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	<title>Hume Chicago - The Visualist</title>
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	<title>Hume Chicago - The Visualist</title>
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		<title>Andrea Coleman: Draped in Color</title>
		<link>https://thevisualist.org/2018/02/andrea-coleman-draped-in-color/</link>
					<comments>https://thevisualist.org/2018/02/andrea-coleman-draped-in-color/#respond</comments>
		
		<dc:creator><![CDATA[Meg Duguid]]></dc:creator>
		<pubDate>Sat, 10 Feb 2018 06:00:01 +0000</pubDate>
				<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Reception]]></category>
		<category><![CDATA[Andrea Coleman]]></category>
		<category><![CDATA[Chicago]]></category>
		<category><![CDATA[Draped in Color]]></category>
		<category><![CDATA[Humboldt Park]]></category>
		<category><![CDATA[Hume Chicago]]></category>
		<guid isPermaLink="false">http://www.thevisualist.org/?p=77761</guid>

					<description><![CDATA[<p>Please join us for the opening of Andrea Coleman&#8217;s solo exhibition, &#8220;Draped in Color&#8221;. Coleman uses digital painting and collage to explore the unreliable contents of memory. Referencing photographic family memorabilia and clippings, Coleman challenges the idea of authenticity through use of aura and portraiture. Opening Reception 7-10 PM Andrea Coleman​ is an artist based<a href="https://thevisualist.org/2018/02/andrea-coleman-draped-in-color/" class="read-more">Continue Reading</a></p>
<p>The post <a href="https://thevisualist.org/2018/02/andrea-coleman-draped-in-color/">Andrea Coleman: Draped in Color</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Please join us for the opening of Andrea Coleman&#8217;s solo exhibition, &#8220;Draped in Color&#8221;. Coleman uses digital painting and collage to explore the unreliable contents of memory. Referencing photographic family memorabilia and clippings, Coleman challenges the idea of authenticity through use of aura and portraiture.</p>
<p>Opening Reception<br />
7-10 PM</p>
<p>Andrea Coleman​ is an artist based in Chicago who utilizes the various medium of oils, acrylics paints, magazine clippings and digital prints. Inspired by her suburban upbringing, animation and various mural artists, her work currently investigates the interconnectedness of aura and narrative. Graduated with her BFA at Columbia College Chicago, she is currently the Idea Award recipient of the Art and Art Activism organization and Hollis Sigler Manifest Award. She is also currently an artist resident in Chicago Artist Coalition&#8217;s HATCH Projects.</p>
<p>About the space:<br />
Hume Chicago is an artist-led, volunteer-run project space focused on creating space for, providing resources to, and elevating other emerging &amp; traditionally underrepresented artists. Hume aims to serve the Humboldt Park and Logan Square communities through dynamic, accessible arts programming. We strive to foster an inclusive, creative environment in which emerging Chicago artists and their neighbors can commune and engage.</p>
<p>Hume maintains an open call for month-long exhibitions, workshops, and other creative projects proposed by emerging artists traditionally underrepresented in commercial galleries.</p><p>The post <a href="https://thevisualist.org/2018/02/andrea-coleman-draped-in-color/">Andrea Coleman: Draped in Color</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">77761</post-id>	</item>
		<item>
		<title>Her Environment no. 6: Mantle II</title>
		<link>https://thevisualist.org/2017/06/her-environment-no-6-mantle-ii/</link>
					<comments>https://thevisualist.org/2017/06/her-environment-no-6-mantle-ii/#respond</comments>
		
		<dc:creator><![CDATA[Meg Duguid]]></dc:creator>
		<pubDate>Fri, 30 Jun 2017 00:00:01 +0000</pubDate>
				<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Reception]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Allie Shyer]]></category>
		<category><![CDATA[Burning Orchard]]></category>
		<category><![CDATA[Chelsea Welch]]></category>
		<category><![CDATA[Emily Hutchings]]></category>
		<category><![CDATA[Euree Kim]]></category>
		<category><![CDATA[Her Environment no. 6: Mantle II]]></category>
		<category><![CDATA[Humboldt Park]]></category>
		<category><![CDATA[Hume Chicago]]></category>
		<category><![CDATA[Logan Square]]></category>
		<category><![CDATA[Luis Mejico]]></category>
		<guid isPermaLink="false">http://www.thevisualist.org/?p=69208</guid>

