<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" > <channel> <title>Jennifer Reeves - The Visualist</title> <atom:link href="http://thevisualist.org/tag/jennifer-reeves/feed/" rel="self" type="application/rss+xml" /> <link>http://thevisualist.org</link> <description>Chicago Visual Arts Calendar</description> <lastBuildDate>Sun, 01 Apr 2018 18:11:16 +0000</lastBuildDate> <language>en-US</language> <sy:updatePeriod> hourly </sy:updatePeriod> <sy:updateFrequency> 1 </sy:updateFrequency> <generator>https://wordpress.org/?v=6.7.1</generator> <image> <url>http://thevisualist.org/wp-content/uploads/2023/11/13715238_1656465681341114_192907186_a1-200x200.jpg</url> <title>Jennifer Reeves - The Visualist</title> <link>http://thevisualist.org</link> <width>32</width> <height>32</height> </image> <site xmlns="com-wordpress:feed-additions:1">232801582</site> <item> <title>Experiments in Form: Cameraless, Hand-Painted and Abstract Films</title> <link>http://thevisualist.org/2018/04/experiments-in-form-cameraless-hand-painted-and-abstract-films/</link> <comments>http://thevisualist.org/2018/04/experiments-in-form-cameraless-hand-painted-and-abstract-films/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Fri, 06 Apr 2018 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Alan Shields]]></category> <category><![CDATA[Barbara Lattanzi]]></category> <category><![CDATA[Block Museum]]></category> <category><![CDATA[Evanston]]></category> <category><![CDATA[Experiments in Form: Cameraless Hand-Painted and Abstract Films]]></category> <category><![CDATA[Frank Stella]]></category> <category><![CDATA[Illinois]]></category> <category><![CDATA[Jennifer Reeves]]></category> <category><![CDATA[Josh Lewis]]></category> <category><![CDATA[Kayla Parker]]></category> <category><![CDATA[Len Lye]]></category> <category><![CDATA[Madison Brookshire]]></category> <category><![CDATA[Sam Gilliam]]></category> <category><![CDATA[Tashi Wada]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=79982</guid> <description><![CDATA[<p>This program, presented in conjunction with the exhibition Experiments in Form: Sam Gilliam, Alan Shields, Frank Stella exhibition (currently on view at the Block Museum), showcases a 60-year range of films and videos that explore handmade and cameraless approaches to abstraction. Like the artists in the exhibition, these filmmakers use a variety of means to<a href="http://thevisualist.org/2018/04/experiments-in-form-cameraless-hand-painted-and-abstract-films/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2018/04/experiments-in-form-cameraless-hand-painted-and-abstract-films/">Experiments in Form: Cameraless, Hand-Painted and Abstract Films</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>This program, presented in conjunction with the exhibition Experiments in Form: Sam Gilliam, Alan Shields, Frank Stella exhibition (currently on view at the Block Museum), showcases a 60-year range of films and videos that explore handmade and cameraless approaches to abstraction. Like the artists in the exhibition, these filmmakers use a variety of means to create their visually rich and dynamic abstract imagery. Influential New Zealand abstract filmmaker Len Lye uses a rayograph technique with textured cloth and stencils in Color Cry. José Antonio Sistiaga handpaints directly on the film strip for Impressions En Haute Atmosphère, and Bärbel Neubauer uses a number of direct animation techniques for Firehouse. Josh Lewis treats the film with chemicals to degrade and alter it in Doubt #2. Barbara Lattanzi’s Music for Voices is also chemically treated, and then digitized thirty years later. For Landfill 16, Jennifer Reeves buried outtakes from a previous project and then handpainted the partially decomposed footage. In Sunset Strip, Kayla Parker uses magnolia petals, net stocking, lacquer, and ink to push her time-lapse footage of 365 sunsets past the natural to a more artificial aesthetic. In As Water Is in Water, a collaborative work with musician Tashi Wada, Madison Brookshire (appearing in person) digitizes and loops strips of film that had been soaked in paint. Collectively, these works offer a tantalizing glimpse at the expressive possibilities of the moving image.