<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" > <channel> <title>Shi-An Costello - The Visualist</title> <atom:link href="http://thevisualist.org/tag/shi-an-costello/feed/" rel="self" type="application/rss+xml" /> <link>http://thevisualist.org</link> <description>Chicago Visual Arts Calendar</description> <lastBuildDate>Mon, 06 May 2024 11:54:50 +0000</lastBuildDate> <language>en-US</language> <sy:updatePeriod> hourly </sy:updatePeriod> <sy:updateFrequency> 1 </sy:updateFrequency> <generator>https://wordpress.org/?v=6.7.1</generator> <image> <url>http://thevisualist.org/wp-content/uploads/2023/11/13715238_1656465681341114_192907186_a1-200x200.jpg</url> <title>Shi-An Costello - The Visualist</title> <link>http://thevisualist.org</link> <width>32</width> <height>32</height> </image> <site xmlns="com-wordpress:feed-additions:1">232801582</site> <item> <title>CLEAT Series: Jack Hamill + Lee/Ortez/Costello, Yousif Alzayed / Patrick Glennon / Mauricio López F. / Steph Patsula</title> <link>http://thevisualist.org/2024/05/cleat-series-jack-hamill-lee-ortez-costello-yousif-alzayed-patrick-glennon-mauricio-lopez-f-steph-patsula/</link> <comments>http://thevisualist.org/2024/05/cleat-series-jack-hamill-lee-ortez-costello-yousif-alzayed-patrick-glennon-mauricio-lopez-f-steph-patsula/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Sat, 11 May 2024 01:00:00 +0000</pubDate> <category><![CDATA[Performance]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[CLEAT Series: Jack Hamill + Lee/Ortez/Costello]]></category> <category><![CDATA[Elastic Arts]]></category> <category><![CDATA[Han Lee]]></category> <category><![CDATA[Jack Hamill]]></category> <category><![CDATA[Justin Ortez]]></category> <category><![CDATA[Logan Square]]></category> <category><![CDATA[Mauricio López F.]]></category> <category><![CDATA[Patrick Glennon]]></category> <category><![CDATA[Shi-An Costello]]></category> <category><![CDATA[Steph Patsula]]></category> <category><![CDATA[Yousif Alzayed]]></category> <category><![CDATA[Yousif Alzayed / Patrick Glennon / Mauricio López F. / Steph Patsula]]></category> <guid isPermaLink="false">http://thevisualist.org/?p=160354</guid> <description><![CDATA[<p>We’ve got a huge month at Elastic Arts with the weekly Making Multichannel Music workshops and this two set bill! Let’s get our CLEAT on! Tonight will open with Han Lee, Justin Ortez, and Shi-An Costello performing Jack Hamill’s Manifest the Terrestrial Shifting Boundlessness, a piece for three keyboard instruments celebrating the process of FM<a href="http://thevisualist.org/2024/05/cleat-series-jack-hamill-lee-ortez-costello-yousif-alzayed-patrick-glennon-mauricio-lopez-f-steph-patsula/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2024/05/cleat-series-jack-hamill-lee-ortez-costello-yousif-alzayed-patrick-glennon-mauricio-lopez-f-steph-patsula/">CLEAT Series: Jack Hamill + Lee/Ortez/Costello, Yousif Alzayed / Patrick Glennon / Mauricio López F. / Steph Patsula</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>We’ve got a huge month at Elastic Arts with the weekly Making Multichannel Music workshops and this two set bill! Let’s get our CLEAT on! Tonight will open with Han Lee, Justin Ortez, and Shi-An Costello performing Jack Hamill’s Manifest the Terrestrial Shifting Boundlessness, a piece for three keyboard instruments celebrating the process of FM synthesis and it’s propensity for electric, earthbound, howling vibrations. These keyboard sounds will then be diffused throughout the 16-channel speaker system. Rounding out the night will be a quartet of Yousif Alzayed, Patrick Glennon, Mauricio López F., and Steph Patsula peforming via the CLEAT. We’ll see and hear three very different approaches to the system, and we can’t wait! Sounds at 8pm.</p> <p>$15 / $10 w/ Student ID – Tickets Available at the Door</p> <p>Artist Bios</p> <p>Yousif Alzayed is a Kuwaiti/American artist working across the fields of video, sound, new media, and installation. Interested in patterns in nature that can be reproduced through the help of light, sound, and motion. With research spanning across physics, chemistry, and biology, he often focuses on integrating analog and digital electronics as an art material.