Jan 30th 2011

Erin Leland’s Critical of Tan, a series of glances askew at herself, began with photographing strangers as a live mannequin through a shop window, continued with attempting to reclaim explicit photographs inadvertently inherited by two Midwestern strangers, and includes Accidental Sightings, a poem chronicling her attempts to avoid her image in reflective surfaces. At the heart of all the work is their existence as encounters. She is currently reinterpreting her own image through autobiographical retellings.

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