					<description><![CDATA[<p>Her Environment is an expanded new media art series highlighting feminine spectrum artists. Our focus is on broadening the understanding of how New Media practices can be used in multiple forms of art making, from video to installation and performance. Our aim is to show pieces that challenge how new media can be used, and<a href="https://thevisualist.org/2017/06/her-environment-no-6-mantle-ii/" class="read-more">Continue Reading</a></p>
<p>The post <a href="https://thevisualist.org/2017/06/her-environment-no-6-mantle-ii/">Her Environment no. 6: Mantle II</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Her Environment is an expanded new media art series highlighting feminine spectrum artists. Our focus is on broadening the understanding of how New Media practices can be used in multiple forms of art making, from video to installation and performance. Our aim is to show pieces that challenge how new media can be used, and the male dominated culture that surrounds it.</p>
<p>As artists we carry the mantle of responsibility for reflecting the times and holding space for the untenable. We believe that it is an artist’s duty to reflect the times. For Mantle Part I, we are screening video work that is a reflection on how the current wave of change that we are facing politically effects us, both in networked spaces and private spaces. Impending limitations on our personhood, how this manifests in our daily lives, and how our lives inevitably become our art.</p>
<p>Curated by Allie Shyer and Chelsea Welch</p>
<p>Cover image: Luis Mejico, &#8220;Perhaps&#8221;</p>
<p>About the artists:</p>
<p>Luis Mejico</p>
<p>Utilizing facets that form the basis for social bonds such as intimacy, empathy, and trust, Luis Mejico integrates structures of social relationships directly into the parameters of xis work. Mejico creates projects that carry out gestures and expectations of person-to-person engagements, therefore emulating social bonds when translated into artwork. By becoming the things that they examine, Mejico’s works test the boundaries, expectations, and significance of archetypal human bonds by enacting their innate characteristics.</p>
<p>Euree Kim</p>
<p>Euree Kim is an interdisciplinary artist whose current interest is identifying oneself in connection with surroundings / community / environment by learning, criticizing, engaging, and communicating. The term ‘community / environment’ changes every time and causes vibrant interactions between people and society. They use diverse mediums ranging from writing to performance to create the entry to open up dialogues.</p>
<p>Emily Hutchings</p>
<p>My current practice is focused on how expression functions, and the potential political and personal implications of expression. I operate through the idea that expression requires a type of displacement, in that the creation of something denies an absence from existing, closes a kind of void; Through writing and performative readings of that writing, I explore the ways expression succeeds and fails as a way of making meaning, finding agency, and a method to understand those converse concepts of absence and nothingness.</p>
<p>+ Burning Orchid</p><p>The post <a href="https://thevisualist.org/2017/06/her-environment-no-6-mantle-ii/">Her Environment no. 6: Mantle II</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">69208</post-id>	</item>
		<item>
		<title>Riff Raff Gala: A Fundraiser for Hume</title>
		<link>https://thevisualist.org/2017/06/riff-raff-gala-a-fundraiser-for-hume/</link>
					<comments>https://thevisualist.org/2017/06/riff-raff-gala-a-fundraiser-for-hume/#respond</comments>
		
		<dc:creator><![CDATA[Meg Duguid]]></dc:creator>
		<pubDate>Fri, 23 Jun 2017 00:00:01 +0000</pubDate>
				<category><![CDATA[Fundraiser]]></category>
		<category><![CDATA[Chicago]]></category>
		<category><![CDATA[Humboldt Park]]></category>
		<category><![CDATA[Hume Chicago]]></category>
		<guid isPermaLink="false">http://www.thevisualist.org/?p=69252</guid>

