<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" > <channel> <title>June Wayne - The Visualist</title> <atom:link href="http://thevisualist.org/tag/june-wayne/feed/" rel="self" type="application/rss+xml" /> <link>http://thevisualist.org</link> <description>Chicago Visual Arts Calendar</description> <lastBuildDate>Wed, 24 Jul 2024 15:11:00 +0000</lastBuildDate> <language>en-US</language> <sy:updatePeriod> hourly </sy:updatePeriod> <sy:updateFrequency> 1 </sy:updateFrequency> <generator>https://wordpress.org/?v=6.7.1</generator> <image> <url>http://thevisualist.org/wp-content/uploads/2023/11/13715238_1656465681341114_192907186_a1-200x200.jpg</url> <title>June Wayne - The Visualist</title> <link>http://thevisualist.org</link> <width>32</width> <height>32</height> </image> <site xmlns="com-wordpress:feed-additions:1">232801582</site> <item> <title>The Image Pool Curator’s Tour</title> <link>http://thevisualist.org/2024/07/the-image-pool-curators-tour/</link> <comments>http://thevisualist.org/2024/07/the-image-pool-curators-tour/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Wed, 31 Jul 2024 22:30:00 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Talk]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[David Maruzzella]]></category> <category><![CDATA[DePaul Art Museum]]></category> <category><![CDATA[Derek Webster and Joseph Yoakum]]></category> <category><![CDATA[Eugene Von Bruenchenhein]]></category> <category><![CDATA[June Wayne]]></category> <category><![CDATA[Lincoln Park]]></category> <category><![CDATA[Marva Lee Pitchford-Jolly]]></category> <category><![CDATA[Mr. Imagination]]></category> <category><![CDATA[The Image Pool]]></category> <category><![CDATA[The Image Pool Curator’s Tour]]></category> <guid isPermaLink="false">http://thevisualist.org/?p=163428</guid> <description><![CDATA[<p>Please join Intuit, in collaboration with DePaul Art Museum for a tour with David Maruzzella, PhD., curator of DPAM’s current exhibition The Image Pool. The exhibition investigates artists from DPAM’s permanent collection typically described as “folk,” “self-taught,” “outsider” or “intuitive,” due to their seeming distance from the institutional sanctions of art schools, museums, galleries and<a href="http://thevisualist.org/2024/07/the-image-pool-curators-tour/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2024/07/the-image-pool-curators-tour/">The Image Pool Curator’s Tour</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Please join Intuit, in collaboration with DePaul Art Museum for a tour with David Maruzzella, PhD., curator of DPAM’s current exhibition The Image Pool.</p> <p>The exhibition investigates artists from DPAM’s permanent collection typically described as “folk,” “self-taught,” “outsider” or “intuitive,” due to their seeming distance from the institutional sanctions of art schools, museums, galleries and mainstream commercial success. Intentionally problematizing the insider/outsider distinction, this exhibition—featuring works by Eugene Von Bruenchenhein, Mr. Imagination, Marva Lee Pitchford-Jolly, June Wayne, Derek Webster and Joseph Yoakum–instead frames these works as exemplary of what it means to be a contemporary artist rather than an exception.</p> <p>The tour will explore the aesthetic materials from personal and imagined histories, ambient culture and elements of the modern world that influenced these artists and the fundamental shifts that prompted a renegotiation of their deserved place in art history. Register here. https://events.humanitix.com/the-image-pool-curator-s-tour</p><p>The post <a href="http://thevisualist.org/2024/07/the-image-pool-curators-tour/">The Image Pool Curator’s Tour</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2024/07/the-image-pool-curators-tour/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">163428</post-id> </item> <item> <title>The Image Pool</title> <link>http://thevisualist.org/2024/03/the-image-pool/</link> <comments>http://thevisualist.org/2024/03/the-image-pool/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Thu, 14 Mar 2024 18:16:07 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[DePaul Art Museum]]></category> <category><![CDATA[Derek Webster]]></category> <category><![CDATA[Joseph Yoakum]]></category> <category><![CDATA[June Wayne]]></category> <category><![CDATA[Lincoln Park]]></category> <category><![CDATA[Marva Lee Pitchford-Jolly]]></category> <category><![CDATA[Mr. Imagination]]></category> <category><![CDATA[The Image Pool]]></category> <category><![CDATA[ugene Von Bruenchenhein]]></category> <guid