p> <p>Guest curated by <a href="https://noelmorical.com/home.html">Noël Morical</a></p> <p>Noël Morical (American, b. 1989) lives and works in Chicago IL. She received her BFA from the School of the Art Institute of Chicago in 2011. She is the curator of traveling exhibition “Pocket Object”, a keychain themed exhibition. Solo exhibitions include Andrew Rafacz Gallery,Chicago; 57W57 Arts, New York; and Fiberspace Gallery,Stockholm. Group and two-person exhibitions include MCA, Chicago; Weinburg-Newton Gallery, Chicago; 99¢ Plus Gallery, Brooklyn; Athen B. Gallery, Oakland; Chicago Artist Coalition, Chicago, Slow Gallery, Chicago; LVL3; Chicago.</p> <p><i>“In another place, another town</i><br /> <i>You were just a face in the crowd”</i></p> <p>– Tom Petty</p> <p><i>Face in the Crowd</i> strives to conjure the simple pleasure of meandering through throngs of people. The exhibition brings together artists working in portraiture in all forms to create a dense crowd in the gallery. The passing feelings of familiarity, novelty, and chance alight upon the audience as their eyes travel through the unique and unified collective of faces.</p> <p> </p><p>The post <a href="https://thevisualist.org/2022/11/face-in-the-crowd-2/">Face in the Crowd: Curator talk</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>https://thevisualist.org/2022/11/face-in-the-crowd-2/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">137999</post-id> </item> <item> <title>Face in the Crowd</title> <link>https://thevisualist.org/2022/10/face-in-the-crowd/</link> <comments>https://thevisualist.org/2022/10/face-in-the-crowd/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Fri, 14 Oct 2022 11:44:54 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Aaron Kleeblatt]]></category> <category><![CDATA[Alberto Aguilar]]></category> <category><![CDATA[Alex Bradley Cohen]]></category> <category><![CDATA[Alex Scott]]></category> <category><![CDATA[Andy Ozier]]></category> <category><![CDATA[Anna Degnbol with Ben Marcus]]></category> <category><![CDATA[arts of life]]></category> <category><![CDATA[Arts of Life and Circle Contemporary]]></category> <category><![CDATA[Brian Reed]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Christianne Msall]]></category> <category><![CDATA[Circle Contemporary]]></category> <category><![CDATA[Danny Frownfelter]]></category> <category><![CDATA[East Garfield Park]]></category> <category><![CDATA[Emilia Olsen]]></category> <category><![CDATA[Face in the Crowd]]></category> <category><![CDATA[Frances Roberts]]></category> <category><![CDATA[Hailee Va]]></category> <category><![CDATA[Jack O'Sullivan]]></category> <category><![CDATA[Jay White]]></category> <category><![CDATA[Kate Klingbeil]]></category> <category><![CDATA[Kelly Stone]]></category> <category><![CDATA[kg]]></category> <category><![CDATA[Lynnea Holland-Weiss]]></category> <category><![CDATA[Marcus Kennedy]]></category> <category><![CDATA[matt mancini]]></category> <category><![CDATA[Megan Capps]]></category> <category><![CDATA[Noël Morical]]></category> <category><![CDATA[Omar Abulsheikh]]></category> <category><![CDATA[Raina Carter]]></category> <category><![CDATA[Richard Hull]]></category> <category><![CDATA[Stefan Harhaj]]></category> <category><![CDATA[Steven Vainberg]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=137160</guid> <description><![CDATA[<p>Omar Abulsheikh, Alberto Aguilar, Megan Capps, Raina Carter, Alex Bradley Cohen, Anna Degnbol with Ben Marcus, Danny Frownfelter, KG, Stefan Harhaj, Richard Hull, Marcus Kennedy, Aaron Kleeblatt, Kate Klingbeil, Matt Mancini, Christianne Msall, Emilia Olsen, Jack O’Sullivan, Andy Ozier, Brian Reed, Frances Roberts, Alex Scott, Kelly Stone, Hailee Va, Steven Vainberg, Lynnea Holland-Weiss, Jay White.<a href="https://thevisualist.org/2022/10/face-in-the-crowd/" class="read-more">Continue Reading</a></p> <p>The post <a href="https://thevisualist.org/2022/10/face-in-the-crowd/">Face in the Crowd</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p><strong><a href="https://artsoflife.org/artist/omar-abulsheikh/">Omar Abulsheikh</a>, <a href="https://albertoaguilar.org/">Alberto Aguilar</a>, <a href="https://megancapps.com/">Megan Capps</a>, <a href="https://artsoflife.org/artist/raina-carter/">Raina Carter</a>, </strong><strong><a href="https://nicellebeauchene.com/artists/alex-bradley-cohen/">Alex Bradley Cohen</a></strong><strong>, <a href="https://annadegnbol.dk/">Anna Degnbol</a> with <a href="https://www.instagram.com/goodbye_press/?hl=en">Ben Marcus</a>, <a href="https://artsoflife.org/artist/danny-frownfelter/">Danny Frownfelter</a>, <a href="http://www.karolinagnatowski.com/">KG</a>, <a href="https://artsoflife.org/artist/stefan-harhaj/">Stefan Harhaj</a>, <a href="https://westernexhibitions.com/artist/richard-hull/">Richard Hull</a>, <a href="https://artsoflife.org/artist/marcus-kennedy/">Marcus Kennedy</a>, <a href="https://artsoflife.org/artist/aaron-kleeblatt/">Aaron Kleeblatt</a>, <a href="http://kateklingbeil.com/">Kate Klingbeil</a>, <a href="https://www.mattmancini.com/">Matt Mancini</a>, <a href="https://artsoflife.org/artist/christianne-msall/">Christianne Msall</a>, <a href="https://www.emiliawolsen.com/">Emilia Olsen</a>, <a href="https://artsoflife.org/artist/jack-osullivan/">Jack O’Sullivan</a>, <a href="https://www.totallyandy.com/">Andy Ozier</a>, <a href="https://artsoflife.org/artist/brian-reed/">Brian Reed</a>, <a href="https://artsoflife.org/artist/frances-roberts/">Frances Roberts</a>, </strong><strong><a href="https://artsoflife.org/artist/alex-scott/">Alex Scott, </a></strong><strong><a href="https://artsoflife.org/artist/kelly-stone/">Kelly Stone</a>, <a href="https://www.instagram.com/slimesistren/?hl=en">Hailee Va</a>, <a href="https://www.printedmatter.org/catalog/artist/28897">Steven Vainberg</a>, <a href="http://lynneahollandweiss.com/">Lynnea Holland-Weiss</a>, Jay White.</strong></p> <p> </p> <p>Guest curated by <a href="https://noelmorical.com/home.html">Noël Morical</a></p> <p>Noël Morical (American, b. 1989) lives and works in Chicago IL. She received her BFA from the School of the Art Institute of Chicago in 2011. She is the curator of traveling exhibition “Pocket Object”, a keychain themed exhibition. Solo exhibitions include Andrew Rafacz Gallery,Chicago; 57W57 Arts, New York; and Fiberspace Gallery,Stockholm. Group and two-person exhibitions include MCA, Chicago; Weinburg-Newton Gallery, Chicago; 99¢ Plus Gallery, Brooklyn; Athen B. Gallery, Oakland; Chicago Artist Coalition, Chicago, Slow Gallery, Chicago; LVL3; Chicago.</p> <p><i>“In another place, another town</i><br /> <i>You were just a face in the crowd”</i></p> <p>– Tom Petty</p> <p><i>Face in the Crowd</i> strives to conjure the simple pleasure of meandering through throngs of people. The exhibition brings together artists working in portraiture in all forms to create a dense crowd in the gallery. The passing feelings of familiarity, novelty, and chance alight upon the audience as their eyes travel through the unique and unified collective of faces.