Closing Reception<\/p>\n
A compilation exhibiting successive symbolic states of an ancient Visual Language \u2013 Adinkra and Textile Art \u2013 Shibori Indigo. The Indigo plant-based dye is an effective magical chemistry method for producing linguistic fiber textile imagery. The textile begins as a blank state, proceeds through a finite number of well-defined transitions, when executed stimulates symbolic communication imagery crossing borders in ancient cultures to successive states eventually producing a modern Urban Language<\/p>\n
\u2013 AL.GO.RYTHMS.<\/p>\n
M a r Y Artist Young Textile | I N D I G O | Fiber<\/p>\n
MarY Young | MY re-established her Studio Practice as the Inaugural 2015-16 Master Residency Artist at THE cre.\u00e6.tive ROOM, building a new body of work, the \u201cIndigo Shibori Textile \u2013 Symbolic Language\u201d series. Additional Residencies include Hyde Park Art Center \u2013 Teaching Artist Residency (2018) and The School of the Art Institute \u2013 Oxbow Program (2017). Exhibitions include galleries in Michigan City, IN (Southern Shore Art Association), Chicago, IL (South Side Community Art Center), Glen Echo, MD (Glen Echo Gallery) and Washington, DC (Mary Mc Cloud Bethune Museum). Awards include Study-Abroad Program to Italy, an International Artist Exchange Program to Australia and a summer Artist-Residency with the Department of Interior, Parks & Recreation. MY textiles are in private collections in Washington, DC, San Francisco, CA and Chicago, IL.<\/p>\n","protected":false},"excerpt":{"rendered":"
Closing Reception A compilation exhibiting successive symbolic states of an ancient Visual Language \u2013 Adinkra and Textile Art \u2013 Shibori Indigo. The Indigo plant-based dye is an effective magical chemistry method for producing linguistic fiber textile imagery. The textile begins as a blank state, proceeds through a finite number of well-defined transitions, when executed stimulatesContinue Reading<\/a><\/p>\n","protected":false},"author":9,"featured_media":88617,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[121],"tags":[191179,156791,397,156646,166663,89397,191180,193144],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"http:\/\/thevisualist.org\/wp-content\/uploads\/2018\/10\/26-Oct-2018__MarY-YounG-Al.-go.-rhythms-Masquerade-Ball__Blanc-Gallery.jpg","_links":{"self":[{"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/88616"}],"collection":[{"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/comments?post=88616"}],"version-history":[{"count":1,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/88616\/revisions"}],"predecessor-version":[{"id":88673,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/88616\/revisions\/88673"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/media\/88617"}],"wp:attachment":[{"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/media?parent=88616"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/categories?post=88616"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/tags?post=88616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}