					<description><![CDATA[<p>You are cordially invited to a Fancy Gala* to benefit the Completely Legitimate Art Gallery Hume Chicago. Stay tuned for details about: -Petit fours by a mystery celebrity chef -Silent auction of extremely important works by extraordinarily famous artists -Karaoke by you, our esteemed guests -Exclusive live work by renowned performance artist -Extra hip DJ<a href="https://thevisualist.org/2017/06/riff-raff-gala-a-fundraiser-for-hume/" class="read-more">Continue Reading</a></p>
<p>The post <a href="https://thevisualist.org/2017/06/riff-raff-gala-a-fundraiser-for-hume/">Riff Raff Gala: A Fundraiser for Hume</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>You are cordially invited to a Fancy Gala* to benefit the Completely Legitimate Art Gallery Hume Chicago. Stay tuned for details about:</p>
<p>-Petit fours by a mystery celebrity chef<br />
-Silent auction of extremely important works by extraordinarily famous artists<br />
-Karaoke by you, our esteemed guests<br />
-Exclusive live work by renowned performance artist<br />
-Extra hip DJ jams by a real professional disc jockey<br />
-Raffle of luxury items and experiences<br />
-Super fancy photo booth</p>
<p>Dress to impress. (Black tie optional. Ties of other colors permissible.)</p>
<p>The proceeds of this benefit will go directly toward Hume&#8217;s expenses which include but are by no means limited to: space upgrades (fire safety equipment, accessibility ramp, installing a utility sink) and space insurance.</p>
<p>Please RSVP at the event&#8217;s digital face book. Plus ones, twos, threes, and fours highly encouraged.</p>
<p>Sliding scale entry: $10-15**</p>
<p>We&#8217;ll see you there <img src="https://s.w.org/images/core/emoji/15.0.3/72x72/2665.png" alt="♥" class="wp-smiley" style="height: 1em; max-height: 1em;" /></p>
<p>* &#8220;Fancy Gala&#8221; here means &#8220;Critique of the notion of art-as-capital, charity-as-social-posturing, and the optics of opulent patronage, by participating in a small, low budget, tongue-in-cheek simulacrum of a Gala&#8221;<br />
**If $10 is too steep, get in touch with us at hume.gallery@gmail.com for a volunteer spot. You&#8217;ll get free entry and a drink on us <img src="https://s.w.org/images/core/emoji/15.0.3/72x72/2665.png" alt="♥" class="wp-smiley" style="height: 1em; max-height: 1em;" /></p><p>The post <a href="https://thevisualist.org/2017/06/riff-raff-gala-a-fundraiser-for-hume/">Riff Raff Gala: A Fundraiser for Hume</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">69252</post-id>	</item>
		<item>
		<title>Propeller Fund Open House</title>
		<link>https://thevisualist.org/2017/04/propeller-fund-open-house/</link>
					<comments>https://thevisualist.org/2017/04/propeller-fund-open-house/#respond</comments>
		
		<dc:creator><![CDATA[Meg Duguid]]></dc:creator>
		<pubDate>Fri, 21 Apr 2017 05:00:01 +0000</pubDate>
				<category><![CDATA[Tour]]></category>
		<category><![CDATA[2nd Floor Rear]]></category>
		<category><![CDATA[Axis Lab]]></category>
		<category><![CDATA[Chicago]]></category>
		<category><![CDATA[Hume Chicago]]></category>
		<category><![CDATA[Janet Schmidt]]></category>
		<category><![CDATA[katie waddell]]></category>
		<category><![CDATA[oshua Kent]]></category>
		<category><![CDATA[out of site]]></category>
		<category><![CDATA[Propeller Fund Open House]]></category>
		<category><![CDATA[Sara Zalek]]></category>
		<guid isPermaLink="false">http://www.thevisualist.org/?p=67242</guid>