</p> <p>Patrick Glennon is an artist, musician, game developer, and curator. He regularly composes for dance and writes and performs with the experimental pop trio Big Pal and the electro-acoustic duo Lirra Skirra. He has curated the independent record label Dead Definition since 2016. Website: morgue.team</p> <p>Mauricio López F. is a sound and music composer born in Santiago de Chile and currently based in Chicago, USA. His practice revolves around exploring various mediums within sound art, including sculptures, sonic assemblage, graphic scores, and performance with non-traditional instruments. All of these explorations are centered around topics such as translation, social misunderstandings, and migration. He studied music composition at the Emoderna with the renowned composer Javier Farías. Later, he entered the Aesthetics program at the PUC from Chile, focusing his research on the avant-garde within the context of Chilean popular music. Currently, he is pursuing an MFA in the Sound program at the School of the Art Institute of Chicago, where he received the New Artist Society Scholarship. Mauricio has performed in Chile, Perú, United States, Spain, France, Germany, and the Czech Republic.</p> <p>Steph Patsula (b. 1988, CA/US) is an interdisciplinary artist best known for their work investigating the dynamic between autonomy and intimacy within human and non-human relationships. Patsula’s research is grounded in live performance, which embraces the unpredictable dynamics of working with materials, spaces, and bodies via improvisation — a process that reflects a personal desire for mutualism through attentiveness to a range of sensory thresholds.</p><p>The post <a href="http://thevisualist.org/2024/05/cleat-series-jack-hamill-lee-ortez-costello-yousif-alzayed-patrick-glennon-mauricio-lopez-f-steph-patsula/">CLEAT Series: Jack Hamill + Lee/Ortez/Costello, Yousif Alzayed / Patrick Glennon / Mauricio López F. / Steph Patsula</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2024/05/cleat-series-jack-hamill-lee-ortez-costello-yousif-alzayed-patrick-glennon-mauricio-lopez-f-steph-patsula/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">160354</post-id> </item> <item> <title>Missing Piece Presents: Earth/Land – Four Premieres and Improvisations for Violin, Cello, and 100 Handmade Flowerpots</title> <link>http://thevisualist.org/2023/11/missing-piece-presents-earth-land-four-premieres-and-improvisations-for-violin-cello-and-100-handmade-flowerpots/</link> <comments>http://thevisualist.org/2023/11/missing-piece-presents-earth-land-four-premieres-and-improvisations-for-violin-cello-and-100-handmade-flowerpots/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Mon, 06 Nov 2023 02:00:00 +0000</pubDate> <category><![CDATA[Performance]]></category> <category><![CDATA[Ben Zucker]]></category> <category><![CDATA[Cello]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Dan Galat]]></category> <category><![CDATA[Elastic Arts]]></category> <category><![CDATA[Kelly Quesada]]></category> <category><![CDATA[Logan Square]]></category> <category><![CDATA[Luis Fernando Amaya]]></category> <category><![CDATA[Missing Piece Presents: Earth/Land - Four Premieres and Improvisations for Violin Cello and 100 Handmade Flowerpots]]></category> <category><![CDATA[Myra Hinrichs]]></category> <category><![CDATA[Nate Friedman]]></category> <category><![CDATA[Shi-An Costello]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=152585</guid> <description><![CDATA[<p>Earth/Land is a collaborative project between ceramic artists, potters, composers, and Missing Piece. Earth/Land is the creation of a handmade, ceramic pitched flower pot instrument of over 100 flower pots and the commissioning of five composers to write four pieces for this instrument and Missing Piece. These composers are Luis Fernando Amaya, Ben Zucker, Shi-An<a href="http://thevisualist.org/2023/11/missing-piece-presents-earth-land-four-premieres-and-improvisations-for-violin-cello-and-100-handmade-flowerpots/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2023/11/missing-piece-presents-earth-land-four-premieres-and-improvisations-for-violin-cello-and-100-handmade-flowerpots/">Missing Piece Presents: Earth/Land – Four Premieres and Improvisations for Violin, Cello, and 100 Handmade Flowerpots</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Earth/Land is a collaborative project between ceramic artists, potters, composers, and Missing Piece. Earth/Land is the creation of a handmade, ceramic pitched flower pot instrument of over 100 flower pots and the commissioning of five composers to write four pieces for this instrument and Missing Piece. These composers are Luis Fernando Amaya, Ben Zucker, Shi-An Costello, and Myra Hinrichs/Nate Friedman (co-composers). The project aims to bring together artists and environmentalists across disciplines to have a conversation about the land we occupy and what we create with it.