Oct 20th 2011

Nato Thompson is chief curator at Creative Time, as well as a writer and activist. Amongst his projects for Creative Time are “The Creative Time Summit: Revolutions in Public Practice” (2009), “Democracy in America: The National Campaign” (2008), “Waiting for Godot in New Orleans,” a project by Paul Chan in collaboration with The Classical Theatre of Harlem (2007), and “Mike Nelson: A Psychic Vacuum” (2007). Thompson was formerly a curator at MASS MoCA, where his exhibitions included “The Interventionists: Art in the Social Sphere” and “Ahistoric Occasion: Artists Making History.” His newest publication, Seeing Power: Art and Activism in the Age of Cultural Production, published by Autonomedia, is slated for release in summer 2011.

Hand-in-Glove is a new semiannual conference for independent visual arts organizers working at the crossroads of creative administration and studio practice. This conference is open to people engaged in the pragmatic realities and imaginative possibilities of organizing exhibitions, re-granting programs, publications, residencies, public programs, platforms for projects, and a variety of other programming that challenges traditional formats for the production and reception of art at the grassroots level. These include, but are not limited to, artist-run exhibition spaces, independent programming series, unconventional residency programs, and artist-run pedagogical experiments. This conference is a way to start a national conversation on creative activity happening outside of traditional institutions and spread the word about innovative organizing models and under-the-radar opportunities that could be useful to artists and organizers.


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