					<description><![CDATA[<p>As part of this year&#8217;s Open Engagment conference in Chicago, Propeller Fund presents a series of discussions, performances, presentations, and more in multiple neighborhoods across the city. Now in it&#8217;s eighth year, Propeller Fund is a Chicago-area granting organization that supports artist-led, collaborative, public-oriented projects that are independent and self-organized. From Humboldt Park to Austin,<a href="https://thevisualist.org/2017/04/propeller-fund-open-house/" class="read-more">Continue Reading</a></p>
<p>The post <a href="https://thevisualist.org/2017/04/propeller-fund-open-house/">Propeller Fund Open House</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>As part of this year&#8217;s Open Engagment conference in Chicago, Propeller Fund presents a series of discussions, performances, presentations, and more in multiple neighborhoods across the city. Now in it&#8217;s eighth year, Propeller Fund is a Chicago-area granting organization that supports artist-led, collaborative, public-oriented projects that are independent and self-organized. From Humboldt Park to Austin, from the Northside to Bronzeville, and from public spaces to online, these artist-led interventions, workshop series, collectively organized exhibition spaces, websites, and media projects constitute a large catalyst for the creative activity and vitality of the Chicago art world.</p>
<p>Open House Schedule:<br />
2nd Floor Rear<br />
Hume Chicago<br />
3242 W. Armitage Ave.<br />
10am-12pm<br />
2nd Floor Rear is an annual DIY festival of art in experimental contexts, apartment galleries, and ephemeral and migrant projects, celebrating Chicago’s vibrant community of alternative art spaces. 2nd Floor Rear Director Katie Waddell leads a conversation with artists, staff, and collaborators of the festival about its developments and future challenges to introduce an idea-generating workshop for grassroots arts organizers, organizations and collectives. The group discussion will stem from the questions: As justice-conscious artists and organizers, how do we not only adapt to changing tides, but embrace them by consolidating our values, revising our way of doing things, and ultimately become even more valuable to the artists, communities, and missions we serve? How do we make our work sustainable in the long-term, while sustainability seems impossible? How do we meet our organizations’ needs and keep our projects alive while putting justice, equity, and transparency into practice?</p>
<p>Axis Lab<br />
1120 W. Argyle St.<br />
3-4pm<br />
Axis Lab is a community engagement platform curating cultural programming within Chicago’s historic Southeast Asian corridor, Argyle Street, to incite equitable and inclusive development with its immigrant and refugee community through the intersection of food, design, and arts education. Axis Lab organizers offer a visual presentation of past and upcoming projects which center around themes of equitable development and social justice for the Asian community on Argyle. Such projects include working with local restaurant owners, community members, and policymakers to facilitate a variety of programming related to food, creative production, urban design, and curating participatory spaces. The latter half will be a sensorial workshop entitled Scents of Home, which is part of a series of pop-up events for Sống, a cookbook and archival project of the Vietnamese American community in Chicago. The Scents of Home workshop will serve as an interactive preview to the book, in which participants will explore Vietnamese food through scent as a mnemonic aid.</p>
<p>Out of Site<br />
UIC Halted Blue Line station and environs<br />
Peoria Street, between Van Buren and Harrison<br />
5-7pm<br />
Out of Site curates cutting edge unexpected encounters in public space, supporting contemporary performance artists to create new work that engages directly with the public. Out of Site will present public performance pieces by Joshua Kent, Janet Schmidt, and Sara Zalek which focus on community justice. Kent’s performance takes the symbolism and poetics of “Bread and Roses”, a phrase of historical and cultural significance, originating in the Union movement. Schmid’s pedestrian dance project encourages community engagement through movement. Zalek’s interactive dance performance questions the illusion of freedom in our contemporary society. All of these works will actively engage the audience in a dialogue on economic justice (Kent), community exchange (Schmid), and the illusion of freedom and justice (Zalek).</p>
<p>Friday, April 21</p>
<p>Sara Zalek, 5-7pm &#8211; UIC Halsted Blue Line station</p>
<p>Joshua Kent, 5-7pm &#8211; 400 S. Peoria St.</p>
<p>Saturday, April 22</p>
<p>Janet Schmid, 5-7pm &#8211; UIC Halsted Blue Line station</p>
<p>Lavender Menace Occupation<br />
Art and Exhibition Hall<br />
1st, 3rd, 4th, and 5th floor bathrooms<br />
400 S. Peoria St.<br />
April 21-23<br />
The Lavender Menace Occupation (LMO) was developed from the lavender menace poster project: a series of posters and other text based artworks that utilize letterpress printing, hand papermaking, and laser cut text, to address queer visibility politics, while creating art objects that are easily distributed through an invisible network of participants. LMO creates a site specific installation of posters within the bathrooms of UIC’s Art and Exhibition Hall.</p>
<p>Radius<br />
88.9-FM and online at http://theradius.us/<br />
Radius is an experimental radio broadcast platform located in Chicago. Radius provides artists with live and experimental formats in radio programming to support work that engages the tonal and public spaces of the electromagnetic spectrum. Radius Episode 78: Norman W. Long broadcasts on Saturday April 21, 22 &amp; 23, 2017 from 12-7pm CST in partnership with Propeller Fund and Open Engagement.</p>
<p>Visit propellerfund.org for up-to-date event program and schedule, or pick up a map at Gallery 400 at UIC, 400 S. Peoria Street or Threewalls, 2738 W. North Ave.</p><p>The post <a href="https://thevisualist.org/2017/04/propeller-fund-open-house/">Propeller Fund Open House</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">67242</post-id>	</item>
		<item>
		<title>Anna Showers-Cruser: Sweet Betweens</title>
		<link>https://thevisualist.org/2016/12/anna-showers-cruser-sweet-betweens/</link>
					<comments>https://thevisualist.org/2016/12/anna-showers-cruser-sweet-betweens/#respond</comments>
		
		<dc:creator><![CDATA[Meg Duguid]]></dc:creator>
		<pubDate>Sat, 03 Dec 2016 00:00:01 +0000</pubDate>
				<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Reception]]></category>
		<category><![CDATA[Anna Showers-Cruser]]></category>
		<category><![CDATA[Chicago]]></category>
		<category><![CDATA[Humboldt Park]]></category>
		<category><![CDATA[HUME]]></category>
		<category><![CDATA[Hume Chicago]]></category>
		<category><![CDATA[Sweet Betweens]]></category>
		<guid isPermaLink="false">http://www.thevisualist.org/?p=63437</guid>

