<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" > <channel> <title>PATRON - The Visualist</title> <atom:link href="http://thevisualist.org/tag/patron/feed/" rel="self" type="application/rss+xml" /> <link>http://thevisualist.org</link> <description>Chicago Visual Arts Calendar</description> <lastBuildDate>Mon, 30 Dec 2024 12:43:11 +0000</lastBuildDate> <language>en-US</language> <sy:updatePeriod> hourly </sy:updatePeriod> <sy:updateFrequency> 1 </sy:updateFrequency> <generator>https://wordpress.org/?v=6.7.2</generator> <image> <url>http://thevisualist.org/wp-content/uploads/2023/11/13715238_1656465681341114_192907186_a1-200x200.jpg</url> <title>PATRON - The Visualist</title> <link>http://thevisualist.org</link> <width>32</width> <height>32</height> </image> <site xmlns="com-wordpress:feed-additions:1">232801582</site> <item> <title>Miao Wang: the other</title> <link>http://thevisualist.org/2025/01/miao-wang-the-other/</link> <comments>http://thevisualist.org/2025/01/miao-wang-the-other/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Sat, 11 Jan 2025 23:00:00 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Performance]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Release Party]]></category> <category><![CDATA[Screening]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Miao Wang]]></category> <category><![CDATA[Miao Wang: the other]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[the other]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">https://thevisualist.org/?p=170181</guid> <description><![CDATA[<p>PATRON is proud to announce the other, our first solo exhibition with Miao Wang. The exhibition opens with a reception on Saturday, January 11 5:00-7:30pm.</p> <p>The post <a href="http://thevisualist.org/2025/01/miao-wang-the-other/">Miao Wang: the other</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to announce the other, our first solo exhibition with Miao Wang. The exhibition opens with a reception on Saturday, January 11 5:00-7:30pm.</p><p>The post <a href="http://thevisualist.org/2025/01/miao-wang-the-other/">Miao Wang: the other</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2025/01/miao-wang-the-other/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">170181</post-id> </item> <item> <title>Nour Malas: No words attached</title> <link>http://thevisualist.org/2024/11/nour-malas-no-words-attached/</link> <comments>http://thevisualist.org/2024/11/nour-malas-no-words-attached/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Sat, 09 Nov 2024 23:00:00 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[No words attached]]></category> <category><![CDATA[NOUR MALAS]]></category> <category><![CDATA[Nour Malas: No words attached]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://thevisualist.org/?p=168545</guid> <description><![CDATA[<p>PATRON is proud to announce No words attached, the gallery’s first solo exhibition with New York-based artist Nour Malas. Raw gestures of oil, pastel, graphite, and charcoal, Malas’s paintings and works on paper are journalistic impressions recording the fragile reality of daily life. For Malas, who came of age during regional instability, existence is marked<a href="http://thevisualist.org/2024/11/nour-malas-no-words-attached/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2024/11/nour-malas-no-words-attached/">Nour Malas: No words attached</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to announce No words attached, the gallery’s first solo exhibition with New York-based artist Nour Malas. Raw gestures of oil, pastel, graphite, and charcoal, Malas’s paintings and works on paper are journalistic impressions recording the fragile reality of daily life.</p> <p>For Malas, who came of age during regional instability, existence is marked by the desire for a place to call home “…my work is completely entangled with the foundation of collapse and instability, the act of searching without necessarily finding anything.” Following her study of sculpture at the School of the Art Institute of Chicago, Malas has developed a unique non-textual language of which stretched linen, canvas, and paper are building blocks. Driven by a need to process her own experience, Malas’s habitual studio practice is driven by a constant revisiting, questioning and translating. Urgent physical reactions to the emotive and the mundanity of her own life, Malas’s works are the result of emotional and physical release.</p> <p>No words attached represents a body of work developed over the course of two months earlier this year. Materially and emotionally resonant of that chapter of life, Malas’s organic material palette is that of daily life coffee grinds, skin, egg yolks, cigarettes, flowers. Intimate spaces, moments, or memories are turned over and recalled in order to be understood through the marks they inspire. Gestural lines conjuring two turned faces are repeated over three pastel on paper works, a response, or answer to a confrontation, and impasse, a non resolution. Two beds face each other in Certified Homewrecker receding into the linen material like a distant memory, or the germination of an emotion or moment which has been excavated and kneaded through an active, ongoing act of seeking.</p> <p>NOUR MALAS (b. 1995, Cannes, France) lives and works in Brooklyn, NY. She received an MFA from the School of the Art Institute of Chicago, IL and a BFA from Goldsmiths University, London, UK.</p> <p>Solo exhibitions include: No words attached (20204) PATRON, Chicago, IL Heavyweight (2023), Mae Lombardi Gallery, Chicago, IL; Running (2023), DIANA, New York, NY; Desperately Discontinuous Bodies (2019), Gonzo Unit, Thessaloniki, Greece.</p> <p>Group exhibitions include: Daffodils Baptized in Butter (2024), The Arts Club, London, UK; Soft Focus (2024), Bradley Ertaskiran, Montreal, Canada; backbone عَـمُـود الفِـقْـرِي (2024), Carbon 12, Dubai, UAE; Nocturne (2024), Andrew Rafacz Gallery, Chicago, IL; Nice Work Forever (2023), Sulk Chicago, IL; four am: Monika Grabuschnigg & Nour Malas (2023), Carbon 12, Dubai, UAE; Nouvelle Vague (2023), LBF Contemporary, London, UK; Catnip Meow (2022), SAIC Galleries, Chicago, IL; Garage Sale 2.0 (2021), Terrain Exhibitions, Chicago, IL; I Know the End (2021), Perennial Space, Chicago, IL; Street Walk and Talk (2021), Chicago, IL; Thresholds (2018), Gonzo Unit, Thessaloniki, Greece; Feminisms x The Arab and Muslim Diaspora (2017), Protein Studios, London, UK; AWAN-Arab Women Artists Now (2017), Rich Mix, London, UK; In the Rawest Sense of the World (2013), Emirates Theatre Foyer, Dubai, UAE.</p> <p>Nour Malas was the recipient of Elizabeth Greenshields Foundation Grant (2024).</p><p>The post <a href="http://thevisualist.org/2024/11/nour-malas-no-words-attached/">Nour Malas: No words attached</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2024/11/nour-malas-no-words-attached/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">168545</post-id> </item> <item> <title>Charisse Pearlina Weston: again that certain dark who risks being the forever nocturnal source of light itself</title> <link>http://thevisualist.org/2024/11/charisse-pearlina-weston-again-that-certain-dark-who-risks-being-the-forever-nocturnal-source-of-light-itself/</link> <comments>http://thevisualist.org/2024/11/charisse-pearlina-weston-again-that-certain-dark-who-risks-being-the-forever-nocturnal-source-of-light-itself/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Sat, 09 Nov 2024 23:00:00 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[again that certain dark who risks being the forever nocturnal source of light itself]]></category> <category><![CDATA[Charisse Pearlina Weston]]></category> <category><![CDATA[Charisse Pearlina Weston: again that certain dark who risks being the forever nocturnal source of light itself]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://thevisualist.org/?p=168542</guid> <description><![CDATA[<p>PATRON is proud to present, again that certain dark who risks being the forever nocturnal source of light itself, a solo-exhibition by New York-based artist Charisse Pearlina Weston. This exhibition marks her first in Chicago and with the gallery since the announcement of her representation in the fall of 2023. This exhibition brings together new<a href="http://thevisualist.org/2024/11/charisse-pearlina-weston-again-that-certain-dark-who-risks-being-the-forever-nocturnal-source-of-light-itself/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2024/11/charisse-pearlina-weston-again-that-certain-dark-who-risks-being-the-forever-nocturnal-source-of-light-itself/">Charisse Pearlina Weston: again that certain dark who risks being the forever nocturnal source of light itself</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to present, again that certain dark who risks being the forever nocturnal source of light itself, a solo-exhibition by New York-based artist Charisse Pearlina Weston. This exhibition marks her first in Chicago and with the gallery since the announcement of her representation in the fall of 2023.</p> <p>This exhibition brings together new glass sculptures, installations, and works on canvas exploring iteration, risk, temporality and collapse as tactics of Black refusal. The works in this exhibition feature the artist’s latest experimentations with repetition, conveyed through the reuse of materials: structural components of dismantled or collapsed spatial interventions reappear as tools of inscription, collage material, photographic ground or malleable suture. As a result, this iterative series collapses the established temporal boundaries of the art object and its process of creation. The complex interconnectedness of these works also serves as a disruptive metaphor for the ideological systems which undergird our social realm and reinforce systemic violence.</p> <p>Also included in this exhibition are a new series of sculptures in which Weston, through fusing and slumping, inverts the material qualities of Mirropane, a surveillance glass made by the London-based glass manufacturer Pilkington. Once kiln-fired and manipulated, the once silvered, reflective surface of the panes crack and become opaque, allowing Weston’s text, etched into its surface, to evade legibility. This series deepens Weston’s exploration of the intersections of the material and ideological technologies of surveillance, Black interior life, and resistance through a literal blurring of the line between who is surveilled and who surveils, positionalities otherwise determined by light, surface, reflection and transparency.</p> <p>Taken together, the works in this exhibition arise from a fault plane, an afterward, an entropy and threaten what it means to come again.</p> <p>Charisse Pearlina Weston (b.1988, Houston, TX) lives and works in Harlem, NY. She received an MFA in Studio Art with Critical Theory emphasis, from the University of California, Irvine; a Masters of Science in Modern Art History, Curating and Criticism from the University of Edinburgh’s Edinburgh College of Art; and a BA in Art History at the University of North Texas. She is also an alumna of the Whitney Museum of American Art’s Independent Study Program.</p> <p>Select solo exhibitions include: when darkness risks being the forever nocturnal light itself (2024), PATRON, Chicago, IL; of [a] tomorrow: lighter than air, stronger than whiskey, cheaper than dust, (2022), Queens Museum, Queens, NY; Plunge, Cry (2021), Curated by Ylinka Barotto, Moody Center for the Arts, Rice University, Houston, TX; Through: The Fold, The Shatter (2021), Recess, New York, NY; nine physical poems (7 of nine) (2020), Abrons Art Center, New York, NY; An Appeal, but, in Particular, Very Expressly, To (i sink) (2019), UC Irvine Art Galleries, Irvine, CA; Politics Surrounded (Medley) (2016), Southern Constellations, Elsewhere Museum, Greensboro, NC; The Red Book of Houston: A Compendium for the New Black Metropolis (2015), Curated by Ryan Dennis, Project Row Houses, Houston, TX; Travelin’ Man (2014), Project Row Houses, Houston, TX.</p> <p>Select group exhibitions include: Reflections: Surface and Substance, Mary M. Torggler Fine Arts Center, Newport News, VA; Light of Winter (2024), Perrotin, New York, NY; Whitney Biennial: Even Better Than the Real Thing (2024), Whitney Museum of American Art, New York, NY; And Ever an Edge (2023), MOMA PS1, Long Island, NY; We is Future – Impulses for the Future (2023), Curated by Studio ADG, Museum of Folkwang, Essen, Germany; SEVEN, We Buy Gold (2023), Jack Shainman Gallery/Nicola Vassel Gallery, New York, NY; Color Effects (2023), Galerie LeLong, New York, NY; The Dissolution caus’d by Fire is in all Bodies (2022), Curated by Luba Drozd and Rachel Vera Steinberg, Smack Mellon, Brooklyn, NY; Black Melancholia (2022), Curated by Nana Adusei-Poku, Bard College, Hudson, NY; This Tender, Fragile Thing (2022), Jack Shainman Gallery, Kinderhook, NY.</p> <p>Her work is included in the public collections of the Museum of Fine Arts, Houston, TX; The Corning Museum of Glass, Corning, NY. Selected awards include: Creative Capital Awardee (2024), Creative Capital Foundation, New York, NY; Hodder Fellowship (2023), Lewis Center for the Arts; Jerome Hill Artist Fellowship (2023), Jerome Foundation; Paul and Irene Hollister Fields of the Future Fellowship (2022), Bard Graduate College; Rakow Commission (2022), Corning Museum of Glass; Artist Grant (2021), Harpo Foundation; Burke Prize (2021), Museum of Art and Design; Research Grant (2021), Graham Foundation for Advanced Study in Fine Arts; Individual Artist Project Grant (2020), Joseph Robert Foundation; Painters and Sculptors Grant Nomination (2019), Joan Mitchell Foundation.</p><p>The post <a href="http://thevisualist.org/2024/11/charisse-pearlina-weston-again-that-certain-dark-who-risks-being-the-forever-nocturnal-source-of-light-itself/">Charisse Pearlina Weston: again that certain dark who risks being the forever nocturnal source of light itself</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2024/11/charisse-pearlina-weston-again-that-certain-dark-who-risks-being-the-forever-nocturnal-source-of-light-itself/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">168542</post-id> </item> <item> <title>Greg Breda: Where I am found</title> <link>http://thevisualist.org/2024/09/greg-breda-where-i-am-found/</link> <comments>http://thevisualist.org/2024/09/greg-breda-where-i-am-found/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Sat, 14 Sep 2024 22:00:00 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Greg Breda]]></category> <category><![CDATA[Greg Breda: Where I am found]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <category><![CDATA[Where I am found]]></category> <guid isPermaLink="false">http://thevisualist.org/?p=165431</guid> <description><![CDATA[<p>Greg Breda Where I am found Sep 14 – Nov 2, 2024</p> <p>The post <a href="http://thevisualist.org/2024/09/greg-breda-where-i-am-found/">Greg Breda: Where I am found</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Greg Breda<br /> Where I am found</p> <p>Sep 14 – Nov 2, 2024</p><p>The post <a href="http://thevisualist.org/2024/09/greg-breda-where-i-am-found/">Greg Breda: Where I am found</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2024/09/greg-breda-where-i-am-found/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">165431</post-id> </item> <item> <title>Alice Tippit: The Deep Element</title> <link>http://thevisualist.org/2024/09/alice-tippit-the-deep-element/</link> <comments>http://thevisualist.org/2024/09/alice-tippit-the-deep-element/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Sat, 14 Sep 2024 05:00:00 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Alice Tippit]]></category> <category><![CDATA[Alice Tippit: The Deep Element]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[The Deep Element]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://thevisualist.org/?p=165428</guid> <description><![CDATA[<p>Alice Tippit The Deep Element Sep 14 – Nov 2, 2024</p> <p>The post <a href="http://thevisualist.org/2024/09/alice-tippit-the-deep-element/">Alice Tippit: The Deep Element</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Alice Tippit<br /> The Deep Element</p> <p>Sep 14 – Nov 2, 2024</p><p>The post <a href="http://thevisualist.org/2024/09/alice-tippit-the-deep-element/">Alice Tippit: The Deep Element</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2024/09/alice-tippit-the-deep-element/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">165428</post-id> </item> <item> <title>Noé Martínez : Las raices conversan por debajo de la tierra</title> <link>http://thevisualist.org/2024/06/noe-martinez-las-raices-conversan-por-debajo-de-la-tierra/</link> <comments>http://thevisualist.org/2024/06/noe-martinez-las-raices-conversan-por-debajo-de-la-tierra/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Fri, 07 Jun 2024 22:00:00 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Noé Martínez]]></category> <category><![CDATA[Noé Martínez : Las raices conversan por debajo de la tierra]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://thevisualist.org/?p=161769</guid> <description><![CDATA[<p>PATRON is proud to present Las raíces conversan por debajo de la tierra, our second solo exhibition with Mexico City based artist, Noé Martínez. Rooted in his exploration of his ancestral Huastecan texts, visual culture, and collective oral narratives, Martínez offers a critique of visual histories, the construction narration of the present, and the persistent<a href="http://thevisualist.org/2024/06/noe-martinez-las-raices-conversan-por-debajo-de-la-tierra/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2024/06/noe-martinez-las-raices-conversan-por-debajo-de-la-tierra/">Noé Martínez : Las raices conversan por debajo de la tierra</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to present Las raíces conversan por debajo de la tierra, our second solo exhibition with Mexico City based artist, Noé Martínez. Rooted in his exploration of his ancestral Huastecan texts, visual culture, and collective oral narratives, Martínez offers a critique of visual histories, the construction narration of the present, and the persistent collective trauma of indigenous communities stemming from Spanish, colonial-era conquest. For the Huastecan people, roots of trees, the spirits of flora and fauna hold a sacred power. Venerated and evoked through images, rituals, and narratives, artistic traditions and histories can tap into these healing properties, fueling the transformative power of art. Through this lens, Martínez examines post-colonial repercussions over the last 500 years, and initiates a process of communal healing.</p> <p>The exhibition features a series of new paintings on canvas which narrate five visual chronicles of genocide committed against the indigenous people of Mexico’s Huasteca region during the 16th century. The paintings depict various native plants–utilized for their curative properties in healing rituals. Appearing here only as images, Martinez draws on their power to heal a sick body, translating this type of healing from the biological to the landscape, across generations and chronologies. The stories tell of his ancestral homeland at the heart of a somber cultural landscape–a tragedy borne witness to by a set of painted ceramics. Adorned with traditional symbolic materials; crystals, obsidian, silver, and fabrics, each vessel draws inspiration from archaeological artifacts discovered in and around the Huastecan region of present-day Mexico, and stands in as the corporeal presence for the souls of his once enslaved ancestors.</p> <p>Portraits of Martínez’s grandmother and paternal aunt emerge in two small paintings on copper. Their painted faces, embellished with Huastecan tattoos, extend this ancestral lineage of bodily inscriptions. For the Huastecan, the skin became a medium to hold memory. These portraits are Martínez’s most intimate language, images used as a touchstone to the spiritual plane. Three small-format paintings of stone sculptures explore Huastecan artistry and a ritual of qualitative transference in which the artist would anthropomorphize the stone by replicating their own body, and reciprocally take the qualities of the mineral into their body. Pinned and threaded through these intimate portraits are symbolic objects used in healing practices; crystals, cochineal dyed threads, necklaces whose properties are symbols of renewal.</p> <p>The exhibition culminates in Martinez’s video piece documenting Nana Ade (Adela Cucue), a curandera trained in indigenous healing rituals. Rosi Huaroco and Giovanni Fabian, two witnesses of a 2012 attack on the Cherán community by militarized illegal loggers, recount their first encounters with the armed men. In a recurrent cycle of colonial displacement, the community of Cherán and their ancestral forests went unprotected by federal agencies. Instead, community members turned toward each other for protection against the criminal syndicate and to preserve the essence of their cultural heritage. Here, Nana Ade invokes sacred herbs and spirits to cleanse Rossi and Giovanni of pent up stores of trauma they’ve carried ever since their first encounter. By tapping into a collective imagination in which pre-colonial imagery traces from the past to the present, Las raíces conversan por debajo de la tierra exists as a site where the natural world, in communion with the ancestral spiritual plane, can be activated to heal.</p> <p> </p> <p>PATRON se enorgullece de presentar Las raíces conversan por debajo de la tierra, nuestra segunda exposición individual con el artista, Noé Martínez (n. 1986). Arraigado en su exploración de sus textos ancestrales huastecos, su cultura visual y sus narrativas orales colectivas, Martínez ofrece una crítica de las historias visuales, la narración constructiva del presente y el persistente trauma colectivo de las comunidades indígenas provenientes de la conquista española de la época colonial. Para los huastecos las raíces de los árboles, los espíritus de la flora y la fauna tienen un poder sagrado. Veneradas y evocadas a través de imágenes, rituales y narrativas, las tradiciones e historias artísticas pueden aprovechar estas propiedades curativas, alimentando el poder transformador del arte. A través de esta lente, Martínez examina las repercusiones poscoloniales de los últimos 500 años e inicia un proceso de curación comunitaria.</p> <p>La exposición presenta una serie de nuevas pinturas sobre lienzo que narran cinco crónicas visuales del genocidio cometido contra los indígenas de la región de la Huasteca de México durante el siglo XVI. Las pinturas representan varias plantas nativas, utilizadas por sus propiedades mágicas en rituales curativos. Martínez, que aparece aquí sólo como imágenes, recurre a su poder para curar un cuerpo enfermo, traduciendo este tipo de curación de lo biológico al paisaje, a través de generaciones y cronologías. Las historias hablan de su tierra ancestral en el corazón de un paisaje cultural sombrío, una tragedia de la que es testigo un conjunto de cerámicas pintadas. Adornado con materiales simbólicos tradicionales; cristales, obsidiana, plata y telas, cada vasija se inspira en artefactos arqueológicos descubiertos en y alrededor de la región huasteca del actual México, y representa la presencia corporal de las almas de sus ancestros, una vez esclavizados.</p> <p>Retratos de la abuela y la tía paterna de Martínez emergen en dos pequeñas pinturas sobre cobre. Sus rostros pintados, adornados con tatuajes huastecos, extienden este linaje ancestral de inscripciones corporales. Para los huastecos la piel se convirtió en un medio para retener la memoria. Estos retratos son el lenguaje más íntimo de Martínez, imágenes utilizadas como piedra de toque en el plano espiritual. Tres pinturas de esculturas de piedra de pequeño formato exploran el arte huasteco y un ritual de transferencia cualitativa en el que el artista antropomorfizaría la piedra al replicar su propio cuerpo en la piedra y, recíprocamente, tomaría las cualidades del mineral en su cuerpo. Clavados y enhebrados a través de estos retratos íntimos hay objetos simbólicos utilizados en prácticas curativas; cristales, hilos teñidos de cochinilla, collares cuyas propiedades son símbolos de renovación.</p> <p>La exposición culmina con un video de Martínez que documenta a Nana Ade (Adela Cucue), una curandera entrenada en rituales curativos indígenas. Rosi Huaroco y Giovanni Fabian, dos testigos de un ataque en 2012 a la comunidad de Cherán por parte de madereros ilegales militarizados, relatan sus primeros encuentros con los hombres armados. En un ciclo recurrente de desplazamiento colonial, la comunidad de Cherán y sus bosques ancestrales quedaron desprotegidos por las agencias federales. Los miembros de la comunidad se miraron unos a otros en busca de protección contra el sindicato criminal y para preservar la esencia de su herencia cultural. Aquí, Nana Ade invoca hierbas y espíritus sagrados para limpiar a Rossi y Giovanni de los traumas reprimidos que han cargado desde su primer encuentro. Al aprovechar una imaginación colectiva en la que las imágenes precoloniales trazan desde el pasado hasta el presente, Las raíces conversan por debajo de la tierra existe como un sitio donde el mundo natural, en comunión con el plano espiritual ancestral, puede activarse para sanar.