isPermaLink="false">http://thevisualist.org/?p=157025</guid> <description><![CDATA[<p>The Image Pool explores works in DePaul Art Museum’s collection typically described as “folk,” “self-taught,” “outsider,” or “intuitive,” due to their creators’ seeming distance from the institutional sanctions of art schools, museums, galleries, and mainstream commercial success. Intentionally problematizing the insider/outsider distinction, this exhibition instead frames these works as exemplary of what it means to<a href="http://thevisualist.org/2024/03/the-image-pool/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2024/03/the-image-pool/">The Image Pool</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<div class="col-9_sm-12"> <div class="col-9_sm-12"> <p>The Image Pool explores works in DePaul Art Museum’s collection typically described as “folk,” “self-taught,” “outsider,” or “intuitive,” due to their creators’ seeming distance from the institutional sanctions of art schools, museums, galleries, and mainstream commercial success. Intentionally problematizing the insider/outsider distinction, this exhibition instead frames these works as exemplary of what it means to be a contemporary artist rather than an exception.</p> <p>The six artists on view—Eugene Von Bruenchenhein, Mr. Imagination, Marva Lee Pitchford-Jolly, June Wayne, Derek Webster, Joseph Yoakum—do not neatly fit into pre-made categories. Some, such as Yoakum, took up drawing later in life and was soon championed by established artists for his imaginative landscapes depicting all the places to which the artist had supposedly traveled. Others, such as Von Bruenchenhein, produced thousands of works in various media over decades that failed to capture the attention of gallerists and collectors before his death. Wayne, by contrast, achieved recognition at an early age despite dropping out of high school to pursue art and would later become one of the most important American printmakers of the 20th century. All, however, asserted themselves as artists—culling aesthetic material from personal and imagined histories, the ambient culture, and the detritus of the modern world—in spite of the institutions and infrastructure that still to this day value pedigree, training, and financial success above all else.</p> <p>According to philosopher Jacques Rancière, a fundamental shift took place toward the end of the 18th century: aesthetic hierarchies that had once organized producers, materials, and subject matter began to collapse. From that moment forward, this “aesthetic revolution”(1) meant that anybody could be an artist without needing to possess formal training, make use of the materials typically associated with fine art, or treat themes and subjects prescribed by political and religious authorities. The boundaries between life and art would henceforth be the site of a constant process of renegotiation. Coupled with technological shifts in the production and distribution of images, no person—no matter how far removed from the artworld(2)— could be said to exist outside of “the image pool of his or her society.”(3)</p> <p>The Image Pool is curated by David Maruzzella, Collection and Exhibition Manager, with Chiara Conner, Zoë Hamilton, and Bernardo Soares and organized by DePaul Art Museum as part of the Learning Studio initiative. Support for The Image Pool is provided by the Terra Foundation for American Art.</p> <p>(1) Jacques Rancière, “The Aesthetic Revolution and its Outcomes: Emplotments of Autonomy and Heteronomy.” New Left Review 14 (March–April 2002): 133–51. </p> <p>(2) Arthur C. Danto, “The Artworld.” The Journal of Philosophy, Vol. 61, No. 19, (1964):571–84.</p> <p>(3) Arthur C. Danto, “The Artworld and its Outsiders,” in Self-Taught Artists of the 20th Century: An American Anthology (San Francisco, CA: Chronicle Books, 1998), 26. </p> </div> </div><p>The post <a href="http://thevisualist.org/2024/03/the-image-pool/">The Image Pool</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2024/03/the-image-pool/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">157025</post-id> </item> <item> <title>Barbara Kasten: West by Midwest</title> <link>http://thevisualist.org/2018/12/barbara-kasten-west-by-midwest/</link> <comments>http://thevisualist.org/2018/12/barbara-kasten-west-by-midwest/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Sun, 09 Dec 2018 00:00:01 +0000</pubDate> <category><![CDATA[Talk]]></category> <category><![CDATA[Aaron Curry]]></category> <category><![CDATA[Allen Ruppersberg]]></category> <category><![CDATA[Amanda Ross-Ho]]></category> <category><![CDATA[Andrea Bowers]]></category> <category><![CDATA[Anna