Curatorial Conversation Surrounding EXPO CHICAGO’s 11th Edition
@ Chicago Athletic Association
12 S Michigan Ave, Chicago, IL 60603
Opening Saturday, January 27th, at 4PM
Join us at the Chicago Athletic Association for a conversation with EXPO CHICAGO 2024 guest curators Amara Antilla (Independent Curator and Guest Curator, Contemporary Arts Center Cincinnati) and Rosario Güiraldes (Curator of Visual Arts, Walker Arts Center in Minneapolis) moderated by Jadine Collingwood (Associate Curator at Museum of Contemporary Art Chicago). The conversation offers a preview of the themes and intentions for the curated programs at the upcoming exposition this April 11-14, 2024 as well as reflections on recent curatorial projects and a preview of Nicole Eisenman: What Happened at the Museum of Contemporary Art Chicago opening on April 9, 2024.
Rosario Güiraldes will curate the 2024 EXPOSURE section, which highlights solo and two-artist presentations from galleries 10 years and younger. This year’s presentation will focus on heralding emerging artists and exhibition programs.
IN/SITU is a program of EXPO CHICAGO dedicated to large-scale sculpture, video, film, and site-specific works throughout Festival Hall, and will be curated by Amara Antilla. Activating interstitial areas throughout the historic Navy Pier and beyond, Antilla’s selected artists will expand upon IN/SITU’s legacy of fostering ambitious projects that typically aren’t possible within the context of a fair.
Jadine Collingwood will curate the MCA presentation of Nicole Eisenman: What Happened opening April 9, 2024. Collingwood holds a Ph.D. in Art History from the University of Chicago, and at the Museum of Contemporary Art Chicago, she has curated projects including Chicago Works: Caroline Kent (2021), Martine Syms: She Mad Season One (2022), and Gary Simmons: Public Enemy (with René Morales, 2023).
Header Image Credit: EXPO CHICAGO, 2023. Photo by Kyle Flubacker.
CURATOR PROFILES AND EXPO CHICAGO INFORMATION:
Amara Antilla is a curator based between Cincinnati and Washington DC with over ten years of experience conceiving of and developing exhibitions with a focus on international contemporary art. She is currently an Independent Curator and Guest Curator at Contemporary Arts Center (CAC) in Cincinnati, where she has organized solo exhibitions and new commissions by artists including Tania Candiani (2020), Kahlil Robert Irving (2020), Steffani Jemison (2021), Marwa Arsanios (2021), Hellen Ascoli (2021), Rit Premnath (2021), Nora Turato (2021), Paul Maheke (2022), Carmen Winant (2022) and Tai Shani (forthcoming, fall 2023). Among the group exhibitions that she has recently curated and co-curated are Wild Frictions: The Politics and Poetics of Interruption (2021); The Regional (2022), Artist-Run Spaces (2022), and Breaking Water (2022). Antilla’s projects have traveled to or been featured at venues such as the Dhaka Art Summit; ICA San Diego; JOAN, Los Angeles; Kunstraum Kreuzberg, Berlin; The Kemper Museum of Contemporary Art, Kansas City, and Northern Spark, Minneapolis. Previously, Antilla served as a curator at the Guggenheim Museum in New York, where she worked on numerous exhibitions and expanded the permanent collection through acquisitions. She also supported the research and exhibition program of the MAP Global Art Initiative and contributed to organizing various contemporary exhibitions and performances with artists including Simone Leigh, Alfredo Jaar, and Amalia Pica. She is the recipient of the Andy Warhol Foundation Curatorial Research Fellowship and the Emily Hall Tremaine Exhibition Research Award (both 2022). She studied art history at Tufts University, Medford, the School of the Museum of Fine Arts, Boston, and Hunter College of the City University of New York (CUNY).
Rosario Güiraldes is Curator of Visual Arts at the Walker Art Center in Minneapolis. Originally from Buenos Aires, Güiraldes has more than a decade of experience working as a curator at institutions across the U.S., Europe, and Latin America, focusing in particular on contemporary art of the global south. She most recently held the position of Associate Curator at The Drawing Center, where she worked between 2017 and 2023. Among her recent projects are monographic exhibitions of the work of Xiyadie (2023), Fernanda Laguna (2022), Ebecho Muslimova (2021), and Guo Fengyi (2020), as well as the expansive drawing survey Drawing in the Continuous Present (2022). In addition to the projects noted above, she co-curated the large thematic exhibitions 100 Drawings from Now (2020); The Pencil Is a Key: Drawings by Incarcerated Artists (2019); and monographic exhibitions of the work of Guo Fengyi (2020) and Eduardo Navarro (2018). Between 2017 and 2020, Güiraldes served as co-curator of The Drawing Center’s Open Sessions, a two-year program for 30 early-career artists focused on exploring the nature of drawing through thematic group exhibitions, public programs, and monthly convenings. Previously, she curated the large-scale survey Forensic Architecture: Towards an Investigative Aesthetics (2017–2018), which was presented at the Barcelona Museum of Contemporary Art (MACBA) and the University Museum of Contemporary Art (MUAC), Mexico City, and earned the interdisciplinary collective Forensic Architecture a Turner Prize nomination. Güiraldes holds a master’s degree from the Center for Curatorial Studies at Bard College and a bachelor’s degree from the University of Buenos Aires. She frequently lectures in universities and institutions, and is currently a Critic in the Department of Painting and Printmaking at Yale School of Art.
Jadine Collingwood holds a Ph.D. in Art History from the University of Chicago, where she completed her dissertation, ‘A Tragic Suburban Mentality’: Managerial Lyricism in Contemporary Art. At the Museum of Contemporary Art Chicago, she has curated projects including Chicago Works: Caroline Kent (2021), Martine Syms: She Mad Season One (2022), and Gary Simmons: Public Enemy (with René Morales, 2023). Previously, she worked at the Walker Art Center where she was part of the curatorial team for several exhibitions, including the major retrospective Siah Armajani: Follow This Line (with Victoria Sung, 2018), the group exhibition The Body Electric (with Pavel Pyś, 2019), and the multidisciplinary exhibition The Paradox of Stillness (with Vincenzo de Bellis, 2021). Prior to the Walker, Collingwood was an Andrew W. Mellon Fellow at the Art Institute of Chicago, where she assisted with the exhibitions Design Episodes: The Modern Chair (2016) and Helena Almeida: Work Is Never Finished (2017).
EXPO CHICAGO showcases leading contemporary and modern art galleries each April at Navy Pier’s Festival Hall, alongside a diverse and inventive program of talks, on-site installations, and public art initiatives. Inaugurated in 2012, EXPO CHICAGO draws upon the city’s rich history as a vibrant international cultural destination, while highlighting the region’s contemporary arts community. In 2023, EXPO CHICAGO was acquired by Frieze, the world’s leading platform for modern and contemporary art. For more information on EXPO CHICAGO, visit expochicago.com.
Location
Stagg Court on the 4th Floor
12 S Michigan Ave, Chicago, IL 60603, USA
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