Jul 21st 2020

Online Event
https://graycenter.uchicago.edu/

The Gray Center for Arts and Inquiry hosts Volume 6, Part 1 of Gray Sound Sessions: Angélica Negron.

“Pasajero (Passenger/Fleeting)” is a collection of ambient pop songs for voice, live electronics, vegetable synth (via the Ototo interface) and mechanical instruments built by Nick Yulman. Inspired by themes of collective and individual identity as well as the search for home, these songs combine elements of magical realism with fragile electroacoustic soundscapes crafted mostly through micro samples and found sounds. Exploring the convergence between the organic and the artificial by combining an unconventional domestic orchestra with automatic instruments that use robotic modules to play themselves, these songs seek also to highlight the sometimes- overlooked magic in the ostensibly insignificant, the mundane and the quotidian. “Pasajero” is dedicated to all of those who’ve had to leave their place of origin in search of something else.

Puerto Rican-born composer and multi-instrumentalist Angélica Negrón writes music for accordions, robotic instruments, toys and electronics as well as for chamber ensembles, orchestras and choir. Her music has been described as “wistfully idiosyncratic and contemplative” (WQXR/Q2) while The New York Times noted her “capacity to surprise.” Negrón has been commissioned by the Bang on a Can All-Stars, loadbang, MATA Festival, Brooklyn Youth Chorus, Sō Percussion, the American Composers Orchestra and the New York Botanical Garden, among others. Upcoming premieres include works for the LA Philharmonic, Dallas Symphony Orchestra and National Symphony Orchestra, San Francisco Girls Chorus, and NY Philharmonic Project 19 initiative. Negrón continues to perform and compose for film.

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