Halprin]]></category> <category><![CDATA[Barbara Kasten]]></category> <category><![CDATA[Barbara Kasten: West by Midwest]]></category> <category><![CDATA[Billy Al Bengston]]></category> <category><![CDATA[Bruce Conner]]></category> <category><![CDATA[Bruce Nauman]]></category> <category><![CDATA[Carlos Almaraz]]></category> <category><![CDATA[Cary Loren]]></category> <category><![CDATA[Catherine Opie]]></category> <category><![CDATA[Charles White]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[David Hammons]]></category> <category><![CDATA[Dennis Hopper]]></category> <category><![CDATA[Douglas Huebler]]></category> <category><![CDATA[Ed Ruscha]]></category> <category><![CDATA[Emory Douglas]]></category> <category><![CDATA[Frank Romero]]></category> <category><![CDATA[Garo Antreasian]]></category> <category><![CDATA[Gladys Nilsson]]></category> <category><![CDATA[Griffin Galleries]]></category> <category><![CDATA[Hal Fischer]]></category> <category><![CDATA[Illinois]]></category> <category><![CDATA[Jean Conner]]></category> <category><![CDATA[Jerry McMillan]]></category> <category><![CDATA[Jessica Jackson Hutchins]]></category> <category><![CDATA[Jim Isermann]]></category> <category><![CDATA[Jim Nutt]]></category> <category><![CDATA[Jim Shaw]]></category> <category><![CDATA[Joe Goode]]></category> <category><![CDATA[John Outterbridge]]></category> <category><![CDATA[Jorge Pardo]]></category> <category><![CDATA[José Alpuche]]></category> <category><![CDATA[José Antonio Aguirre]]></category> <category><![CDATA[Judith Barry]]></category> <category><![CDATA[Judithe Hernández]]></category> <category><![CDATA[Judy Chicago]]></category> <category><![CDATA[June Wayne]]></category> <category><![CDATA[Karl Wirsum]]></category> <category><![CDATA[Kori Newkirk]]></category> <category><![CDATA[Larry Bell]]></category> <category><![CDATA[Laura Owens]]></category> <category><![CDATA[Lawrence Halprin]]></category> <category><![CDATA[Lynn Hershman Leeson]]></category> <category><![CDATA[Mary Kelly]]></category> <category><![CDATA[Mason Williams]]></category> <category><![CDATA[Melanie Schiff]]></category> <category><![CDATA[Mike Kelley]]></category> <category><![CDATA[Miriam Schapiro]]></category> <category><![CDATA[Museum of Contemporary Art Chicago]]></category> <category><![CDATA[Near North Side]]></category> <category><![CDATA[Niagara (Lynn Rovner)]]></category> <category><![CDATA[Patrick Blackwell]]></category> <category><![CDATA[Rebecca Morris]]></category> <category><![CDATA[Richard Hawkins]]></category> <category><![CDATA[Robert Cumming]]></category> <category><![CDATA[Roberto (Beto) de la Rocha]]></category> <category><![CDATA[Rodney McMillian]]></category> <category><![CDATA[Roy De Forest]]></category> <category><![CDATA[Senga Nengudi]]></category> <category><![CDATA[Stephen Kaltenbach]]></category> <category><![CDATA[Stephen Prina]]></category> <category><![CDATA[Sterling Ruby]]></category> <category><![CDATA[Suzanne Jackson]]></category> <category><![CDATA[Terry Allen]]></category> <category><![CDATA[Tom Marioni]]></category> <category><![CDATA[Vija Celmins]]></category> <category><![CDATA[West by Midwest]]></category> <category><![CDATA[William T. Wiley]]></category> <category><![CDATA[William Wegman]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=90285</guid> <description><![CDATA[<p>Barbara Kasten leads a unique walk-through of the exhibition West by Midwest, illuminating her own artistic practice and pointing out some of her favorite works by fellow artists. Barbara Kasten was born in 1936 in Chicago, Illinois. She received her BFA from the University of Arizona in 1959 and MFA from the California College of<a href="http://thevisualist.org/2018/12/barbara-kasten-west-by-midwest/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2018/12/barbara-kasten-west-by-midwest/">Barbara Kasten: West by Midwest</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Barbara Kasten leads a unique walk-through of the exhibition West by Midwest, illuminating her own artistic practice and pointing out some of her favorite works by fellow artists.</p> <p>Barbara Kasten was born in 1936 in Chicago, Illinois. She received her BFA from the University of Arizona in 1959 and MFA from the California College of Arts and Crafts in 1970. She currently lives and works in Chicago, Illinois.