<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" > <channel> <title>latinx - The Visualist</title> <atom:link href="http://thevisualist.org/tag/latinx/feed/" rel="self" type="application/rss+xml" /> <link>http://thevisualist.org</link> <description>Chicago Visual Arts Calendar</description> <lastBuildDate>Wed, 30 Dec 2020 15:24:23 +0000</lastBuildDate> <language>en-US</language> <sy:updatePeriod> hourly </sy:updatePeriod> <sy:updateFrequency> 1 </sy:updateFrequency> <generator>https://wordpress.org/?v=6.7.1</generator> <image> <url>http://thevisualist.org/wp-content/uploads/2023/11/13715238_1656465681341114_192907186_a1-200x200.jpg</url> <title>latinx - The Visualist</title> <link>http://thevisualist.org</link> <width>32</width> <height>32</height> </image> <site xmlns="com-wordpress:feed-additions:1">232801582</site> <item> <title>Coming to Terms: A Workshop about Political Nomenclatures — “Chicano,” “Hispanic,” “Latino,” Post-Chicano,” Latinx,” and “Brown”</title> <link>http://thevisualist.org/2021/01/coming-to-terms-a-workshop-about-political-nomenclatures-chicano-hispanic-latino-post-chicano-latinx-and-brown/</link> <comments>http://thevisualist.org/2021/01/coming-to-terms-a-workshop-about-political-nomenclatures-chicano-hispanic-latino-post-chicano-latinx-and-brown/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Thu, 21 Jan 2021 00:00:01 +0000</pubDate> <category><![CDATA[Uncategorized]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Coming to Terms: A Workshop about Political Nomenclatures — "Chicano" "Hispanic" "Latino" Post-Chicano" Latinx" and "Brown"]]></category> <category><![CDATA[DePaul Art Museum]]></category> <category><![CDATA[latinx]]></category> <category><![CDATA[Lincoln Park]]></category> <category><![CDATA[Raquel Gutiérrez]]></category> <category><![CDATA[Risa Puleo]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=120151</guid> <description><![CDATA[<p>Since the introduction of “Chicano/a” in the 1960s as a political identity, a number of distinct but related ethno-political terms have emerged to describe people of mixed indigenous American and European, African, and Asian descent living in the U.S. Replacing terms such as “Chicano/a”, “Mexican-American,” “Latino/a” came to represent diverse immigrant experiences in the U.S.,<a href="http://thevisualist.org/2021/01/coming-to-terms-a-workshop-about-political-nomenclatures-chicano-hispanic-latino-post-chicano-latinx-and-brown/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2021/01/coming-to-terms-a-workshop-about-political-nomenclatures-chicano-hispanic-latino-post-chicano-latinx-and-brown/">Coming to Terms: A Workshop about Political Nomenclatures — “Chicano,” “Hispanic,” “Latino,” Post-Chicano,” Latinx,” and “Brown”</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Since the introduction of “Chicano/a” in the 1960s as a political identity, a number of distinct but related ethno-political terms have emerged to describe people of mixed indigenous American and European, African, and Asian descent living in the U.S. Replacing terms such as “Chicano/a”, “Mexican-American,” “Latino/a” came to represent diverse immigrant experiences in the U.S., and has recently been updated to “Latinx” to interrupt the grammatical gender of the Spanish language. More recently, “brown” has been used to circumvent the U.S. as the categorical center and has recast both those indigenous to the Americas and immigrants separated by nationality into one group.</p> <p>This workshop asks: What are the stakes of these different signifiers used to describe artists and their work? How does language bring us together, across race, nationality, and gender, and how does it keep us apart? What naming strategies allow us to maintain the complexity of identity without losing sight of the unity necessary for political mobility? Led by Independent curator Risa Puleo and poet Raquel Gutiérrez, we will read together and discuss texts written by an intergenerational group of artists, art historians, curators, and critics who explore the conflicting histories and tensions of such terminology.</p> <p>Presented by DePaul Art Museum in partnership with the Department of Latin American & Latino Studies. All of DePaul Art Museum’s winter 2021 programs are generously supported by The Andy Warhol Foundation for the Visual Arts.</p> <p>Register: https://depaul.zoom.us/meeting/register/tJYodOisqTIrHtO1kujmNBGLxHeu8m_58b4J</p><p>The post <a href="http://thevisualist.org/2021/01/coming-to-terms-a-workshop-about-political-nomenclatures-chicano-hispanic-latino-post-chicano-latinx-and-brown/">Coming to Terms: A Workshop about Political Nomenclatures — “Chicano,” “Hispanic,” “Latino,” Post-Chicano,” Latinx,” and “Brown”</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2021/01/coming-to-terms-a-workshop-about-political-nomenclatures-chicano-hispanic-latino-post-chicano-latinx-and-brown/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">120151</post-id> </item> <item> <title>Josh Rios and Anthony Romero: As A Shadow Before The Law (an exhibition)</title> <link>http://thevisualist.org/2017/04/josh-rios-and-anthony-romero-as-a-shadow-before-the-law-an-exhibition/</link> <comments>http://thevisualist.org/2017/04/josh-rios-and-anthony-romero-as-a-shadow-before-the-law-an-exhibition/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 08 Apr 2017 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Anthony Romero]]></category> <category><![CDATA[As A Shadow Before The Law (an exhibition)]]></category> <category><![CDATA[Ballroom Projects]]></category> <category><![CDATA[Bridgeport]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[JOSH RIOS]]></category> <category><![CDATA[latinx]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=66733</guid> <description><![CDATA[<p>Nancy Fraser defines misrecognition as the cultural creation “of a class of devalued persons” who are denied full social partnership based on the production of “an institutionalized social relation.” As an injury to social status, misrecognition does not need to be validated through other forms of structural inequality, such as economic and class relations. “Injustices<a href="http://thevisualist.org/2017/04/josh-rios-and-anthony-romero-as-a-shadow-before-the-law-an-exhibition/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2017/04/josh-rios-and-anthony-romero-as-a-shadow-before-the-law-an-exhibition/">Josh Rios and Anthony Romero: As A Shadow Before The Law (an exhibition)</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Nancy Fraser defines misrecognition as the cultural creation “of a class of devalued persons” who are denied full social partnership based on the production of “an institutionalized social relation.” As an injury to social status, misrecognition does not need to be validated through other forms of structural inequality, such as economic and class relations. “Injustices of distribution and injustices of recognition” are interrelated and inseparable. They are two sides of the same harm that would presumably be eliminated from any ethical social sphere. The “stranger” (that figure of misrecognition par excellence) has long-since been construed as a disturbance to highly regulated hegemonic orders. Thus, for Okwui Enwezor, “The human as a ghostly presence . . . marks the separation between those . . . who must seek the status of normalcy for their inclusion into the human family by first exorcizing their strangeness, foreignness, otherness.” This exhibition is an exploration of ghostly presences, the interrelated experiences of symbolic and material alienation, estrangement, and misrecognition within one’s own land, culture, and socio-political milieu.</p><p>The post <a href="http://thevisualist.org/2017/04/josh-rios-and-anthony-romero-as-a-shadow-before-the-law-an-exhibition/">Josh Rios and Anthony Romero: As A Shadow Before The Law (an exhibition)</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2017/04/josh-rios-and-anthony-romero-as-a-shadow-before-the-law-an-exhibition/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">66733</post-id> </item> </channel> </rss>