Retrato de Malinalli con Fruta Temporal
\nGalia Basail-Mulcahy & Andr\u00e9 Filipek<\/p>\n
<\/p>\n
You remember when we were trying to go to galleries and you were asking for directions and that person called you g\u00fcerita? I still remember that. It\u2019s happened to me too. So there is that thing.<\/p>\n
I don\u2019t remember that because it happens to me 24\/7. The other day a florist repeatedly called me g\u00fcerita as an attempt to be charming so that I would buy his flowers and so I told him I prefer to be addressed as se\u00f1orita and he said \u201cpero si eres g\u00fcerita mira a el color de tu piel\u201d etc. I was annoyed so I bought flowers from a nice guy across the street and waved to the other flower guy as I was buying them, lol.<\/p>\n
* * * * *<\/p>\n
Galia was born on February 3rd, 1992 in Puerto Vallarta, Jalisco, Mexico and raised in Chicago, Illinois, USA. In 2014 she graduated from the Milwaukee Institute of Art & Design with a BFA in Integrated Studio Arts with an emphasis in video art. She currently resides in Mexico City, Mexico.<\/p>\n
Andr\u00e9 Filipek (b. 1992, San Francisco) is an artist based in New York. He has exhibited nationally and internationally, most recently at Wreath (Atlanta), Amor (Mexico City), Yeah Maybe (Minneapolis), FalseFront (Portland) and Stadelschule (Frankfurt). His writing has been published by CRITpaper, SPEP, and Amur Initiatives. He was the founder and director of HQHQ in Portland, OR (2013-2015).<\/p>\n
http:\/\/www.produce-model.com
\nhttp:\/\/www.galiabasailmulcahy.com
\nhttp:\/\/www.andrefilipek.co<\/p>\n","protected":false},"excerpt":{"rendered":"
Retrato de Malinalli con Fruta Temporal Galia Basail-Mulcahy & Andr\u00e9 Filipek You remember when we were trying to go to galleries and you were asking for directions and that person called you g\u00fcerita? I still remember that. It\u2019s happened to me too. So there is that thing. I don\u2019t remember that because it happensContinue Reading<\/a><\/p>\n","protected":false},"author":6,"featured_media":69529,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[169581,397,169580,158021,166165,169588],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"http:\/\/thevisualist.org\/wp-content\/uploads\/2017\/07\/PMGallery_Exhibition5.jpeg","_links":{"self":[{"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/69528"}],"collection":[{"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/comments?post=69528"}],"version-history":[{"count":1,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/69528\/revisions"}],"predecessor-version":[{"id":69537,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/posts\/69528\/revisions\/69537"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/media\/69529"}],"wp:attachment":[{"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/media?parent=69528"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/categories?post=69528"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/thevisualist.org\/wp-json\/wp\/v2\/tags?post=69528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}