</p><p>The post <a href="http://thevisualist.org/2024/06/noe-martinez-las-raices-conversan-por-debajo-de-la-tierra/">Noé Martínez : Las raices conversan por debajo de la tierra</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2024/06/noe-martinez-las-raices-conversan-por-debajo-de-la-tierra/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">161769</post-id> </item> <item> <title>Richard Maguire : Amidst Relations</title> <link>http://thevisualist.org/2024/06/richard-maguire-amidst-relations/</link> <comments>http://thevisualist.org/2024/06/richard-maguire-amidst-relations/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Fri, 07 Jun 2024 22:00:00 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[Richard Maguire]]></category> <category><![CDATA[Richard Maguire : Amidst Relations]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://thevisualist.org/?p=161772</guid> <description><![CDATA[<p>PATRON is proud to announce Amidst Relations, the first solo exhibition of Richard Maguire’s (b.1991, Aberdeen) work in the U.S. Concerned with the histories of race and sexuality from Britain and South Asia, Maguire approaches archives as sites of both epistemic loss and abundance, dwelling in the images to consider what they communicate, and that<a href="http://thevisualist.org/2024/06/richard-maguire-amidst-relations/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2024/06/richard-maguire-amidst-relations/">Richard Maguire : Amidst Relations</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to announce Amidst Relations, the first solo exhibition of Richard Maguire’s (b.1991, Aberdeen) work in the U.S. Concerned with the histories of race and sexuality from Britain and South Asia, Maguire approaches archives as sites of both epistemic loss and abundance, dwelling in the images to consider what they communicate, and that which is veiled. Amidst Relations premieres a recent grouping of intimate graphite on paper drawings adapted from Indo-British visual sources from the last two centuries.</p> <p>Amidst Relations takes as its foundation the matrix of female subjectivity within colonial structures. The roles of mother, maid, daughter, concubine, or slave become scrambled–obfuscated legacies of bodies historically unseen or erased. Selecting scenes from classic film, 19th century photographs, and prints, Maguire places emphasis on “details,”, and “acts” – fleeting moments where bodies touch, eyes lock, or physical proximity coalesces. Key here are scenes of intimacy–touch that contorts initial perceptions of the images through the imposition of another. Scale is used to focus, or attend to that which is present and that which is not–or at least not initially apparent.</p> <p>For Maguire, abstraction, cropping, and scale extend an invitation to closely inspect the images, dwell within them, and evade a reliance on the “frame” of the initial source. “I think part of making drawings in this manner demands that people have to acknowledge these drawings are in fact only partial images, or question the veracity of the images.” Drawn onto found paper, notably the covers and frontispieces of The Faber Gallery of Oriental Art (originally published in 1948), the drawings testify to the realities of much larger social currents. Partial images depict partial histories when there are in fact no easy, or grand narratives. Together, the works form an ‘imperial braid’ of intertwined symbols, engagements, and contacts that suggest the role of Anglo-Indian femme people in Colonial India, through their alienation or enfoldment into the colonial project.</p><p>The post <a href="http://thevisualist.org/2024/06/richard-maguire-amidst-relations/">Richard Maguire : Amidst Relations</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2024/06/richard-maguire-amidst-relations/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">161772</post-id> </item> <item> <title>Jamal Cyrus and Harold Mendez: On turning ground</title> <link>http://thevisualist.org/2024/04/on-turning-ground/</link> <comments>http://thevisualist.org/2024/04/on-turning-ground/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Wed, 10 Apr 2024 05:00:00 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Harold Mendez]]></category> <category><![CDATA[Jamal Cyrus]]></category> <category><![CDATA[Jamal Cyrus and Harold Mendez]]></category> <category><![CDATA[On turning ground]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://thevisualist.org/?p=158678</guid> <description><![CDATA[<p>PATRON is proud to announce our upcoming two-person exhibition with Jamal Cyrus and Harold Mendez opening April 10.</p> <p>The post <a href="http://thevisualist.org/2024/04/on-turning-ground/">Jamal Cyrus and Harold Mendez: On turning ground</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to announce our upcoming two-person exhibition with Jamal Cyrus and Harold Mendez opening April 10.</p><p>The post <a href="http://thevisualist.org/2024/04/on-turning-ground/">Jamal Cyrus and Harold Mendez: On turning ground</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2024/04/on-turning-ground/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">158678</post-id> </item> <item> <title>Brittany Nelson : I can’t make you love me</title> <link>http://thevisualist.org/2024/02/brittany-nelson-i-cant-make-you-love-me/</link> <comments>http://thevisualist.org/2024/02/brittany-nelson-i-cant-make-you-love-me/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Sat, 03 Feb 2024 23:30:00 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Brittany Nelson]]></category> <category><![CDATA[Brittany Nelson : I can’t make you love me]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://thevisualist.org/?p=155443</guid> <description><![CDATA[<p>“You mean more to me than any scientific truth.” ―Kris Kelvin, Solaris PATRON is proud to announce our third solo exhibition with New York-based artist Brittany Nelson (b. 1984). Nelson’s conceptual practice explores how science fiction, and the ongoing pursuit of space exploration, offer venues for the consideration of new social possibilities outside the limitations<a href="http://thevisualist.org/2024/02/brittany-nelson-i-cant-make-you-love-me/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2024/02/brittany-nelson-i-cant-make-you-love-me/">Brittany Nelson : I can’t make you love me</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>“You mean more to me than any scientific truth.”<br /> ―Kris Kelvin, Solaris</p> <p>PATRON is proud to announce our third solo exhibition with New York-based artist Brittany Nelson (b. 1984). Nelson’s conceptual practice explores how science fiction, and the ongoing pursuit of space exploration, offer venues for the consideration of new social possibilities outside the limitations of heteronormative society. Utilizing analog chemical photographic techniques, historical science fiction and its archive, and visual culture from recent NASA missions, Nelson suggests how extraterrestrial, or non-human actors can function as proxies for queer life. I can’t make you love me pulls open the human, and often deeply romantic quests at the heart of astronomical discovery, both real and imagined.</p> <p>Since 2020, Nelson has researched an extensive archive of letters between science fiction writer Alice B. Sheldon (under the male pseudonym; James Tiptree Jr.) and novelist Ursula Le Guin between 1971 and 1976. Their exchange held space for real-life para-fiction. While withholding her true gender identity, Tiptree’s flirtatious fantasies were received and reciprocated by Le Guin—Tiptree would eventually reveal her true gender identity to Le Guin in 1976, and subsequently see Le Guin as a confidant “Ursula, Ursula I am petrified. – – – will they take it as “deception”?</p> <p>The exhibition opens with the persistent melody of everything but the signature is me (2023), an automaton typewriter, programmed by Nelson to perpetually dictate Tiptree’s excerpted term of endearment for Le Guin; “Starbear.” This coded evidence of Tiptree’s unrequited desire is extracted from their original context, scattered over the page in blue ink. The incessant transfer of the name by a non-human writer, suggests how Tiptree’s own use of a pseudonym functions as a metaphor. The letter, much like the format of science fiction, is a truth written in the present to apply to a future sense.</p> <p>Nelson further collapses past, present, and future in her Solaris series, expansive gelatin silver prints developed from stills of Andrei Tarkovsky’s 1972 film. Solaris narrates the plight of Kelvin, a cosmonaut who is pulled into the waking nightmare that has befallen his space station comrades as time and psychological acuity become increasingly warped. Nelson took screenshots from the film and rephotographed them onto 35mmx film at high speeds, a process which accentuates the silver grain of the image. The textural, impressionistic prints, developed with one of the last remaining Fotar Enlargers from the 1950’s, position us within the film itself, vulnerable, gazing outward onto the swirling waters of a foreboding form of extraterrestrial life. Solaris’s swirling waters of the ocean planet, like the mist-moody landscapes of Romantic painters, suggest that the scene is not an image of an experienced reality, but an existential experience of loneliness and mortality.</p> <p>Functioning as a coda, and bringing us to the present is I can’t make you love me, a single channel video, titled after Bonnie Raitt’s 1991 sentimental ballad. Edited from Nelson’s first-hand documentation during a research trip over the summer of 2023 at Hat Creek Radio Observatory in Northern California, the film tracks the artist’s own encounter with an isolated astronomical telescope array (Allen Telescope Array or ATA), technologies specifically designed for the Search for Extraterrestrial Intelligence (SETI). In the film, a presumed human subject sweeps spotlights across the open fields of the observatory, glimpses and fragments of the satellites appear as outlines in the dark as they themselves contemplatively yearn for the faintest glimmer of data to affirm their existence. Brittany Nelson: I can’t make you love me collapses and expands Nelson’s poetic parallels between Tiptree’s own closeted desire, the speculative space of scientific discovery, and the ongoing human quest to find, and communicate with, someone like us.</p><p>The post <a href="http://thevisualist.org/2024/02/brittany-nelson-i-cant-make-you-love-me/">Brittany Nelson : I can’t make you love me</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2024/02/brittany-nelson-i-cant-make-you-love-me/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">155443</post-id> </item> <item> <title>Errata</title> <link>http://thevisualist.org/2024/02/errata/</link> <comments>http://thevisualist.org/2024/02/errata/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Sat, 03 Feb 2024 23:30:00 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Errata]]></category> <category><![CDATA[Keren Benbenisty]]></category> <category><![CDATA[Miao Wang]]></category> <category><![CDATA[Nyeema Morgan]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[Samira Yamin]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://thevisualist.org/?p=155468</guid> <description><![CDATA[<p>PATRON is proud to announce Errata, a group exhibition highlighting works by four artists, Nyeema Morgan, Samira Yamin, Keren Benbenisty, and Miao Wang. Borrowing an editorial term for collected corrections or clarifications for a previously published document, the exhibition considers how we build our identity from fragments of memory, images, and knowledge. Memory is always<a href="http://thevisualist.org/2024/02/errata/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2024/02/errata/">Errata</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to announce Errata, a group exhibition highlighting works by four artists, Nyeema Morgan, Samira Yamin, Keren Benbenisty, and Miao Wang. Borrowing an editorial term for collected corrections or clarifications for a previously published document, the exhibition considers how we build our identity from fragments of memory, images, and knowledge. Memory is always incomplete–our brains fill in gaps with fictional specifics, mis-remembering, torquing, partially erasing. Any attempt to revisit the past will be colored through the lenses of one’s current experience. Through experimental and material-based approaches to painting, photography, and drawing, the artists in the exhibition reinforce the power of recurrent images as constant, rich shapers of personal and social identity.</p> <p>Nyeema Morgan’s Forty-Seven Easy Poundcakes Like grandma Use To Make (2007-2012) is a series of forty-seven digital drawings. Morgan searched the web for “easy poundcake recipes” in the years after her own maternal grandmother’s passing. Finding 46 distinct, published recipes, Morgan assembled the typed instructions for each, starting with her grandmother’s–adding arrows and strike-throughs to indicate where each recipe diverged from the one previously listed. As a group, the works fracture apart from the definitive recipe. Intention, audience, and style are left to the wayside, the text divulges from their original use, and take on new potency.</p> <p>Likewise taking familial ephemera as a point of departure are Samira Yamin’s Entrainment Exercises (2023), unique prints developed from a series of negatives the artist received of her paternal grandfather, who was training as a professional gymnast in Iran during the 1950s. Employing a self-developed, analog process by which water ripples over the images as they are being developed.Yamin’s shifts the subject of the images from the individuals pictured to her own psychological processing of these images.Yamin’s re-engagement with the images animates an otherwise untapped connection to her family’s past through this act of image making, that suggests a sense of play, which belies the separation forced by time, space, and migration.</p> <p>Keren Benbenisty’s collages mimic the horticultural technique whereby cuttings taken from different plants are joined to create a hybrid species. Drawing on a personal slide archive of color photographs taken by her father, shortly after immigrating from Turkey to Israel in the 1960s, Tristeza is the result of the artist’s single-minded attempt to cultivate a blue orange (oranges are historically a symbol of Israel nationhood). An industry historically heavily dependent on manual labor, including the artist’s own Moroccan-born grandmother, the fruit holds the intersection of personal and political. Titled after the plague that struck orange trees during 2020, and the word for “sadness” in Latin-based languages, Benbenisty’s futile attempt at growing a surreal blue fruit unpeels a confluence of past-present-future, the contradictions and failures of which are only made visible through their own erasure.</p> <p>Wang’s jewel-like watercolor paintings extend the power of water, with a direct confrontation between the artist’s life in Chicago (where she has been based since 2011) and her native China. Developed from hundreds of layers of watercolor wash, Wang’s diptych, ________ (2023), offers a bodily score of her immediate surroundings in reaction to the deeply symbolic, and political, color red. Layered on a synthetic, waterproof paper, the liquid layers form an almost skin-like membrane, bearing the physical traces of its environment. In II (2023), Wang allows the wash of her black watercolor pigment to pool and fall, forming a pair of kindred spirits. Like Yamin, Wang embraces the soft power of water. Like waves on a shore, whose constant repetition shapes and erodes, constructing the shoreline, images–commercial, political, personal, mythological–wash over our beings, shaping formation of identity through repetition.</p> <p>Morgan, Yamin, Benbenisty, and Wang consider the impulse to revise, to correct, to revisit. Their attempts at correction serve only to underscore the ambiguity of symbols, the delusions, and failures of myth, and the impossibility of revising history. Yet by re-engaging with the past, the artists in the exhibition return to elements of errata, and, through their own material processes, recombine them into active containers of presence.<br /> Artists</p> <p>Keren Benbenisty</p> <p>Nyeema Morgan</p> <p>Miao Wang</p> <p>Samira Yamin</p><p>The post <a href="http://thevisualist.org/2024/02/errata/">Errata</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2024/02/errata/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">155468</post-id> </item> <item> <title>AiRos 頌恩 Medill: holding distance: a practice of return</title> <link>http://thevisualist.org/2024/01/airos-%e9%a0%8c%e6%81%a9-medill-holding-distance-a-practice-of-return/</link> <comments>http://thevisualist.org/2024/01/airos-%e9%a0%8c%e6%81%a9-medill-holding-distance-a-practice-of-return/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Fri, 26 Jan 2024 00:00:00 +0000</pubDate> <category><![CDATA[Performance]]></category> <category><![CDATA[AiRos 頌恩 medill]]></category> <category><![CDATA[AiRos 頌恩 Medill: holding distance: a practice of return]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://thevisualist.org/?p=154979</guid> <description><![CDATA[<p>PATRON is excited to announce “holding distance: a practice of return” by AiRos 頌恩 Medill happening Thursday, January 25 6:00pm a shared practice // a participatory ritual through time with water & song & self .repeat. Holding distance: a practice of return is presented in response to Soo Shin’s work as part of Dialogues, on<a href="http://thevisualist.org/2024/01/airos-%e9%a0%8c%e6%81%a9-medill-holding-distance-a-practice-of-return/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2024/01/airos-%e9%a0%8c%e6%81%a9-medill-holding-distance-a-practice-of-return/">AiRos 頌恩 Medill: holding distance: a practice of return</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is excited to announce “holding distance: a practice of return” by AiRos 頌恩 Medill happening Thursday, January 25 6:00pm</p> <p>a shared practice // a participatory ritual</p> <p>through time with water & song & self</p> <p>.repeat.</p> <p>Holding distance: a practice of return is presented in response to Soo Shin’s work as part of Dialogues, on view at PATRON thought January 27</p> <p>AiRos 頌恩 medill is a yellow hapa nonbinary trans Taiwanese American circle keeper, care worker, storyteller, facilitator, bodyworker, and culture bearer who is moving to organize abundance in the ecology of home. AiRos practices with the 5 elements (water, wood, fire, metal, earth) to align bodies to heaven and earth in reciprocity and reverence of feeling and the distribution of energies. As part of the diaspora, air has a lifelong practice of traveling, moving through and shifting culture.</p> <p>@breathful.bound.breathful<br /> @mariethegrey</p><p>The post <a href="http://thevisualist.org/2024/01/airos-%e9%a0%8c%e6%81%a9-medill-holding-distance-a-practice-of-return/">AiRos 頌恩 Medill: holding distance: a practice of return</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2024/01/airos-%e9%a0%8c%e6%81%a9-medill-holding-distance-a-practice-of-return/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">154979</post-id> </item> <item> <title>Dialogues</title> <link>http://thevisualist.org/2023/11/dialogues/</link> <comments>http://thevisualist.org/2023/11/dialogues/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Sat, 11 Nov 2023 23:00:00 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[AiRos 頌恩 medill]]></category> <category><![CDATA[ALEX CHITTY]]></category> <category><![CDATA[Alice Tippit]]></category> <category><![CDATA[Amanda Williams]]></category> <category><![CDATA[Barbara Rossi]]></category> <category><![CDATA[Caroline Kent]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Diane Simpson]]></category> <category><![CDATA[Gordon Hall]]></category> <category><![CDATA[Nate Young]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[Richard Rezac]]></category> <category><![CDATA[Samuel Levi Jones]]></category> <category><![CDATA[Soo Shin]]></category> <category><![CDATA[Sungjae Lee]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=152816</guid> <description><![CDATA[<p>Dialogues is a series of projects that highlight the work of Chicago’s contemporary artists from the perspective of their colleagues and peers, celebrating and interrogating the ways in which generations of artists learn from and look to each other. Dialogues began as an invitation to five local artists, each of whom invited an artist, or<a href="http://thevisualist.org/2023/11/dialogues/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2023/11/dialogues/">Dialogues</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Dialogues is a series of projects that highlight the work of Chicago’s contemporary artists from the perspective of their colleagues and peers, celebrating and interrogating the ways in which generations of artists learn from and look to each other. Dialogues began as an invitation to five local artists, each of whom invited an artist, or artists with whom to exhibit.</p> <p>Over the winter of 2023-2024, PATRON’s five discrete spaces become containers in which intimate visual and practice-driven conversations are hosted, suggesting ways by which material, image, and research can be rethought, shared, and expanded. Organically resulting from years of mutual respect, or suggestive of forays into new contexts, the dialogues generated offer a current perspective on the diverse landscape of contemporary practice within Chicago today. The exhibition unfolds as a series on one-to-one visual exchanges, visual metaphors for the foundational connections of the creators and makers that together shape the city, and region, today.</p> <p>Dialogues features work by:<br /> Alex Chitty (with Richard Rezac, Diane Simpson, and Gordon Hall), Samuel Levi Jones (with Amanda Williams), Caroline Kent (with Nate Young), Alice Tippit (with Barbara Rossi), and Soo Shin (with Sungjae Lee and AiRos 頌恩 medill).<br /> Artists</p> <p>Alex Chitty</p> <p>Gordon Hall</p> <p>Caroline Kent</p> <p>Sungjae Lee</p> <p>Samuel Levi Jones</p> <p>AiRos 頌恩 medill</p> <p>Richard Rezac</p> <p>Barbara Rossi</p> <p>Soo Shin</p> <p>Diane Simpson</p> <p>Alice Tippit</p> <p>Amanda Williams</p> <p>Nate Young</p><p>The post <a href="http://thevisualist.org/2023/11/dialogues/">Dialogues</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2023/11/dialogues/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">152816</post-id> </item> <item> <title>Songs of Silence; a poetry response</title> <link>http://thevisualist.org/2023/09/songs-of-silence-a-poetry-response/</link> <comments>http://thevisualist.org/2023/09/songs-of-silence-a-poetry-response/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Sat, 30 Sep 2023 22:00:00 +0000</pubDate> <category><![CDATA[Performance]]></category> <category><![CDATA[Reading]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Kaveri Raina]]></category> <category><![CDATA[Kaveri Raina : Songs of silence]]></category> <category><![CDATA[Megha Ralapati]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[Radia Ali]]></category> <category><![CDATA[Tulika Ladsariya]]></category> <category><![CDATA[Umnia Khan]]></category> <category><![CDATA[West Town]]></category> <category><![CDATA[yet bluebirds hum]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=150894</guid> <description><![CDATA[<p>Happening this Saturday, September 30! Poetry reading at PATRON : Songs of Silence; a poetry response. Drawing upon a selection of poetry and prose including work by Bahnu Kapil, as well as contributions of original work, local South Asian poetry and dance artists respond to Kaveri Raina’s exhibition through intimate readings and interpretive movement.</p> <p>The post <a href="http://thevisualist.org/2023/09/songs-of-silence-a-poetry-response/">Songs of Silence; a poetry response</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Happening this Saturday, September 30! Poetry reading at PATRON : Songs of Silence; a poetry response.</p> <p>Drawing upon a selection of poetry and prose including work by Bahnu Kapil, as well as contributions of original work, local South Asian poetry and dance artists respond to Kaveri Raina’s exhibition through intimate readings and interpretive movement.