<br /> (FREE)</p> <p>Color Cry (Len Lye, 1952, USA, 16mm, 3 min.)<br /> Impressions En Haute Atmosphère (José Antonio Sistiaga, 1989, Spain, 35mm, 7 min.)<br /> Doubt #2 (Josh Lewis, 2013, USA, 16mm, 5 min.)<br /> Landfill 16 (Jennifer Reeves, 2010-2011, USA, 16mm, 9 min.)<br /> Sunset Strip (Kayla Parker, 1996, UK, 35mm, 3 min.)<br /> Music For Voices (Barbara Lattanzi, 1979/2009, USA, digital, 7 min.)<br /> Firehouse (Bärbel Neubauer, 1998, Germany, 16mm, 5 min.)<br /> As Water Is in Water (Madison Brookshire and Tashi Wada, 2017, USA, digital, 31 min.)<br /> In Person: Madison Brookshire</p> <p>Image: As Water Is in Water</p><p>The post <a href="http://thevisualist.org/2018/04/experiments-in-form-cameraless-hand-painted-and-abstract-films/">Experiments in Form: Cameraless, Hand-Painted and Abstract Films</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2018/04/experiments-in-form-cameraless-hand-painted-and-abstract-films/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">79982</post-id> </item> <item> <title>A ROLL FOR PETER</title> <link>http://thevisualist.org/2017/03/a-roll-for-peter/</link> <comments>http://thevisualist.org/2017/03/a-roll-for-peter/#respond</comments> <dc:creator><![CDATA[Meg Duguid]]></dc:creator> <pubDate>Sat, 25 Mar 2017 00:00:01 +0000</pubDate> <category><![CDATA[Screening]]></category> <category><![CDATA[16mm]]></category> <category><![CDATA[A ROLL FOR PETER]]></category> <category><![CDATA[Amanda Katz]]></category> <category><![CDATA[artist in attendance]]></category> <category><![CDATA[Audrey Turner]]></category> <category><![CDATA[Cassandra Bull]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Cityscape]]></category> <category><![CDATA[collaboration]]></category> <category><![CDATA[Daryl Meador]]></category> <category><![CDATA[Dave Rodriguez]]></category> <category><![CDATA[David Gatten]]></category> <category><![CDATA[Documentary]]></category> <category><![CDATA[Dominic Angerame]]></category> <category><![CDATA[dual projection]]></category> <category><![CDATA[Eric Theise]]></category> <category><![CDATA[Eve Heller]]></category> <category><![CDATA[Experimental]]></category> <category><![CDATA[Fern Silva]]></category> <category><![CDATA[film]]></category> <category><![CDATA[G. Anthony Svatek]]></category> <category><![CDATA[geography]]></category> <category><![CDATA[George Griffin]]></category> <category><![CDATA[hand-processing]]></category> <category><![CDATA[International]]></category> <category><![CDATA[Jacob Burckhardt]]></category> <category><![CDATA[Jake Carl Magee]]></category> <category><![CDATA[Jennifer Reeves]]></category> <category><![CDATA[Jesse Cain]]></category> <category><![CDATA[Jordan Stone]]></category> <category><![CDATA[Josephine Shokrian]]></category> <category><![CDATA[Josh Lewis]]></category> <category><![CDATA[landscape]]></category> <category><![CDATA[Lynne Sachs]]></category> <category><![CDATA[Mark Street]]></category> <category><![CDATA[Mary Beth Reed]]></category> <category><![CDATA[Max Weinman]]></category> <category><![CDATA[Michael Wawzenek]]></category> <category><![CDATA[Mott Hupfel]]></category> <category><![CDATA[Nikolas Jaeger]]></category> <category><![CDATA[Noble Square]]></category> <category><![CDATA[Paul Marcus]]></category> <category><![CDATA[Peter Hutton]]></category> <category><![CDATA[Peter Rose]]></category> <category><![CDATA[place]]></category> <category><![CDATA[rebecca (marks) leopold]]></category> <category><![CDATA[Richard Max Gavrich]]></category> <category><![CDATA[Robbie Land]]></category> <category><![CDATA[Roddy