<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" > <channel> <title>Butoh Chicago - The Visualist</title> <atom:link href="http://thevisualist.org/tag/butoh-chicago/feed/" rel="self" type="application/rss+xml" /> <link>http://thevisualist.org</link> <description>Chicago Visual Arts Calendar</description> <lastBuildDate>Fri, 18 Oct 2024 13:41:28 +0000</lastBuildDate> <language>en-US</language> <sy:updatePeriod> hourly </sy:updatePeriod> <sy:updateFrequency> 1 </sy:updateFrequency> <generator>https://wordpress.org/?v=6.7.2</generator> <image> <url>http://thevisualist.org/wp-content/uploads/2023/11/13715238_1656465681341114_192907186_a1-200x200.jpg</url> <title>Butoh Chicago - The Visualist</title> <link>http://thevisualist.org</link> <width>32</width> <height>32</height> </image> <site xmlns="com-wordpress:feed-additions:1">232801582</site> <item> <title>Nesting</title> <link>http://thevisualist.org/2024/11/nesting/</link> <comments>http://thevisualist.org/2024/11/nesting/#respond</comments> <dc:creator><![CDATA[flor123]]></dc:creator> <pubDate>Tue, 05 Nov 2024 02:00:00 +0000</pubDate> <category><![CDATA[Performance]]></category> <category><![CDATA[Butoh Chicago]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Chicago Dance]]></category> <category><![CDATA[Jinlu Luo]]></category> <category><![CDATA[Mari Osanai]]></category> <category><![CDATA[Nesting]]></category> <category><![CDATA[No Nation]]></category> <category><![CDATA[Noguchi Taiso]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">https://thevisualist.org/?p=167482</guid> <description><![CDATA[<p>Butoh Chicago presents Nesting by Mari Osanai, featuring a special guest performance by Jinlu Luo, on Monday, November 4 at 8 PM (doors open at 7:30 PM) with free entry at {}() {}∆‡!(){} No Nation T a π g e π t i a l U π s p a c e A r t <a href="http://thevisualist.org/2024/11/nesting/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2024/11/nesting/">Nesting</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Butoh Chicago presents Nesting by Mari Osanai, featuring a special guest performance by Jinlu Luo, on Monday, November 4 at 8 PM (doors open at 7:30 PM) with free entry at {}() {}∆‡!(){} No Nation T a π g e π t i a l U π s p a c e A r t L a b 1542 N. Milwaukee Ave. Floor 2.</p><p>The post <a href="http://thevisualist.org/2024/11/nesting/">Nesting</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2024/11/nesting/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">167482</post-id> </item> <item> <title>Hautnah / Student Performance</title> <link>http://thevisualist.org/2019/05/hautnah-student-performance/</link> <comments>http://thevisualist.org/2019/05/hautnah-student-performance/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Fri, 31 May 2019 00:00:01 +0000</pubDate> <category><![CDATA[Performance]]></category> <category><![CDATA[Butoh Chicago]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Hautnah/Student Performance]]></category> <category><![CDATA[Logan Square]]></category> <category><![CDATA[Outerspace Studios]]></category> <category><![CDATA[Tadashi Endo]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=99192</guid> <description><![CDATA[<p>Student performance will culminate a week’s worth of training and choreography development with Tadashi Endo in HAUTNAH (close to the skin). Doors will open at 7pm, show will start about 7:30pm. Event goes until 9:30pm, light snacks and beverages will be there for time to talk to the artists, feel free to BYOB. Feel free<a href="http://thevisualist.org/2019/05/hautnah-student-performance/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2019/05/hautnah-student-performance/">Hautnah / Student Performance</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Student performance will culminate a week’s worth of training and choreography development with Tadashi Endo in HAUTNAH (close to the skin). Doors will open at 7pm, show will start about 7:30pm. Event goes until 9:30pm, light snacks and beverages will be there for time to talk to the artists, feel free to BYOB.</p> <p>Feel free to pay cash at the door, it is cheaper to do so, but let us know you are planning to attend by email: butohchicago@gmail.com</p> <p>**There is a long set of stairs to get to the SUN studio on the third floor. Regretfully, there is no handicapped accessible entrance.</p><p>The post <a href="http://thevisualist.org/2019/05/hautnah-student-performance/">Hautnah / Student Performance</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2019/05/hautnah-student-performance/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">99192</post-id> </item> <item> <title>HautNAH: Close to the Skin</title> <link>http://thevisualist.org/2019/05/hautnah-close-to-the-skin/</link> <comments>http://thevisualist.org/2019/05/hautnah-close-to-the-skin/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Sat, 25 May 2019 00:00:01 +0000</pubDate> <category><![CDATA[workshop]]></category> <category><![CDATA[Butoh Chicago]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[HautNAH: "Close to the Skin"]]></category> <category><![CDATA[Outerspace]]></category> <category><![CDATA[Tadashi Endo]]></category> <category><![CDATA[West Town]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=98745</guid> <description><![CDATA[<p>Butoh Intensive Workshop/Performance Opportunity Tadashi Endo at Outerspace Studios Workshops: May 25-30, 2019 Performance: May 31, doors at 7pm Six day Intensive Butoh Workshop culminating in a student performance May 31. Dance or movement background not required, full participation is best, but we welcome you for any number of days. Workshop Description: When Tadashi Endo<a href="http://thevisualist.org/2019/05/hautnah-close-to-the-skin/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2019/05/hautnah-close-to-the-skin/">HautNAH: Close to the Skin</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Butoh Intensive Workshop/Performance Opportunity<br /> Tadashi Endo at Outerspace Studios<br /> Workshops: May 25-30, 2019<br /> Performance: May 31, doors at 7pm</p> <p>Six day Intensive Butoh Workshop culminating in a student performance May 31. Dance or movement background not required, full participation is best, but we welcome you for any number of days.