</p><p>The post <a href="http://thevisualist.org/2023/09/songs-of-silence-a-poetry-response/">Songs of Silence; a poetry response</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2023/09/songs-of-silence-a-poetry-response/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">150894</post-id> </item> <item> <title>Chicago Exhibition Weekend 2023 (September 30)</title> <link>http://thevisualist.org/2023/09/chicago-exhibition-weekend-2023-september-30/</link> <comments>http://thevisualist.org/2023/09/chicago-exhibition-weekend-2023-september-30/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Sat, 30 Sep 2023 16:00:42 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Performance]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Talk]]></category> <category><![CDATA[A Very Serious Gallery]]></category> <category><![CDATA[Arts Club Chicago]]></category> <category><![CDATA[Blanc]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Chicago Artist Coalition]]></category> <category><![CDATA[Chicago Exhibition Weekend 2023]]></category> <category><![CDATA[Chicago Exhibition Weekend 2023 (September 30)]]></category> <category><![CDATA[Co-Prosperity Workshops: Chicago Printers Guild]]></category> <category><![CDATA[DePaul Art Museum]]></category> <category><![CDATA[ENGAGE Projects]]></category> <category><![CDATA[Englewood Arts Collective]]></category> <category><![CDATA[Gray]]></category> <category><![CDATA[Hyde Park Art Center]]></category> <category><![CDATA[Johalla Projects]]></category> <category><![CDATA[Johalla Projects & GRC Run Club]]></category> <category><![CDATA[Johnny Smapson]]></category> <category><![CDATA[MARIANE IBRAHIM]]></category> <category><![CDATA[MCA]]></category> <category><![CDATA[Miyagi Records]]></category> <category><![CDATA[monique meloche]]></category> <category><![CDATA[Multiple]]></category> <category><![CDATA[Natalia Villanueva]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[Povos]]></category> <category><![CDATA[Stoodio X W. Gallery]]></category> <category><![CDATA[Tala]]></category> <category><![CDATA[Volume]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=150529</guid> <description><![CDATA[<p>MORNING Englewood Arts Collective | A Rumination in Englewood: Making Space 5822 S Halsted St, Chicago, IL 60621 11am Johalla Projects & GRC Run Club | Meditation & Wellness Gathering 2233 S Throop St, Chicago, IL 60608 10:45am – 1pm GRAY | Coffee and Katz 2044 W Carroll Ave, Chicago, IL 60612 11am – 1pm<a href="http://thevisualist.org/2023/09/chicago-exhibition-weekend-2023-september-30/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2023/09/chicago-exhibition-weekend-2023-september-30/">Chicago Exhibition Weekend 2023 (September 30)</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>MORNING<br /> Englewood Arts Collective | A Rumination in Englewood: Making Space<br /> 5822 S Halsted St, Chicago, IL 60621<br /> 11am</p> <p>Johalla Projects & GRC Run Club | Meditation & Wellness Gathering<br /> 2233 S Throop St, Chicago, IL 60608<br /> 10:45am – 1pm</p> <p>GRAY | Coffee and Katz<br /> 2044 W Carroll Ave, Chicago, IL 60612<br /> 11am – 1pm</p> <p>AFTERNOON<br /> DePaul Art Museum | A Performance by Natalia Villanueva<br /> 935 W Fullerton Ave, Chicago, IL 60614<br /> 2:30pm – 3:30pm</p> <p>Blanc | Films & Poetry<br /> 4445 S Martin Luther King Dr, Chicago, IL 60653<br /> 12pm – 4pm</p> <p>Co-Prosperity Workshops: Chicago Printers Guild | Connecting the Dots<br /> 3219-21 S Morgan St, Chicago, IL 60608<br /> 12pm – 2pm</p> <p>Johnny Smapson’s MAD FOLD Demo<br /> 3219-21 South Morgan Street Chicago, IL 60608<br /> 2:30pm – 3:30pm</p> <p>Hyde Park Art Center Not Just Another Party Face | A Conversation on Collecting<br /> 5020 S Cornell Ave, Chicago, IL 60615<br /> 1pm – 3pm</p> <p>Arts Club Chicago | A Conversation w/ Yasmin Spiro & Danielle Roper<br /> 201 E Ontario St, Chicago, IL 60611<br /> 1pm</p> <p>MCA | Talk with Rebecca Morris<br /> 220 E Chicago Ave, Chicago, IL 60611<br /> 2pm</p> <p>Mariane Ibrahim | No at Noon: Brazilian Music & Viewing of No Martins<br /> 437 N Paulina St, Chicago, IL 60622<br /> 12pm</p> <p>Engage Projects | Open House at Material Exhibitions w/ Jean Alexander Frater & Holly Holmes<br /> 854 N. Ashland Ave., Chicago, IL 60622<br /> 12pm – 3pm</p> <p>Engage Projects | In Gallery w/ Chris Cosnowski<br /> 864 N Ashland Ave, Chicago, IL 60622<br /> 1pm – 3pm</p> <p>Engage Projects | w/ Edra Soto at The Franklin<br /> 222 W Adams St, Chicago, IL 60606<br /> 2pm – 5pm</p> <p>Monique Meloche | Open Hours with Luke Aguda<br /> 451 N Paulina St, Chicago, IL 60622<br /> 3pm – 6pm</p> <p>Stoodio X W. Gallery | Artist Panel<br /> 600 W Van Buren St, Chicago, IL 60607<br /> 4pm</p> <p>EVENING<br /> Miyagi Records | An Underground Film & Sound Selector Series<br /> 307 E Garfield Blvd, Chicago, IL 60637<br /> 5pm – 9pm</p> <p>Volume | Building Enjoyable Living Environments<br /> 1709 W Chicago Ave 2nd floor, Chicago, IL 60622<br /> 4pm – 5pm</p> <p>PATRON | Poetry Reading<br /> 1612 W Chicago Ave, Chicago, IL 60622<br /> 5pm</p> <p>Chicago Artist Coalition | Director’s Party<br /> 2130 W Fulton St unit B, Chicago, IL 60612<br /> 5pm – 8pm</p> <p>Volume x Document x Western Exhibitions | Marz Beer Launch<br /> 1709 W Chicago Ave 2nd floor, Chicago, IL 60622<br /> 5pm – 7pm</p> <p>Tala | Bites & BTS<br /> 1644 W Chicago Ave, Chicago, IL 60622<br /> 7pm</p> <p>AFTERS<br /> Povos | After Party<br /> 1541 W Chicago Ave, Chicago, IL 60642<br /> 9pm-Late</p> <p>A Very Serious Gallery | After Party<br /> 673 N Milwaukee Ave, Chicago, IL 60642<br /> 6pm-10pm</p> <p> </p><p>The post <a href="http://thevisualist.org/2023/09/chicago-exhibition-weekend-2023-september-30/">Chicago Exhibition Weekend 2023 (September 30)</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2023/09/chicago-exhibition-weekend-2023-september-30/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">150529</post-id> </item> <item> <title>West Town Art Walk</title> <link>http://thevisualist.org/2023/09/west-town-art-walk-3/</link> <comments>http://thevisualist.org/2023/09/west-town-art-walk-3/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Fri, 29 Sep 2023 22:00:00 +0000</pubDate> <category><![CDATA[Reception]]></category> <category><![CDATA[A Very Serious Gallery]]></category> <category><![CDATA[Arc Academy]]></category> <category><![CDATA[ARC Gallery]]></category> <category><![CDATA[Art is Endless]]></category> <category><![CDATA[Arts of Life - Circle Contemporary]]></category> <category><![CDATA[Big Shoulders Yoga]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Chicago Artists' Coalition]]></category> <category><![CDATA[Chicago Public Library - West Town]]></category> <category><![CDATA[chicago truborn]]></category> <category><![CDATA[Creative Coworking]]></category> <category><![CDATA[Document]]></category> <category><![CDATA[Dovetail]]></category> <category><![CDATA[Epic Spices]]></category> <category><![CDATA[Esperanza Community Services]]></category> <category><![CDATA[Eye Care By Design]]></category> <category><![CDATA[Fatpour tap Works - Wicker Park]]></category> <category><![CDATA[Filter Photo]]></category> <category><![CDATA[Frontier]]></category> <category><![CDATA[Gallery 2052]]></category> <category><![CDATA[Heritage Restaurant & Caviar Bar]]></category> <category><![CDATA[Kizmah CBD]]></category> <category><![CDATA[Kolormore at Barcocina]]></category> <category><![CDATA[LivingRoom Realty]]></category> <category><![CDATA[Maretti Art at Rhine Hall Distillery]]></category> <category><![CDATA[Mariane Ibrahim Gallery]]></category> <category><![CDATA[Mohop]]></category> <category><![CDATA[Moniuqe Meloche Gallery]]></category> <category><![CDATA[Oggi Trattoria]]></category> <category><![CDATA[One Strange Bird]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[Paulo Gelato & Chocolate]]></category> <category><![CDATA[Povos Chicago]]></category> <category><![CDATA[Roots Pizza]]></category> <category><![CDATA[SUGOi Sweets]]></category> <category><![CDATA[Tarnish]]></category> <category><![CDATA[The Brie Show at Petals & Jackets]]></category> <category><![CDATA[The Center of Order and Experimentation]]></category> <category><![CDATA[The Chicago Fine Art Salon]]></category> <category><![CDATA[The Martin]]></category> <category><![CDATA[The Stoop]]></category> <category><![CDATA[Ukrainian Institute of Modern Art]]></category> <category><![CDATA[Urban Source]]></category> <category><![CDATA[Vertical Gallery]]></category> <category><![CDATA[Volume Gallery]]></category> <category><![CDATA[West Town]]></category> <category><![CDATA[west town art walk]]></category> <category><![CDATA[West Town Chamber of Commerce]]></category> <category><![CDATA[Western Exhibitions]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=150676</guid> <description><![CDATA[<p>2023 Locations A Very Serious Gallery* Arc Academy ARC Gallery Art is Endless Arts of Life- Circle Contemporary* Kolormore at Barcocina Big Shoulders Yoga Chicago Artists Coalition Chicago Public Library – West Town* chicago truborn Creative Coworking DOCUMENT* Dovetail EPIC SPICES Esperanza Community Services Eye Care By Design Fatpour tap Works – Wicker Park Filter<a href="http://thevisualist.org/2023/09/west-town-art-walk-3/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2023/09/west-town-art-walk-3/">West Town Art Walk</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>2023 Locations</p> <p>A Very Serious Gallery*</p> <p>Arc Academy</p> <p>ARC Gallery</p> <p>Art is Endless</p> <p>Arts of Life- Circle Contemporary*</p> <p>Kolormore at Barcocina</p> <p>Big Shoulders Yoga</p> <p>Chicago Artists Coalition</p> <p>Chicago Public Library – West Town*</p> <p>chicago truborn</p> <p>Creative Coworking</p> <p>DOCUMENT*</p> <p>Dovetail</p> <p>EPIC SPICES</p> <p>Esperanza Community Services</p> <p>Eye Care By Design</p> <p>Fatpour tap Works – Wicker Park</p> <p>Filter Photo</p> <p>Frontier</p> <p>Gallery 2052</p> <p>Heritage Restaurant & Caviar Bar</p> <p>Kizmah CBD</p> <p>LivingRoom Realty</p> <p>Mariane Ibrahim Gallery*</p> <p>Mohop</p> <p>Moniuqe Meloche Gallery*</p> <p>Oggi Trattoria</p> <p>One Strange Bird</p> <p>PATRON*</p> <p>Paulo Gelato & Chocolate</p> <p>The Brie Show at Petals & Jackets</p> <p>Povos Chicago*</p> <p>Maretti Art at Rhine Hall Distillery</p> <p>Roots Pizza</p> <p>SUGOi Sweets</p> <p>Tarnish</p> <p>The Center of Order and Experimentation*</p> <p>The Chicago Fine Art Salon</p> <p>The Martin</p> <p>The Stoop</p> <p>Ukrainian Institute of Modern Art</p> <p>Urban Source*</p> <p>Vertical Gallery</p> <p>Volume Gallery*</p> <p>Western Exhibitions*</p> <p>West Town Chamber of Commerce</p> <p>All locations have West Town Gallery Guides and Art Walk Programs.</p> <p>Looking for an Art Walk button or a keepsake poster featuring original art by Brianna Hines aka The Brie Show? Visit a headquarters location: </p> <p></p> <p>West Town Chamber of Commerce – 1819 W Chicago Ave.</p> <p>Heritage Restaurant & Caviar Bar – 2700 W Chicago Ave.</p> <p>Petals & Jackets – 1105 N Ashland Ave.</p> <p>Rhine Hall Distillery – 2010 W Fulton St.</p> <p>*Due to the increased number of participants involved in this year’s WTAW, we highly recommend confirming hours individually with locations you know you want to visit and planning your itinerary accordingly! Several galleries will be closed early on Friday.*</p><p>The post <a href="http://thevisualist.org/2023/09/west-town-art-walk-3/">West Town Art Walk</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2023/09/west-town-art-walk-3/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">150676</post-id> </item> <item> <title>Liat Yossifor: Life Against Itself</title> <link>http://thevisualist.org/2023/02/liat-yossifor-life-against-itself/</link> <comments>http://thevisualist.org/2023/02/liat-yossifor-life-against-itself/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 04 Feb 2023 20:14:40 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Liat Yossifor]]></category> <category><![CDATA[Life Against Itself]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=139916</guid> <description><![CDATA[<p>PATRON is proud to present our third solo exhibition with Los Angeles-based artist Liat Yossifor. Life Against Itself unites a series of new paintings and works on paper. Drawing on ancient symbologies referencing continuous cycles of death and rebirth, beginnings and endings, transitions, and passageways, Life Against Itself is grounded in a series of new<a href="http://thevisualist.org/2023/02/liat-yossifor-life-against-itself/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2023/02/liat-yossifor-life-against-itself/">Liat Yossifor: Life Against Itself</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to present our third solo exhibition with Los Angeles-based artist Liat Yossifor. <i>Life Against Itself </i>unites a series of new paintings and works on paper.</p> <p>Drawing on ancient symbologies referencing continuous cycles of death and rebirth, beginnings and endings, transitions, and passageways, <i>Life Against Itself</i> is grounded in a series of new large-scale impasto paintings. The exhibition extends Yossifor’s trajectory of rich, textural oil paintings into new approaches to process. Each the result of a different, extended engagement with pigment and surface, the paintings in the exhibition are produced through an alchemical process in which thick layers of colored pigment are transmuted by active, physical churning, plowing, and carving. Geological in their weight and depth, Yossifor’s forms suggest universal symbols and motifs which appear and disappear through the paintings. The exhibition unites these works with a new series of paintings on paper–the result of quick figural explorations which both counter and lead her cyclical approach to mark making and surface.</p> <p>Yossifor’s work is earthed from a bodily, physical approach to a history of American monochrome painting. Countering historical affinities of flat color, her paintings are the result of her body’s physical engagement with the pigment and surface. A gesture is not an illusion, but the actual length of the stretch of the arm, a mark bearing testament to the strength of the hand. Here, material simultaneously takes on the appearance of oil paint and warm clay, cold plaster or concrete, their weight and luminescence at once sculptural and neolithic, organic and animate. Compositions recoil and ensconce over themselves to their center. Large circle-like forms fold over pockets of information, holding within them motifs and figurative suggestions.Partially concealed images are excavated through an active, and ongoing act of seeking. Found rather than predetermined, they appear as momentary signals in a continuous quest for meaning.</p><p>The post <a href="http://thevisualist.org/2023/02/liat-yossifor-life-against-itself/">Liat Yossifor: Life Against Itself</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2023/02/liat-yossifor-life-against-itself/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">139916</post-id> </item> <item> <title>Myra Greene: Kept</title> <link>http://thevisualist.org/2023/02/myra-greene-kept/</link> <comments>http://thevisualist.org/2023/02/myra-greene-kept/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Sat, 04 Feb 2023 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Kept]]></category> <category><![CDATA[Myra Greene]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=139898</guid> <description><![CDATA[<p>PATRON is proud to announce the opening of Kept, Myra Greene’s third solo exhibition with the gallery. In her latest body of work, Greene extends her ongoing interest in portraiture by exploring the ways in which context and material enlivens the object. For Kept, Greene mined a group of family and personal photographs belonging to<a href="http://thevisualist.org/2023/02/myra-greene-kept/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2023/02/myra-greene-kept/">Myra Greene: Kept</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to announce the opening of Kept, Myra Greene’s third solo exhibition with the gallery. In her latest body of work, Greene extends her ongoing interest in portraiture by exploring the ways in which context and material enlivens the object.</p> <p>For Kept, Greene mined a group of family and personal photographs belonging to her grandmother. Greene selected and reprinted a group of photo booth images from the collection using alternative materials and techniques she developed based on historic processes. Her artistic practice acts as an intervention upon each image, leading the viewer to reevaluate the photograph’s value and meaning as memory objects. For Greene, this work comprises a rich, living archive that allows a reconsideration and evaluation of the historical context of mid-twentieth century vernacular imagery of Black American life.</p> <p>image: Myra Greene, PB #4 White #2, 2022<br /> White glass ambrotype | 7″ x 5″ / 17.8 x 12.7 cm. Courtesy of the artist and Patron Gallery, Chicago.</p><p>The post <a href="http://thevisualist.org/2023/02/myra-greene-kept/">Myra Greene: Kept</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2023/02/myra-greene-kept/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">139898</post-id> </item> <item> <title>EXPO CHICAGO: The International Exposition of Contemporary and Modern Art</title> <link>http://thevisualist.org/2022/04/expo-chicago-the-international-exposition-of-contemporary-and-modern-art-2/</link> <comments>http://thevisualist.org/2022/04/expo-chicago-the-international-exposition-of-contemporary-and-modern-art-2/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Thu, 07 Apr 2022 21:20:18 +0000</pubDate> <category><![CDATA[Fair]]></category> <category><![CDATA[56 HENRY Allouche Benias]]></category> <category><![CDATA[6018NORTH]]></category> <category><![CDATA[Aaron Galleries]]></category> <category><![CDATA[Alan Koppel Gallery]]></category> <category><![CDATA[Allouche Gallery]]></category> <category><![CDATA[Almeida & Dale]]></category> <category><![CDATA[Anat Ebgi]]></category> <category><![CDATA[Anna Zorina Gallery]]></category> <category><![CDATA[Aperture Foundation]]></category> <category><![CDATA[Arróniz]]></category> <category><![CDATA[ART FOR CHANGE]]></category> <category><![CDATA[Artadia]]></category> <category><![CDATA[Ascaso Gallery]]></category> <category><![CDATA[B Ronchini Gallery]]></category> <category><![CDATA[Badr El Jundi]]></category> <category><![CDATA[Bernard Jacobson Gallery]]></category> <category><![CDATA[Boreas Fine Art]]></category> <category><![CDATA[C Bert Green Fine Art]]></category> <category><![CDATA[C Stoney Road Press]]></category> <category><![CDATA[CABINET Gallery]]></category> <category><![CDATA[Carrie Secrist Gallery]]></category> <category><![CDATA[CASE Art Fund]]></category> <category><![CDATA[Casterline | Goodman Gallery]]></category> <category><![CDATA[Catherine Edelman Gallery]]></category> <category><![CDATA[Center for Native Futures]]></category> <category><![CDATA[Cernuda Arte]]></category> <category><![CDATA[Chambers Fine Art]]></category> <category><![CDATA[Charlie James Gallery]]></category> <category><![CDATA[Chicago Artists' Coalition]]></category> <category><![CDATA[Circle Contemporary]]></category> <category><![CDATA[Claire Oliver Gallery]]></category> <category><![CDATA[Cob Gallery]]></category> <category><![CDATA[Corbett vs. Dempsey]]></category> <category><![CDATA[CPS Lives]]></category> <category><![CDATA[Cristea Roberts Gallery]]></category> <category><![CDATA[Cynthia Corbett Gallery]]></category> <category><![CDATA[Daata]]></category> <category><![CDATA[David Gill Gallery]]></category> <category><![CDATA[David Klein Gallery]]></category> <category><![CDATA[David Lusk Gallery]]></category> <category><![CDATA[DC Moore Gallery]]></category> <category><![CDATA[De Buck Gallery]]></category> <category><![CDATA[Deli Gallery]]></category> <category><![CDATA[Dep Art Gallery]]></category> <category><![CDATA[Derek Eller Gallery]]></category> <category><![CDATA[Diana Lowenstein Gallery]]></category> <category><![CDATA[Diane Rosenstein Gallery]]></category> <category><![CDATA[Dio Horia Gallery]]></category> <category><![CDATA[Document]]></category> <category><![CDATA[Dolan/Maxwell]]></category> <category><![CDATA[DURAN MASHAAL]]></category> <category><![CDATA[Eduardo Secci]]></category> <category><![CDATA[Embajada]]></category> <category><![CDATA[Eminence Grise Editions]]></category> <category><![CDATA[EXPO Chicago]]></category> <category><![CDATA[F.L. 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isPermaLink="false">http://www.thevisualist.org/?p=131733</guid> <description><![CDATA[<p>EXPO CHICAGO, The International Exposition of Contemporary & Modern Art, features leading international galleries alongside the highest quality platform for contemporary art and culture. In 2022, EXPO CHICAGO will host more than 140 leading international exhibitors at Navy Pier’s Festival Hall. The exposition draws upon the city’s rich history as a vibrant international cultural destination,<a href="http://thevisualist.org/2022/04/expo-chicago-the-international-exposition-of-contemporary-and-modern-art-2/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2022/04/expo-chicago-the-international-exposition-of-contemporary-and-modern-art-2/">EXPO CHICAGO: The International Exposition of Contemporary and Modern Art</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<div id="offCanvas" class="off-canvas position-right is-transition-push is-closed" data-off-canvas="" aria-hidden="true" data-i="y6826x-i"> <nav class="menu"> <div class="is-drilldown"> <p>EXPO CHICAGO, The International Exposition of Contemporary & Modern Art, features leading international galleries alongside the highest quality platform for contemporary art and culture. In 2022, EXPO CHICAGO will host more than 140 leading international exhibitors at Navy Pier’s Festival Hall. The exposition draws upon the city’s rich history as a vibrant international cultural destination, while engaging the region’s contemporary art community and collector base.</p> </div> </nav> </div> <div class="content off-canvas-content" data-off-canvas-content=""> <div class="large-4 small-12 small-order-4 large-order-1 columns"> <div class="small-12 large-9 columns"> <div class="row"> <div class="block block-rich margin-some arrangement-full text-left"> <p>EXPO CHICAGO will host the 9th edition in-person exposition on <strong>April 7-10, 2022</strong> at Navy Pier. Moving forward, the exposition will be presented annually in April, announcing April 13-16, 2023 and April 11-14, 2024 as dates for the 10th and 11th editions at Navy Pier. Over the next several months, EXPO CHICAGO will be actively working with global partners and Chicago’s renowned hospitality community to prepare for next year.</p> <p>The city of Chicago has proudly hosted a global contemporary and modern art exposition for nearly forty years and serves as the site of the first international art fair in the Americas. Since its inception, EXPO CHICAGO has remained dedicated to supporting local, regional, and international arts communities, with strong regional support throughout the Greater Midwest, both US coasts, and maintained a growing international commitment from Europe, Asia, and Latin America.</p> </div> </div> </div> <p>Thursday, April 7 | 6:00pm–9:00pm<br /> <em>A benefit for the Museum of Contemporary Art Chicago, presented by the MCA Women’s Board. General admission tickets are not valid for Thursday.</em></p> <h2>General Admission</h2> <hr /> <p>Friday, April 8 | 11:00am – 7:00pm<br /> Saturday, April 9 | 11:00am – 7:00pm<br /> Sunday, April 10 | 11:00am – 6:00pm</p> <h3>Tickets</h3> <p>Single Day Admission | $30<br /> Single Day Admission + Guided Tour | $50<br /> Single Day Discount Admission | $25<br /> Three Day Admission | $45</p> </div> <hr /> <div class="row"> <div class="block block-rich margin-some arrangement-full text-left"> <h3>Galleries</h3> <p><a href="https://aarongalleries.com" target="_blank" rel="noopener noreferrer"><strong>Aaron Galleries</strong></a>, Chicago<br /> <a href="https://allouchegallery.com" target="_blank" rel="noopener noreferrer"><strong>Allouche Gallery</strong></a>, New York<br /> <a href="https://www.almeidaedale.com.br/en/index.php" target="_blank" rel="noopener noreferrer"><strong>Almeida & Dale</strong></a>, São Paulo<br /> <a href="http://arroniz-arte.com/en/gallery/" target="_blank" rel="noopener noreferrer"><strong>Arróniz</strong></a>, Mexico City<br /> <a href="https://artizar.es" target="_blank" rel="noopener noreferrer"><strong>Galería Artizar</strong></a>, Canary Islands<br /> <a href="https://www.ascasogallery.com" target="_blank" rel="noopener noreferrer"><strong>Ascaso Gallery</strong></a>, Miami, Caracas<br /> <a href="http://www.richardbeaversgallery.com" target="_blank" rel="noopener noreferrer"><strong>Richard Beavers Gallery</strong></a>, Brooklyn<br /> <a href="https://renabranstengallery.com" target="_blank" rel="noopener noreferrer"><strong>Rena Bransten Gallery</strong></a>, San Francisco<br /> <a href="https://www.cabinet.uk.com" target="_blank" rel="noopener noreferrer"><strong>CABINET Gallery</strong></a>, London<br /> <a href="https://www.casterlinegoodman.com" target="_blank" rel="noopener noreferrer"><strong>Casterline | Goodman Gallery</strong></a>, Aspen, Chicago<br /> <a href="https://secure.cernudaarte.com" target="_blank" rel="noopener noreferrer"><strong>Cernuda Arte</strong></a>, Coral Gables<br /> <a href="http://www.galerialacometa.com/en/" target="_blank" rel="noopener noreferrer"><strong>Galería La Cometa</strong></a>, Bogotá, Medellín, Madrid<br /> <a href="https://corbettvsdempsey.com" target="_blank" rel="noopener noreferrer"><strong>Corbett vs. Dempsey</strong></a>, Chicago<br /> <a href="https://www.thecynthiacorbettgallery.com" target="_blank" rel="noopener noreferrer"><strong>Cynthia Corbett Gallery</strong></a>, London<br /> <a href="https://cristearoberts.com" target="_blank" rel="noopener noreferrer"><strong>Cristea Roberts Gallery</strong></a>, London<br /> <a href="http://stephendaitergallery.com" target="_blank" rel="noopener noreferrer"><strong>Stephen Daiter Gallery</strong>,</a> Chicago<br /> <a href="https://www.dcmooregallery.com" target="_blank" rel="noopener noreferrer"><strong>DC Moore Gallery</strong></a>, New York<br /> <a href="https://www.debuckgallery.com" target="_blank" rel="noopener noreferrer"><strong>De Buck Gallery</strong>,</a> New York, Saint Paul de Vence<br /> <a href="https://www.luisdejesus.com" target="_blank" rel="noopener noreferrer"><strong>Luis De Jesus Los Angeles</strong></a>, Los Angeles<br /> <a href="https://documentspace.com" target="_blank" rel="noopener noreferrer"><strong>DOCUMENT</strong></a>, Chicago<br /> <a href="https://dolanmaxwell.com" target="_blank" rel="noopener noreferrer"><strong>Dolan/Maxwell</strong></a>, Philadelphia<br /> <a href="https://www.edelmangallery.com" target="_blank" rel="noopener noreferrer"><strong>Catherine Edelman Gallery</strong></a>, Chicago<br /> <a href="https://badreljundigallery.com" target="_blank" rel="noopener noreferrer"><strong>Badr El Jundi</strong></a>, Marbella<br /> <a href="https://www.galerielaforestdivonne.com/en/home/" target="_blank" rel="noopener noreferrer"><strong>Galerie La Forest Divonne</strong></a>, Paris, Brussels<br /> <a href="https://www.forumgallery.com" target="_blank" rel="noopener noreferrer"><strong>Forum Gallery</strong>,</a> New York<br /> <a href="https://www.foxyproduction.com" target="_blank" rel="noopener noreferrer"><strong>Foxy Production</strong></a>, New York<br /> <a href="https://gazelliarthouse.com" target="_blank" rel="noopener noreferrer"><strong>Gazelli Art House</strong></a>, London, Baku<br /> <a href="https://www.davidgillgallery.com/" target="_blank" rel="noopener noreferrer"><strong>David Gill Gallery</strong></a>, London<br /> <a href="https://www.goyacontemporary.com" target="_blank" rel="noopener noreferrer"><strong>Goya Contemporary Gallery</strong></a>, Baltimore<br /> <a href="https://www.richardgraygallery.com" target="_blank" rel="noopener noreferrer"><strong>GRAY</strong></a>, Chicago, New York<br /> <a href="https://kavigupta.com" target="_blank" rel="noopener noreferrer"><strong>Kavi Gupta</strong></a>, Chicago<br /> <a href="https://halesgallery.com" target="_blank" rel="noopener noreferrer"><strong>Hales Gallery</strong></a>, London, New York<br /> <a href="https://halfgallery.com" target="_blank" rel="noopener noreferrer"><strong>half gallery</strong></a>, New York<br /> <a href="https://www.harpersgallery.com" target="_blank" rel="noopener noreferrer"><strong>Harper’s</strong></a>, New York, East Hampton, Los Angeles<br /> <a href="https://www.richardhellergallery.com" target="_blank" rel="noopener noreferrer"><strong>Richard Heller Gallery</strong></a>, Los Angeles<br /> <a href="https://www.maxhetzler.com" target="_blank" rel="noopener noreferrer"><strong>Galerie Max