{"id":80933,"date":"2018-04-27T00:00:01","date_gmt":"2018-04-27T00:00:01","guid":{"rendered":"http:\/\/www.thevisualist.org\/?p=80933"},"modified":"2018-04-28T12:56:41","modified_gmt":"2018-04-28T17:56:41","slug":"joseph-bigley","status":"publish","type":"post","link":"http:\/\/thevisualist.org\/2018\/04\/joseph-bigley\/","title":{"rendered":"Joseph Bigley"},"content":{"rendered":"<p>My work is typically a form of social commentary. Under the current political climate, parts of my practice have taken a surprising turn away from such a focus as a response to the overwhelming media barrage and hostility perpetuated by the occupant of the White House. This series of mixed media paintings is explorative in process and simplicity.<\/p>\n<p>The dichotomous use of oil paint and charcoal provides for concurrent polarity and harmony. Stripped down forms and shapes radiate a sense of properties associated with the physical sciences. This body of work intentionally offers a minimal amount of imagery and by harnessing the inferences of free association and strict geometry creates an expansive suggestion of space, time and universality.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>My work is typically a form of social commentary. Under the current political climate, parts of my practice have taken a surprising turn away from such a focus as a response to the overwhelming media barrage and hostility perpetuated by the occupant of the White House. This series of mixed media paintings is explorative in<a href=\"http:\/\/thevisualist.org\/2018\/04\/joseph-bigley\/\" class=\"read-more\">Continue Reading<\/a><\/p>\n","protected":false},"author":6,"featured_media":80934,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[39,5],"tags":[5345,397,89397,183433,21],"class_list":["post-80933","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition","category-reception","tag-arc-gallery","tag-chicago","tag-illinois","tag-joseph-bigley","tag-west-town","cat-39-id","cat-5-id"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"http:\/\/thevisualist.org\/wp-content\/uploads\/2018\/04\/27-Apr-2018__Joseph-Bigley__ARC-Gallery.jpg","_links":{"self":[{"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/80933","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/comments?post=80933"}],"version-history":[{"count":2,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/80933\/revisions"}],"predecessor-version":[{"id":80952,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/80933\/revisions\/80952"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/media\/80934"}],"wp:attachment":[{"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/media?parent=80933"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/categories?post=80933"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/tags?post=80933"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}