</p> <p> </p><p>The post <a href="https://thevisualist.org/2022/10/face-in-the-crowd/">Face in the Crowd</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>https://thevisualist.org/2022/10/face-in-the-crowd/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">137160</post-id> </item> <item> <title>Matt Mancini; Realm of the Long Eyes</title> <link>https://thevisualist.org/2020/06/the-quarantine-concerts-54/</link> <comments>https://thevisualist.org/2020/06/the-quarantine-concerts-54/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sun, 07 Jun 2020 19:56:05 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[H.G.Inn]]></category> <category><![CDATA[matt mancini]]></category> <category><![CDATA[near west side]]></category> <category><![CDATA[Realm of The Long Eyes]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=115582</guid> <description><![CDATA[<p>H.G. Inn is pleased to announce Realm of the Long Eyes, Matt Mancini’s first solo exhibition. The show features four assemblage sculptures and four wall works all found, fabricated, and assembled throughout 2018, 2019 and 2020. Matt Mancini was born in Philadelphia, PA. Currently he lives and works in Chicago, IL. He recently completed his<a href="https://thevisualist.org/2020/06/the-quarantine-concerts-54/" class="read-more">Continue Reading</a></p> <p>The post <a href="https://thevisualist.org/2020/06/the-quarantine-concerts-54/">Matt Mancini; Realm of the Long Eyes</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<div id="event-index"> <div class="event-single-body"> <p>H.G. Inn is pleased to announce Realm of the Long Eyes, Matt Mancini’s first solo exhibition. The show features four assemblage sculptures and four wall works all found, fabricated, and assembled throughout 2018, 2019 and 2020.</p> <p>Matt Mancini was born in Philadelphia, PA. Currently he lives and works in Chicago, IL. He recently completed his MFA at The School of the Art Institute of Chicago in 2014 and holds a BFA from Rutgers University. He has recently shown at Little Berlin in Philadelphia, Julius Caesar, Roots and Culture, Fernway Gallery, LVL3, Ballroom Projects, Peana, Heaven Gallery, and Roots and Culture in Chicago.</p> </div> </div><p>The post <a href="https://thevisualist.org/2020/06/the-quarantine-concerts-54/">Matt Mancini; Realm of the Long Eyes</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>https://thevisualist.org/2020/06/the-quarantine-concerts-54/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">115582</post-id> </item> <item> <title>Matt Mancini: Realm of The Long Eyes</title> <link>https://thevisualist.org/2020/02/matt-mancini-realm-of-the-long-eyes/</link> <comments>https://thevisualist.org/2020/02/matt-mancini-realm-of-the-long-eyes/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Sat, 29 Feb 2020 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[East Garfield Park]]></category> <category><![CDATA[H.G.Inn]]></category> <category><![CDATA[matt mancini]]></category> <category><![CDATA[Realm of The Long Eyes]]></category> <guid isPermaLink="false">https://www.thevisualist.org/?p=112322</guid> <description><![CDATA[<p>Realm of the Long Eyes @ HG. Inn New sculptural work by Matt Mancini.</p> <p>The post <a href="https://thevisualist.org/2020/02/matt-mancini-realm-of-the-long-eyes/">Matt Mancini: Realm of The Long Eyes</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Realm of the Long Eyes @ HG. Inn</p> <p>New sculptural work by Matt Mancini.</p><p>The post <a href="https://thevisualist.org/2020/02/matt-mancini-realm-of-the-long-eyes/">Matt Mancini: Realm of The Long Eyes</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>https://thevisualist.org/2020/02/matt-mancini-realm-of-the-long-eyes/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">112322</post-id> </item> <item> <title>Only Human</title> <link>https://thevisualist.org/2019/08/only-human/</link> <comments>https://thevisualist.org/2019/08/only-human/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Sat, 24 Aug 2019 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Anna Rosen]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Chris Bradley]]></category> <category><![CDATA[Dan Rizzo-Orr]]></category> <category><![CDATA[East Garfiels Park]]></category> <category><![CDATA[H.G.Inn]]></category> <category><![CDATA[Jeffly Molina]]></category> <category><![CDATA[JENN SMITH]]></category> <category><![CDATA[Jose Lerma]]></category> <category><![CDATA[Kristen Sanders]]></category> <category><![CDATA[matt mancini]]></category> <category><![CDATA[Mindy Rose Schwartz]]></category> <category><![CDATA[Morgan Mandalay]]></category> <category><![CDATA[Only Human]]></category> <category><![CDATA[Peter Fagundo]]></category> <category><![CDATA[Ryan Travis Christian]]></category> <category><![CDATA[Sean Gannon]]></category> <guid isPermaLink="false">https://www.thevisualist.org/?p=102967</guid> <description><![CDATA[<p>Please join us this Saturday, August 24th from 6-9pm for Only Human. Only Human is a figurative show that explores human form and tendency through painting, drawing, and sculpture. Featuring : Jose Lerma, Kristen Sanders, Sean Gannon, Chris Bradley, Anna Rosen, Ryan Travis Christian, Morgan Mandalay, Dan Rizzo-Orr, Mindy Rose Schwartz, Jeffly Molina, Peter Fagundo,<a href="https://thevisualist.org/2019/08/only-human/" class="read-more">Continue Reading</a></p> <p>The post <a href="https://thevisualist.org/2019/08/only-human/">Only Human</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Please join us this Saturday, August 24th from 6-9pm for Only Human.</p> <p>Only Human is a figurative show that explores human form and tendency through painting, drawing, and sculpture.</p> <p>Featuring : Jose Lerma, Kristen Sanders, Sean Gannon, Chris Bradley, Anna Rosen, Ryan Travis Christian, Morgan Mandalay, Dan Rizzo-Orr, Mindy Rose Schwartz, Jeffly Molina, Peter Fagundo, Matt Mancini and Jenn Smith.</p> <p>@H.G.Inn</p><p>The post <a href="https://thevisualist.org/2019/08/only-human/">Only Human</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>https://thevisualist.org/2019/08/only-human/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">102967</post-id> </item> <item> <title>Disoriented Awareness</title> <link>https://thevisualist.org/2019/08/disoriented-awareness/</link> <comments>https://thevisualist.org/2019/08/disoriented-awareness/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Fri, 09 Aug 2019 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Alessandra Norman]]></category> <category><![CDATA[Baby Blue Gallery]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Disoriented Awareness]]></category> <category><![CDATA[Jan Brugger]]></category> <category><![CDATA[Lower West Side]]></category> <category><![CDATA[matt mancini]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=102424</guid> <description><![CDATA[<p>Baby Blue Gallery is pleased to present Disoriented Awareness an exhibition of works by Jan Brugger, Matt Mancini, and Alessandra Norman. Their