Hetzler</strong></a>, Berlin, Paris, London<br /> <a href="https://hextongallery.com" target="_blank" rel="noopener noreferrer"><strong>HEXTON | modern and contemporary</strong></a>, Aspen, Chicago<br /> <a href="https://www.hirschlandadler.com" target="_blank" rel="noopener noreferrer"><strong>Hirschl & Adler Modern</strong></a>, New York<br /> <a href="https://www.nancyhoffmangallery.com" target="_blank" rel="noopener noreferrer"><strong>Nancy Hoffman Gallery</strong></a>, New York<br /> <a href="https://www.rhoffmangallery.com" target="_blank" rel="noopener noreferrer"><strong>Rhona Hoffman Gallery</strong></a>, Chicago<br /> <a href="https://marianeibrahim.com" target="_blank" rel="noopener noreferrer"><strong>Mariane Ibrahim</strong></a>, Chicago, Paris<br /> <a href="https://www.jacobsongallery.com" target="_blank" rel="noopener noreferrer"><strong>Bernard Jacobson Gallery</strong></a>, London<br /> <a href="https://www.jenkinsjohnsongallery.com" target="_blank" rel="noopener noreferrer"><strong>Jenkins Johnson Gallery</strong></a>, San Francisco, New York<br /> <a href="https://nathaliekarg.com" target="_blank" rel="noopener noreferrer"><strong>Nathalie Karg Gallery</strong></a>, New York<br /> <a href="https://www.kasmingallery.com" target="_blank" rel="noopener noreferrer"><strong>Kasmin</strong></a>, New York<br /> <a href="https://www.dkgallery.com" target="_blank" rel="noopener noreferrer"><strong>David Klein Gallery</strong></a>, Detroit<br /> <a href="https://www.alankoppel.com" target="_blank" rel="noopener noreferrer"><strong>Alan Koppel Gallery</strong></a>, Chicago<br /> <a href="https://galeriekornfeld.com" target="_blank" rel="noopener noreferrer"><strong>Galerie Kornfeld</strong></a>, Berlin<br /> <a href="http://nancylittlejohnfineart.com" target="_blank" rel="noopener noreferrer"><strong>Nancy Littlejohn Fine Art</strong></a>, Houston<br /> <a href="https://lnsgallery.com" target="_blank" rel="noopener noreferrer"><strong>LnS Gallery</strong></a>, Miami<br /> <a href="https://www.janelombardgallery.com" target="_blank" rel="noopener noreferrer"><strong>Jane Lombard Gallery</strong></a>, New York<br /> <a href="https://www.dianalowensteingallery.com" target="_blank" rel="noopener noreferrer"><strong>Diana Lowenstein Gallery</strong></a>, Miami<br /> <a href="https://www.luhringaugustine.com" target="_blank" rel="noopener noreferrer"><strong>Luhring Augustine</strong></a>, New York<br /> <a href="https://www.davidluskgallery.com" target="_blank" rel="noopener noreferrer"><strong>David Lusk Gallery</strong></a>, Memphis, Nashville<br /> <a href="https://fergusmccaffrey.com" target="_blank" rel="noopener noreferrer"><strong>Fergus McCaffrey</strong></a>, New York, Tokyo<br /> <a href="https://www.thomasmccormick.com" target="_blank" rel="noopener noreferrer"><strong>McCormick Gallery</strong></a>, Chicago<br /> <a href="https://www.milesmcenery.com" target="_blank" rel="noopener noreferrer"><strong>Miles McEnery Gallery</strong></a>, New York<br /> <a href="https://www.moniquemeloche.com" target="_blank" rel="noopener noreferrer"><strong>moniquemeloche</strong></a>, Chicago<br /> <a href="https://www.miergallery.com" target="_blank" rel="noopener noreferrer"><strong>NINO MIER GALLERY</strong></a>, Los Angeles, Brussels, Marfa<br /> <a href="https://www.shulamitnazarian.com" target="_blank" rel="noopener noreferrer"><strong>Shulamit Nazarian</strong></a>, Los Angeles<br /> <a href="https://novakart.com" target="_blank" rel="noopener noreferrer"><strong>Jonathan Novak Contemporary Art</strong></a>, Los Angeles<br /> <a href="https://nueveochenta.com" target="_blank" rel="noopener noreferrer"><strong>Nueveochenta</strong></a>, Bogotá<br /> <a href="https://www.claireoliver.com" target="_blank" rel="noopener noreferrer"><strong>Claire Oliver Gallery</strong></a>, New York<br /> <a href="https://overtheinfluence.com" target="_blank" rel="noopener noreferrer"><strong>Over the Influence</strong></a>, Los Angeles, Hong Kong, Bangkok<br /> <a href="https://www.pablosbirthday.com" target="_blank" rel="noopener noreferrer"><strong>Pablo’s Birthday</strong></a>, New York<br /> <a href="https://www.petzel.com" target="_blank" rel="noopener noreferrer"><strong>Petzel</strong></a>, New York<br /> <a href="http://poligrafa.net" target="_blank" rel="noopener noreferrer"><strong>Polígrafa Obra Gráfica</strong></a>, Barcelona<br /> <a href="https://pontonegallery.com" target="_blank" rel="noopener noreferrer"><strong>Pontone Gallery</strong></a>, London, Augusta<br /> <a href="https://www.ppowgallery.com" target="_blank" rel="noopener noreferrer"><strong>P.P.O.W.</strong>,</a> New York<br /> <a href="https://www.rgrart.com" target="_blank" rel="noopener noreferrer"><strong>Galería RGR</strong></a>, Mexico City<br /> <a href="https://www.galerierichard.com" target="_blank" rel="noopener noreferrer"><strong>Galerie Richard</strong></a>, Paris, New York<br /> <a href="https://nararoesler.art/en/" target="_blank" rel="noopener noreferrer"><strong>Galeria Nara Roesler</strong></a>, São Paulo, Rio de Janeiro, New York<br /> <a href="https://galleryrosenfeld.com" target="_blank" rel="noopener noreferrer"><strong>Gallery Rosenfeld</strong></a>, London<br /> <a href="https://dianerosenstein.com" target="_blank" rel="noopener noreferrer"><strong>Diane Rosenstein Gallery</strong></a>, Los Angeles<br /> <a href="https://rkgallery.com" target="_blank" rel="noopener noreferrer"><strong>Ross+Kramer Gallery</strong></a>, New York, East Hampton<br /> <a href="https://www.richardsaltoun.com" target="_blank" rel="noopener noreferrer"><strong>Richard Saltoun Gallery</strong></a>, London<br /> <a href="https://www.karstenschubert.com" target="_blank" rel="noopener noreferrer"><strong>Karsten Schubert London</strong></a>, London<br /> <a href="https://www.eduardosecci.com" target="_blank" rel="noopener noreferrer"><strong>Eduardo Secci</strong></a>, Florence, Milan<br /> <a href="https://www.secristgallery.com" target="_blank" rel="noopener noreferrer"><strong>Carrie Secrist Gallery</strong></a>, Chicago<br /> <a href="http://www.shearburngallery.com" target="_blank" rel="noopener noreferrer"><strong>William Shearburn Gallery</strong></a>, St. Louis<br /> <a href="https://jessicasilvermangallery.com" target="_blank" rel="noopener noreferrer"><strong>Jessica Silverman</strong></a>, San Francisco<br /> <a href="https://smith-davidson.com" target="_blank" rel="noopener noreferrer"><strong>SmithDavidson Gallery</strong></a>, Miami, Mexico City, Amsterdam<br /> <a href="https://www.souslesetoilesgallery.net" target="_blank" rel="noopener noreferrer"><strong>Sous Les Etoiles Gallery</strong></a>, New York<br /> <a href="https://www.marcstraus.com" target="_blank" rel="noopener noreferrer"><strong>MARC STRAUS</strong></a>, New York<br /> <a href="https://www.sundaramtagore.com" target="_blank" rel="noopener noreferrer"><strong>Sundaram Tagore Gallery</strong></a>, New York, Singapore, London<br /> <a href="https://tandempress.wisc.edu" target="_blank" rel="noopener noreferrer"><strong>Tandem Press</strong></a>, Madison<br /> <a href="https://www.tangcontemporary.com" target="_blank" rel="noopener noreferrer"><strong>Tang Contemporary Art</strong></a>, Beijing, Hong Kong, Bangkok<br /> <a href="https://www.timothytaylor.com" target="_blank" rel="noopener noreferrer"><strong>Timothy Taylor</strong></a>, London, New York<br /> <a href="http://steveturner.la" target="_blank" rel="noopener noreferrer"><strong>Steve Turner</strong></a>, Los Angeles<br /> <strong>VETA</strong> <strong>by Fer Francés</strong>, Madrid<br /> <a href="https://vielmetter.com" target="_blank" rel="noopener noreferrer"><strong>Vielmetter Los Angeles</strong></a>, Los Angeles<br /> <a href="http://wvvolumes.com" target="_blank" rel="noopener noreferrer"><strong>Volume Gallery</strong></a>, Chicago<br /> <a href="https://www.michaelwerner.com" target="_blank" rel="noopener noreferrer"><strong>Michael Werner Gallery</strong></a>, New York, London<br /> <a href="https://www.wexlergallery.com" target="_blank" rel="noopener noreferrer"><strong>Wexler Gallery</strong></a>, Philadelphia, New York<br /> <a href="https://www.whatiftheworld.com" target="_blank" rel="noopener noreferrer"><strong>WHATIFTHEWORLD</strong></a>, Cape Town<br /> <a href="https://www.yargerfinearts.com" target="_blank" rel="noopener noreferrer"><strong>Timothy Yarger Fine Art</strong></a>, Los Angeles</p> </div> </div> <div class="row"> <div class="block block-rich margin-some arrangement-full text-left"> <h3>EXPOSURE</h3> <p><a href="https://56henry.nyc" target="_blank" rel="noopener noreferrer"><strong>56 HENRY</strong></a>, New York<br /> <a href="https://allouchebenias.com" target="_blank" rel="noopener noreferrer"><strong>Allouche Benias</strong></a>, Athens<br /> <a href="http://www.rolandoanselmi.com" target="_blank" rel="noopener noreferrer"><strong>Galerie Rolando Anselmi</strong></a>, Berlin, Rome<br /> <a href="https://brandtgallery.com" target="_blank" rel="noopener noreferrer"><strong>Rutger Brandt Gallery</strong></a>, Amsterdam<br /> <a href="https://www.rebeccacamacho.com" target="_blank" rel="noopener noreferrer"><strong>Rebecca Camacho Presents</strong></a>, San Francisco<br /> <a href="https://www.cobgallery.com" target="_blank" rel="noopener noreferrer"><strong>Cob Gallery</strong></a>, London<br /> <a href="https://deligallery.com" target="_blank" rel="noopener noreferrer"><strong>Deli Gallery</strong></a>, New York<br /> <a href="https://www.diohoria.com" target="_blank" rel="noopener noreferrer"><strong>Dio Horia Gallery</strong></a>, Athens, Mykonos<br /> <a href="https://www.duranmashaalgallery.com" target="_blank" rel="noopener noreferrer"><strong>DURAN MASHAAL</strong></a>, Montreal<br /> <a href="https://embajadada.com" target="_blank" rel="noopener noreferrer"><strong>Embajada</strong></a>, San Juan<br /> <a href="https://fotorelevance.com" target="_blank" rel="noopener noreferrer"><strong>Foto Relevance</strong></a>, Houston<br /> <a href="https://www.fridmangallery.com" target="_blank" rel="noopener noreferrer"><strong>Fridman Gallery</strong></a>, New York<br /> <a href="http://www.gaa-gallery.com" target="_blank" rel="noopener noreferrer"><strong>Gaa Gallery</strong></a>, Provincetown, Cologne<br /> <a href="https://ginsberggaleria.com" target="_blank" rel="noopener noreferrer"><strong>GINSBERG</strong></a>, Lima<br /> <a href="http://theholenyc.com" target="_blank" rel="noopener noreferrer"><strong>The Hole</strong></a>, New York<br /> <a href="https://www.karen-huber.com" target="_blank" rel="noopener noreferrer"><strong>Galería Karen Huber</strong></a>, Mexico City<br /> <a href="https://institutodevision.com" target="_blank" rel="noopener noreferrer"><strong>Instituto De Visión</strong></a>, Bogotá, New York<br /> <a href="https://johanssonprojects.com" target="_blank" rel="noopener noreferrer"><strong>Johansson Projects</strong></a>, Oakland, San Francisco<br /> <a href="https://www.saatchiart.com" target="_blank" rel="noopener noreferrer"><strong>LatchKey Gallery</strong></a>, New York<br /> <a href="https://www.lawrieshabibi.com" target="_blank" rel="noopener noreferrer"><strong>Lawrie Shabibi</strong></a>, Dubai<br /> <a href="https://mleblancchicago.com" target="_blank" rel="noopener noreferrer"><strong>M. LeBlanc</strong></a>, Chicago<br /> <a href="http://www.kristenlorello.com" target="_blank" rel="noopener noreferrer"><strong>Kristen Lorello</strong></a>, New York<br /> <a href="https://www.lucegallery.com" target="_blank" rel="noopener noreferrer"><strong>LUCE GALLERY</strong></a>, Torino<br /> <a href="https://machetegaleria.com" target="_blank" rel="noopener noreferrer"><strong>MACHETE</strong></a>, Mexico City<br /> <a href="https://makasiinicontemporary.com" target="_blank" rel="noopener noreferrer"><strong>MAKASIINI CONTEMPORARY</strong></a>, Turku<br /> <a href="https://www.marinaro.biz" target="_blank" rel="noopener noreferrer"><strong>Marinaro</strong></a>, New York<br /> <a href="https://martinartprojects.com" target="_blank" rel="noopener noreferrer"><strong>Martin Art Projects</strong></a>, Cape Town<br /> <a href="https://www.mickey.online" target="_blank" rel="noopener noreferrer"><strong>MICKEY</strong></a>, Chicago<br /> <a href="https://www.montaguecontemporary.com" target="_blank" rel="noopener noreferrer"><strong>Montague Contemporary</strong></a>, New York<br /> <a href="https://ndrnwmgmt.com" target="_blank" rel="noopener noreferrer"><strong>Ndr Nw Mgmt</strong></a>, New York<br /> <a href="http://www.marisanewman.com" target="_blank" rel="noopener noreferrer"><strong>Marisa Newman Projects</strong></a>, New York<br /> <a href="https://nomegallery.com" target="_blank" rel="noopener noreferrer"><strong>NOME</strong></a>, Berlin<br /> <a href="https://www.patelbrown.com" target="_blank" rel="noopener noreferrer"><strong>Patel Brown</strong></a>, Toronto<br /> <a href="https://patrongallery.com" target="_blank" rel="noopener noreferrer"><strong>PATRON</strong></a>, Chicago<br /> <a href="https://www.pequodco.com" target="_blank" rel="noopener noreferrer"><strong>Pequod Co.</strong></a>, Mexico City<br /> <a href="https://thepill.co" target="_blank" rel="noopener noreferrer"><strong>The Pill</strong></a>, Istanbul<br /> <a href="https://www.romeryounggallery.com" target="_blank" rel="noopener noreferrer"><strong>Romer Young Gallery</strong></a>, San Francisco<br /> <a href="https://maximillianwilliam.com" target="_blank" rel="noopener noreferrer"><strong>Maximillian William</strong></a>, London<br /> <a href="https://yusto-giner.com" target="_blank" rel="noopener noreferrer"><strong>Yusto/Giner</strong></a>, Marbella, Madrid<br /> <a href="https://www.annazorinagallery.com" target="_blank" rel="noopener noreferrer"><strong>Anna Zorina Gallery</strong></a>, New York</p> </div> </div> <div class="row"> <div class="block block-rich margin-some arrangement-full text-left"> <h3>Profile</h3> <p><a href="https://jeanalbanogallery.com/" target="_blank" rel="noopener noreferrer"><strong>Jean Albano Gallery</strong></a>, Chicago<br /> <a href="https://www.flbfineart.com/" target="_blank" rel="noopener noreferrer"><strong>F.L. Braswell Fine Art</strong></a>, Chicago, Lakeside<br /> <a href="http://www.chambersfineart.com/" target="_blank" rel="noopener noreferrer"><strong>Chambers Fine Art</strong></a>, New York, Beijing<br /> <a href="https://www.galeriecharlot.com/en" target="_blank" rel="noopener noreferrer"><strong>Galerie Charlot</strong></a>, Paris, Tel Aviv<br /> <a href="https://www.depart.it/" target="_blank" rel="noopener noreferrer"><strong>Dep Art Gallery</strong></a>, Milan<br /> <a href="https://anatebgi.com/" target="_blank" rel="noopener noreferrer"><strong>Anat Ebgi</strong></a>, Los Angeles<br /> <a href="https://www.derekeller.com/" target="_blank" rel="noopener noreferrer"><strong>Derek Eller Gallery</strong></a>, New York<br /> <a href="https://www.cjamesgallery.com/" target="_blank" rel="noopener noreferrer"><strong>Charlie James Gallery</strong></a>, Los Angeles<br /> <a href="http://www.galeriepapillonparis.com/" target="_blank" rel="noopener noreferrer"><strong>Galerie Papillon</strong></a>, Paris<br /> <a href="https://andrewrafacz.com/" target="_blank" rel="noopener noreferrer"><strong>ANDREW RAFACZ</strong></a>, Chicago<br /> <a href="https://revolvergaleria.com/" target="_blank" rel="noopener noreferrer"><strong>Revolver Galería</strong></a>, Buenos Aires<br /> <a href="https://www.ronchinigallery.com/" target="_blank" rel="noopener noreferrer"><strong>Ronchini Gallery</strong></a>, London<br /> <a href="https://gsfamt.com/" target="_blank" rel="noopener noreferrer"><strong>Gary Snyder Fine Art MT</strong></a>, Montana<br /> <a href="https://mindysolomon.com/" target="_blank" rel="noopener noreferrer"><strong>Mindy Solomon Gallery</strong></a>, Miami<br /> <a href="https://spinelloprojects.com/" target="_blank" rel="noopener noreferrer"><strong>Spinello Projects</strong></a>, Miami<br /> <a href="https://www.zuckerartbooks.com/" target="_blank" rel="noopener noreferrer"><strong>Zucker Art Books</strong></a>, Great Barrington</p> </div> </div> <div class="row"> <div class="block block-rich margin-some arrangement-full text-left"> <h3>Editions + Books</h3> <p><a href="https://artforchange.com/" target="_blank" rel="noopener noreferrer"><strong>ART FOR CHANGE</strong></a>, New York<br /> <a href="https://www.boreasfineart.com/" target="_blank" rel="noopener noreferrer"><strong>Boreas Fine Art</strong></a>, Chicago<br /> <a href="https://bgfa.us/" target="_blank" rel="noopener noreferrer"><strong>Bert Green Fine Art</strong></a>, Chicago<br /> <a href="https://www.michaelsteinbergfineart.com/" target="_blank" rel="noopener noreferrer"><strong>Eminence Grise Editions</strong></a>, New York<br /> <a href="https://www.highpointprintmaking.org/" target="_blank" rel="noopener noreferrer"><strong>Highpoint Editions</strong></a>, Minneapolis<br /> <a href="https://islandpress.org/" target="_blank" rel="noopener noreferrer"><strong>Island Press</strong></a>, St. Louis<br /> <a href="http://www.gogaclan.com/design/lusenhopfineart/index.php" target="_blank" rel="noopener noreferrer"><strong>Lusenhop Fine Art</strong></a>, Cleveland<br /> <a href="https://mannekenpress.com/" target="_blank" rel="noopener noreferrer"><strong>Manneken Press</strong></a>, Bloomington<br /> <a href="https://www.printedmatter.org/" target="_blank" rel="noopener noreferrer"><strong>Printed Matter Inc.</strong></a>, New York<br /> <a href="http://ruizhealyart.com/" target="_blank" rel="noopener noreferrer"><strong>Ruiz-Healy Art</strong></a>, San Antonio, New York<br /> <a href="https://rene-schmitt.com/en/" target="_blank" rel="noopener noreferrer"><strong>René Schmitt</strong></a>, Berlin, WOL<br /> <a href="https://www.spudnikpress.org/" target="_blank" rel="noopener noreferrer"><strong>Spudnik Press</strong></a>, Chicago<br /> <a href="https://www.stoneyroadpress.com/" target="_blank" rel="noopener noreferrer"><strong>Stoney Road Press</strong></a>, Dublin</p> </div> </div> <div class="row"> <div class="block block-rich margin-some arrangement-full text-left"> <h3>Special Exhibitions</h3> <p><a href="http://www.6018north.org/" target="_blank" rel="noopener noreferrer"><strong>6018North</strong></a>, Chicago<br /> <a href="https://aperture.org/"><strong>Aperture Foundation</strong></a>, New York<br /> <a href="https://artadia.org/"><strong>Artadia</strong></a>, Atlanta, Chicago, Houston, Los Angeles, New York, San Francisco<br /> <a href="https://www.caseartfund.org/" target="_blank" rel="noopener noreferrer"><strong>CASE Art Fund</strong></a>, Chicago, Oslo<br /> <a href="https://www.centerfornativefutures.org/" target="_blank" rel="noopener noreferrer"><strong>Center for Native Futures</strong></a>, Chicago<br /> <a href="https://chicagoartistscoalition.org/" target="_blank" rel="noopener noreferrer"><strong>Chicago Artists Coalition</strong></a>, Chicago<br /> <a href="https://artsoflife.org/circlecontemporary/" target="_blank" rel="noopener noreferrer"><strong>Circle Contemporary</strong></a>, Arts of Life, Chicago<br /> <a href="https://cpslives.org/"><strong>CPS Lives</strong></a>, Chicago<br /> <a href="https://daata.art/"><strong>Daata</strong></a>, London<br /> <a href="https://forfreedoms.org/" target="_blank" rel="noopener noreferrer"><strong>For Freedoms</strong></a><br /> <a href="https://www.frontart.org/" target="_blank" rel="noopener noreferrer"><strong>FRONT International</strong></a>, Cleveland<br /> <a href="http://thegalleryclub.com/the-gallery-club-expo-chicago/" target="_blank" rel="noopener noreferrer"><strong>The Gallery Club</strong></a>, Amsterdam<br /> <a href="https://www.generativemultilogue.com/" target="_blank" rel="noopener noreferrer"><strong>Generative Multilogue</strong></a>, Chicago<br /> <a href="https://www.hydeparkart.org/" target="_blank" rel="noopener noreferrer"><strong>Hyde Park Art Center</strong></a>, Chicago<br /> <a href="https://curatorsintl.org/" target="_blank" rel="noopener noreferrer"><strong>Independent Curators International (ICI)</strong></a>, New York<br /> <a href="https://www.museotamayo.org/" target="_blank" rel="noopener noreferrer"><strong>Museo Tamayo</strong></a>, Mexico City<br /> <a href="https://www.msichicago.org/" target="_blank" rel="noopener noreferrer"><strong>Museum of Science and Industry</strong></a>, Chicago<br /> <a href="https://www.nrdc.org/" target="_blank" rel="noopener noreferrer"><strong>NRDC (Natural Resources Defense Council)</strong></a>, New York, Washington, D.C., Chicago, Los Angeles, San Francisco, Bozeman, and Beijing<br /> <a href="https://renaissancesociety.org/" target="_blank" rel="noopener noreferrer"><strong>The Renaissance Society</strong></a>, Chicago<br /> <a href="https://rupert.lt/" target="_blank" rel="noopener noreferrer"><strong>Rupert</strong></a>, Vilnius<br /> <a href="https://www.saic.edu/" target="_blank" rel="noopener noreferrer"><strong>The School of the Art Institute of Chicago</strong></a>, Chicago<br /> <a href="https://www.uchicago.edu/" target="_blank" rel="noopener noreferrer"><strong>University of Chicago</strong></a>, Chicago<br /> <a href="http://www.weinbergnewtongallery.com/" target="_blank" rel="noopener noreferrer"><strong>Weinberg/Newton Gallery</strong></a>, Chicago</p> </div> </div> <div class="row"> <div class="block block-rich margin-some arrangement-full text-left"></div> </div> <div class="large-4 small-12 small-order-4 large-order-1 columns"> <ul class="social"> <li><a href="https://www.artsy.net/expo-chicago"><img decoding="async" src="https://d3ohkie937yx5f.cloudfront.net/assets/artsy-9e00f0d0cf653d788029ec71b4a53408fa0efd0c923ec13d19d517b11145d849.svg" /></a></li> </ul> </div> </div> <p> </p> <footer> <div class="row"> <div class="large-9 columns"> <div class="row is-collapse-child collapse footer-inner"> <div class="large-3 small-4 large-order-2 columns"> <h4><a href="https://www.expochicago.com/">home</a></h4> <h4><a href="https://www.expochicago.com/visit">visit</a></h4> <h4><a href="https://www.expochicago.com/programs">programs</a></h4> </div> <div class="large-3 small-4 large-order-3 columns"> <h4><a href="https://www.expochicago.com/exhibitor-services">exhibitor services</a></h4> <h4><a href="https://www.expochicago.com/vip">vip</a></h4> <h4><a href="https://www.expochicago.com/press">press</a></h4> </div> <div class="large-2 small-4 large-order-4 columns"> <h4><a href="https://www.expochicago.com/about-us">contact</a></h4> <h4><a href="https://www.expochicago.com/advertise">advertise</a></h4> <h4><a href="https://www.expochicago.com/privacy-policy">privacy</a></h4> </div> </div> </div> </div> </footer> <p> </p> <p><strong>The list of 2018 exhibiting galleries includes:</strong><br /> Anglim Gilbert Gallery, San Francisco<br /> Peter Blake Gallery, Laguna Beach<br /> Bockley Gallery, Minneapolis<br /> Bortolami, New York<br /> BorzoGallery, Amsterdam<br /> Rena Bransten Gallery, San Francisco<br /> Gavin Brown’s enterprise, New York, Rome<br /> CarrerasMugica, Bilbao<br /> Century Pictures, Brooklyn<br /> Cernuda Arte, Coral Gables<br /> Ceysson & Bénétière, Paris, Saint-Étienne, Luxembourg, New York<br /> James Cohan, New York<br /> Corbett vs. Dempsey, Chicago<br /> Stephen Daiter Gallery, Chicago<br /> DC Moore Gallery, New York<br /> De Buck Gallery, New York, Antwerp, Saint Paul de Vence<br /> Galerie Division, Montréal, Toronto<br /> Catherine Edelman Gallery, Chicago<br /> Eric Firestone Gallery, East Hampton, New York<br /> PKM Gallery, Seoul<br /> P.P.O.W, New York<br /> Praz-Delavallade, Paris, Los Angeles<br /> R & Company, New York<br /> Roberts Projects, Los Angeles<br /> Ronchini Gallery, London<br /> rosenfeld porcini, London<br /> Royale Projects, Los Angeles<br /> Galerie RX, Paris<br /> Salon 94, New York<br /> Georgia Scherman Projects, Toronto<br /> Vito Schnabel Gallery, Engadine Valley<br /> Eduardo Secci Contemporary, Florence<br /> Carrie Secrist Gallery, Chicago<br /> Stuart Shave / Modern Art, London<br /> William Shearburn Gallery, St. Louis<br /> Jessica Silverman Gallery, San Francisco<br /> Simoens Gallery, Knokke<br /> Sims Reed Gallery, London<br /> SmithDavidson Gallery, Amsterdam, Miami<br /> Fredric Snitzer Gallery, Miami<br /> Sous Les Etoiles Gallery, New York<br /> Stene Projects Gallery, Stockholm<br /> MARC STRAUS, New York<br /> Hollis Taggart Galleries, New York<br /> Sundaram Tagore Gallery, New York, Singapore, Hong Kong<br /> Tandem Press, Madison<br /> TEMPLON, Paris, Brussels<br /> Vallarino Fine Art, New York<br /> Susanne Vielmetter Los Angeles Projects, Los Angeles<br /> Weinstein Hammons Gallery, Minneapolis<br /> Wexler Gallery, Philadelphia<br /> Yares Art, New York, Palm Springs, Santa Fe<br /> Zolla/Lieberman Gallery, Chicago<br /> Pavel Zoubok Gallery, New York<br /> David Zwirner, New York, London, Hong Kong</p> <p>The list of 2018 EXPOSURE galleries includes:</p> <p>313 Art Project, Seoul | Lee Wan<br /> Amar Gallery, London | Renee Cox and Guerrilla Girls<br /> Piero Atchugarry, Garzón, Miami | Verónica Vázquez and Lungiswa Gqunta<br /> BEERS London, London | William LaChance<br /> Club Pro Los Angeles, Los Angeles | Alake Shilling<br /> Luis De Jesus Los Angeles, Los Angeles | Caitlin Cherry and Peter Williams<br /> Dio Horia, Athens, Mykonos | Maja Djordjevic<br /> Anat Ebgi, Los Angeles | Jibade-Khalil Huffman and Jason Bailer Losh<br /> Edel Assanti, London | Sorel Etrog Daniel<br /> Faria Gallery, Toronto | Douglas Coupland and Kristine Moran<br /> FOLD, London | Asmund Havsteen-Mikkelsen and Magnus Pettersen<br /> Fridman Gallery, New York | Nathaniel Lewis<br /> Geary, New York | Suzette Bross<br /> Asya Geisberg Gallery, New York | Julie Schenkelberg and Marjolijn de Wit<br /> Grice Bench, Los Angeles | Margaret Honda<br /> MARIANE IBRAHIM, Seattle | Clotilde Jimenez<br /> Instituto de Visión, Bogotá | Nicolas Consuegra and Marlon de Azambuja<br /> KANT, Copenhagen | Asmund Havsteen-Mikkelsen and Magnus Pettersen<br /> Klowden Mann, Culver City | Andrea Chung and Katie Herzog<br /> LAZY Mike, Los Angeles, Moscow | Daniel Lergon<br /> Harlan Levey Projects, Brussels | Haseeb Ahmed and Ella Littwitz<br /> NINO MIER GALLERY, Los Angeles, Cologne | Jansson Stegner<br /> Moskowitz Bayse, Los Angeles | Alexa Guariglia and Anthony Miserendino<br /> Shulamit Nazarian, Los Angeles | Amir H. Fallah and Naudline Pierre<br /> Night Gallery, Los Angeles | Awol Erizku<br /> NOME, Berlin | Kirsten Stolle and Xiyadie<br /> Officine dell’lmmagine, Milan | Verónica Vázquez and Lungiswa Gqunta<br /> ROCKELMANN&, Berlin | Megan Stroech and Bailey Romaine<br /> Romer Young Gallery, San Francisco | Johnny Abrahams and Joseph Hart<br /> Sapar Contemporary, New York | Phoebe Boswell<br /> SIM Galeria, Curitiba, São Paulo | Carmelo Arden Quin and James English Leary<br /> Catinca Tabacaru, New York, Harare | Joe Brittain and Yapci Ramos<br /> Zalucky Contemporary, Toronto | Lili Huston-Herterich and Jim Verburg</p> <p>The list of 2018 PROFILE galleries includes:<br /> Carbon12, Dubai | Sara Rahbar<br /> Edward Cella Art & Architecture, Los Angeles | Ruth Pastine<br /> Chambers Fine Art, New York, Beijing | Fu Xiaotong<br /> Derek Eller Gallery, New York | Karl Wirsum<br /> Klaus von Nichtssagend Gallery, New York | Sam Contis<br /> Gallery Luisotti, Los Angeles | Ursula Schulz-Dornburg<br /> Martos Gallery, New York | Jessica Vaughn<br /> MARUANI MERCIER, Brussels, Knokke, Paris | George Shaw<br /> Galerie Barbara Thumm, Berlin | Teresa Burga</p> <p>The list of 2018 Editions + Books exhibitors includes:<br /> Art+Culture Projects, New York<br /> Boreas Fine Art, Chicago<br /> Candor Arts, Chicago<br /> Downtown for Democracy U.S.A.