Bogawa]]></category> <category><![CDATA[The Nightingale]]></category> <category><![CDATA[Theodore Rex King]]></category> <category><![CDATA[Timoleon Wilkins]]></category> <category><![CDATA[travel]]></category> <category><![CDATA[Uncategorized]]></category> <category><![CDATA[West Town]]></category> <category><![CDATA[Zachary Nichols]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=66209</guid> <description><![CDATA[<p>The Nightingale is pleased to present A ROLL FOR PETER, a multi-maker, 16mm, black & white tribute to filmmaker Peter Hutton (1944-2016). Participating filmmakers, Michael Wawzenek and Paul Marcus, in attendance! Many filmmakers and artists were deeply affected by Peter’s death in June 2016. Twenty-plus former students, colleagues, and admirers of Peter Hutton answered an<a href="http://thevisualist.org/2017/03/a-roll-for-peter/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2017/03/a-roll-for-peter/">A ROLL FOR PETER</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>The Nightingale is pleased to present A ROLL FOR PETER, a multi-maker, 16mm, black & white tribute to filmmaker Peter Hutton (1944-2016).</p> <p>Participating filmmakers, Michael Wawzenek and Paul Marcus, in attendance!</p> <p>Many filmmakers and artists were deeply affected by Peter’s death in June 2016. Twenty-plus former students, colleagues, and admirers of Peter Hutton answered an invitation to shoot A ROLL FOR PETER. The parameters were simple: shoot a single 100 foot roll of 16mm black and white reversal film. The rolls are strung together with black leader separating the rolls, as Peter often separated the single shots in his films. Organized and assembled by Jennifer Reeves and Mark Street, and set on tour thanks to the energies of Eric Theise, this series of pieces speaks to Peter’s strong contemplative aesthetic ethos. Each filmmaker has 2 minutes and 47 seconds of screen time to commune with Peter’s memory, and the collected rolls become more than the sum of their parts.</p> <p>The organizers write, “Peter Hutton’s contemplative, visually arresting landscape and urban films invite us to take our time within silent cinematic tableaux of place, so that we may discover the beauty of overlooked moments. His carefully composed long-duration shots, whether of city, nature, sea or factory, remind us of the wonder we can discover in the familiar. As we observe with patience, humility and vulnerability, Peter’s work offers us a sanctuary from the frantic, goal oriented state of current visual culture.”</p> <p>Program Details:</p> <p>A Roll for Peter (2016)<br /> 16mm and 16mm x 2, black & white, silent, 60 minutes</p> <p>Participating Filmmakers:<br /> Dominic Angerame, Roddy Bogawa, Cassandra Bull, Jacob Burckhardt, Jesse Cain, David Gatten, Richard Max Gavrich, George Griffin, Eve Heller, Mott Hupfel, Nikolas Jaeger, Amanda Katz & Josh Lewis, Theodore Rex King, Robbie Land, rebecca (marks) leopold, Paul Marcus, Daryl Meador, Mary Beth Reed, Jennifer Reeves, Dave Rodriguez, Peter Rose, Lynne Sachs, Josephine Shokrian, Fern Silva & students, Jordan Stone, Mark Street, G. Anthony Svatek & Zachary Nichols, Eric Theise, Audrey Turner, Michael Wawzenek, Max Weinman & Jake Carl Magee, Timoleon Wilkins</p> <p>*Catalogues from the Thomas Cole Historic Site screening and tribute on October 9, 2016, which honored and recognized Peter Hutton as a Hudson River Filmmaker, will be available at The Nightingale on Saturday, March 25.</p> <p>Further information about the film:<br /> http://erictheise.com/films/a-roll-for-peter/</p> <p>Programmed by Lorenzo Gattorna</p><p>The post <a href="http://thevisualist.org/2017/03/a-roll-for-peter/">A ROLL FOR PETER</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2017/03/a-roll-for-peter/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">66209</post-id> </item> </channel> </rss>