pieces mix symbols, images, and references which are then embodied into various art-objects. Each artist employs an array of techniques that undercut perceptual stability and a fixed meaning. This is reflective of the<a href="https://thevisualist.org/2019/08/disoriented-awareness/" class="read-more">Continue Reading</a></p> <p>The post <a href="https://thevisualist.org/2019/08/disoriented-awareness/">Disoriented Awareness</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Baby Blue Gallery is pleased to present Disoriented Awareness an exhibition of works by Jan Brugger, Matt Mancini, and Alessandra Norman. Their pieces mix symbols, images, and references which are then embodied into various art-objects. Each artist employs an array of techniques that undercut perceptual stability and a fixed meaning. This is reflective of the current cultural moment where there is a growing consciousness of technology’s distortive influence and a social terrain that is becoming increasingly fractured. The materialization of this into art-objects and an exhibition allows for critical examination and recontextualizing of these themes.</p> <p>Jan Brugger makes digital works, animations, and sculptural installations that test the screen’s influence on the human body and mind. She received her MFA from the University of Chicago and her BFA from the University of Wisconsin. Her work has recently shown at the Madison Museum of Contemporary Art (WI), Mana Contemporary (Chicago, IL and Jersey City, NJ), the 57th Ann Arbor Film Festival (MI), Roman Susan (Chicago, IL), Aggregate Space Gallery (San Francisco, CA), and the Feminist Media Studio at Concordia University (Montreal, QC). Brugger was awarded fellowships and residencies at the Hyde Park Art Center (Chicago, IL), the University of Chicago (IL), and Virginia Commonwealth University (Richmond).</p> <p>Matt Mancini is an interdisciplinary artist, designer, and educator born in Philadelphia, PA. He currently lives and works in Chicago, IL where he is the director of the wood and metal facilities at the University of Illinois Chicago. He recently completed his MFA from The School of the Art Institute of Chicago in 2014 and holds a BFA from Rutgers University. He has recently shown at Peana Projects in Mexico, Little Berlin in Philadelphia, Casa Blanca in Puerto Rico, and Julius Caesar, LVL3, Chicago Artist Coalition, Heaven Gallery, and Roots and Culture in Chicago.</p> <p>Alessandra Norman is a Chicago based artist working in print media and sculpture. She makes work that seeks to interrogate notions we hold across realities – cultural, linguistic, phenomenological. Alessandra is a co-founder of the collaborative art lab, Gesamtkunst Werkshop, and together with her partner maintains a collection of over 90 species of cacti and other xerophytic plants. She recently graduated from the School of the Art Institute with an MFA in Studio Art.</p><p>The post <a href="https://thevisualist.org/2019/08/disoriented-awareness/">Disoriented Awareness</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>https://thevisualist.org/2019/08/disoriented-awareness/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">102424</post-id> </item> <item> <title>One Last One</title> <link>https://thevisualist.org/2018/06/one-last-one/</link> <comments>https://thevisualist.org/2018/06/one-last-one/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Fri, 15 Jun 2018 00:00:01 +0000</pubDate> <category><![CDATA[Uncategorized]]></category> <category><![CDATA[AK/OK]]></category> <category><![CDATA[Alex Valentine]]></category> <category><![CDATA[Andrew Falkowski]]></category> <category><![CDATA[Annie Kielman]]></category> <category><![CDATA[Arianna Petrich]]></category> <category><![CDATA[Assaf Evron]]></category> <category><![CDATA[Boyang Hou]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Chris Cunningham]]></category> <category><![CDATA[Christalena Hughmanick]]></category> <category><![CDATA[Dan Devening]]></category> <category><![CDATA[Danny FLOYD]]></category> <category><![CDATA[Em Kettner]]></category> <category><![CDATA[Eric Ruschman]]></category> <category><![CDATA[Erik Beehn]]></category> <category><![CDATA[Evan Jenkins]]></category> <category><![CDATA[Fernwey]]></category> <category><![CDATA[Fran Lightbound]]></category> <category><![CDATA[Grabner]]></category> <category><![CDATA[Hamza Walker]]></category> <category><![CDATA[Hillary Wiedemann]]></category> <category><![CDATA[Hour studios]]></category> <category><![CDATA[Ilan Gutin]]></category> <category><![CDATA[Jason Tomme]]></category> <category><![CDATA[Jefferson Pinder]]></category> <category><![CDATA[Jessica Campbell]]></category> <category><![CDATA[Jessie Mott]]></category> <category><![CDATA[Jon Geiger]]></category> <category><![CDATA[Julie Weber]]></category> <category><![CDATA[Kate Conlon]]></category> <category><![CDATA[Katie Pennachio]]></category> <category><![CDATA[Kevin Goodrich]]></category> <category><![CDATA[Kristina Paabus]]></category> <category><![CDATA[Kyle Nielsen]]></category> <category><![CDATA[LAUREN EDWARDS]]></category> <category><![CDATA[Leslie Jackson]]></category> <category><![CDATA[Mat Gasparek]]></category> <category><![CDATA[matt mancini]]></category> <category><![CDATA[Matthew Girson]]></category> <category><![CDATA[Megan Stroech Michael]]></category> <category><![CDATA[Milano Michelle]]></category> <category><![CDATA[Nazafarin Lotfi]]></category> <category><![CDATA[Nelly Agassi]]></category> <category><![CDATA[Nick Henning]]></category> <category><![CDATA[Nick Schutzenhofer]]></category> <category><![CDATA[Nora Chin]]></category> <category><![CDATA[One Last One]]></category> <category><![CDATA[PARSONS & CHARLESWORTH]]></category> <category><![CDATA[Patrick "Q" Quilao]]></category> <category><![CDATA[Peter Power]]></category> <category><![CDATA[Ralph Pugay]]></category> <category><![CDATA[Richard Blackwell]]></category> <category><![CDATA[Rodrigo Lara]]></category> <category><![CDATA[Roland Miller]]></category> <category><![CDATA[Ross Normandin]]></category> <category><![CDATA[Ruslana LICHTZIER]]></category> <category><![CDATA[Ryan Coffey]]></category> <category><![CDATA[Ryan Ingebritson]]></category> <category><![CDATA[Steven Vainberg]]></category> <category><![CDATA[Susan Giles]]></category> <category><![CDATA[West Town]]></category> <category><![CDATA[Zoe Nelson]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=82700</guid> <description><![CDATA[<p>Time for One Last One. Please join us for our final Fernwey exhibition. It’s been a glorious run and we want to celebrate once more and toast to all the amazing artists who have come through our doors these last four years. Join us June 15th for the opening reception of “One Last One,” an<a href="https://thevisualist.org/2018/06/one-last-one/" class="read-more">Continue Reading</a></p> <p>The post <a href="https://thevisualist.org/2018/06/one-last-one/">One Last One</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Time for One Last One. Please join us for our final Fernwey exhibition.