<br /> Independent Curators International (ICI), New York<br /> Index Art Book Fair, Mexico City<br /> LAND (Los Angeles Nomadic Division), Los Angeles<br /> NFP Editions | Field Editions, Tate Editions, Royal Academy of Arts<br /> One, All, Every.<br /> René Schmitt, Berlin, WOL<br /> Spudnik Press Cooperative, Chicago<br /> TASCHEN, Los Angeles, New York, Miami, London, Paris, Berlin, Amsterdam, Milan</p> <p>The list of 2018 Special Exhibitions includes:<br /> 6018North/ 3Arts, Chicago<br /> Aperture Foundation, New York<br /> Artadia, New York<br /> Eli and Edythe Broad Art Museum, East Lansing<br /> Chicago Artists Coalition, Chicago<br /> The Conservation Center, Chicago<br /> DePaul Art Museum, Chicago<br /> Human Rights Watch<br /> Hyde Park Art Center, Chicago<br /> The Joyce Foundation<br /> MOSTYN, Llandudno<br /> National YoungArts Foundation, Miami<br /> Natural Resources Defense Council (NRDC), Chicago<br /> ProjectArt, Chicago, New York, Los Angeles, Detroit, Miami, Pittsburgh<br /> The School of the Art Institute of Chicago, Chicago<br /> Threewalls, Chicago<br /> University of Chicago Department of Visual Arts, Chicago</p> <p> </p> <p> </p> <p> </p> <p> </p><p>The post <a href="http://thevisualist.org/2022/04/expo-chicago-the-international-exposition-of-contemporary-and-modern-art-2/">EXPO CHICAGO: The International Exposition of Contemporary and Modern Art</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2022/04/expo-chicago-the-international-exposition-of-contemporary-and-modern-art-2/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">131733</post-id> </item> <item> <title>Chicago Gallery Open</title> <link>http://thevisualist.org/2020/09/chicago-gallery-open/</link> <comments>http://thevisualist.org/2020/09/chicago-gallery-open/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Wed, 30 Sep 2020 00:00:01 +0000</pubDate> <category><![CDATA[Fair]]></category> <category><![CDATA[062]]></category> <category><![CDATA[4th Ward Project Space]]></category> <category><![CDATA[65GRAND]]></category> <category><![CDATA[Ackerman Clarke]]></category> <category><![CDATA[ADDS DONNA]]></category> <category><![CDATA[Alberto Aguilar]]></category> <category><![CDATA[andrew rafacz]]></category> <category><![CDATA[Ann Toebbe]]></category> <category><![CDATA[Apparatus Projects]]></category> <category><![CDATA[Aspect Ratio]]></category> <category><![CDATA[baby blue]]></category> <category><![CDATA[Bianca Bova Gallery]]></category> <category><![CDATA[Carrie Secrist Gallery]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Chicago Gallery Open]]></category> <category><![CDATA[Chicago Manual Style]]></category> <category><![CDATA[Chris Reeves]]></category> <category><![CDATA[Circle Contemporary (Arts of Life)]]></category> <category><![CDATA[Dan Sullivan]]></category> <category><![CDATA[Danny Dunson]]></category> <category><![CDATA[Devening Projects]]></category> <category><![CDATA[Document]]></category> <category><![CDATA[Dominique Knowles]]></category> <category><![CDATA[Edra Soto]]></category> <category><![CDATA[Everybody]]></category> <category><![CDATA[Extase]]></category> <category><![CDATA[Faysal Altunbozar]]></category> <category><![CDATA[Goldfinch]]></category> <category><![CDATA[Good Weather]]></category> <category><![CDATA[Gray]]></category> <category><![CDATA[Hans Gallery]]></category> <category><![CDATA[Haynes]]></category> <category><![CDATA[Jake Troyli]]></category> <category><![CDATA[James Kao]]></category> <category><![CDATA[Julius Cæsar]]></category> <category><![CDATA[Kavi Gupta]]></category> <category><![CDATA[Liz McCarthy]]></category> <category><![CDATA[LVL3]]></category> <category><![CDATA[M LeBlanc]]></category> <category><![CDATA[Mari Eastman]]></category> <category><![CDATA[Marina and Cecília Resende Santos]]></category> <category><![CDATA[MICKEY]]></category> <category><![CDATA[monique meloche]]></category> <category><![CDATA[MPSTN]]></category> <category><![CDATA[NADA]]></category> <category><![CDATA[New Works]]></category> <category><![CDATA[Olivia Jade Juárez]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[Pickleman]]></category> <category><![CDATA[Prairie]]></category> <category><![CDATA[produce model]]></category> <category><![CDATA[Regards]]></category> <category><![CDATA[Remy Lucien Bordas]]></category> <category><![CDATA[Rhona Hoffman Gallery]]></category> <category><![CDATA[Roots & Culture]]></category> <category><![CDATA[Ruschman]]></category> <category><![CDATA[Slung Leg]]></category> <category><![CDATA[Soccer Club Club]]></category> <category><![CDATA[The Franklin]]></category> <category><![CDATA[Volume Gallery]]></category> <category><![CDATA[Western Exhibitions]]></category> <category><![CDATA[Works Sited]]></category> <category><![CDATA[Zakkiyyah Najeebah Dumas-O’Neal]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=118391</guid> <description><![CDATA[<p>The Chicago Gallery Open, presented by NADA and in partnership with Artlogic, begins this Wednesday, September 30th. The new five day online-offline event will showcase online presentations and in-person viewings from Chicago galleries, non-profits, and artist-run spaces. The Chicago Gallery Open will feature online presentations of available artworks from participating galleries; exhibition listings to promote<a href="http://thevisualist.org/2020/09/chicago-gallery-open/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2020/09/chicago-gallery-open/">Chicago Gallery Open</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>The Chicago Gallery Open, presented by NADA and in partnership with Artlogic, begins this Wednesday, September 30th. The new five day online-offline event will showcase online presentations and in-person viewings from Chicago galleries, non-profits, and artist-run spaces.</p> <p>The Chicago Gallery Open will feature online presentations of available artworks from participating galleries; exhibition listings to promote in-person, by-appointment viewings; and a programming series organized in collaboration with participants to be hosted locally in Chicago and online. Through the collaborative efforts of NADA and all of the participants, this new event will use this moment to focus on the vitality, importance, and eccentricity of the Chicago art community.</p> <p>Live on Wednesday, September 30, 2020<br /> 11am EST / 10am CST</p> <p>VISIT CHICAGOGALLERYOPEN.ORG https://chicagogalleryopen.org/</p> <p>Participants</p> <p>062<br /> 4th Ward Project Space<br /> 65GRAND<br /> Ackerman Clarke<br /> ADDS DONNA<br /> Apparatus Projects<br /> Aspect/Ratio<br /> Baby Blue<br /> Bianca Bova Gallery<br /> Chicago Manual Style<br /> Circle Contemporary (Arts of Life)<br /> Devening Projects<br /> Document<br /> Everybody<br /> Extase<br /> The Franklin<br /> Goldfinch<br /> Good Weather<br /> Gray<br /> Kavi Gupta<br /> Hans Gallery<br /> Haynes<br /> Rhona Hoffman Gallery<br /> Julius Caesar<br /> M. Leblanc<br /> LVL3<br /> Monique Meloche<br /> MICKEY<br /> MPSTN<br /> New Works<br /> Patron<br /> Pickleman<br /> Prairie<br /> Produce Model<br /> Andrew Rafacz<br /> Regards<br /> Roots & Culture<br /> RUSCHMAN<br /> Carrie Secrist Gallery<br /> Slung Leg<br /> Soccer Club Club<br /> Volume Gallery<br /> Western Exhibitions<br /> Works Sited</p> <p>Programming Schedule</p> <p>The New Art Dealers Alliance (NADA) is pleased to present programming for the Chicago Gallery Open, September 30 – October 4, 2020. Join NADA and participating galleries for virtual conversations and walkthroughs of their current exhibitions.</p> <p>Featured participants include Jake Troyli, Danny Dunson, Liz McCarthy, Chris Reeves, Dominique Knowles, Mari Eastman, Edra Soto, Dan Sullivan, Alberto Aguilar, Marina and Cecilia Resende Santos, Olivia Jade Juarez, Remy Lucien Bordas, Faysal Altunbozar, Zakkiyyah Najeebah Dumas-O’Neal, James Kao, and Ann Toebbe.</p> <p>CLICK HERE FOR FULL SCHEDULE OF EVENTS https://www.newartdealers.org/programming/current</p><p>The post <a href="http://thevisualist.org/2020/09/chicago-gallery-open/">Chicago Gallery Open</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2020/09/chicago-gallery-open/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">118391</post-id> </item> <item> <title>Noé Martínez: las presencias dormidas</title> <link>http://thevisualist.org/2020/09/noe-martinez-las-presencias-dormidas/</link> <comments>http://thevisualist.org/2020/09/noe-martinez-las-presencias-dormidas/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Sat, 12 Sep 2020 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[las presencias dormidas]]></category> <category><![CDATA[Noé Martínez]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=117345</guid> <description><![CDATA[<p>PATRON is proud to present our first solo exhibition with Mexico City based artist Noé Martínez. The exhibition titled “las presences dormidas” will open on Saturday, September 12, and continue through November 7, 2020.</p> <p>The post <a href="http://thevisualist.org/2020/09/noe-martinez-las-presencias-dormidas/">Noé Martínez: las presencias dormidas</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to present our first solo exhibition with Mexico City based artist Noé Martínez. The exhibition titled “las presences dormidas” will open on Saturday, September 12, and continue through November 7, 2020.</p><p>The post <a href="http://thevisualist.org/2020/09/noe-martinez-las-presencias-dormidas/">Noé Martínez: las presencias dormidas</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2020/09/noe-martinez-las-presencias-dormidas/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">117345</post-id> </item> <item> <title>Noah Singer: After all, they sing</title> <link>http://thevisualist.org/2020/02/noah-singer-after-all-they-sing/</link> <comments>http://thevisualist.org/2020/02/noah-singer-after-all-they-sing/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Sat, 29 Feb 2020 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[After all they sing]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Noah Singer]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=112755</guid> <description><![CDATA[<p>NOAH SINGER “After all, they sing” Feb 29 – Mar 28, 2020 Opening Reception: Saturday, February 29th from 5 – 8PM PATRON is pleased to present After all, they sing, a solo exhibition with Chicago-based artist Noah Singer. The exhibition will open with a reception for the artist on Saturday, February 29th and will continue<a href="http://thevisualist.org/2020/02/noah-singer-after-all-they-sing/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2020/02/noah-singer-after-all-they-sing/">Noah Singer: After all, they sing</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>NOAH SINGER<br /> “After all, they sing”<br /> Feb 29 – Mar 28, 2020</p> <p>Opening Reception: Saturday, February 29th from 5 – 8PM</p> <p>PATRON is pleased to present After all, they sing, a solo exhibition with Chicago-based artist Noah Singer. The exhibition will open with a reception for the artist on Saturday, February 29th and will continue through March 28, 2020.</p> <p>“Not serious? But what can you want, my dear? I am discovering a new world, I am living again, I am stalking the unknown.” – Orphée, Jean Cocteau</p><p>The post <a href="http://thevisualist.org/2020/02/noah-singer-after-all-they-sing/">Noah Singer: After all, they sing</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2020/02/noah-singer-after-all-they-sing/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">112755</post-id> </item> <item> <title>Kaveri Raina: Partings, Swaying to the Moon</title> <link>http://thevisualist.org/2020/02/kaveri-raina-partings-swaying-to-the-moon/</link> <comments>http://thevisualist.org/2020/02/kaveri-raina-partings-swaying-to-the-moon/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Sat, 29 Feb 2020 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Kaveri Raina]]></category> <category><![CDATA[Partings Swaying to the Moon]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=112819</guid> <description><![CDATA[<p>KAVERI RAINA “Partings, Swaying to the Moon” Feb 29 – Mar 28, 2020 Opening Reception: Saturday, February 29th from 5 – 8PM PATRON is pleased to present Partings, Swaying to the Moon, a solo exhibition with Brooklyn-based artist Kaveri Raina. The exhibition will open with a reception for the artist on Saturday, February 29th and<a href="http://thevisualist.org/2020/02/kaveri-raina-partings-swaying-to-the-moon/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2020/02/kaveri-raina-partings-swaying-to-the-moon/">Kaveri Raina: Partings, Swaying to the Moon</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>KAVERI RAINA<br /> “Partings, Swaying to the Moon”<br /> Feb 29 – Mar 28, 2020</p> <p>Opening Reception: Saturday, February 29th from 5 – 8PM</p> <p>PATRON is pleased to present Partings, Swaying to the Moon, a solo exhibition with Brooklyn-based artist Kaveri Raina. The exhibition will open with a reception for the artist on Saturday, February 29th and will continue through March 28, 2020.</p> <p>“Drawn to the poetic, Raina’s father named her for the sacred Kaveri River, one of India’s largest, which was supposedly created when Sage Agastya’s kamandalu (water vessel) tipped, pouring water through the land. The Kaveri came to symbolize motherhood and motherland; land that today is highly contested, deeply scarred.” -Megha Ralapati, Beyond this, beyond that: Kaveri Raina</p><p>The post <a href="http://thevisualist.org/2020/02/kaveri-raina-partings-swaying-to-the-moon/">Kaveri Raina: Partings, Swaying to the Moon</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2020/02/kaveri-raina-partings-swaying-to-the-moon/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">112819</post-id> </item> <item> <title>Art After Hours</title> <link>http://thevisualist.org/2019/09/art-after-hours-3/</link> <comments>http://thevisualist.org/2019/09/art-after-hours-3/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Fri, 20 Sep 2019 05:00:01 +0000</pubDate> <category><![CDATA[Reception]]></category> <category><![CDATA[ACRE]]></category> <category><![CDATA[American Writers Museum]]></category> <category><![CDATA[Andrew Bae Gallery]]></category> <category><![CDATA[Art After Hours]]></category> <category><![CDATA[Aspect Ratio]]></category> <category><![CDATA[Baby Blue Gallery]]></category> <category><![CDATA[Barely Fair at Julius Cæsar]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Chicago Manual Style]]></category> <category><![CDATA[Document]]></category> <category><![CDATA[Elephant Room Gallery]]></category> <category><![CDATA[EXPO Chicago]]></category> <category><![CDATA[Filter Photo]]></category> <category><![CDATA[Gallery Studio Oh]]></category> <category><![CDATA[Heritage Auctions]]></category> <category><![CDATA[Hofheimer Gallery]]></category> <category><![CDATA[Julius Cæsar]]></category> <category><![CDATA[m 2019 Filter Photo Festival]]></category> <category><![CDATA[Mariane Ibrahim Gallery]]></category> <category><![CDATA[Matthew Rachman Gallery]]></category> <category><![CDATA[Museum of Contemporary Photography]]></category> <category><![CDATA[One After 909]]></category> <category><![CDATA[Paris London Hong Kong]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[SAIC]]></category> <category><![CDATA[Shane Campbell Gallery]]></category> <category><![CDATA[South Loop Loft]]></category> <category><![CDATA[Spudnik Press Cooperative]]></category> <category><![CDATA[Stephen Daiter Gallery]]></category> <category><![CDATA[Sullivan Galleries]]></category> <category><![CDATA[The John David Mooney Foundation]]></category> <category><![CDATA[VGA Gallery]]></category> <category><![CDATA[Volume Gallery]]></category> <category><![CDATA[Zg Gallery]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=103766</guid> <description><![CDATA[<p>September 20 from 6:00-9:00pm. Presented in partnership with Newcity. EXPO CHICAGO Galleries Participating in Art After Hours: Corbett vs. Dempsey Caragh Thuring Carol Jackson Catherine Edelman Gallery Sandro Miller: I am Papua New Guinea Richard Gray Gallery Leon Polk Smith Kavi Gupta Gallery Manish Nai Jeffery Gibson Kennedy Yanko Rhona Hoffman Gallery Gladys Nilsson Mariane<a href="http://thevisualist.org/2019/09/art-after-hours-3/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2019/09/art-after-hours-3/">Art After Hours</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>September 20 from 6:00-9:00pm. Presented in partnership with Newcity.</p> <p>EXPO CHICAGO Galleries Participating in Art After Hours:</p> <p>Corbett vs. Dempsey<br /> Caragh Thuring<br /> Carol Jackson</p> <p>Catherine Edelman Gallery<br /> Sandro Miller: I am Papua New Guinea</p> <p>Richard Gray Gallery<br /> Leon Polk Smith</p> <p>Kavi Gupta Gallery<br /> Manish Nai<br /> Jeffery Gibson<br /> Kennedy Yanko</p> <p>Rhona Hoffman Gallery<br /> Gladys Nilsson</p> <p>Mariane Ibrahim Gallery<br /> Ayana V. Jackson: Take Me to the Water</p> <p>Monique Meloche Gallery<br /> David Antonio Cruz</p> <p>Carrie Secrist Gallery<br /> Adrian Wong</p> <p>Western Exhibitions<br /> Orkideh Torabi</p> <p>Additional Art After Hours Participants:</p> <p>ACRE<br /> Aspect/Ratio<br /> American Writers Museum<br /> baby blue gallery<br /> Andrew Bae Gallery<br /> Barely Fair at Julius Cæsar<br /> Shane Campbell Gallery<br /> Chicago Manual Style<br /> Stephen Daiter Gallery<br /> DOCUMENT<br /> Elephant Room Gallery<br /> Filter Photo<br /> Heritage Auctions<br /> Hofheimer Gallery<br /> Gallery Studio Oh<br /> The John David Mooney Foundation<br /> Museum of Contemporary Photography<br /> One After 909<br /> Paris London Hong Kong<br /> PATRON<br /> Matthew Rachman Gallery<br /> Museum of Contemporary Photography<br /> SAIC Sullivan Galleries<br /> South Loop Loft<br /> Spudnik Press Cooperative<br /> VGA Gallery<br /> VOLUME GALLERY<br /> Zg Gallery</p> <p>Events:</p> <p>Exhibition Opening | Ayana V. Jackson: Take Me to the Water<br /> 6:00-9:00pm<br /> Mariane Ibrahim Gallery<br /> Join the inaugural exhibition of the new Chicago headquarters of Mariane Ibrahim Gallery, presenting new works by Ayana V. Jackson. In Take Me to the Water, the artist seeks to crystallize the experience of contemporary Africa and African diasporic societies, creating hauntingly candid portraits depicting varying constructions of African and African-American identity. </p> <p>Opening Reception | Sarah Ortmeyer<br /> 6:00-9:00pm<br /> Chicago Manual Style<br /> Artist Sarah Ortmeyer’s work has been exhibited at the Kunstverein München (Münich), Palais de Tokyo (Paris), KW Institute for Contemporary Art (Berlin), the Stedelijk Museum (Amsterdam), and MoMA PS1 (New York), among others. Curated by Stephanie Cristello, the exhibition, entitled INFERNO CHICAGO, incorporates the formal elements of chess alongside a series of new paintings and sculptures.</p> <p>Artist Performance | Laura Davis and Derrick Woods-Morrow<br /> 12:00-8:00pm<br /> Aspect/Ratio<br /> Join this performance, hosted intermittently throughout the day with artists Laura Davis and Derrick Woods-Morrow.</p> <p>Artist Reception | Abraham<br /> 6:00-9:00pm<br /> Elephant Room Gallery<br /> As part of the current exhibition entitled 1117, artist Abraham will be present to talk with visitors on a more intimate level about their work. This exhibition features some of Abraham’s newest work, including collaborations with Ligaya, as well as hand-made furniture and painted objects. Light refreshments will be served.</p> <p>Filter Photo Festival Exhibition Receptions | Various Artists<br /> 6:00-9:00pm<br /> 2019 Filter Photo Festival<br /> As a part of the 2019 Filter Photo Festival, join Filter Photo for the opening reception of three exhibitions: The Universal, Seeing the familiar for the first time, and III. The work of over sixty artists will be on display in these exhibitions juried by Gregory Harris, Industry of the Ordinary, and Aline Smithson respectively. Many of the artists will be in attendance and refreshments will be served. </p> <p>Opening Reception | Studio Oleomingus<br /> 6:00-9:00pm<br /> VGA Gallery<br /> Based out of Chala, India, Studio Oleomingus is a two-person game studio known for their visually stunning and narrative-driven games and about the history of India, post-colonialism, and a generative approach toward blending fact and fiction. This exhibition will bring together the various parts of Somewhere, an ongoing video game epic in several episodes. </p> <p>Prints United: 2019 Member Exhibition<br /> 6:00-9:00pm<br /> Spudnik Press Cooperative<br /> Prints United: 2019 Member Exhibition features a wide variety of print-centered art making that happens at Spudnik Press Cooperative. Printmakers and fans alike are invited celebrate the work of Spudnik Press Cooperative’s beloved print geeks, relief devotees, intaglio fans, serial serigraphers, and letterpress lovers.</p> <p>Reception and Artist Talks<br /> 6:00-9:00pm | Artist Talks at 6:30pm and 7:30pm<br /> The John David Mooney Foundation<br /> For the 6:30pm Artist Talk, join artist John David Mooney and a team of engineers as they discuss how Art and Renewable Energy can take an entire town off the electrical grid. For the 7:30pm Artist Talk, join collector Albert Goodman as he discusses artist Bui Xian’s Phai’s first solo exhibition of stunning paintings and their French influences, as well as other artists’ work in his collection of post-war paintings. </p> <p>Opening Reception | Barely Fair<br /> 6:00-10:00pm<br /> Barely Fair<br /> Celebrate the Opening Vernissage of Barely Fair, a 1:12 scale contemporary art fair hosted by Julius Cæsar. Barely Fair will be on view from September 20–October 20, 2019. </p><p>The post <a href="http://thevisualist.org/2019/09/art-after-hours-3/">Art After Hours</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2019/09/art-after-hours-3/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">103766</post-id> </item> <item> <title>Chicago Invitational</title> <link>http://thevisualist.org/2019/09/chicago-invitational/</link> <comments>http://thevisualist.org/2019/09/chicago-invitational/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Wed, 18 Sep 2019 00:00:01 +0000</pubDate> <category><![CDATA[Uncategorized]]></category> <category><![CDATA[Adams and Ollman]]></category> <category><![CDATA[Altman Siegel]]></category> <category><![CDATA[Callicoon Fine Arts]]></category> <category><![CDATA[Carbon 12]]></category> <category><![CDATA[careva]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Chicago Athletic Association Hotel]]></category> <category><![CDATA[Chicago Invitational]]></category> <category><![CDATA[Copperfield]]></category> <category><![CDATA[Derek Eller Gallery]]></category> <category><![CDATA[Document]]></category> <category><![CDATA[Et al]]></category> <category><![CDATA[FIERMAN]]></category> <category><![CDATA[Galerie Christian Lethert]]></category> <category><![CDATA[Geary]]></category> <category><![CDATA[Good Weather]]></category> <category><![CDATA[HAIR + NAILS]]></category> <category><![CDATA[Helena Anrather]]></category> <category><![CDATA[Jack Barrett]]></category> <category><![CDATA[Jack Hanley Gallery]]></category> <category><![CDATA[Loop]]></category> <category><![CDATA[M LeBlanc]]></category> <category><![CDATA[Martos Gallery]]></category> <category><![CDATA[Midway Contemporary Art]]></category> <category><![CDATA[MISAKO & ROSEN]]></category> <category><![CDATA[Morán Morán]]></category> <category><![CDATA[NEW DISCRETIONS]]></category> <category><![CDATA[Nicelle Beauchene Gallery]]></category> <category><![CDATA[Night Gallery]]></category> <category><![CDATA[ONE AND J. Gallery]]></category> <category><![CDATA[PACT]]></category> <category><![CDATA[Parisian Laundry]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[Proyectos Ultravioleta]]></category> <category><![CDATA[Rachel Uffner Gallery]]></category> <category><![CDATA[Ratio 3]]></category> <category><![CDATA[Regards]]></category> <category><![CDATA[Reyes | Finn]]></category> <category><![CDATA[Shane Campbell Gallery]]></category> <category><![CDATA[Soft Opening]]></category> <category><![CDATA[Stems Gallery]]></category> <category><![CDATA[The Green Gallery]]></category> <category><![CDATA[Volume Gallery]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=103779</guid> <description><![CDATA[<p>NADA is pleased to announce the first edition of the Chicago Invitational. The new contemporary art fair will take place at the Chicago Athletic Association Hotel from Wednesday, September 18 through Saturday, September 21, 2019, coinciding with EXPO Chicago. “Historically, Chicago has been a hotbed of artist-run galleries and alternative spaces,” said Heather Hubbs, NADA<a href="http://thevisualist.org/2019/09/chicago-invitational/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2019/09/chicago-invitational/">Chicago Invitational</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>NADA is pleased to announce the first edition of the Chicago Invitational. The new contemporary art fair will take place at the Chicago Athletic Association Hotel from Wednesday, September 18 through Saturday, September 21, 2019, coinciding with EXPO Chicago.