</p> <p>Her work has been exhibited across the United States and Europe. Most recently, Kasten was included in the TATE Modern exhibition, Shape of Light: 100 Years of Photography and Abstract Art and was the subject of a retrospective at the Institute of Contemporary Art in Philadelphia that travelled to the Graham Foundation in Chicago and the Los Angeles Museum of Contemporary Art. Her work is featured in the collections of the Museum of Modern Art, The Whitney Museum of American Art, and the Guggenheim Museum in New York, the Tate Modern in London, the High Museum of Art in Atlanta, The Museum of Fine Arts in Houston, The Centre Pompidou in Paris, and the Smithsonian American Art Museum in Washington, D.C. among many others. Kasten will have a survey presentation in the 2019 Sharjah Biennial.</p> <p>MCA Talks highlight cutting-edge thinking and contemporary art practices across discipline and are organized by Curator of Public Programs January Parkos Arnall and Assistant Curator of Public Programs Christy LeMaster.</p> <p>Image: Barbara Kasten, Architectural Site 8, Loyola Law, 1986. Silver dye-bleach print; sight: 61 ¼ × 47 ½ in. (155.6 × 120.7 cm); framed: 63 × 49 ¼ × 1 7/8 in. (160 × 125.1 × 4.8 cm). Collection Museum of Contemporary Art Chicago, gift of Michael J. Wong, M.D. and Marion C. Fay, 2013.20. Photo: Nathan Keay, © MCA Chicago.</p> <p>—</p> <p>About the Exhibition</p> <p>Western art history is often viewed as a neat succession of individual artists and their singular masterpieces. This narrative runs parallel to the American story of westward expansion, propelled by the idea of individualism and independence. West by Midwest offers a messier alternative—one that illuminates the ways that contemporary art practices spread and develop by tracing the intersecting lives of artists who have migrated from the American Midwest to the West Coast since the mid-20th century. Lured by career opportunities, warmer weather, and the prospect of a better life promised by the postwar boom, artists in this exhibition attended art schools together, shared studios, exhibited work in the same galleries, collaborated on projects, engaged in activism, and dated. Following these crisscrossing lines of kinship, West by Midwest reveals social, political, artistic, and intellectual networks of artists and their shared experiences of making work and making a life.</p> <p>Divided into five sections, West by Midwest presents more than eighty artworks in a wide variety of media, made by some sixty-three artists from the 1960s through the 2010s. Each section maps three overlapping forms of kinship: practice, or the ways that artists make and approach their work; place, or the spaces where artists congregate and exchange ideas; and people, or the manifold human relationships that compose artists’ personal and professional circles. Anchored by works in the MCA’s collection, West by Midwest eschews a definitive survey of individuals’ achievements to instead consider how artists move and make work within a larger field of relations.</p> <p>West by Midwest is organized by Charlotte Ickes, Andrew W. Mellon Postdoctoral Curatorial Fellow, with Michael Darling, James W. Alsdorf Chief Curator. It is presented in the Griffin Galleries of Contemporary Art on the museum’s fourth floor.</p> <p>ARTISTS IN THE EXHIBITION INCLUDE:<br /> José Antonio Aguirre, Terry Allen, Carlos Almaraz, José Alpuche, Garo Antreasian, Judith Barry, Larry Bell, Billy Al Bengston, Patrick Blackwell, Andrea Bowers, Vija Celmins, Judy Chicago, Bruce Conner, Jean Conner, Robert Cumming, Aaron Curry, Emory Douglas, Hal Fischer, Roy De Forest, Joe Goode, Anna Halprin, Lawrence Halprin, David Hammons, Richard Hawkins, Judithe Hernández, Dennis Hopper, Douglas Huebler, Jessica Jackson Hutchins, Jim Isermann, Suzanne Jackson, Stephen Kaltenbach, Barbara Kasten, Mike Kelley, Mary Kelly, Lynn Hershman Leeson, Cary Loren, Tom Marioni, Jerry McMillan, Rodney McMillian, Rebecca Morris, Bruce Nauman, Senga Nengudi, Kori Newkirk, Niagara (Lynn Rovner), Gladys Nilsson, Jim Nutt, Catherine Opie, John Outterbridge, Laura Owens, Jorge Pardo, Stephen Prina, Roberto (Beto) de la Rocha, Frank Romero, Amanda Ross-Ho, Sterling Ruby, Allen Ruppersberg, Ed Ruscha, Miriam Schapiro, Melanie Schiff, Jim Shaw, June Wayne, William Wegman, Charles White, William T. Wiley, Mason Williams, and Karl Wirsum.