</p> <p>Artist Bios</p> <p>Missing Piece is south side Chicago-based musical duo, violinist Dan Galat and cellist Kelly Quesada, who endeavor to commission new musical works and works from other artistic disciplines on themes that inspire others to connect with their community, care for our environment, listen deeply to ourselves and others, and speak out against injustice.</p> <p>$15 – Tickets Available at the Door</p><p>The post <a href="http://thevisualist.org/2023/11/missing-piece-presents-earth-land-four-premieres-and-improvisations-for-violin-cello-and-100-handmade-flowerpots/">Missing Piece Presents: Earth/Land – Four Premieres and Improvisations for Violin, Cello, and 100 Handmade Flowerpots</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2023/11/missing-piece-presents-earth-land-four-premieres-and-improvisations-for-violin-cello-and-100-handmade-flowerpots/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">152585</post-id> </item> <item> <title>Impromptu Fest 2023</title> <link>http://thevisualist.org/2023/09/impromptu-fest-2023/</link> <comments>http://thevisualist.org/2023/09/impromptu-fest-2023/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Fri, 15 Sep 2023 23:08:26 +0000</pubDate> <category><![CDATA[Performance]]></category> <category><![CDATA[Allen Moore]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[High Concept Labs]]></category> <category><![CDATA[Impromptu Fest 2023]]></category> <category><![CDATA[Lower West Side]]></category> <category><![CDATA[Mabel Kwan]]></category> <category><![CDATA[OLEA Ensemble]]></category> <category><![CDATA[Ramin Roshandel & Jean-Francois Charles]]></category> <category><![CDATA[Shi-An Costello]]></category> <category><![CDATA[Tim Corpus & Alyssa Arrigo]]></category> <category><![CDATA[William Jason Raynovich]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=149109</guid> <description><![CDATA[<p>New Music // New Connections 7:00 pm: Ramin Roshandel & Jean-François Charles: “Jamshid Jam” 8:00 pm: OLEA Ensemble plays Owen Hopper’s “Wind Blows Lotus Leaves” Limited capacity. Advanced registration is encouraged. RSVP for Impromptu Fest Impromptu Fest is a FREE showcase of Chicago-based contemporary classical music, improvisation, and sound art. The fourth edition of Impromptu<a href="http://thevisualist.org/2023/09/impromptu-fest-2023/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2023/09/impromptu-fest-2023/">Impromptu Fest 2023</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<div id="block-9a93e7df4d083fd3ff30" class="sqs-block html-block sqs-block-html" data-block-type="2"> <div class="sqs-block-content"> <div class="sqs-html-content"> <p class="sqsrte-large">New Music // New Connections</p> <p class=""><strong>7:00 pm: </strong><a tabindex="0" href="https://jamshidjam.com/"><strong>Ramin Roshandel & Jean-François Charles</strong></a>: “Jamshid Jam”<br /> <strong>8:00 pm: </strong><a tabindex="0" href="http://www.oleaensemble.com/"><strong>OLEA Ensemble</strong></a> plays Owen Hopper’s “Wind Blows Lotus Leaves”</p> <p class=""><strong>Limited capacity.</strong> <strong>Advanced registration is encouraged. </strong></p> </div> </div> </div> <div id="block-b3ffefffc9b373bc0276" class="sqs-block button-block sqs-block-button" data-block-type="53"> <div id="yui_3_17_2_1_1693522962714_106" class="sqs-block-content"> <div id="yui_3_17_2_1_1693522962714_105" class="sqs-block-button-container sqs-block-button-container--left" data-animation-role="button" data-alignment="left" data-button-size="medium" data-button-type="primary"><a class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" tabindex="0" href="https://www.eventbrite.com/e/impromptu-fest-2023-tickets-687944298917" data-initialized="true"> RSVP for Impromptu Fest </a></div> </div> </div> <div id="block-4463894cd05f1395562a" class="sqs-block html-block sqs-block-html" data-block-type="2"> <div class="sqs-block-content"> <div class="sqs-html-content"> <p class="">Impromptu Fest is a FREE showcase of Chicago-based contemporary classical music, improvisation, and sound art.