</p> <p>“Historically, Chicago has been a hotbed of artist-run galleries and alternative spaces,” said Heather Hubbs, NADA Executive Director and former Chicago-based art professional. “The city then and now embodies the experimental spirit of NADA, and we look forward to connecting our exhibitors with this audience.“</p> <p>The fair will take place throughout three floors of the iconic Chicago Athletic Association Hotel, with a curated selection of galleries in the hotel’s historic Stagg Court and Tank spaces, and a takeover of 13 hotel rooms on the fourth floor. The landmark hotel is located across from Chicago cultural landmarks the Millennium Park and the Art Institute of Chicago.</p> <p>Exhibitors<br /> Adams and Ollman – Portland<br /> Altman Siegel – San Francisco<br /> Helena Anrather – New York<br /> Jack Barrett – New York<br /> Nicelle Beauchene Gallery – New York<br /> Callicoon Fine Arts – New York<br /> Shane Campbell Gallery – Chicago<br /> Carbon 12 – Dubai<br /> careva – Riga<br /> Copperfield – London<br /> DOCUMENT – Chicago<br /> Derek Eller Gallery – New York<br /> Et al. – San Francisco<br /> FIERMAN – New York<br /> Geary – New York<br /> Good Weather – North Little Rock<br /> The Green Gallery – Milwaukee<br /> HAIR + NAILS – Minneapolis<br /> Jack Hanley Gallery – New York<br /> M. LeBlanc – Chicago<br /> Galerie Christian Lethert – Cologne<br /> Martos Gallery – New York<br /> Midway Contemporary Art – Minneapolis<br /> MISAKO & ROSEN – Tokyo<br /> Morán Morán – Los Angeles<br /> NEW DISCRETIONS – New York<br /> Night Gallery – Los Angeles<br /> ONE AND J. Gallery – Seoul<br /> PACT – Paris<br /> Parisian Laundry – Montréal<br /> PATRON – Chicago<br /> Proyectos Ultravioleta – Guatemala City<br /> Ratio 3 – San Francisco<br /> Regards – Chicago<br /> Reyes | Finn – Detroit<br /> Soft Opening – London<br /> Stems Gallery – Brussels<br /> Rachel Uffner Gallery – New York<br /> Volume Gallery – Chicago</p><p>The post <a href="http://thevisualist.org/2019/09/chicago-invitational/">Chicago Invitational</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2019/09/chicago-invitational/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">103779</post-id> </item> <item> <title>Harold Mendez: For other days</title> <link>http://thevisualist.org/2019/09/harold-mendez-for-other-days/</link> <comments>http://thevisualist.org/2019/09/harold-mendez-for-other-days/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Sat, 14 Sep 2019 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[For other days]]></category> <category><![CDATA[Harold Mendez]]></category> <category><![CDATA[Harold Mendez: For other days]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=104185</guid> <description><![CDATA[<p>PATRON is proud to present our second solo exhibition with Los Angeles-based artist, Harold Mendez. The exhibition titled For other days will open with a reception for the artist on Saturday, September 14th from 5-8PM and continue through October 26, 2019.</p> <p>The post <a href="http://thevisualist.org/2019/09/harold-mendez-for-other-days/">Harold Mendez: For other days</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to present our second solo exhibition with Los Angeles-based artist, Harold Mendez. The exhibition titled For other days will open with a reception for the artist on Saturday, September 14th from 5-8PM and continue through October 26, 2019.</p><p>The post <a href="http://thevisualist.org/2019/09/harold-mendez-for-other-days/">Harold Mendez: For other days</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2019/09/harold-mendez-for-other-days/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">104185</post-id> </item> <item> <title>Bake Sale</title> <link>http://thevisualist.org/2019/07/bake-sale/</link> <comments>http://thevisualist.org/2019/07/bake-sale/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 27 Jul 2019 05:00:01 +0000</pubDate> <category><![CDATA[Fundraiser]]></category> <category><![CDATA[062]]></category> <category><![CDATA[ACRE Kitchen]]></category> <category><![CDATA[ADDS DONNA]]></category> <category><![CDATA[Agitator Co-operative Gallery]]></category> <category><![CDATA[Aspect Ratio]]></category> <category><![CDATA[Bake Sale]]></category> <category><![CDATA[Blanc Gallery]]></category> <category><![CDATA[boundary]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Chicago Arts Writers]]></category> <category><![CDATA[Compound Yellow]]></category> <category><![CDATA[culture/Math]]></category> <category><![CDATA[Elephant Room Gallery]]></category> <category><![CDATA[Extra Projects]]></category> <category><![CDATA[FilmFront]]></category> <category><![CDATA[Ground Level Platform]]></category> <category><![CDATA[Happy Gallery]]></category> <category><![CDATA[Humboldt Park]]></category> <category><![CDATA[Hyde Park Art Center]]></category> <category><![CDATA[Ignition project space]]></category> <category><![CDATA[Insatiable]]></category> <category><![CDATA[Jackson Junge Gallery]]></category> <category><![CDATA[Julius Cæsar]]></category> <category><![CDATA[LVL3]]></category> <category><![CDATA[MICKEY]]></category> <category><![CDATA[North Pole Exhibitions]]></category> <category><![CDATA[Ohklahomo]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[Read/Write Library Chicago]]></category> <category><![CDATA[Riverside Art Center]]></category> <category><![CDATA[Roman Susan]]></category> <category><![CDATA[salonlb.]]></category> <category><![CDATA[Slow]]></category> <category><![CDATA[Soberscove Press]]></category> <category><![CDATA[Spudnik Press Cooperative]]></category> <category><![CDATA[Terrain Exhibitions]]></category> <category><![CDATA[threewalls]]></category> <category><![CDATA[Tiger Strikes Asteroid Chicago]]></category> <category><![CDATA[Woman Made Gallery]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=100988</guid> <description><![CDATA[<p>culture/Math and The Visualist are now a not-for-profit arts organization. To celebrate our new status as an official 501c3 tax designatee, we are having a bake sale that will feature treats made by some of your favorite local galleries and artist-run projects. Including confectionaries by 062, ACRE Kitchen, ADDS DONNA, Agitator Co-operative Gallery, Aspect/Ratio, Blanc<a href="http://thevisualist.org/2019/07/bake-sale/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2019/07/bake-sale/">Bake Sale</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>culture/Math and The Visualist are now a not-for-profit arts organization. To celebrate our new status as an official 501c3 tax designatee, we are having a bake sale that will feature treats made by some of your favorite local galleries and artist-run projects. Including confectionaries by 062, ACRE Kitchen, ADDS DONNA, Agitator Co-operative Gallery, Aspect/Ratio, Blanc Gallery, boundary, Chicago Arts Writers, Compound Yellow, Filmfront, Elephant Room Gallery, EXTRA Projects, Ground Level Platform, Happy Gallery, Ignition Project Space, Insatiable, Jackson Junge Gallery, Julius Caesar, LVL3, MICKEY, North Pole Exhibitions, Ohklahomo, PATRON, Riverside Art Center, Roman Susan, salonlb., Slow, Spudnik Press Cooperative, Threewalls, Tiger Strikes Asteroid Chicago, Woman Made Gallery, and more.</p> <p>Join us to support the listing site and the archive you already know and love while learning more about culture/Math, the organization that is fostering its development.</p> <p>Saturday, July 27, 2019<br /> Read/Write Library<br /> 914 N. California, Walton Entrance, Chicago, IL 60622<br /> VIP Reception 6:00PM<br /> PARTY 7-10PM<br /> Tickets: $20<br /> <a href="https://www.eventbrite.com/e/bake-sale-tickets-63271353321?aff=efbeventtix&fbclid=IwAR3-3nOxMmKEHGn4e6inuitxbf_wkYdi852giArMJjLZHRcI8OZ9NhzMPJ4">RSVP here</a></p> <p>In lieu of purchasing a ticket to buy cookies and cakes, if it’s more convenient for you to donate and become a sponsor of our event, click <a href="https://www.paypal.me/culturemath">https://www.paypal.me/culturemath</a></p> <p>Interested in baking? email visualistchicago@gmail.com and fill out this google form:<br /> <a href="http://bit.ly/visualistbakesale">http://bit.ly/visualistbakesale</a></p> <p>Thank you to our generous non-baking sponsors including Bad At Sports, Chicago Manual Style, Devening Projects, Goldfinch, Hyde Park Art Center, The Lagunitas Brewing Co., ORBIT, Read/Write Library, Revolution Brewery, Right Bee Cider, Soberscove Press, Terrain Exhibitions, VGA Gallery, and more!</p> <p>We hope to see you there!</p> <p><img src="https://s.w.org/images/core/emoji/15.0.3/72x72/1f37b.png" alt="🍻" class="wp-smiley" style="height: 1em; max-height: 1em;" /><img src="https://s.w.org/images/core/emoji/15.0.3/72x72/1f967.png" alt="🥧" class="wp-smiley" style="height: 1em; max-height: 1em;" /><img src="https://s.w.org/images/core/emoji/15.0.3/72x72/1f9c1.png" alt="🧁" class="wp-smiley" style="height: 1em; max-height: 1em;" /><img src="https://s.w.org/images/core/emoji/15.0.3/72x72/1f370.png" alt="🍰" class="wp-smiley" style="height: 1em; max-height: 1em;" /><img src="https://s.w.org/images/core/emoji/15.0.3/72x72/1f382.png" alt="🎂" class="wp-smiley" style="height: 1em; max-height: 1em;" /><img src="https://s.w.org/images/core/emoji/15.0.3/72x72/1f36e.png" alt="🍮" class="wp-smiley" style="height: 1em; max-height: 1em;" /><img src="https://s.w.org/images/core/emoji/15.0.3/72x72/1f942.png" alt="🥂" class="wp-smiley" style="height: 1em; max-height: 1em;" /></p> <p>A little about us:</p> <p>The Visualist is a nonprofit, online archive of Chicago’s creative history. It highlights the work of cultural producers such as, artists, makers, and curators. It provides both a current events calendar for all of Chicago’s upcoming exhibitions, talks, and performances—as well as an archived history of our community’s efficacy, recording events as far back as 1947. The Visualist is under the umbrella of the collective culture/Math, an artist service organization that develops tools to support the deep and rich cultural community in Chicago. While maintaining The Visualist, culture/Math aims to develop other archival services and community support as it continues to grow.</p><p>The post <a href="http://thevisualist.org/2019/07/bake-sale/">Bake Sale</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2019/07/bake-sale/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">100988</post-id> </item> <item> <title>Brittany Nelson: 10,000 Light Years From Home</title> <link>http://thevisualist.org/2019/06/brittany-nelson-10000-light-years-from-home/</link> <comments>http://thevisualist.org/2019/06/brittany-nelson-10000-light-years-from-home/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Sat, 29 Jun 2019 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[10000 Light Years From Home]]></category> <category><![CDATA[Brittany Nelson]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Twn]]></category> <guid isPermaLink="false">https://www.thevisualist.org/?p=100664</guid> <description><![CDATA[<p>PATRON is proud to present our second solo exhibition with Richmond-based artist, Brittany Nelson. The exhibition titled – 10,000 Light Years From Home will open with a reception for the artist on Saturday, June 29th from 5-8PM and continue through August 17, 2019. The exhibition combines research from the science fiction author Alice Sheldon, who<a href="http://thevisualist.org/2019/06/brittany-nelson-10000-light-years-from-home/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2019/06/brittany-nelson-10000-light-years-from-home/">Brittany Nelson: 10,000 Light Years From Home</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to present our second solo exhibition with Richmond-based artist, Brittany Nelson. The exhibition titled – 10,000 Light Years From Home will open with a reception for the artist on Saturday, June 29th from 5-8PM and continue through August 17, 2019.</p> <p>The exhibition combines research from the science fiction author Alice Sheldon, who wrote under the pseudonym of James Tiptree Jr., and images from the Mars Opportunity Rover to discuss queer politics, science fiction, loneliness, and isolation.</p> <p>A series of reflective holograms depict a hand-written manuscript by Alice Sheldon. Writing as Tiptree, she details her continual failed attempts at relationships with women. Sheldon remained closeted throughout her life, apart from her -fantastical writing through her alter-ego that described attractions to alien beings.</p> <p>Installed alongside the holograms, images captured by the Mars Opportunity Rover depict the Martian landscape. The photographs show the lone rover looking back at her tracks as she roamed the planet for over 14 years of isolation and unscheduled missions. Created in the romantic, pictorialist-era process of Bromoil, the silver is removed and the image is slowly reconstructed with black ink by hand in an effort to touch the alien landscape.</p><p>The post <a href="http://thevisualist.org/2019/06/brittany-nelson-10000-light-years-from-home/">Brittany Nelson: 10,000 Light Years From Home</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2019/06/brittany-nelson-10000-light-years-from-home/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">100664</post-id> </item> <item> <title>Myra Greene: Minor Chord</title> <link>http://thevisualist.org/2019/05/myra-greene-minor-chord/</link> <comments>http://thevisualist.org/2019/05/myra-greene-minor-chord/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Sat, 11 May 2019 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Minor Chord]]></category> <category><![CDATA[Myra Greene]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=98219</guid> <description><![CDATA[<p>PATRON is proud to present our second solo exhibition with Atlanta based artist, Myra Greene. The exhibition titled, “Minor Chord” will open with a reception for the artist on May 11th, from 5-8PM, and will continue through June 22, 2019.</p> <p>The post <a href="http://thevisualist.org/2019/05/myra-greene-minor-chord/">Myra Greene: Minor Chord</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to present our second solo exhibition with Atlanta based artist, Myra Greene. The exhibition titled, “Minor Chord” will open with a reception for the artist on May 11th, from 5-8PM, and will continue through June 22, 2019.</p><p>The post <a href="http://thevisualist.org/2019/05/myra-greene-minor-chord/">Myra Greene: Minor Chord</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2019/05/myra-greene-minor-chord/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">98219</post-id> </item> <item> <title>Anna Plesset: Various Records</title> <link>http://thevisualist.org/2019/03/anna-plesset-various-records/</link> <comments>http://thevisualist.org/2019/03/anna-plesset-various-records/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Sat, 23 Mar 2019 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Anna Plesset]]></category> <category><![CDATA[Anna Plesset: Various Records]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Illinois]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[Various Records]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=94925</guid> <description><![CDATA[<p>ANNA PLESSET Various Records March 23 – May 4, 2019 Opening Reception: Saturday, March 23rd from 5 – 8PM PATRON is proud to announce our first solo presentation of Brooklyn based artist, Anna Plesset. The exhibition titled, Various Records will open with a reception for the artist on Saturday, March 23rd and continue through May<a href="http://thevisualist.org/2019/03/anna-plesset-various-records/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2019/03/anna-plesset-various-records/">Anna Plesset: Various Records</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>ANNA PLESSET<br /> Various Records<br /> March 23 – May 4, 2019</p> <p>Opening Reception: Saturday, March 23rd from 5 – 8PM</p> <p>PATRON is proud to announce our first solo presentation of Brooklyn based artist, Anna Plesset. The exhibition titled, Various Records will open with a reception for the artist on Saturday, March 23rd and continue through May 4, 2019.</p><p>The post <a href="http://thevisualist.org/2019/03/anna-plesset-various-records/">Anna Plesset: Various Records</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2019/03/anna-plesset-various-records/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">94925</post-id> </item> <item> <title>Kay Hofmann: pour toujours</title> <link>http://thevisualist.org/2019/01/kay-hofmann-pour-toujours/</link> <comments>http://thevisualist.org/2019/01/kay-hofmann-pour-toujours/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Sat, 26 Jan 2019 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Kay Hofmann]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[pour toujours]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=92244</guid> <description><![CDATA[<p>PATRON is proud to announce our first solo exhibition with Illinois based artist Kay Hofmann titled pour toujours.The exhibition will open on January 26th, with an opening reception for the artist from 5 to 8PM, and will continue through March 9th, 2019.</p> <p>The post <a href="http://thevisualist.org/2019/01/kay-hofmann-pour-toujours/">Kay Hofmann: pour toujours</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to announce our first solo exhibition with Illinois based artist Kay Hofmann titled pour toujours.The exhibition will open on January 26th, with an opening reception for the artist from 5 to 8PM, and will continue through March 9th, 2019.</p><p>The post <a href="http://thevisualist.org/2019/01/kay-hofmann-pour-toujours/">Kay Hofmann: pour toujours</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2019/01/kay-hofmann-pour-toujours/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">92244</post-id> </item> <item> <title>Daniel G. Baird: murmur</title> <link>http://thevisualist.org/2019/01/daniel-g-baird-murmur/</link> <comments>http://thevisualist.org/2019/01/daniel-g-baird-murmur/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Sat, 26 Jan 2019 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Daniel G. Baird]]></category> <category><![CDATA[murmur]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=92246</guid> <description><![CDATA[<p>PATRON is proud to announce our second solo exhibition with Chicago based artist Daniel G. Baird titled murmur. The exhibition will open on January 26th, with an opening reception for the artist from 5 to 8PM, and will continue through March 9th, 2019.</p> <p>The post <a href="http://thevisualist.org/2019/01/daniel-g-baird-murmur/">Daniel G. Baird: murmur</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to announce our second solo exhibition with Chicago based artist Daniel G. Baird titled murmur. The exhibition will open on January 26th, with an opening reception for the artist from 5 to 8PM, and will continue through March 9th, 2019.</p><p>The post <a href="http://thevisualist.org/2019/01/daniel-g-baird-murmur/">Daniel G. Baird: murmur</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2019/01/daniel-g-baird-murmur/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">92246</post-id> </item> <item> <title>Samira Yamin: Passing Obliquely From One Medium Into Another</title> <link>http://thevisualist.org/2019/01/samira-yamin-passing-obliquely-from-one-medium-into-another-2/</link> <comments>http://thevisualist.org/2019/01/samira-yamin-passing-obliquely-from-one-medium-into-another-2/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Sun, 20 Jan 2019 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Passing Obliquely From One Medium Into Another]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[Samira Yamin]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=91837</guid> <description><![CDATA[<p>Join us Sunday, January 20th at 12PM for a discussion & walk-through with Los Angeles based artist, Samira Yamin about her current exhibition “Passing Obliquely From One Medium Into Another.” SAMIRA YAMIN (b. 1983 Evanston, IL) lives and works in Los Angeles, CA. Yamin received an MFA from University of California, Irvine, CA and a<a href="http://thevisualist.org/2019/01/samira-yamin-passing-obliquely-from-one-medium-into-another-2/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2019/01/samira-yamin-passing-obliquely-from-one-medium-into-another-2/">Samira Yamin: Passing Obliquely From One Medium Into Another</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Join us Sunday, January 20th at 12PM for a discussion & walk-through with Los Angeles based artist, Samira Yamin about her current exhibition “Passing Obliquely From One Medium Into Another.”</p> <p>SAMIRA YAMIN (b. 1983 Evanston, IL) lives and works in Los Angeles, CA. Yamin received an MFA from University of California, Irvine, CA and a BA from the University of California, Los Angeles CA. She has had a solo exhibition at the Santa Monica Museum of Art, and has been included in numerous group exhibitions including at the Craft and Folk Art Museum, Los Angeles; the Camera Club of New York, New York, NY; Metropolitan State University in Denver, Denver, CO and San Francisco State University, San Francisco, CA. A recipient of grants from the Joan Mitchell Foundation and the California Community Foundation, Samira has been an Artist in Residence at the Rauschenberg Residency, Headlands Center for the Arts and the Djerassi Resident Artists Program.</p><p>The post <a href="http://thevisualist.org/2019/01/samira-yamin-passing-obliquely-from-one-medium-into-another-2/">Samira Yamin: Passing Obliquely From One Medium Into Another</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2019/01/samira-yamin-passing-obliquely-from-one-medium-into-another-2/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">91837</post-id> </item> <item> <title>Samira Yamin: Passing Obliquely From One Medium Into Another</title> <link>http://thevisualist.org/2018/11/samira-yamin-passing-obliquely-from-one-medium-into-another/</link> <comments>http://thevisualist.org/2018/11/samira-yamin-passing-obliquely-from-one-medium-into-another/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Sat, 03 Nov 2018 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Passing Obliquely From One Medium Into Another]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[Samira Yamin]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=88728</guid> <description><![CDATA[<p>PATRON is proud to announce our first solo exhibition with Los Angeles based artist Samira Yamin titled “Passing Obliquely From One Medium Into Another.” The exhibition will open on November 3rd, with an opening reception for the artist from 5 to 8PM, and will continue through January 19, 2019.</p> <p>The post <a href="http://thevisualist.org/2018/11/samira-yamin-passing-obliquely-from-one-medium-into-another/">Samira Yamin: Passing Obliquely From One Medium Into Another</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to announce our first solo exhibition with Los Angeles based artist Samira Yamin titled “Passing Obliquely From One Medium Into Another.” The exhibition will open on November 3rd, with an opening reception for the artist from 5 to 8PM, and will continue through January 19, 2019.</p><p>The post <a href="http://thevisualist.org/2018/11/samira-yamin-passing-obliquely-from-one-medium-into-another/">Samira Yamin: Passing Obliquely From One Medium Into Another</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2018/11/samira-yamin-passing-obliquely-from-one-medium-into-another/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">88728</post-id> </item> <item> <title>Art After Hours</title> <link>http://thevisualist.org/2018/09/art-after-hours-2/</link> <comments>http://thevisualist.org/2018/09/art-after-hours-2/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Fri, 28 Sep 2018 05:00:01 +0000</pubDate> <category><![CDATA[Tour]]></category> <category><![CDATA[1709 West Chicago galleries]]></category> <category><![CDATA[ACRE]]></category> <category><![CDATA[Andrew Rafacz Gallery]]></category> <category><![CDATA[Art After Hours]]></category> <category><![CDATA[Aspect/Ratio]]></category> <category><![CDATA[C.C.'s Art Garage & Gallery]]></category> <category><![CDATA[Carrie Secrist Gallery]]></category> <category><![CDATA[Catherine Edelman Gallery]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Chicago Manual Style]]></category> <category><![CDATA[Corbett vs. Dempsey]]></category> <category><![CDATA[david salkin]]></category> <category><![CDATA[Document]]></category> <category><![CDATA[Elephant Room Gallery]]></category> <category><![CDATA[EXPO Chicago]]></category> <category><![CDATA[Kavi Gupta Gallery]]></category> <category><![CDATA[Linda Warren Projects]]></category> <category><![CDATA[LVL3]]></category> <category><![CDATA[Matthew Rachman Gallery]]></category> <category><![CDATA[McCormick Gallery]]></category> <category><![CDATA[One After 909]]></category> <category><![CDATA[Paris London Hong Kong]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[Pavilion Antiques and 20th century design]]></category> <category><![CDATA[Rhona Hoffman Gallery]]></category> <category><![CDATA[Spudnik Press Cooperative]]></category> <category><![CDATA[The Block Museum]]></category> <category><![CDATA[Ukrainian Institute of Modern Art]]></category> <category><![CDATA[Volume Gallery]]></category> <category><![CDATA[Western Exhibitions]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=85908</guid> <description><![CDATA[<p>Art After Hours is a free, citywide open gallery night inviting EXPO CHICAGO visitors and the Chicago community to experience the city’s vibrant art scene during extended hours. 