</p> <p>It’s been a glorious run and we want to celebrate once more and toast to all the amazing artists who have come through our doors these last four years. Join us June 15th for the opening reception of “One Last One,” an exhibition surveying 50+ artists who have worked with and supported our vision since 2014.</p> <p>Coinciding with the event, we are pleased to announce our final Fernwey Edition. A comprehensive catalogue chronicling our entire run with a forward by Patrick “Q” Quilao. This beautiful 200+ page, full-color book will be available for purchase at the opening. Price will be announced soon!</p> <p>This concluding exhibition will feature new works as well as old favorites by:</p> <p>AK/OK<br /> Alex Valentine<br /> Andrew Falkowski<br /> Annie Kielman<br /> Arianna Petrich<br /> Assaf Evron<br /> Boyang Hou<br /> Chris Cunningham<br /> Christalena Hughmanick<br /> Dan Devening<br /> Danny Floyd<br /> Em Kettner<br /> Eric Ruschman<br /> Erik Beehn<br /> Evan Jenkins<br /> Fran Lightbound<br /> Hamza Walker<br /> Hillary Wiedemann<br /> Hour studios<br /> Hyoungsang Yoo<br /> Ilan Gutin<br /> Jason Tomme<br /> Jefferson Pinder<br /> Jessica Campbell<br /> Jessie Mott<br /> Jon Geiger<br /> Julie Weber<br /> Kate Conlon<br /> Katie Pennachio<br /> Kevin Goodrich<br /> Kristina Paabus<br /> Kyle Nielsen<br /> Lauren Edwards<br /> Leslie Jackson<br /> Mat Gasparek<br /> Matt Mancini<br /> Matthew Girson<br /> Megan Stroech<br /> Michael Milano<br /> Michelle Grabner<br /> Nazafarin Lotfi<br /> Nelly Agassi<br /> Nick Henning<br /> Nick Schutzenhofer<br /> Nora Chin<br /> Parsons & Charlesworth<br /> Patrick “Q” Quilao<br /> Peter Power<br /> Ralph Pugay<br /> Richard Blackwell<br /> Rodrigo Lara<br /> Roland Miller<br /> Ross Normandin<br /> Ruslana Lichtzier<br /> Ryan Coffey<br /> Ryan Ingebritson<br /> Steven Vainberg<br /> Susan Giles<br /> Zoe Nelson</p> <p>With Love and Respect,<br /> The Fernwey Team</p><p>The post <a href="https://thevisualist.org/2018/06/one-last-one/">One Last One</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>https://thevisualist.org/2018/06/one-last-one/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">82700</post-id> </item> <item> <title>Free Images</title> <link>https://thevisualist.org/2018/02/free-images/</link> <comments>https://thevisualist.org/2018/02/free-images/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 10 Feb 2018 00:00:01 +0000</pubDate> <category><![CDATA[workshop]]></category> <category><![CDATA[Anna Showers-Cruser]]></category> <category><![CDATA[Artificial Life]]></category> <category><![CDATA[Azadeh Gholizadeh]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Chicago Artists' Coalition]]></category> <category><![CDATA[Free Images]]></category> <category><![CDATA[Gulsah Mursaloglu]]></category> <category><![CDATA[Illinois]]></category> <category><![CDATA[Jeff Prokash]]></category> <category><![CDATA[Joseph Wilcox]]></category> <category><![CDATA[matt mancini]]></category> <category><![CDATA[Megan Taylor Noe]]></category> <category><![CDATA[near west side]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=77868</guid> <description><![CDATA[<p>For one Saturday only the curator invites the public to bring artworks to the exhibition for free photo documentation of any artwork that can fit through the door. Free Images is held in conjunction with Artificial Life, a HATCH Projects exhibition featuring new experimentations by Azadeh Gholizadeh, Matt Mancini, Gülşah Mursaloğlu, Jeff Prokash, Anna Showers-Cruser,<a href="https://thevisualist.org/2018/02/free-images/" class="read-more">Continue Reading</a></p> <p>The post <a href="https://thevisualist.org/2018/02/free-images/">Free Images</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>For one Saturday only the curator invites the public to bring artworks to the exhibition for free photo documentation of any artwork that can fit through the door.</p> <p>Free Images is held in conjunction with Artificial Life, a HATCH Projects exhibition featuring new experimentations by Azadeh Gholizadeh, Matt Mancini, Gülşah Mursaloğlu, Jeff Prokash, Anna Showers-Cruser, and Joseph Wilcox. Join the exhibiting artists and curator of Artificial Life, Meg T. Noe, every Saturday from 12-6 pm throughout the month of February.</p> <p>—</p> <p>ABOUT THE SHOW:</p> <p>The Chicago Artists Coalition is pleased to present Artificial Life, a HATCH Projects exhibition featuring new experimentations by Azadeh Gholizadeh, Matt Mancini, Gülşah Mursaloğlu, Jeff Prokash, Anna Showers-Cruser, and Joseph Wilcox.</p> <p>In 1989, punk-ska band Operation Ivy released their only full-length album Hectic. Although the band was only active for two years, their songs have achieved cult following, record sales and re-releases selling in the hundred-thousands, defining a genre of music for decades. Op Ivy lyrics are characterized by themes of social justice and disinterest in conforming with mainstream culture or social norms. The song “Artificial Life” airs frustrations with the music industry during the age of MTV mania. The exhibition title takes reference from this song because of a shared frustration with systems of power within creative industries and a strong desire to resist conforming to the expected roles of the arts industry. Artificial Life in someway also nods to a seemingly hypocritical position of rejecting a particular ideology yet still willingly or unwillingly participating in that system.</p> <p>The artists and artworks are all vastly different but remain united in space/time because of their willing participation in the HATCH program, a residency well known for its power to professionally elevate emerging artists, foster community and encourage experimentation. Rather than fulfilling an expectation to extract links of meaning that build an overarching theme to represent a whole, this exhibition is an experiment, working to bring value to each artist and their expanded community as a direct action. Born from frustration with the art market and the serpentine power structures it’s hinged upon, the exhibition aims to exploit the pillars of value that currently uphold the contemporary art world for the advancement of the individually emerging artists of the coalition and subsequent betterment of the Chicago artist network. With reflections on After Art by David Joselit and Ways of Curating by Hans-Ulrich Obrist, the three-week run of the installation is a durational challenge to forge new relationships to one another and to build value that agrees with our respective vision for the future.</p> <p>Artificial Life is organized and activated by Meg T. Noe.</p> <p>—</p> <p>PROGRAMMING:</p> <p>Join the exhibiting artists and curator every Saturday from 12-6 pm in the month of February:</p> <p>2/03 – juice</p> <p>Juice is an artist/curator invention. Come by for a glass of fresh pressed carrot juice, intermittent sound blessings, and casual interviews with the curator. Featuring DJ sets by exhibiting artists. Feel free to BYO juice additive.