</p> <p class="">The fourth edition of Impromptu Fest, a showcase of contemporary and experimental music being made in Chicago today, presentz 15 performances ranging from solo performances to chamber music and ensemble acts and is presented in collaboration with <strong>Epiphany Center For The Arts</strong>, <strong>Elastic Arts</strong>, and <strong>High Concept Labs</strong>.</p> <p class="">High Concept Labs hosts the last two days of the festival:</p> <ul data-rte-list="default"> <li> <p class="">Friday, September 15 features<strong> Ramin Roshandel & Jean-Francois Charles</strong>, and <strong>OLEA Ensemble. </strong></p> </li> <li> <p class="">Saturday, September 16 features <strong>Shi-An Costello</strong>, <strong>Mabel Kwan</strong>, <strong>Allen Moore</strong>, <strong>Tim Corpus & Alyssa Arrigo</strong>, and <strong>William Jason Raynovich</strong>.</p> </li> </ul> <p class="">The festival is a production of <a tabindex="0" href="https://www.newmusicchicago.org/"><strong>New Music Chicago</strong></a><strong>. </strong>For more information, visit <a tabindex="0" href="https://www.impromptufest.org/" target="_blank" rel="noopener"><strong>impromptufest.org</strong></a><strong>.</strong></p> </div> </div> </div> <div id="block-yui_3_17_2_1_1692579457871_9653" class="sqs-block gallery-block sqs-block-gallery" data-block-json="{"hSize":null,"floatDir":null,"methodOption":"transient","existingGallery":null,"newWindow":false,"aspect-ratio":"square","aspectRatio":null,"auto-crop":false,"autoplay":false,"blockAnimation":"none","collectionId":"64e2b9604bcf626050902840","controls":false,"design":"slideshow","lightbox":false,"meta-position":"bottom","show-meta":true,"show-meta-basic":true,"show-meta-only-title":false,"show-meta-only-description":false,"show-meta-on-hover":false,"square-thumbs":true,"thumbnail-strip-height":132,"thumbnail-strip-margin":20,"thumbnails":true,"vSize":null,"transientGalleryId":"64e2b9604bcf626050902840","transparentBackground":false}" data-block-type="8"> <div id="yui_3_17_2_1_1693522962714_229" class="sqs-block-content"> <div id="yui_3_17_2_1_1693522962714_111" class=" sqs-gallery-container sqs-gallery-block-slideshow sqs-gallery-has-thumbnails sqs-gallery-block-show-meta sqs-gallery-block-meta-position-bottom sqs-gallery-block-show-meta block-animation-none clear"> <div id="yui_3_17_2_1_1693522962714_128" class="sqs-gallery sqs-gallery-design-stacked"> <div id="block-fe65fd298f1d3cbb440e" class="sqs-block html-block sqs-block-html" data-block-type="2"> <div class="sqs-block-content"> <div class="sqs-html-content"> <h4>Access Services</h4> <p class="">To learn more about the accessibility of our studio, please review <a tabindex="0" href="https://highconceptlabs.org/access"><strong>our Access Information</strong></a>. For any other questions or requests regarding accessibility, please contact Angee Lennard, HCL’s Accessibility Coordinator, at angee@highconceptlabs.org or 312-374-1117.</p> </div> </div> </div> </div> </div> </div> </div><p>The post <a href="http://thevisualist.org/2023/09/impromptu-fest-2023/">Impromptu Fest 2023</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2023/09/impromptu-fest-2023/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">149109</post-id> </item> <item> <title>Chicago Takes 10: HCL Commissions</title> <link>http://thevisualist.org/2021/07/chicago-takes-10-hcl-commissions/</link> <comments>http://thevisualist.org/2021/07/chicago-takes-10-hcl-commissions/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Thu, 22 Jul 2021 11:21:51 +0000</pubDate> <category><![CDATA[Performance]]></category> <category><![CDATA[Aram Atamian]]></category> <category><![CDATA[Barber]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Chicago Takes 10: HCL Commissions]]></category> <category><![CDATA[Courtney Mackedanz]]></category> <category><![CDATA[Esther Baker-Tarpaga]]></category> <category><![CDATA[High Concept Labs]]></category> <category><![CDATA[Lower West Side]]></category> <category><![CDATA[Raquel Monre]]></category> <category><![CDATA[Shi-An Costello]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=125376</guid> <description><![CDATA[<p>Join us in celebrating the HCL Commissions artists on July 22 for the closing of Chicago Takes 10 | a new virtual series sponsored by the Walder Foundation featuring performing artists from across the city including musicians, dancemakers and performers. HCL was selected as one of 10 non-profit performing arts organizations to curate a collection<a