6:00–9:00pm | Citywide Locations Extended Hours: ACRE Aspect/Ratio The Block Museum C.C.’s Art Garage & Gallery Chicago Manual Style Corbett vs. Dempsey Catherine Edelman Gallery Elephant Room<a href="http://thevisualist.org/2018/09/art-after-hours-2/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2018/09/art-after-hours-2/">Art After Hours</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Art After Hours is a free, citywide open gallery night inviting EXPO CHICAGO visitors and the Chicago community to experience the city’s vibrant art scene during extended hours.</p> <p>6:00–9:00pm | Citywide Locations </p> <p>Extended Hours:</p> <p>ACRE<br /> Aspect/Ratio<br /> The Block Museum<br /> C.C.’s Art Garage & Gallery<br /> Chicago Manual Style<br /> Corbett vs. Dempsey<br /> Catherine Edelman Gallery<br /> Elephant Room Gallery<br /> Kavi Gupta Gallery<br /> Rhona Hoffman Gallery<br /> LVL3<br /> McCormick Gallery<br /> One After 909<br /> PATRON<br /> Pavilion Antiques and 20th century design<br /> Matthew Rachman Gallery<br /> Andrew Rafacz Gallery<br /> Carrie Secrist Gallery<br /> Spudnik Press Cooperative<br /> Ukrainian Institute of Modern Art<br /> Linda Warren Projects<br /> 1709 West Chicago Galleries:<br /> DOCUMENT<br /> Paris London Hong Kong<br /> David Salkin<br /> VOLUME GALLERY<br /> Western Exhibitions </p> <p>Events: </p> <p>4:30–6:00pm | Mural Dedication and Reception<br /> Sister Cities International with Wabash Arts Corridor<br /> Join Chicago Sister Cities International, Wabash Arts Corridor, and Columbia College Chicago to celebrate the Chicago–Toronto Mural Exchange. Street artists Kirsten McCrea (Toronto) and Justus Roe (Chicago) installed large-scale public murals in each other’s Sister Cities, with McCrea’s unveiling during EXPO ART WEEK at 72 E 11th Street. Dignitaries from the Chicago Office of the Mayor, the Toronto Office of the Mayor, and the Canadian Consul General will present the mural, followed by a reception and conversation with the artists, moderated by curator Neysa Page-Lieberman. </p> <p>5:00–8:00pm | Opening Reception, Dawoud Bey: Polaroid Works<br /> Stephen Daiter Gallery<br /> Stephen Daiter Gallery is pleased to present a solo exhibition of works by American photographer and 2017 MacArthur Fellow Dawoud Bey, featuring large format polaroid works from the late 1980s to the early 1990s. Bey will be in attendance. </p> <p>6:00pm | Exhibition Tour<br /> Museum of Contemporary Photography at Columbia College<br /> Kristin Taylor, Curator of Academic Programs and Collections at Columbia College Chicago, will lead a tour of current exhibitions at the museum, including Lucas Foglia: Human Nature and View Finder: Landscape and Leisure in the Collection. </p> <p>6:00–9:00pm | Opening Reception, Jordan Martins: Butter and Tin (Cloaking Device #3)<br /> The Franklin<br /> Butter and Tin is an immersive installation by Jordan Martins that ponders enclosed spaces designed for heightened visual experiences, transforming the structure of The Franklin into a hybrid of a hunting blind, a shamanic hut, and a camera obsura. Building off of The Franklin’s existing inside/outside dynamic, Butter and Tin explores the ways in which this state of heightened vision overlap through their structural and conceptual frameworks, creating a hallucinatory space for both mundane and mystical experiences. </p> <p>6:00–9:00pm | Opening Reception, Krista Franklin: “…to take root among the stars”<br /> Poetry Foundation & Poetry Magazine<br /> Celebrate the opening of the Poetry Foundation’s new exhibition, Krista Franklin: “…to take root among the stars” with a speculative “mapping” project wherein evidence of Afrofuturist and AfroSurrealist thought is traced, imagined, and archived in and on handmade paper. Followed by a reception. </p> <p>6:00–9:00pm | Opening Reception<br /> Filter Photo<br /> As a part of the 2018 Filter Photo Festival, join Filter Photo for the opening reception of three exhibitions: Re/member/construct, we like small things v.2, and Next. The work of over 80 artists will be on display in these exhibitions juried by Lisa Volpe, Aimée Beaubien, and Jon Feinstein respectively. Many of the artists will be in attendance and drinks will be served. </p> <p>6:00–9:00pm | Meet & Greet<br /> Candor Arts<br /> A casual cocktail and conversation with a number of the authors published by Candor Arts, featuring a few casual performances and short talks about the work each author has made with Candor. Drinks and snacks will be provided and books will be available for purchase. </p> <p>6:00pm | Film Screening and Director Q&A, The Sense of Beauty<br /> Gene Siskel Film Center of the School of the Art Institute of Chicago with Istituto Italiano di Cultura – Chicago<br /> $11 general admission; $7 students with current I.D.; $6 Film Center members; $5 Art Institute of Chicago + School of the Art Institute of Chicago faculty/staff/students. For tickets and information, visit siskelfilmcenter.org </p> <p>6:00–9:00pm | Reception & Preview of Fall Auction Highlights<br /> Heritage Auctions<br /> Heritage Auctions, the largest collectibles auctioneer and third largest auction house, is presenting highlights from the fall auction season, including Modern & Contemporary Art, Design, Luxury, and Timepieces. Stop by 215 West Ohio Street to meet specialists and celebrate EXPO ART WEEK. </p> <p>6:00–9:00pm | Opening Reception<br /> VGA Gallery Backlog: Five Years Building the VGA Print Collection<br /> Five year anniversary celebration of VGA’s print collection of significant works of video game art. </p> <p>7:00pm | Gallery Tour<br /> The John David Mooney Foundation<br /> Albert Goodman and a South East Asian art scholar will give a gallery tour of the Albert I. Goodman Collection of Vietnamese War and Post-War Art, which has new acquisitions highlighting the artists, the conditions they worked in, and the significance of the new works of post-War art that have been recently acquired. </p> <p>7:00pm | Film Screening with Filmmakers in Attendance, Alberto García-Alix. The Shadow Line<br /> Chicago International Film Festival at AMC River East 21 (322 E Illinois St)<br /> In the U.S. Premiere of this riveting portrait of internationally celebrated photographer Alberto García Alix, the artist narrates the most intimate, essential moments from his storied life as we observe his artistic process. Shot in black and white, this award-winning film is a striking homage to the style and spirit, to the lights and shadows of the inimitable artist. Tickets ($12) may be purchased at the door as well as online, chicagofilmfestival.com.</p><p>The post <a href="http://thevisualist.org/2018/09/art-after-hours-2/">Art After Hours</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2018/09/art-after-hours-2/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">85908</post-id> </item> <item> <title>Bethany Collins: Undersong</title> <link>http://thevisualist.org/2018/09/bethany-collins-undersong/</link> <comments>http://thevisualist.org/2018/09/bethany-collins-undersong/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 15 Sep 2018 05:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Bethany Collins]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[Undersong]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=85902</guid> <description><![CDATA[<p>Undersong – n. 1. The burden of a song; the chorus; the refrain. 2. Accompanying strain; subordinate and underlying meaning; accompaniment; undertone. PATRON is proud to announce our second solo exhibition with Chicago based artist Bethany Collins titled “Undersong”. The exhibition will open on September 15th, with an opening reception for the artist from 5<a href="http://thevisualist.org/2018/09/bethany-collins-undersong/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2018/09/bethany-collins-undersong/">Bethany Collins: Undersong</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Undersong – n.<br /> 1. The burden of a song; the chorus; the refrain.<br /> 2. Accompanying strain; subordinate and underlying meaning; accompaniment; undertone.</p> <p>PATRON is proud to announce our second solo exhibition with Chicago based artist Bethany Collins titled “Undersong”. The exhibition will open on September 15th, with an opening reception for the artist from 5 to 8PM, and will continue through October 27, 2018.</p> <p>“Undersong” makes use of three texts—translations of The Odyssey; classified ads placed by former slaves searching for family; and patriotic hymns. The first format of Homer’s poem of nostos was passed down orally. “Lost Friends” ads were subsequently read aloud in church services to reach a broader audience. And patriotic hymns achieve national unity only through their collective voice. The vocalization of these texts becomes the undersong—the burden of the song; the chorus; the refrain—of an American landscape, one that feels intimately familiar, yet estranging.</p><p>The post <a href="http://thevisualist.org/2018/09/bethany-collins-undersong/">Bethany Collins: Undersong</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2018/09/bethany-collins-undersong/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">85902</post-id> </item> <item> <title>Greg Breda: Hei</title> <link>http://thevisualist.org/2018/07/greg-breda-hei/</link> <comments>http://thevisualist.org/2018/07/greg-breda-hei/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Sat, 14 Jul 2018 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Greg Breda]]></category> <category><![CDATA[Hei]]></category> <category><![CDATA[Illinois]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=83709</guid> <description><![CDATA[<p>“And I love light. Perhaps you’ll think it strange that an invisible man should need light, desire light, love light. But maybe it is exactly because I am invisible. Light confirms my reality, gives birth to my form…” – Excerpt from “Invisible Man” by Ralph Ellison PATRON is proud to present our first solo exhibition<a href="http://thevisualist.org/2018/07/greg-breda-hei/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2018/07/greg-breda-hei/">Greg Breda: Hei</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>“And I love light. Perhaps you’ll think it strange that an invisible man should need light, desire light, love light. But maybe it is exactly because I am invisible. Light confirms my reality, gives birth to my form…” – Excerpt from “Invisible Man” by Ralph Ellison</p> <p>PATRON is proud to present our first solo exhibition with Los Angeles based artist, Greg Breda. The exhibition titled, “Hei” will open with a reception for the artist on Saturday July 14th, from 5-8PM, and will continue through August 25, 2018.</p><p>The post <a href="http://thevisualist.org/2018/07/greg-breda-hei/">Greg Breda: Hei</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2018/07/greg-breda-hei/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">83709</post-id> </item> <item> <title>Melanie Schiff: Lay Lie Lay</title> <link>http://thevisualist.org/2018/05/melanie-schiff-lay-lie-lay/</link> <comments>http://thevisualist.org/2018/05/melanie-schiff-lay-lie-lay/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Fri, 18 May 2018 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Lay Lie Lay]]></category> <category><![CDATA[Melanie Schiff]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=81707</guid> <description><![CDATA[<p>MELANIE SCHIFF Lay Lie Lay May 18, 2018 – July 7, 2018 May 18 – July 7, 2018 Opening Reception: Friday, May 18th from 5 – 8PM But we are not unalike. When we look at someone, we are seeing someone else. When we listen we hear something taking place in the past. When I<a href="http://thevisualist.org/2018/05/melanie-schiff-lay-lie-lay/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2018/05/melanie-schiff-lay-lie-lay/">Melanie Schiff: Lay Lie Lay</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>MELANIE SCHIFF<br /> Lay Lie Lay<br /> May 18, 2018 – July 7, 2018</p> <p>May 18 – July 7, 2018<br /> Opening Reception: Friday, May 18th from 5 – 8PM</p> <p>But we are not unalike.<br /> When we look at someone, we are seeing<br /> someone else. When we listen<br /> we hear something taking place<br /> in the past. When I talk to her<br /> I know what I will be saying<br /> twenty years from now.</p> <p>– Carolyn Forche</p> <p>PATRON is proud to present our first solo exhibition with Los Angeles based artist, Melanie Schiff. The exhibition titled, Lay Lie Lay will open with a reception for the artist on May 18th, from 5-8PM, and will continue through July 7, 2018.</p> <p>MELANIE SCHIFF (b. 1977, Chicago IL) lives and works in Los Angeles, CA. Schiff received her MFA in 2002 from the University of Illinois at Chicago and her BFA from New York University, Tisch School of the Arts in 1999. Selected solo and two person exhibitions include Fair is Foul, and Foul is Fair, Kate Werble Gallery, New York, NY (2016); Pains, LAXART, Hollywood, CA (2015); Sarah Conaway and Melanie Schiff, Taka Ishii Gallery Modern, Tokyo (2014); Run, Falls, Kate Werble Gallery, New York , NY (2014); The stars are not wanted now, CAM Raleigh, Raleigh, NC (2013); The stars are not wanted now, University Galleries of Illinois State University, Normal, IL (2012); Sun Land, Kavi Gupta CHICAGO, Chicago, IL (2012); Stones, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA (2009); UBS 12×12: New Artists/New Work: Melanie Schiff, Museum of Contemporary Art, Chicago, IL (2007). Schiff has also been featured in group exhibitions including Eternal Youth, Museum of Contemporary Art Chicago, Chicago, IL (2017); Flowers in Your Hair, curated by Night Gallery at FUSED Space, San Francisco (2016);SEXTING, Kate Werble Gallery, New York, NY (2016); Mine. Yours. Ours, Woodstock Center for Photography, Woodstock, NY (2015); Photography Sees the Surface (curated by Aspen Mays), Higher Pictures, New York, NY (2015); Six Doors, Foundation for Contemporary Arts, New York, NY (2015); Remake/Remodel, Kate Werble Gallery, New York, NY (2014); TRAINS curated by Sterling Ruby, Night Gallery, Los Angeles, CA (2014); Lens Drawings, Marian Goodman Gallery, Paris, France (2013); To Pack and Wear, Kate Werble Gallery, New York, NY (2013); Mouthing (The Sentient Limb), Hyde Park Arts Center, Chicago, IL.. (2011); Between Spaces, MoMA PS1, Long Island City, NY (2009); Elements of Photography, Museum of Contemporary Art, Chicago, IL (2009); Klat+Melanie Schiff+HsiaFei Chang, Galerie Laurent Godin, Paris, France (2009); Whitney Biennial, Whitney Museum of American Art, New York, NY (2008); Foreclosed, The Print Center Philadelphia, PA (2008) and Unknown Pleasures, Aspen Art Museum, CO (2008). Her awards and residencies include The Chinati Foundation, Artist in Residence, Marfa, Texas (2010); The Arts Residency, Atlantic Center, New Smyrna Beach, Florida (2006); Professional Artist in Residence, OxBow, Saugatuck, Michigan (2006) and Artadia Award Grant Recipient, Chicago (2006). Her work is in the public collections of Kemper Museum of Contemporary Art, Kansas City, MO, Museum of Contemporary Art, Chicago, IL, Dallas Museum of Art, Dallas, TX, VERBUND Collection, Vienna, Austria, Miami MOCA, Miami, FL and Whitney Museum of American Art, New York, NY</p><p>The post <a href="http://thevisualist.org/2018/05/melanie-schiff-lay-lie-lay/">Melanie Schiff: Lay Lie Lay</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2018/05/melanie-schiff-lay-lie-lay/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">81707</post-id> </item> <item> <title>Alex Chitty: pulling flavor from the dirt</title> <link>http://thevisualist.org/2018/05/alex-chitty-pulling-flavor-from-the-dirt/</link> <comments>http://thevisualist.org/2018/05/alex-chitty-pulling-flavor-from-the-dirt/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Fri, 18 May 2018 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[ALEX CHITTY]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[pulling flavor from the dirt]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=81709</guid> <description><![CDATA[<p>pulling flavor from the dirt, there is actually a word for this -Terroir. It describes the characteristics of wine imparted by the environmental context where the grapes are grown – its topography, climate and soil. The quiet expression of a place, evidenced in traits as subtle as color and taste reveal the nuanced connections between<a href="http://thevisualist.org/2018/05/alex-chitty-pulling-flavor-from-the-dirt/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2018/05/alex-chitty-pulling-flavor-from-the-dirt/">Alex Chitty: pulling flavor from the dirt</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>pulling flavor from the dirt, there is actually a word for this -Terroir. It describes the characteristics of wine imparted by the environmental context where the grapes are grown – its topography, climate and soil. The quiet expression of a place, evidenced in traits as subtle as color and taste reveal the nuanced connections between things and the impossibility of charting these relationships with any absolute certainty. It emphasizes a plurality of perspectives and an active way of looking that reminds us of our own role in how and what we experience.</p> <p>-Alex Chitty</p> <p>PATRON is proud to present a solo presentation of Chicago based artist, Alex Chitty. The exhibition titled, pulling flavor from the dirt will open with a reception for the artist on May 18th from 5-8PM and will continue through July 7, 2018.</p> <p>ALEX CHITTY (b. 1979, Miami) lives and works in Chicago, IL. She received a Bachelor of Fine Art from Smith College and a Master in Fine Arts from the School of the Art Institute of Chicago where she is a professor in the Sculpture and Print Media departments. Recent exhibitions include: They will bloom without you (2017), Elmhurst Art Museum, Elmhurst, IL; After (The sun-drenched neutral that goes with everything) (2018), The Anderson Gallery, Virginia Commonwealth University, Richmond, VA; Objectifying the Photograph (2017) at NIU Art Museum in DeKalb, IL; Small Sculpture (2017) at Corbett vs. Dempsey in Chicago, IL; the sun-drenched neutral that goes with everything (2016) at PATRON in Chicago, IL; Turning Spoons into Forks (2016) at Hyde Park Art Center in Chicago, IL; Alex Chitty and Chris Bradley (2015) at Shane Campbell Gallery in Chicago, IL; Orchid (2014) at ADDS DONNA in Chicago, IL; The Way They Wanted to Sleep (2013) at Andrew Rafacz Gallery in Chicago, IL.</p><p>The post <a href="http://thevisualist.org/2018/05/alex-chitty-pulling-flavor-from-the-dirt/">Alex Chitty: pulling flavor from the dirt</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2018/05/alex-chitty-pulling-flavor-from-the-dirt/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">81709</post-id> </item> <item> <title>Samuel Levi Jones: Nexus</title> <link>http://thevisualist.org/2018/03/samuel-levi-jones-nexus/</link> <comments>http://thevisualist.org/2018/03/samuel-levi-jones-nexus/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 24 Mar 2018 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Illinois]]></category> <category><![CDATA[Nexus]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[Samuel Levi Jones]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=79618</guid> <description><![CDATA[<p>“I return to objects through which I labored over as a youth and young adult. It is not a celebration of this pastime but rather an exploration of my experience through the toiling of time and space.” -Samuel Levi Jones PATRON is proud to present a solo presentation of Chicago based artist, Samuel Levi Jones.<a href="http://thevisualist.org/2018/03/samuel-levi-jones-nexus/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2018/03/samuel-levi-jones-nexus/">Samuel Levi Jones: Nexus</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>“I return to objects through which I labored over as a youth and young adult. It is not a celebration of this pastime but rather an exploration of my experience through the toiling of time and space.”<br /> -Samuel Levi Jones</p> <p>PATRON is proud to present a solo presentation of Chicago based artist, Samuel Levi Jones. The exhibition, titled “Nexus” will open with a reception for the artist at 5–8pm on Saturday, March 24, 2018 and will continue through May 12, 2018.</p><p>The post <a href="http://thevisualist.org/2018/03/samuel-levi-jones-nexus/">Samuel Levi Jones: Nexus</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2018/03/samuel-levi-jones-nexus/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">79618</post-id> </item> <item> <title>Jennie C. Jones: alternate takes</title> <link>http://thevisualist.org/2018/02/jennie-c-jones-alternate-takes/</link> <comments>http://thevisualist.org/2018/02/jennie-c-jones-alternate-takes/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 03 Feb 2018 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[alternate takes]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Illinois]]></category> <category><![CDATA[Jennie C. Jones]]></category> <category><![CDATA[near west side]]></category> <category><![CDATA[PATRON]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=77212</guid> <description><![CDATA[<p>…there is an intrinsic aspect of risk in the second take, in the attempts at shifting the creative moment slightly to the left, right, or dismantling the previous incarnation of the “thing” , the gesture, the attempt to convey… – Jennie C. Jones PATRON is proud to present our first solo exhibition with New York<a href="http://thevisualist.org/2018/02/jennie-c-jones-alternate-takes/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2018/02/jennie-c-jones-alternate-takes/">Jennie C. Jones: alternate takes</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>…there is an intrinsic aspect of risk in the second take, in the attempts at shifting the creative moment slightly to the left, right, or dismantling the previous incarnation of the “thing” , the gesture, the attempt to convey…</p> <p>– Jennie C. Jones</p> <p>PATRON is proud to present our first solo exhibition with New York based artist Jennie C. Jones titled “alternate takes.” The exhibition will open with a reception for the artist at 4:00 –7:30pm on Saturday, February 3rd, and will continue through March 18, 2018.</p><p>The post <a href="http://thevisualist.org/2018/02/jennie-c-jones-alternate-takes/">Jennie C. Jones: alternate takes</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2018/02/jennie-c-jones-alternate-takes/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">77212</post-id> </item> <item> <title>Mika Horibuchi: Paintings of Watercolors</title> <link>http://thevisualist.org/2017/12/mika-horibuchi-paintings-of-watercolors/</link> <comments>http://thevisualist.org/2017/12/mika-horibuchi-paintings-of-watercolors/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Thu, 14 Dec 2017 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Illinois]]></category> <category><![CDATA[Mika Horibuchi]]></category> <category><![CDATA[Paintings of Watercolors]]></category> <category><![CDATA[PATRON]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=75778</guid> <description><![CDATA[<p>PATRON is proud to present a solo presentation of Chicago based artist, Mika Horibuchi. The exhibition, titled “Paintings of Watercolors” will open with a reception for the artist at 5–8pm on Thursday, December 14, 2017 and will continue through January 28, 2018.</p> <p>The post <a href="http://thevisualist.org/2017/12/mika-horibuchi-paintings-of-watercolors/">Mika Horibuchi: Paintings of Watercolors</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to present a solo presentation of Chicago based artist, Mika Horibuchi. The exhibition, titled “Paintings of Watercolors” will open with a reception for the artist at 5–8pm on Thursday, December 14, 2017 and will continue through January 28, 2018.</p><p>The post <a href="http://thevisualist.org/2017/12/mika-horibuchi-paintings-of-watercolors/">Mika Horibuchi: Paintings of Watercolors</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2017/12/mika-horibuchi-paintings-of-watercolors/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">75778</post-id> </item> <item> <title>Lucas Simões: Corpos de Prova</title> <link>http://thevisualist.org/2017/12/corpos-de-prova/</link> <comments>http://thevisualist.org/2017/12/corpos-de-prova/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Thu, 14 Dec 2017 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Corpos de Prova]]></category> <category><![CDATA[Illinois]]></category> <category><![CDATA[Lucas Simões]]></category> <category><![CDATA[PATRON]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=75780</guid> <description><![CDATA[<p>PATRON is proud to present our first solo presentation of São Paulo based artist, Lucas Simões. The exhibition, titled “Corpos de Prova” will open with a reception for the artist at 5–8pm on Thursday, December 14, 2017 and will continue through January 28, 2018.</p> <p>The post <a href="http://thevisualist.org/2017/12/corpos-de-prova/">Lucas Simões: Corpos de Prova</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to present our first solo presentation of São Paulo based artist, Lucas Simões. The exhibition, titled “Corpos de Prova” will open with a reception for the artist at 5–8pm on Thursday, December 14, 2017 and will continue through January 28, 2018.</p><p>The post <a href="http://thevisualist.org/2017/12/corpos-de-prova/">Lucas Simões: Corpos de Prova</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2017/12/corpos-de-prova/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">75780</post-id> </item> <item> <title>Nick van Woert: DIRT NAP</title> <link>http://thevisualist.org/2017/09/nick-van-woert-dirt-nap/</link> <comments>http://thevisualist.org/2017/09/nick-van-woert-dirt-nap/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Fri, 15 Sep 2017 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[DIRT NAP]]></category> <category><![CDATA[Nick van Woert]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=71748</guid> <description><![CDATA[<p>PATRON is pleased to announce our first solo exhibition with New York based artist Nick van Woert. The exhibition will open with a reception for the artist at 6–9pm on Friday, September 15, and will continue through November 5, 2017.