</p> <p>*****2/10 – Free Images*****</p> <p>For one Saturday only, the curator invites the public to bring artworks to the exhibition for free photo documentation of any artwork that can fit through the door.</p> <p>2/17 – WikidArtists</p> <p>Artificial Life is pleased to host an Art+Feminism Wikipedia Edit-a-ton. The public is invited to come to the gallery for an afternoon of Wikipedia updates.<br /> BYO laptop; free Wi-Fi and snacks will be provided.</p> <p>—</p> <p>ARTIST BIOS:</p> <p>Azadeh Gholizadeh is a Chicago-based artist and architect. Born in Tehran, Gholizadeh received her BA in architecture from Shahid Behest University (SBU), MA in architecture from Iran University of Science and Technology (IUST) in 2009, and her MFA from The School of the Art Institute of Chicago in 2012. She has participated in group shows at Hyde Park Art center, Heaven Gallery and Goldfinch among others. In her current practice she explores tensions and challenges of diaspora as a way to reach towards places and identities that can’t be articulated by words. Gholizadeh was a resident at the BOLT Residency and ACRE.</p> <p>Matt Mancini was born in Philadelphia, PA. He currently lives and works in Chicago, IL. He recently completed his MFA from The School of the Art Institute of Chicago in 2014 and holds a BFA from Rutgers University. He has recently shown at Little Berlin in Philadelphia, Casa Blanca in Puerto Rico, and Julius Caesar, Fernway, LVL3, Ballroom Projects, Heaven Gallery, and Roots and Culture in Chicago.</p> <p>Gülşah Mursaloğlu (b. 1989, Istanbul) is an artist currently based in Istanbul, Turkey. She received her MFA from the School of the Art Institute of Chicago and her BA in Sociology from Bogazici University in Istanbul, Turkey. She has participated in group shows at 601 Artspace (New York, NY), Protocinema (Istanbul, Turkey), Zilberman Gallery (Istanbul, Turkey), Hyde Park Art Center (Chicago, IL) and Roman Susan Gallery (Chicago, IL) among others. She has participated in residencies at Oregon College of Art&Craft (Portland, OR) and at Scuola Internazionale di Grafica (Venice, Italy).</p> <p>Jeff Prokash is an interdisciplinary artist, researcher, and educator in Chicago, IL. He received his MFA in Sculpture from the School of the Art Institute of Chicago in 2015 and his BFA in Art and Art History from University of Wisconsin Madison in 2008. Jeff Prokash attended the Skowhegan School of Painting and Sculpture in 2015. He has received awards and fellowships including the Eldon Danhausen Fellowship (2015) and the Edward L. Ryerson Fellowship (2015), the John W. Kurtich Foundation Fellowship (2014) and the International Sculpture Center Outstanding Student Achievement in Contemporary Sculpture Award (2014). He attended the China Taiyuan International Metal Sculpture Symposium organized by the Central Academy of Fine Arts in Beijing in 2014. His recent exhibitions include: Re-enacting the Contents of a Box, Randy Alexander Gallery, Chicago (solo, 2017) Door, Triumph, Chicago (2017), The Duck and the Document: True Stories of Postmodern Procedures, SCI-Arc Gallery, Los Angeles (2017), T O’ Time, Pavillon Carré Baudouin, Paris (2016) What becomes of the Hole When the Cheese is Eaten?, Randy Alexander Gallery, Chicago (solo, 2016), Ground Floor, Hyde Park Art Center, Chicago (2016). He is currently a lecturer in the Sculpture department at The School of the Art Institute of Chicago.</p> <p>Anna Showers-Cruser (MFA ’16, University of Chicago, BFA ’11, Maryland Institute College of Art) hails from Virginia and creates hybrid forms that most often propose non-hegemonic expressions of gender. ASC is interested in the possibility of calling on abstraction through sculpture, fibers, craft, and painting traditions, in order to build a lexicon of community language. ASC expands sculpturally on the foundation of known forms in Queer history. Humor, body modification, protest, psychology, sexual politics, and drugstore cosmetics are intrinsic to the work. Solo shows include Sweet Betweens (2016) at HUME in Chicago and an upcoming show at Purdue University, Hammond, IN in summer of 2017.</p> <p>Joseph Wilcox is an artist living and breathing in Chicago. Adopting the roles of image gatherer, object maker, documentarian, curator, and organizer, his practice explores how institutional control and social power structures undermine the autonomy of the individual.</p> <p>—</p> <p>CURATOR BIO:</p> <p>Megan Taylor Noe is an interdisciplinary artist and curator.</p> <p>Meg likes dark things. Her artworks express a fascination with morbidity, the material of memorialization, and questions what death and ritual looks like in contemporary life. Her first book, Black Sun, was published by Oranbeg Press in early 2014. Her work has exhibited extensively in Chicago and recently in Mute Annotations at Black Bear Bar in Brooklyn, NY hosted by V1 gallery. Meg received a BA in Photography from Columbia College of Chicago in 2013.</p> <p>Meg also maintains a curatorial practice, formerly as Exhibitions and Programming Director at Weinberg/Newton Gallery (Chicago, IL) where she curated exhibitions focused on issues of social justice in partnership with organizations. Meg is currently a HATCH 2017-2018 Curatorial Resident at the Chicago Artist Coalition. In addition to all these other things, Meg provides documentation for Radius, an experimental broadcast platform based in Chicago, IL.</p> <p>She currently lives, laughs and loves in Chicago, IL.</p> <p>—</p> <p>THIS EVENT IS FREE AND OPEN TO THE PUBLIC.</p><p>The post <a href="https://thevisualist.org/2018/02/free-images/">Free Images</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>https://thevisualist.org/2018/02/free-images/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">77868</post-id> </item> <item> <title>Artificial Life</title> <link>https://thevisualist.org/2018/02/artificial-life/</link> <comments>https://thevisualist.org/2018/02/artificial-life/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Fri, 02 Feb 2018 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Anna Showers-Cruser]]></category> <category><![CDATA[Artificial Life]]></category> <category><![CDATA[Azadeh Gholizadeh]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Chicago Artists' Coalition]]></category> <category><![CDATA[Gulsah Mursaloglu]]></category> <category><![CDATA[Jeff Prokash]]></category> <category><![CDATA[Joseph Wilcox]]></category> <category><![CDATA[matt mancini]]></category> <category><![CDATA[Meg T Noe]]></category> <category><![CDATA[near west side]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=76642</guid> <description><![CDATA[<p>In 1989, punk-ska band Operation Ivy released their only full-length album Hectic. Although the band was only active for two years, their songs have achieved cult following, record sales and re-releases selling in the hundred-thousands, defining a genre of music for decades. Op Ivy lyrics are characterized by themes of social justice and disinterest in<a