href="http://thevisualist.org/2021/07/chicago-takes-10-hcl-commissions/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2021/07/chicago-takes-10-hcl-commissions/">Chicago Takes 10: HCL Commissions</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<div id="block-f64b5e78511c4727516b" class="sqs-block html-block sqs-block-html" data-block-type="2"> <div class="sqs-block-content"> <div id="block-bedd1f2ae75012627982" class="sqs-block html-block sqs-block-html" data-block-type="2"> <div class="sqs-block-content"> <p class="kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql">Join us in celebrating the HCL Commissions artists on July 22 for the closing of Chicago Takes 10 | a new virtual series sponsored by the Walder Foundation featuring performing artists from across the city including musicians, dancemakers and performers. HCL was selected as one of 10 non-profit performing arts organizations to curate a collection of work for the series. Mark your calendar for 6PM and visit <a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl py34i1dx gpro0wi8" tabindex="0" role="link" href="http://www.chicagotakes10.org/?fbclid=IwAR3ZEJeT_tYeqHlD2tuuWWwdhgs80-0VGC7VeDeThhtCXODR7KaWKg_t_lY" target="_blank" rel="nofollow noopener noreferrer">www.chicagotakes10.org</a> for our debut with a live artist chat.</p> <p class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql">From Artistic Director and HCL Commissions Curator Yolanda Cesta Cursach Montilla:</p> <p class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql">“Chicago Takes 10 (CCT) came up in February 2021 like a sun rising. For thirteen months performance artists have wondered if they can continue. It is hard to stay motivated. It takes a lot of mind and body power to do that. Artists are doing a whole jumble of things to stay afloat, from teaching hourly and attending demonstrations, to helping out with mutual aid. Stepping away from performing is not an option; they are members of the social conscience as artists.</p> <p class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql">I can’t think of a more important time to launch HCL Commissions, a program vital to our vision that we are fortunate to accelerate and amplify with Walder Foundation support and the CTT recordings. Artists want to know they have a future. They want to create for that future. I am interested in artists who carry into the future a clear sense of our present. I turned to five deeply experimental artists whose main material is people and human relations, and who trouble to notice how the world looks now and won’t look forever. I’m excited how radically different the commissions are turning out; it’s a mini-festival that represents HCL’s full performance spectrum, and reflects the generous, sometimes trickster, earnestness of artists today.”</p> <p class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql">Featuring work by Aram Atamian, Barber, Courtney Mackedanz, Esther Baker-Tarpaga & Raquel Monre, and Shi-An Costello, with collaborators. See <a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl py34i1dx gpro0wi8" tabindex="0" role="link" href="https://l.facebook.com/l.php?u=http%3A%2F%2Fwww.chicagotakes10.org%2F%3Ffbclid%3DIwAR1yI0BhonnDitV2_BWasjQCWr7jeC4qQKyeVVfz4oVbzT-SIdQYtelYr_0&h=AT27ziAPWPvyFSawp6xbOSSj38-XRFE3EGGKRyi6A-tFqyRmeBNOlukjfp_UmXf70bZ6mUVUzuDl9Pyt6SicQL4xkGS4UsAv0yJbkvo5JY3DZsJ8iAMcqJM4SUhd4hGDr4Q&__tn__=q&c[0]=AT0miijfQvEZ8ayWxlmWkhaGFsTk88v2sd4ZBxc5rOAq-Ka9wbm33Pxst_G1STcR7gPNrHi_wb63_65Tq0Ewnq4C4YstJmMPJTm9reRgcImpoS_YmhFsYMpIjPGK9XUpcxvfjT2LnSHTdS9unCRkfbAG" target="_blank" rel="nofollow noopener noreferrer">www.chicagotakes10.org</a> for full credits</p> </div> </div> </div> </div><p>The post <a href="http://thevisualist.org/2021/07/chicago-takes-10-hcl-commissions/">Chicago Takes 10: HCL Commissions</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2021/07/chicago-takes-10-hcl-commissions/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">125376</post-id> </item> <item> <title>Shi-An Costello</title> <link>http://thevisualist.org/2020/09/shi-an-costello/</link> <comments>http://thevisualist.org/2020/09/shi-an-costello/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Sat, 26 Sep 2020 00:00:01 +0000</pubDate> <category><![CDATA[Performance]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Constellation Chicago]]></category> <category><![CDATA[Shi-An