</p><p>The post <a href="http://thevisualist.org/2018/12/barbara-kasten-west-by-midwest/">Barbara Kasten: West by Midwest</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2018/12/barbara-kasten-west-by-midwest/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">90285</post-id> </item> <item> <title>Robert Conway and Belverd Needles on Clinton Adams and June Wayne</title> <link>http://thevisualist.org/2018/01/robert-conway-and-belverd-needles-on-clinton-adams-and-june-wayne/</link> <comments>http://thevisualist.org/2018/01/robert-conway-and-belverd-needles-on-clinton-adams-and-june-wayne/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 13 Jan 2018 00:00:01 +0000</pubDate> <category><![CDATA[Talk]]></category> <category><![CDATA[Belverd Needles]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Clinton Adams]]></category> <category><![CDATA[DePaul Art Museum]]></category> <category><![CDATA[Illinois]]></category> <category><![CDATA[June Wayne]]></category> <category><![CDATA[Paper]]></category> <category><![CDATA[Robert Conway]]></category> <category><![CDATA[Robert Conway and Belverd Needles on Clinton Adams and June Wayne]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=76715</guid> <description><![CDATA[<p>Art Historian and printmaking expert Robert Conway, author of catalogues raisonnés on Clinton Adams and June Wayne, will conduct a gallery conversation with collector Belverd Needles, in conjunction with Rock, Paper, Image: Lithographs by Clinton Adams and June Wayne from the Belverd and Marian Needles Collection. They will address Adams and Wayne’s history with the<a href="http://thevisualist.org/2018/01/robert-conway-and-belverd-needles-on-clinton-adams-and-june-wayne/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2018/01/robert-conway-and-belverd-needles-on-clinton-adams-and-june-wayne/">Robert Conway and Belverd Needles on Clinton Adams and June Wayne</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Art Historian and printmaking expert Robert Conway, author of catalogues raisonnés on Clinton Adams and June Wayne, will conduct a gallery conversation with collector Belverd Needles, in conjunction with Rock, Paper, Image: Lithographs by Clinton Adams and June Wayne from the Belverd and Marian Needles Collection. They will address Adams and Wayne’s history with the Tamarind Institute and the revival of lithography in the United States.</p> <p>Image: Lithographs by Clinton Adams and June Wayne from the Belverd and Marian Needles Collection</p><p>The post <a href="http://thevisualist.org/2018/01/robert-conway-and-belverd-needles-on-clinton-adams-and-june-wayne/">Robert Conway and Belverd Needles on Clinton Adams and June Wayne</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2018/01/robert-conway-and-belverd-needles-on-clinton-adams-and-june-wayne/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">76715</post-id> </item> <item> <title>Rock, Paper, Image</title> <link>http://thevisualist.org/2018/01/rock-paper-image/</link> <comments>http://thevisualist.org/2018/01/rock-paper-image/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Thu, 11 Jan 2018 14:54:42 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Belverd and Marian Needles Collection]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Clinton Adams]]></category> <category><![CDATA[DePaul Art Museum]]></category> <category><![CDATA[Illinois]]></category> <category><![CDATA[June Wayne]]></category> <category><![CDATA[Lakeview]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=76181</guid> <description><![CDATA[<p>Rock, Paper, Image: Lithographs by Clinton Adams and June Wayne from the Belverd and Marian Needles Collection Clinton Adams and June Wayne are widely credited with reviving interest in lithography in the mid-20th century. As cofounders of the Tamarind Institute, a center for lithography based in Albuquerque, New Mexico, they instructed artists and shared innovative<a href="http://thevisualist.org/2018/01/rock-paper-image/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2018/01/rock-paper-image/">Rock, Paper, Image</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Rock, Paper, Image: Lithographs by Clinton Adams and June Wayne from the Belverd and Marian Needles Collection</p> <p>Clinton Adams and June Wayne are widely credited with reviving interest in lithography in the mid-20th century. As cofounders of the Tamarind Institute, a center for lithography based in Albuquerque, New Mexico, they instructed artists and shared innovative techniques while simultaneously pursuing their own independent practices. This exhibition presents a selection of both artists’ work from the 1950s through the 1990s, showcasing how their approaches to subjects, ranging from landscapes and color to literature and politics, evolved over time.</p> <p> </p><p>The post <a href="http://thevisualist.org/2018/01/rock-paper-image/">Rock, Paper, Image</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2018/01/rock-paper-image/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">76181</post-id> </item> </channel> </rss>