href="https://thevisualist.org/2018/02/artificial-life/" class="read-more">Continue Reading</a></p> <p>The post <a href="https://thevisualist.org/2018/02/artificial-life/">Artificial Life</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>In 1989, punk-ska band Operation Ivy released their only full-length album Hectic. Although the band was only active for two years, their songs have achieved cult following, record sales and re-releases selling in the hundred-thousands, defining a genre of music for decades. Op Ivy lyrics are characterized by themes of social justice and disinterest in conforming with mainstream culture or social norms. The song “Artificial Life” airs frustrations with the music industry during the age of MTV mania. The exhibition title takes reference from this song because of a shared frustration with systems of power within creative industries and a strong desire to resist conforming to the expected roles of the arts industry. Artificial Life in someway also nods to a seemingly hypocritical position of rejecting a particular ideology yet still willingly or unwillingly participating in that system.</p> <p>The artists and artworks are all vastly different but remain united in space/time because of their willing participation in the HATCH program, a residency well known for its power to professionally elevate emerging artists, foster community and encourage experimentation. Rather than fulfilling an expectation to extract links of meaning that build an overarching theme to represent a whole, this exhibition is an experiment, working to bring value to each artist and their expanded community as a direct action. Born from frustration with the art market and the serpentine power structures it’s hinged upon, the exhibition aims to exploit the pillars of value that currently uphold the contemporary art world for the advancement of the individually emerging artists of the coalition and subsequent betterment of the Chicago artist network. With reflections on After Art by David Joselit and Ways of Curating by Hans-Ulrich Obrist, the three-week run of the installation is a durational challenge to forge new relationships to one another and to build value that agrees with our respective vision for the future.</p> <p>Artificial Life is organized and activated by Meg T. Noe.</p><p>The post <a href="https://thevisualist.org/2018/02/artificial-life/">Artificial Life</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>https://thevisualist.org/2018/02/artificial-life/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">76642</post-id> </item> <item> <title>A Rainbow in Curved Air</title> <link>https://thevisualist.org/2017/10/a-rainbow-in-curved-air/</link> <comments>https://thevisualist.org/2017/10/a-rainbow-in-curved-air/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Fri, 06 Oct 2017 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Chicago Artists' Coalition]]></category> <category><![CDATA[Danny FLOYD]]></category> <category><![CDATA[Lesley Jackson]]></category> <category><![CDATA[matt mancini]]></category> <category><![CDATA[Meg Leary]]></category> <category><![CDATA[near west side]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=72797</guid> <description><![CDATA[<p>The Chicago Artists Coalition is pleased to present A Rainbow in Curved Air, featuring HATCH Artist Residents Lesley Jackson, Meg Leary, and Matt Mancini. “And then all wars ended / Arms of every kind were outlawed and the masses gladly contributed them to giant foundries in which they were melted down and the metal poured<a href="https://thevisualist.org/2017/10/a-rainbow-in-curved-air/" class="read-more">Continue Reading</a></p> <p>The post <a href="https://thevisualist.org/2017/10/a-rainbow-in-curved-air/">A Rainbow in Curved Air</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>The Chicago Artists Coalition is pleased to present A Rainbow in Curved Air, featuring HATCH Artist Residents Lesley Jackson, Meg Leary, and Matt Mancini.</p> <p>“And then all wars ended / Arms of every kind were outlawed and the masses gladly contributed them to giant foundries in which they were melted down and the metal poured back into the earth / The Pentagon was turned on its side and painted purple, yellow & green / All boundaries were dissolved / The slaughter of animals was forbidden / The whole of lower Manhattan became a meadow in which unfortunates from the Bowery were allowed to live out their fantasies in the sunshine and were cured …”</p> <p>This is excerpted from the liner notes of composer Terry Riley’s groundbreaking 1969 album A Rainbow in Curved Air, a masterpiece of both keyboard virtuosity and improvisation. Somewhere in the mix of technical mastery and the free-wheeling, hippy spirit emerges a utopian vision not only of peace but of personal happiness and pleasure. We often find improvisation steeped in utopian idealism. Sun Ra’s revolutionary free jazz, for instance, spawned the Afro-futurist ethos of intergalactic emancipation, but it’s important to remember that Sun Ra valued “precision and discipline” over total freedom. Matt Mancini, Lesley Jackson, and Meg Leary harness the extemporaneity of lived experience and channel it through carefully structured forms to evoke an alternative to the bleak political quagmires of this era.</p> <p>A Rainbow in Curved Air is curated by Danny Floyd.</p><p>The post <a href="https://thevisualist.org/2017/10/a-rainbow-in-curved-air/">A Rainbow in Curved Air</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>https://thevisualist.org/2017/10/a-rainbow-in-curved-air/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">72797</post-id> </item> <item> <title>Flare Gun / Signal Call</title> <link>https://thevisualist.org/2016/08/flare-gun-signal-call/</link> <comments>https://thevisualist.org/2016/08/flare-gun-signal-call/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Fri, 26 Aug 2016 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[and Mike Rubins]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Dom Smith]]></category> <category><![CDATA[East Garfield Park]]></category> <category><![CDATA[Erin Hayden]]></category> <category><![CDATA[Flare Gun]]></category> <category><![CDATA[Flare Gun / Signal Call]]></category> <category><![CDATA[Julius Cæsar]]></category> <category><![CDATA[Lilli Carré]]></category> <category><![CDATA[matt mancini]]></category> <category><![CDATA[Monica Nydam]]></category> <category><![CDATA[Signal Call]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=61078</guid> <description><![CDATA[<p>Julius Caesar is pleased to present 2 group shows opening on August 26th from 7-10. Flare Gun features Matt Mancini, Dom Smith, and Mike Rubins; Signal Call features Lilli Carre, Erin Hayden, Monica Nydam. Both shows investigate the relationship of images in space and digital space in images. Mancini, Smith, and Rubins overlapped at SAIC<a href="https://thevisualist.org/2016/08/flare-gun-signal-call/" class="read-more">Continue Reading</a></p> <p>The post <a href="https://thevisualist.org/2016/08/flare-gun-signal-call/">Flare Gun / Signal Call</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Julius Caesar is pleased to present 2 group shows opening on August 26th from 7-10. Flare Gun features Matt Mancini, Dom Smith, and Mike Rubins; Signal Call features Lilli Carre, Erin Hayden, Monica Nydam. Both shows investigate the relationship of images in space and digital space in images.