Feb 10th 2011

Martha Colburn’s wickedly witty animations are assemblages of stop-motion puppetry, multi-layered glass painting, and all forms of pop cultural detritus. Drawing inspiration from the histories of the American West and more recent narratives of methamphetamine use and environmental catastrophe, Colburn’s outrageous pastiches offer incendiary commentary on our contemporary condition. Writes Jonas Mekas: “Martha Colburn’s films are naked testimonials of our times, and of her generation.” This evening, she will present a range of works from across her oeuvre—including early favorites like Evil of Dracula (1997) and Cosmetic Emergency (2005)—and the Chicago premiere of two brand-new projects, in addition to an in-depth discussion about her process.

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