Costello]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=117370</guid> <description><![CDATA[<p>8:30 pm // $15 in-person // livestream by donation This concert will have a live audience and will also be livestreamed. For an in-person ticket, you can buy a SOLO ticket, to be seated alone, or a DUO ticket, to be seated at a table with room for two. Tickets for the livestream are donation<a href="http://thevisualist.org/2020/09/shi-an-costello/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2020/09/shi-an-costello/">Shi-An Costello</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>8:30 pm // $15 in-person // livestream by donation</p> <p>This concert will have a live audience and will also be livestreamed. For an in-person ticket, you can buy a SOLO ticket, to be seated alone, or a DUO ticket, to be seated at a table with room for two.</p> <p>Tickets for the livestream are donation based. The suggested donation is $7. You can donate by clicking ‘Tickets’ and selecting ‘Stream Donation.’ Please purchase a livestream ticket to support the artist if you plan to watch at home. You can watch the livestream at https://youtu.be/ywVd5Gb0NUU</p> <p>Please review our COVID-19 policies before coming to the show. You can find them on our website at <a href="https://www.constellation-chicago.com/calendar/shi-an-costello">constellation-chicago.com</a></p> <p>Shi-An Costello performs the playful and vibrant masterpiece Sonatas and Interludes for Prepared Piano. The Sonatas and Interludes, a cycle of twenty pieces by American musician John Cage, was written in the late 1940s for “prepared piano,” the placing of resonant objects on and in the piano in order to manipulate the instrument’s tonal and percussive qualities. Shi-An Costello, an active proponent of Cage’s work, has previously performed Dance Music for Elfrid Ide, Dream, Four Dances, HPSCHD, In a Landscape, Music of Changes, Six Melodies, Suite for Toy Piano, Two⁵, Waiting and 4’33”. The evening also includes a new work by composer Danny Clay (dclaymusic.com). Clay’s work is deeply rooted in curiosity, collaboration, and the sheer joy of making things with people of all ages and levels of artistic experience.</p> <p><a href="https://www.shiancostello.com">www.shiancostello.com</a></p><p>The post <a href="http://thevisualist.org/2020/09/shi-an-costello/">Shi-An Costello</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2020/09/shi-an-costello/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">117370</post-id> </item> <item> <title>HPSCHD@50 Festival: Chicago Performance 2</title> <link>http://thevisualist.org/2020/03/hpschd50-festival-chicago-performance-2/</link> <comments>http://thevisualist.org/2020/03/hpschd50-festival-chicago-performance-2/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Sun, 01 Mar 2020 00:00:01 +0000</pubDate> <category><![CDATA[Uncategorized]]></category> <category><![CDATA[Alvin Waddles]]></category> <category><![CDATA[Amy Wurtz]]></category> <category><![CDATA[Billie Howard]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Chicago Cultural Center]]></category> <category><![CDATA[Christophe Preissing]]></category> <category><![CDATA[Cultural Center]]></category> <category><![CDATA[Francis Yun]]></category> <category><![CDATA[HPSCHD]]></category> <category><![CDATA[Ilse miller]]></category> <category><![CDATA[Loop]]></category> <category><![CDATA[Martha Stiehl]]></category> <category><![CDATA[NON:op Open Opera Works]]></category> <category><![CDATA[Preston Bradley Hall]]></category> <category><![CDATA[Shi-An Costello]]></category> <category><![CDATA[Stephan Moore]]></category> <category><![CDATA[Svetlana Belsky]]></category> <category><![CDATA[Theo Economides]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=112671</guid> <description><![CDATA[<p>Reimagined for 21st century Chicago, the two afternoon HPSCHD performances feature a diverse group of local artists, 7 harpsichords, 52 channels of computer-generated sound, and hundreds and hundreds of still and moving images. Building on the abundance embodied by its predecessor, MUSICIRCUS, Cage drew on the cultural currency and imagery of the NASA space program’s<a href="http://thevisualist.org/2020/03/hpschd50-festival-chicago-performance-2/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2020/03/hpschd50-festival-chicago-performance-2/">HPSCHD@50 Festival: Chicago Performance 2</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Reimagined for 21st century