</p> <p>Mancini, Smith, and Rubins overlapped at SAIC in the sculpture MFA program, often exploring digital space and imagery as inspiration for their sculptures. Since graduating, Rubins has left for LA and Smith has moved to NYC. Flare Gun brings the three young sculptors together again.</p> <p>Signal Call’s Lilli Carre, Erin Hayden, and Monica Nydam are recent MFA graduates from around Chicago. Carre and Hayden finished at Northwestern, while Nydam attended UIC. All three have prominently featured the use of digital space and internet imagery in their work.</p><p>The post <a href="https://thevisualist.org/2016/08/flare-gun-signal-call/">Flare Gun / Signal Call</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>https://thevisualist.org/2016/08/flare-gun-signal-call/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">61078</post-id> </item> <item> <title>Amarillo</title> <link>https://thevisualist.org/2016/07/amarillo/</link> <comments>https://thevisualist.org/2016/07/amarillo/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Fri, 15 Jul 2016 05:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Heaven Gallery]]></category> <category><![CDATA[Lesley Jackson]]></category> <category><![CDATA[matt mancini]]></category> <category><![CDATA[West Town]]></category> <category><![CDATA[Wicker Park]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=59580</guid> <description><![CDATA[<p>Lesley Jackson and Matt Mancini The city of Amarillo, also known as “The Yellow Rose of Texas,” was originally named after the wildflowers that grew in bounty along the countryside. The flowers flirted with the water in Amarillo Lake, turning the soil a cool yellow. Decades later, those open plains grew few and far between<a href="https://thevisualist.org/2016/07/amarillo/" class="read-more">Continue Reading</a></p> <p>The post <a href="https://thevisualist.org/2016/07/amarillo/">Amarillo</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Lesley Jackson and Matt Mancini</p> <p>The city of Amarillo, also known as “The Yellow Rose of Texas,” was originally named after the wildflowers that grew in bounty along the countryside. The flowers flirted with the water in Amarillo Lake, turning the soil a cool yellow. Decades later, those open plains grew few and far between and a new nickname developed. Now known as “Bomb City,” Amarillo is home to the largest nuclear weapons assembly plant in the country.</p> <p>A place romanticized in old country ballads, where all the cowboys longed to be, Amarillo is just like any other paradise, riddled with contradictions, unfulfilled promises, and much too hot to stand still.</p> <p>Like a cowboy moving towards the sun, we too are profoundly restless, trying to escape wherever it is we find ourselves. We move around, never quite present, or we stay where we are and dream up what’s missing. We look to the past, back to the open plains, when the present seems too frightening.</p> <p>So if paradise is eternally elsewhere, what are we supposed to do while we’re here?</p> <p>Lesley Jackson is an artist living and working in Chicago. She graduated from The School of the Art Institute of Chicago with a BFA in 2013. Recently her work has been shown at Cornerstore Gallery, Born Nude Gallery (solo), and Nada New York with SPF15 Exhibitions. Forthcoming projects include a show at Efrain Lopez Gallery in December, and a solo exhibition with 4th Ward Projects in the Spring of 2017.</p> <p>Matt Mancini is a contemporary artist working in sculpture and painting. He currently lives and works in Chicago, IL.</p><p>The post <a href="https://thevisualist.org/2016/07/amarillo/">Amarillo</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>https://thevisualist.org/2016/07/amarillo/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">59580</post-id> </item> <item> <title>hArts for Art 7</title> <link>https://thevisualist.org/2016/04/harts-for-art-7/</link> <comments>https://thevisualist.org/2016/04/harts-for-art-7/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 09 Apr 2016 00:00:01 +0000</pubDate> <category><![CDATA[Uncategorized]]></category> <category><![CDATA[Ben Marcus and Dave Krueger]]></category> <category><![CDATA[Benjamin Barretto]]></category> <category><![CDATA[Chelsea Culp]]></category> <category><![CDATA[cody hudson]]></category> <category><![CDATA[Cody Tumblin.]]></category> <category><![CDATA[Dan Rizzo-Orr]]></category> <category><![CDATA[Derrick Piens]]></category> <category><![CDATA[Frances Roberts and Allison Wade]]></category> <category><![CDATA[Guy Connors and Paul Kenneth]]></category> <category><![CDATA[Jaime Angelopoulos]]></category> <category><![CDATA[James Bouché]]></category> <category><![CDATA[Jason Gringler]]></category> <category><![CDATA[Jason Pickleman]]></category> <category><![CDATA[Kelly Stone and Lara Mann]]></category> <category><![CDATA[Lauren Clay]]></category> <category><![CDATA[Liz Nielsen]]></category> <category><![CDATA[LVL3 Gallery]]></category> <category><![CDATA[matt mancini]]></category> <category><![CDATA[Morgan Mandalay]]></category> <category><![CDATA[Noël Morical]]></category> <category><![CDATA[Rick Valicenti]]></category> <category><![CDATA[Teresa Albor and Tim Stone]]></category> <category><![CDATA[Timothy Bergstrom]]></category> <category><![CDATA[Todd Kelly]]></category> <category><![CDATA[Wicker Park]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=57606</guid> <description><![CDATA[<p>LVL3 presents our 7th annual art auction and benefit raffle with a portion of proceeds benefitting local not-for-profit The Arts of Life. Special Preview Exhibition Saturday 9 April 2016 6-10 pm Benefit Raffle ends at 9pm Tickets: 1 for $5 or 5 for $20 Raffle Sponsors Include: The Arts of Life, Cities in Dust, The<a href="https://thevisualist.org/2016/04/harts-for-art-7/" class="read-more">Continue Reading</a></p> <p>The post <a href="https://thevisualist.org/2016/04/harts-for-art-7/">hArts for Art 7</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>LVL3 presents our 7th annual art auction and benefit raffle with a portion of proceeds benefitting local not-for-profit The Arts of Life.</p> <p>Special Preview Exhibition<br /> Saturday 9 April 2016<br /> 6-10 pm</p> <p>Benefit Raffle ends at 9pm<br /> Tickets: 1 for $5 or 5 for $20</p> <p>Raffle Sponsors Include:<br /> The Arts of Life, Cities in Dust, The Chicago Diner, Chicago Cupcake, Benefit Cosmetics, Enso Sushi & Bar, Heaven Gallery, Kizuki Ramen & Izakaya, Lula Cafe, Maybe Sunday, Perrier, Other Peoples Pixels, Rotofugi, Tan & Loose, Tusk, Vapiano, and more!