					<description><![CDATA[<p>&#8220;Sweet Betweens&#8221; find their home at HUME where converted space is malleable, used as a place of creation, learning, and exhibition. In this post-election moment, stark polarities feel unmovable. How do we signal space for bodies that resist the binary? For those who play in the dark, for exuberance, for painful humor, and for resilience,<a href="https://thevisualist.org/2016/12/anna-showers-cruser-sweet-betweens/" class="read-more">Continue Reading</a></p>
<p>The post <a href="https://thevisualist.org/2016/12/anna-showers-cruser-sweet-betweens/">Anna Showers-Cruser: Sweet Betweens</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>&#8220;Sweet Betweens&#8221; find their home at HUME where converted space is malleable, used as a place of creation, learning, and exhibition. In this post-election moment, stark polarities feel unmovable. How do we signal space for bodies that resist the binary? For those who play in the dark, for exuberance, for painful humor, and for resilience, &#8220;Sweet Betweens&#8221; use material to call upon spaces where bodies that don’t conform to culturally normative binaries may still find respite and resilience.</p>
<p>Come to Hume in December and find a site for mediation, mourning, and self-care. Find objects for community-building, sex positivity, and safe space for dancing weirdos. These &#8220;Sweet Betweens&#8221; have a sneaking suspicion that the humor and fallibility of the handmade gesture is a source of radical potential. They have your back.</p>
<p>About the artist:<br />
Anna Showers-Cruser creates hybrid forms that act as contemporary propositions for non-hegemonic expressions of gender. The work expands sculpturally on craft traditions associated with the decorative, attempting to form an abstracted visual lexicon of community language. Anna’s current ongoing project imagines a queer lineage of heraldic flags and family crests of Southwest Virginian tradition, invoking cultural iconography of the protest banner, pride flags, and hanky codes. Anna has shown in various exhibitions in Chicago and on the east coast, and holds an MFA from the University of Chicago, with a BFA from the Maryland Institute College of Art.</p>
<p>annashowerscruser.com</p>
<p>About the venue:<br />
Hume Chicago is an artist-led project space focused on serving the Humboldt Park and Logan Square communities through dynamic, accessible arts programming. We aim to foster an inclusive, creative environment in which emerging Chicago artists and their neighbors can commune and engage.</p><p>The post <a href="https://thevisualist.org/2016/12/anna-showers-cruser-sweet-betweens/">Anna Showers-Cruser: Sweet Betweens</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">63437</post-id>	</item>
		<item>
		<title>Our Lovely Secret Wreck</title>
		<link>https://thevisualist.org/2016/07/our-lovely-secret-wreck/</link>
					<comments>https://thevisualist.org/2016/07/our-lovely-secret-wreck/#respond</comments>
		
		<dc:creator><![CDATA[Meg Duguid]]></dc:creator>
		<pubDate>Sat, 16 Jul 2016 00:00:01 +0000</pubDate>
				<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Brian T. Leahy]]></category>
		<category><![CDATA[Chicago]]></category>
		<category><![CDATA[Humboldt Park]]></category>
		<category><![CDATA[Hume Chicago]]></category>
		<category><![CDATA[J. Michael Ford]]></category>
		<category><![CDATA[Logan Square]]></category>
		<category><![CDATA[Margaux Crump]]></category>
		<guid isPermaLink="false">http://www.thevisualist.org/?p=59575</guid>

					<description><![CDATA[<p>Hume Chicago, a new community-supported art space on Chicago’s West Side, is pleased to present OUR LOVELY SECRET WRECK, an exhibition that brings three artists with distinct material and conceptual practices together to consider the multiple valences of desire and attachment. Featuring work by Margaux Crump, J. Michael Ford, and Brian T. Leahy, the exhibition<a href="https://thevisualist.org/2016/07/our-lovely-secret-wreck/" class="read-more">Continue Reading</a></p>
<p>The post <a href="https://thevisualist.org/2016/07/our-lovely-secret-wreck/">Our Lovely Secret Wreck</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Hume Chicago, a new community-supported art space on Chicago’s West Side, is pleased to present OUR LOVELY SECRET WRECK, an exhibition that brings three artists with distinct material and conceptual practices together to consider the multiple valences of desire and attachment.</p>
<p>Featuring work by Margaux Crump, J. Michael Ford, and Brian T. Leahy, the exhibition opens Saturday, July 16th from 6-9pm.</p>
<p>Regular hours are Saturdays 1-5pm and by appointment (hume.gallery@gmail.com)</p>
<p>A second reception—focused on an accompanying publication featuring experimental texts by eight writers—will take place on Friday, August 5th from 6-9pm.</p><p>The post <a href="https://thevisualist.org/2016/07/our-lovely-secret-wreck/">Our Lovely Secret Wreck</a> first appeared on <a href="https://thevisualist.org">The Visualist</a>.</p>]]></content:encoded>
					
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