Chicago, the two afternoon HPSCHD performances feature a diverse group of local artists, 7 harpsichords, 52 channels of computer-generated sound, and hundreds and hundreds of still and moving images. Building on the abundance embodied by its predecessor, MUSICIRCUS, Cage drew on the cultural currency and imagery of the NASA space program’s promise to discover new worlds in the vastness of the universe. Now, after 50 years, we turn our attention to the vastness of ourselves in our own worlds in their possibilities, abundance and complexities. HPSCHD@50 combines Cage’s original images with historical and current imagery from Chicago neighborhoods to create a transformative environment where audiences and artists co-create an experience that brings us all together.</p> <p>Performers: Billie Howard, Alvin Waddles, Svetlana Belsky, Shi-An Costello, Francis Yun, Martha Stiehl, Amy Wurtz<br /> Crew: Stephan Moore, sound; Theo Economides & Ilse Miller, video; Christophe Preissing, direction</p> <p>Preston Bradley Hall</p><p>The post <a href="http://thevisualist.org/2020/03/hpschd50-festival-chicago-performance-2/">HPSCHD@50 Festival: Chicago Performance 2</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2020/03/hpschd50-festival-chicago-performance-2/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">112671</post-id> </item> <item> <title>HPSCHD@50 Festival: Chicago Performance 1</title> <link>http://thevisualist.org/2020/02/hpschd50-festival-chicago-performance-1/</link> <comments>http://thevisualist.org/2020/02/hpschd50-festival-chicago-performance-1/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Sat, 29 Feb 2020 00:00:01 +0000</pubDate> <category><![CDATA[Performance]]></category> <category><![CDATA[Alvin Waddles]]></category> <category><![CDATA[Amy Wurtz]]></category> <category><![CDATA[Billie Howard]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Chicago Cultural Center]]></category> <category><![CDATA[Francis Yun]]></category> <category><![CDATA[HPSCHD]]></category> <category><![CDATA[HPSCHD@50 Festival]]></category> <category><![CDATA[HPSCHD@50 Festival: Chicago Performance 1]]></category> <category><![CDATA[Loop]]></category> <category><![CDATA[Martha Stiehl]]></category> <category><![CDATA[NON:op Open Opera Works]]></category> <category><![CDATA[Preston Bradley Hall]]></category> <category><![CDATA[Shi-An Costello]]></category> <category><![CDATA[Svetlana Belsky]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=112669</guid> <description><![CDATA[<p>Reimagined for 21st century Chicago, the two afternoon HPSCHD performances feature a diverse group of local artists, 7 harpsichords, 52 channels of computer-generated sound, and hundreds and hundreds of still and moving images. Building on the abundance embodied by its predecessor, MUSICIRCUS, Cage drew on the cultural currency and imagery of the NASA space program’s<a href="http://thevisualist.org/2020/02/hpschd50-festival-chicago-performance-1/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2020/02/hpschd50-festival-chicago-performance-1/">HPSCHD@50 Festival: Chicago Performance 1</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Reimagined for 21st century Chicago, the two afternoon HPSCHD performances feature a diverse group of local artists, 7 harpsichords, 52 channels of computer-generated sound, and hundreds and hundreds of still and moving images. Building on the abundance embodied by its predecessor, MUSICIRCUS, Cage drew on the cultural currency and imagery of the NASA space program’s promise to discover new worlds in the vastness of the universe. Now, after 50 years, we turn our attention to the vastness of ourselves in our own worlds in their possibilities, abundance and complexities. HPSCHD@50 combines Cage’s original images with historical and current imagery from Chicago neighborhoods to create a transformative environment where audiences and artists co-create an experience that brings us all together.</p> <p>Performers: Billie Howard, Alvin Waddles, Svetlana Belsky, Shi-An Costello, Francis Yun, Martha Stiehl, Amy Wurtz</p> <p>Preston Bradley Hall</p><p>The post <a href="http://thevisualist.org/2020/02/hpschd50-festival-chicago-performance-1/">HPSCHD@50 Festival: Chicago Performance 1</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2020/02/hpschd50-festival-chicago-performance-1/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">112669</post-id> </item> </channel> </rss>