</p> <p>Paddle8 Auction<br /> Tuesday 5 April – Tuesday 19 April 2016<br /> paddle8.com/auctions/lvl3gallery</p> <p>LVL3media.com/harts-for-art7</p><p>The post <a href="https://thevisualist.org/2016/04/harts-for-art-7/">hArts for Art 7</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>https://thevisualist.org/2016/04/harts-for-art-7/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">57606</post-id> </item> <item> <title>Matt Mancini & Katie Pennachio: Feel Flows</title> <link>https://thevisualist.org/2015/10/feel-flows/</link> <comments>https://thevisualist.org/2015/10/feel-flows/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Fri, 16 Oct 2015 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA["to give the mundane it's beautiful due" (1)]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Feel Flows]]></category> <category><![CDATA[Fernwey]]></category> <category><![CDATA[Katie Pennachio]]></category> <category><![CDATA[matt mancini]]></category> <category><![CDATA[Peter Power]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=55217</guid> <description><![CDATA[<p>…So often digital presence seems to imply absence. Few illumations are as lonely as the gently glowing unattended monitor, mute and suggestive of a distant rage. So much of “ink jet art” for all its technical wiz bang is unmoving. The present day cuddling of digitally guided cutting and layering tools, C&C’s and 3D printers,<a href="https://thevisualist.org/2015/10/feel-flows/" class="read-more">Continue Reading</a></p> <p>The post <a href="https://thevisualist.org/2015/10/feel-flows/">Matt Mancini & Katie Pennachio: Feel Flows</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>…So often digital presence seems to imply absence. Few illumations are as lonely as the gently glowing unattended monitor, mute and suggestive of a distant rage. So much of “ink jet art” for all its technical wiz bang is unmoving. The present day cuddling of digitally guided cutting and layering tools, C&C’s and 3D printers, may inevitably and surprisingly quickly loose a lot of their seductive gloss.</p> <p>Maybe we ask for too much. It’s only technology. And yet the possibilities of new conversations continue to engage and are at times are delightful. Reassuringly, artists are yet again called upon to put “Us” back in the picture, a picture that we really never left. The trajectory is reassuring; once the initial hot flashes of awe pass we question the longer nature of the relationship, what can we do with it now? what’s in it for me? can it speak my language? will it share? how do we talk about it? Digital production has become an actor rather than a director, and that’s character, not leading man…</p> <p>Read the full essay by Peter Power here: http://www.fernwey.com/themundane</p> <p>Matt Mancini was born in Philadelphia, PA. He currently lives and works in Chicago, IL. He recently completed his MFA from The School of the Art Institute of Chicago in the sculpture department and holds a BFA from Rutgers University. He creates material rich and optically vibrant work in a hybrid of formats spanning between sculpture, installation, and painting.</p> <p>Katie Pennachio is an artist based in Brooklyn, NY. Her recent paintings are deeply rooted in the image space of the computer screen and a contrasting devotion to the hand and the physical process of layering paint. Having previously exhibited her work in New York City and New Brunswick, New Jersey, this is her first time showing in Chicago. Pennachio received her MFA from Mason Gross School of the Arts at Rutgers University and her BFA from New York University. She was also an artist in residence and fellowship recipient at Vermont Studio Center.</p><p>The post <a href="https://thevisualist.org/2015/10/feel-flows/">Matt Mancini & Katie Pennachio: Feel Flows</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>https://thevisualist.org/2015/10/feel-flows/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">55217</post-id> </item> <item> <title>Claire Ashley, Matt Mancini & Daniel Mrva: Orange You Glad!</title> <link>https://thevisualist.org/2015/06/claire-ashley-matt-mancini-daniel-mrva-orange-you-glad/</link> <comments>https://thevisualist.org/2015/06/claire-ashley-matt-mancini-daniel-mrva-orange-you-glad/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 13 Jun 2015 00:00:01 +0000</pubDate> <category><![CDATA[Uncategorized]]></category> <category><![CDATA[Ballroom Projects]]></category> <category><![CDATA[Bridgeport]]></category> <category><![CDATA[Claire Ashley]]></category> <category><![CDATA[dan mrva]]></category> <category><![CDATA[Danny FLOYD]]></category> <category><![CDATA[matt mancini]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=52955</guid> <description><![CDATA[<p>Ballroom Projects presents Orange You Glad! featuring Dan Mrva, Claire Ashley, Matt Mancini curated by Danny Floyd Opening June 13 7:00-10:00pm and continuing through July 4. Humor is usually considered an art of representation. A classic, “What’s the deal with…” Seinfeld joke for instance, hopes to clearly depict a situation you know already so that<a href="https://thevisualist.org/2015/06/claire-ashley-matt-mancini-daniel-mrva-orange-you-glad/" class="read-more">Continue Reading</a></p> <p>The post <a href="https://thevisualist.org/2015/06/claire-ashley-matt-mancini-daniel-mrva-orange-you-glad/">Claire Ashley, Matt Mancini & Daniel Mrva: Orange You Glad!</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Ballroom Projects presents Orange You Glad!<br /> featuring Dan Mrva, Claire Ashley, Matt Mancini<br /> curated by Danny Floyd</p> <p>Opening June 13 7:00-10:00pm<br /> and continuing through July 4.</p> <p>Humor is usually considered an art of representation. A classic, “What’s the deal with…” Seinfeld joke for instance, hopes to clearly depict a situation you know already so that you can relate to it. But this isn’t a hard and fast rule and certainly doesn’t ensure the joke is funny (sorry, Jerry). Puns, on the other hand, are works of abstraction. Their meaning lies in shifting the form of language away from it’s intended use. The artists in Orange You Glad! are also engaging in formal play, shifting between sculptural and painting forms, and like crafting comedy, they are relying on their wit and intellect to do so. While abstraction is the prominent feature of this exhibition, it is not a “show about nothing.” Rather, the work is about reveling in the joys of visual play, irreverence, and absurdity.</p> <p>http://www.mattmancini.com/<br /> http://www.claireashley.com/<br /> http://danielmrva.com/</p> <p>Ballroom Projects is located in Bridgeport<br /> 3012 S. Archer Ave #3<br /> near the Ashland Orange Line stop.<br /> ballroomprojects.tumblr.com</p><p>The post <a href="https://thevisualist.org/2015/06/claire-ashley-matt-mancini-daniel-mrva-orange-you-glad/">Claire Ashley, Matt Mancini & Daniel Mrva: Orange You Glad!</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>https://thevisualist.org/2015/06/claire-ashley-matt-mancini-daniel-mrva-orange-you-glad/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">52955</post-id> </item> </channel> </rss>