</p> <p>The post <a href="http://thevisualist.org/2017/09/nick-van-woert-dirt-nap/">Nick van Woert: DIRT NAP</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is pleased to announce our first solo exhibition with New York based artist Nick van Woert. The exhibition will open with a reception for the artist at 6–9pm on Friday, September 15, and will continue through November 5, 2017.</p><p>The post <a href="http://thevisualist.org/2017/09/nick-van-woert-dirt-nap/">Nick van Woert: DIRT NAP</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2017/09/nick-van-woert-dirt-nap/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">71748</post-id> </item> <item> <title>Kadar Brock: summon artifact</title> <link>http://thevisualist.org/2017/05/kadar-brock-summon-artifact/</link> <comments>http://thevisualist.org/2017/05/kadar-brock-summon-artifact/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 13 May 2017 05:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Kadar Brock]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[summon artifact]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=68178</guid> <description><![CDATA[<p>PATRON is proud to present our first solo exhibition with New York-based artist Kadar Brock. The exhibition titled, “summon artifact” will run from May 13, 2017 through July 8, 2017 with an opening reception on Saturday, May 13 from 5 -8pm. KADAR BROCK (b. 1980 New York, NY) lives and works in Brooklyn, NY. Brock<a href="http://thevisualist.org/2017/05/kadar-brock-summon-artifact/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2017/05/kadar-brock-summon-artifact/">Kadar Brock: summon artifact</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to present our first solo exhibition with New York-based artist Kadar Brock. The exhibition titled, “summon artifact” will run from May 13, 2017 through July 8, 2017 with an opening reception on Saturday, May 13 from 5 -8pm.</p> <p>KADAR BROCK (b. 1980 New York, NY) lives and works in Brooklyn, NY. Brock received his BFA from The Cooper Union School of Art in 2002. Selected exhibitions include, gifts ungiven, Vigo Gallery, London, UK; Cause The Grass Don’t Grow and The Sky Ain’t Blue, Praz Delavallade, Paris, France; cast with flashback cast with flashback, Almine Rech, Brussels; unburial rites, Vigo Gallery, London, UK; scry 2, Gallery Diet, Miami, FL; dredge, The Hole, New York, NY; Theory of Forms, PATRON, Chicago, IL; Space and Matter, Sperone Westwater, New York, NY; Surface Tension, Flag Foundation, New York, NY; Summertime, Galerist, Istanbul, TR; Brand New Second Hand, Vigo Gallery, London, UK; 3A Project: Abstraction-Absorption-Attribution, Bodson Gallery, Brussels, BE.</p><p>The post <a href="http://thevisualist.org/2017/05/kadar-brock-summon-artifact/">Kadar Brock: summon artifact</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2017/05/kadar-brock-summon-artifact/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">68178</post-id> </item> <item> <title>Ryosuke Kumakura: Belongings</title> <link>http://thevisualist.org/2017/04/ryosuke-kumakura-belongings/</link> <comments>http://thevisualist.org/2017/04/ryosuke-kumakura-belongings/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 01 Apr 2017 05:00:01 +0000</pubDate> <category><![CDATA[Uncategorized]]></category> <category><![CDATA[Belongings]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[Ryosuke Kumakura]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=66572</guid> <description><![CDATA[<p>“…I remember my home, where I grew up, the many details and textures surrounding me as a child. Like dusty air in the dark small storage, mold on the curtains in my room, holding a towel blanket on a hot humid night, mystery drawers, big bookshelves….. it’s an attempt to keep something I don’t want<a href="http://thevisualist.org/2017/04/ryosuke-kumakura-belongings/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2017/04/ryosuke-kumakura-belongings/">Ryosuke Kumakura: Belongings</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>“…I remember my home, where I grew up, the many details and textures surrounding me as a child. Like dusty air in the dark small storage, mold on the curtains in my room, holding a towel blanket on a hot humid night, mystery drawers, big bookshelves….. it’s an attempt to keep something I don’t want to lose, rather than to create something new.” – RK</p> <p>PATRON is proud to present our first solo exhibition with New York-based artist Ryosuke Kumakura. The exhibition titled, Belongings will run from April 1st through May 7th, with an opening reception on Saturday April 1st from 4-7pm.</p> <p>RYOSUKE KUMAKURA (b. 1981 Niigata, Japan) lives and works in Brooklyn, NY. Kumakura received his MFA from the National Academy School of Fine Arts in New York in 2011 and a BFA from Tama Art University in 2004. Selected exhibitions include an upcoming solo exhibition at PATRON, Chicago IL, 2012 National Juried Exhibition, First Street Gallery, New York, NY; Sweet, Studio Place Arts, Barre VT; Art Rescue Team for Japan, Williamsburg Art and Historical Center; Gathering Hope: Charity Exhibition for Japan, The Japanese American Association of New York, New York, NY; We are One, Gallery61 (New York Institute of Technology), New York, NY; Charity Exhibition for Earthquake and Tsunami Victims in Japan, National Academy School of Fine Arts, New York NY.</p><p>The post <a href="http://thevisualist.org/2017/04/ryosuke-kumakura-belongings/">Ryosuke Kumakura: Belongings</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2017/04/ryosuke-kumakura-belongings/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">66572</post-id> </item> <item> <title>Bethany Collins: Material Fact</title> <link>http://thevisualist.org/2017/01/bethany-collins-material-fact/</link> <comments>http://thevisualist.org/2017/01/bethany-collins-material-fact/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 28 Jan 2017 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Bethany Collins]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Material Fact]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=64520</guid> <description><![CDATA[<p>PATRON is proud to present a solo project by Chicago based artist Bethany Collins, titled Material Fact. The exhibition will be on view from January 28, 2017, through March 21, 2017, with an opening reception on Saturday, January 28th, from 1 to 4PM. “…the deterioration marks the loss of a shared public reality, which is<a href="http://thevisualist.org/2017/01/bethany-collins-material-fact/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2017/01/bethany-collins-material-fact/">Bethany Collins: Material Fact</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to present a solo project by Chicago based artist Bethany Collins, titled Material Fact. The exhibition will be on view from January 28, 2017, through March 21, 2017, with an opening reception on Saturday, January 28th, from 1 to 4PM.</p> <p>“…the deterioration marks the loss of a shared public reality, which is a state we’ve returned to…when we refuse to name a thing in one place, it morphs into another form in order to be recognized…the deliberate absence of coverage of violence against the civil rights movement appears as abrasions, tears, and removals…”</p> <p>BETHANY COLLINS (b. 1984 Montgomery, AL) lives and works in Chicago, IL. Collins received an MFA from Georgia State University in Atlanta Georgia, a BFA from the University of Alabama in Tuscaloosa, AL and attended the Glasgow School of Art, Capstone International in Glasgow, Scotland. Recent solo exhibitions include In Evidence, Van Every/ Smith Galleries, Davidson College, Davidson, North Carolina; The problem we all live with, Birmingham Museum of Art, Birmingham, AL; with the exception of the sky, Hudgens Center for the Arts, Duluth, Georgia, and Inquiry’s End, Richard Gray Gallery, Chicago, IL. Her work is included in the public collections of the Birmingham Museum of Art, Birmingham, AL; High Museum of Art, Atlanta , GA; Montgomery Museum of Arts, Montgomery, AL; The Studio Museum in Harlem, New York, NY; Zuckerman Museum of Art at the Kennesaw Stats University, Kennesaw, GA; Pennsylvania Academy of Fine Arts, Montgomery, AL; and the Agnes Scott College, Decatur, GA.</p> <p>For further information please contact emanuel@patrongallery.com</p><p>The post <a href="http://thevisualist.org/2017/01/bethany-collins-material-fact/">Bethany Collins: Material Fact</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2017/01/bethany-collins-material-fact/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">64520</post-id> </item> <item> <title>Bryan Savitz: for above a threshold</title> <link>http://thevisualist.org/2017/01/bryan-savitz-for-above-a-threshold/</link> <comments>http://thevisualist.org/2017/01/bryan-savitz-for-above-a-threshold/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 28 Jan 2017 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Bryan Savitz]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[for above a threshold]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=64522</guid> <description><![CDATA[<p>“… I look for a moment of silence. A moment where the object appears “natural” to itself. That’s the best way I can describe what I do. I carve, arrange, carve, arrange, fit, cut, crack, etc…until its done.” PATRON is proud to present our first solo exhibition with artist Bryan Savitz, titled for above a<a href="http://thevisualist.org/2017/01/bryan-savitz-for-above-a-threshold/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2017/01/bryan-savitz-for-above-a-threshold/">Bryan Savitz: for above a threshold</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>“… I look for a moment of silence. A moment where the object appears “natural” to itself. That’s the best way I can describe what I do. I carve, arrange, carve, arrange, fit, cut, crack, etc…until its done.”</p> <p>PATRON is proud to present our first solo exhibition with artist Bryan Savitz, titled for above a threshold. The exhibition will be on view from January 28, 2017, through March 21, 2017, with an opening reception on Saturday, January 28th, from 1 to 4PM.</p> <p>BRYAN SAVITZ (b. 1975) lives and works in South Orange, New Jersey. Savitz received an MFA from Hunter College in New York and a BFA from The School of Visual Arts New York. Savitz recently held a solo exhibition at David Peterson Gallery, Minneapolis, MN, titled Pianos Are Also Heavy.</p> <p>For further information please contact julia@patrongallery.com</p><p>The post <a href="http://thevisualist.org/2017/01/bryan-savitz-for-above-a-threshold/">Bryan Savitz: for above a threshold</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2017/01/bryan-savitz-for-above-a-threshold/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">64522</post-id> </item> <item> <title>Liat Yossifor: A Body of Water</title> <link>http://thevisualist.org/2016/11/liat-yossifor-a-body-of-water/</link> <comments>http://thevisualist.org/2016/11/liat-yossifor-a-body-of-water/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 05 Nov 2016 05:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[A Body of Water]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Liat Yossifor]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=62939</guid> <description><![CDATA[<p>PATRON is proud to present our first solo exhibition by Los Angeles based artist Liat Yossifor, titled A Body of Water. The exhibition will be on view from November 5 through January with an opening reception on Saturday, November 5, from 4 to 7PM. LIAT YOSSIFOR (b. 1974 Tel Aviv, Israel) lives and works in<a href="http://thevisualist.org/2016/11/liat-yossifor-a-body-of-water/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2016/11/liat-yossifor-a-body-of-water/">Liat Yossifor: A Body of Water</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to present our first solo exhibition by Los Angeles based artist Liat Yossifor, titled A Body of Water. The exhibition will be on view from November 5 through January with an opening reception on Saturday, November 5, from 4 to 7PM.</p> <p>LIAT YOSSIFOR (b. 1974 Tel Aviv, Israel) lives and works in Los Angeles, CA. Yossifor earned her MFA from the University of California, Irvine, 2002 and has had residencies at The Ucross Foundation, Clearmont, WY (2008) and the Frankfurter Kunstverein, Germany as a guest of the Deutsche Börse Residency Program (2010). She has been in numerous solo exhibitions, including: The Contemporary Art Museum St. Louis, MO (2015), The Armory Center for the Arts, Pasadena, CA (2015), Broad Center, Pitzer College Art Galleries, Claremont, CA (2015), and the Pomona College Museum of Art, Claremont, CA (2007). Her work is in the current exhibition “Grafforists” at the Torrance Art Museum, CA. Additional selected group exhibitions include: “Stolen Gestures”, Kunsthaus Nurnberg, Germany, and “Subject”, Lyman Allyn Museum, New London, CT (2006). Yossifor was a Rema Hort Foundation nominee in 2012 and a finalist for the London International in 2009. The DoppelHouse publication, Liat Yossifor: Movements’ was launched last month in Los Angeles, CA.</p><p>The post <a href="http://thevisualist.org/2016/11/liat-yossifor-a-body-of-water/">Liat Yossifor: A Body of Water</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2016/11/liat-yossifor-a-body-of-water/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">62939</post-id> </item> <item> <title>Harold Mendez: At night we walk in circles</title> <link>http://thevisualist.org/2016/09/harold-mendez-at-night-we-walk-in-circles/</link> <comments>http://thevisualist.org/2016/09/harold-mendez-at-night-we-walk-in-circles/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Fri, 23 Sep 2016 05:00:01 +0000</pubDate> <category><![CDATA[Bad at Sports Top V List]]></category> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[At night we walk in circles]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Harold Mendez]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <category><![CDATA[Yesomi Umolu]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=61769</guid> <description><![CDATA[<p>PATRON is proud to present our first solo exhibition by Houston based artist Harold Mendez, titled “At night we walk in circles.” The exhibition will be on view from September 16 through October 26th with an opening reception on Friday September 23rd, from 6 – 9PM. Exhibition essay by Yesomi Umolu, Exhibitions Curator, Reva and<a href="http://thevisualist.org/2016/09/harold-mendez-at-night-we-walk-in-circles/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2016/09/harold-mendez-at-night-we-walk-in-circles/">Harold Mendez: At night we walk in circles</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to present our first solo exhibition by Houston based artist Harold Mendez, titled “At night we walk in circles.” The exhibition will be on view from September 16 through October 26th with an opening reception on Friday September 23rd, from 6 – 9PM. </p> <p>Exhibition essay by Yesomi Umolu, Exhibitions Curator, Reva and David Logan Center for the Arts, University of Chicago. </p> <p>HAROLD MENDEZ (b. 1977 Chicago, IL.) lives and works in Houston, TX. Mendez received an MFA from the University of Illinois at Chicago in 2007, BA from Columbia College Chicago in 2000, and attended the University of Science and Technology, School of Art and Design in Ghana, West Africa in 1999. Select solo and group exhibitions include an upcoming solo exhibition at Project Row Houses, Houston TX; Black, Color, Material, Concept, Studio Museum in Harlem, New York, NY; Present Standard, Curated by Edra Soto and Josue Pellot; Chicago Cultural Center, Chicago IL; but I sound better since you cut my throat, Threewalls, Chicago IL; Open Session 6, The Drawing Center, New York, NY; Name It by Trying to Name It, Curated by Lisa Sigal and Nova Benway, The Drawing Center, New York, NY; Several Silences, Renaissance Society, Curated by Hamza Walker, Chicago, IL; September 11, Museum of Modern Art / PS1, Curated by Peter Eleey, New York, NY; UBS 12 x 12: New Artists / New Work, MCA, Chicago, IL; Traces in the Dark, Curated by Liz Park, Institute of Contemporary Art, Philadelphia PA; Líneas de la Mano, Sicardi Gallery, Houston TX and Phantoms in the Dirt, Curated by Karsten Lund, Museum of Contemporary Photography, Chicago, IL. Awards grants and residencies include the Robert Rauschenberg Foundation’s Rauschenberg Residency – 3Arts Residency Fellowship, Captiva, FL; Foundation for Contemporary Arts Emergency Grant, New York, NY; Illinois Arts Council Artist Fellowship; Headlands Center for the Arts, Alumni New Works / Artist-in-Residence, San Francisco, CA; Skowhegan School of Painting and Sculpture and the CORE Program, Museum of Fine Arts Houston, Houston, TX. Harold’s work can be found in the permanent public collections of the Museum of Fine Arts, Houston, The Studio Museum in Harlem, NYC, NY and the Museum of Contemporary Art, Chicago and The Chicago Transit Authority.</p><p>The post <a href="http://thevisualist.org/2016/09/harold-mendez-at-night-we-walk-in-circles/">Harold Mendez: At night we walk in circles</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2016/09/harold-mendez-at-night-we-walk-in-circles/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">61769</post-id> </item> <item> <title>Daniel G. Baird: When Closing Reception</title> <link>http://thevisualist.org/2016/06/daniel-g-baird-when-closing-reception/</link> <comments>http://thevisualist.org/2016/06/daniel-g-baird-when-closing-reception/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 18 Jun 2016 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Bret Schneider]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Daniel G. Baird]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=59278</guid> <description><![CDATA[<p>Join us on Saturday, June 18th from 1 -4 pm to celebrate the closing reception for Daniel G. Baird’s exhibition “When” with a presentation of sound compositions by sound artist and writer Bret Schneider. XINGS 1pm: Chronolalia III/ Chronolalia V (20:34) 2pm: 0 X 1 / 0 X 2 (21:08) 3pm: Untitled 13h27m28s/ Untitled 12h54m51s<a href="http://thevisualist.org/2016/06/daniel-g-baird-when-closing-reception/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2016/06/daniel-g-baird-when-closing-reception/">Daniel G. Baird: When Closing Reception</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Join us on Saturday, June 18th from 1 -4 pm to celebrate the closing reception for Daniel G. Baird’s exhibition “When” with a presentation of sound compositions by sound artist and writer Bret Schneider.</p> <p>XINGS</p> <p>1pm: Chronolalia III/ Chronolalia V (20:34)<br /> 2pm: 0 X 1 / 0 X 2 (21:08)<br /> 3pm: Untitled 13h27m28s/ Untitled 12h54m51s (21:42)</p> <p>https://phinery.bandcamp.com/album/chronolalia<br /> https://neveranythingrecords.bandcamp.com/album/melancholia-i-ii<br /> https://dionysiantapes.bandcamp.com/album/bret-schneider-zero-xings-dnsn-010</p> <p>http://www.caesuraonline.com/</p> <p>A BBQ will happen in the back of the gallery for the duration of the event.</p> <p>For more information about the exhibition, please follow this link to: http://patrongallery.com/exhibition/74/when</p><p>The post <a href="http://thevisualist.org/2016/06/daniel-g-baird-when-closing-reception/">Daniel G. Baird: When Closing Reception</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2016/06/daniel-g-baird-when-closing-reception/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">59278</post-id> </item> <item> <title>Samuel Levi Jones: Reciprocity</title> <link>http://thevisualist.org/2016/03/samuel-levi-jones-reciprocity/</link> <comments>http://thevisualist.org/2016/03/samuel-levi-jones-reciprocity/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 12 Mar 2016 00:00:01 +0000</pubDate> <category><![CDATA[Uncategorized]]></category> <category><![CDATA[contemporary art]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[Samuel Levi Jones]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=56869</guid> <description><![CDATA[<p>PATRON is proud to present our first solo exhibition by Chicago based artist, Samuel Levi Jones titled “Reciprocity.” SAMUEL LEVI JONES (b. 1978 in Marion, IN) is an interdisciplinary artist working and living in Chicago, IL. Jones earned his B.A. in Communication Studies from Taylor University and a B.F.A from Herron School of Art and<a href="http://thevisualist.org/2016/03/samuel-levi-jones-reciprocity/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2016/03/samuel-levi-jones-reciprocity/">Samuel Levi Jones: Reciprocity</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to present our first solo exhibition by Chicago based artist, Samuel Levi Jones titled “Reciprocity.”</p> <p>SAMUEL LEVI JONES (b. 1978 in Marion, IN) is an interdisciplinary artist working and living in Chicago, IL. Jones earned his B.A. in Communication Studies from Taylor University and a B.F.A from Herron School of Art and Design in 2009 and an MFA in Studio Art from Mills College in 2012. Recent exhibitions include After Fred Wilson (2015) at the Indianapolis Museum of Contemporary Art and Unbound at the Studio Museum in Harlem, NY. Jones is the recipient of the 2014 Joyce Alexander Wein artist prize, awarded by the Studio Museum. Jones’ work is in the public collections of San Francisco Museum of Modern Art, The Rubell Family Collection, Miami, FL, the Los Angeles County Museum of Art, Los Angeles, CA, and The Studio Museum in Harlem, NY.</p><p>The post <a href="http://thevisualist.org/2016/03/samuel-levi-jones-reciprocity/">Samuel Levi Jones: Reciprocity</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2016/03/samuel-levi-jones-reciprocity/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">56869</post-id> </item> <item> <title>Myra Greene</title> <link>http://thevisualist.org/2016/03/myra-greene/</link> <comments>http://thevisualist.org/2016/03/myra-greene/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 12 Mar 2016 00:00:01 +0000</pubDate> <category><![CDATA[Uncategorized]]></category> <category><![CDATA[contemporary art]]></category> <category><![CDATA[Myra Greene]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[photography]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=56871</guid> <description><![CDATA[<p>PATRON is proud to announce our first solo exhibition by Chicago based artist Myra Greene. MYRA GREENE (b. 1975 New York City, NY) received her B.F.A. from Washington University in St. Louis and her M.F.A. in photography from the University of New Mexico. She currently resides in Chicago, IL, where she is an Associate Professor<a href="http://thevisualist.org/2016/03/myra-greene/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2016/03/myra-greene/">Myra Greene</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>PATRON is proud to announce our first solo exhibition by Chicago based artist Myra Greene.</p> <p>MYRA GREENE (b. 1975 New York City, NY) received her B.F.A. from Washington University in St. Louis and her M.F.A. in photography from the University of New Mexico. She currently resides in Chicago, IL, where she is an Associate Professor of Photography at Columbia Chicago College. Greene’s work has been featured nationally at various museums including The New York Public Library (2012), Art Museum of the Americas in Washington D.C. (2012), Spelman College Museum of Fine Art in Atlanta (2009), Museum of the African Diaspora in San Francisco (2008), Yuma Art Center Museum in Yuma Arizona (2008), Wadsworth Museum in Hartford CT (2006) and Sculpture Center in New York City (2003). Her work is in the permanent collections of the Museum of Contemporary Photography Chicago, Museum of Fine Arts in Houston, The National Gallery of Art in Washington D.C., the Nelson-Atkins Museum of Art, Kansas City and The New York Public Library.</p><p>The post <a href="http://thevisualist.org/2016/03/myra-greene/">Myra Greene</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2016/03/myra-greene/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">56871</post-id> </item> <item> <title>Alex Chitty: the sun drenched yellow that goes with everything</title> <link>http://thevisualist.org/2016/01/alex-chitty-the-sun-drenched-yellow-that-goes-with-everything/</link> <comments>http://thevisualist.org/2016/01/alex-chitty-the-sun-drenched-yellow-that-goes-with-everything/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 23 Jan 2016 06:00:01 +0000</pubDate> <category><![CDATA[Uncategorized]]></category> <category><![CDATA[ALEX CHITTY]]></category> <category><![CDATA[Art]]></category> <category><![CDATA[contemporary art]]></category> <category><![CDATA[PATRON]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=56212</guid> <description><![CDATA[<p>Sunlight, winds, slowly dripping water, habitual behaviors and even thoughts and ideas will imperceptibly change things over time, until suddenly they are different from what you remembered. PATRON is proud to present our first solo exhibition by Chicago based artist Alex Chitty. The exhibition will be on view from January 23 through March 5, 2016.<a href="http://thevisualist.org/2016/01/alex-chitty-the-sun-drenched-yellow-that-goes-with-everything/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2016/01/alex-chitty-the-sun-drenched-yellow-that-goes-with-everything/">Alex Chitty: the sun drenched yellow that goes with everything</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Sunlight, winds, slowly dripping water, habitual behaviors and even thoughts and ideas will imperceptibly change things over time, until suddenly they are different from what you remembered.</p> <p>PATRON is proud to present our first solo exhibition by Chicago based artist Alex Chitty. The exhibition will be on view from January 23 through March 5, 2016.</p> <p>Please join us for the opening reception on Saturday January 23 from 4 – 7PM.</p><p>The post <a href="http://thevisualist.org/2016/01/alex-chitty-the-sun-drenched-yellow-that-goes-with-everything/">Alex Chitty: the sun drenched yellow that goes with everything</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2016/01/alex-chitty-the-sun-drenched-yellow-that-goes-with-everything/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">56212</post-id> </item> </channel> </rss>