</p> <p>Workshop Description:<br /> When Tadashi Endo is teaching, he offers challenging warm ups, improvisational scores and choreographic work. He gives a deep view into Butoh philosophy and speaks to what Kazuo Ohno and Tatsumi Hijikata were thinking and tells us about their lives. But first he lets the students search for their own Butoh. To quote Kazuo Ohno, “everybody can dance Butoh,” it may be not the Japanese Butoh, but everybody can find their own movements in the sense of Butoh.</p> <p>This will be Tadashi’s third visit to Chicago. He performed IKIRU- Requiem para Pina Bausch to a sold out show at the Old Town School of Folk Music in 2015 and Fukushima Mon Amour at Columbia College Chicago in 2016. He has led series of sold out workshops at OuterSpace Studios in Wicker Park each time, and now would like to workshop toward a student performance, HAUTNAH. We will focus on recovering, the space between things, finding new patterns, new imaginations, discovering new sensations, and encouraging continued growth in each of our bodies.</p> <p>HAUTNAH means close to the skin. The performance will take place onsite @OuterSpace on the last evening of the workshop. The audience will sit very close, which means we must be strong and present. During the workshop, Tadashi will not rehearse with you exactly what you will dance, but he will give you time and space for you to research for yourself under his guidance.</p> <p>Workshop Calendar:<br /> @OuterSpace Studios, 1474 N. Milwaukee Ave, Chicago, IL 60622<br /> Saturday, May 25 1-5pm; 4hrs<br /> Sunday, May 26 1-5pm; 4hrs<br /> *LABOR DAY OFF*<br /> Tuesday-Friday, May 28-31, 5-9pm; 4hrs/night</p> <p>REGISTRATION PRICES:<br /> $335 for full workshop.<br /> Approximately $14/student hour, 2-5 day options available.</p> <p>This workshop does build every day, but our lives and schedules may not allow for complete immersion. Come to as many as you can, and we welcome all curious bodies! The space does have a long set of stairs however, so regrettfully is not wheelchair/handicapped accessible. Student/volunteer discounts available upon request and availability. Contact butohchicago@gmail.com for details.</p> <p>Student Performance:<br /> Friday, May 31, 2019<br /> Doors open 7pm, performance begins 7:30pm<br /> $10 (suggested donation)<br /> @OuterSpace Studios, 1474 N. Milwaukee Ave., Chicago, IL 60622</p> <p>About Tadashi Endo:<br /> Elève of the great butoh dancer Kazuo Ohno, is a Butoh-dancer, choreographer, director of the Butoh-Centre MAMU and artistic director of the Butoh-Festivals MAMU Butoh & Jazz in Göttingen. He has coined his own way of Butoh dance which he calls “Butoh-MA”. MA is a very important word in zen buddhism, which has two meanings: the “emptiness” and “the space between the things”. Butoh-MA is one way to find the invisible visible. He believes the minimum of movements lets the expression of feelings and situations grow to highest intensity. For this work, it is more important to keep the balance between energy, tension and control than to care for the aesthetics of movement.</p> <p>His dance is a synthesis of theatre, performance and dance. Tadashi Endo expresses the field of tension between ying and yang, male and female, and their everlasting alteration. “He manages to fill that void with a poetic beauty, precision movement and spiritual flavor. It`s like cut grass and cut glass, one smells good and brings back memory, the other cuts into you leaving a scar.” David Carter</p> <p>Tadashi Endo collaborates with Germany’s most popular film- and opera director DORIS DÖRRIE, as choreographer for the opera Madame Butterfly (Theater am Gärtnerplatz München 2006), for the cinema film HANAMI-KIRSCHBLÜTEN (2007), the opera ADMETO (International Haendel Festival Göttingen and International Festival Edinburgh 2009) and DON GIOVANNI (Hamburgische Staatsoper 2011, 2012). In all these productions Tadashi Endo also appears as a solo dancer.</p> <p>Since 2009 he is in continuous collaboration with Italy’s prima ballerina assoluta CARLA FRACCI, in “I HAVE A DREAM” (Teatro Massimo/Palermo Sicily 2009), and FUTURISMO (Teatro Nazionale in Rome, Italy 2010).</p> <p>Tadashi Endo is a guest professor at the Hochschule für Darstellende Kunst Frankfurt am Main, Germany, The Academy of Music and Dance in Jerusalem, Israel, and at the Nucleo Interdisciplinar des Pesyuisas TeatrUnicamp, University Campinas, Brazil.</p> <p>Tadashi Endo is brought to you in partnership with Sara Zalek, ButohChicago, and OuterSpace.</p><p>The post <a href="http://thevisualist.org/2019/05/hautnah-close-to-the-skin/">HautNAH: Close to the Skin</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2019/05/hautnah-close-to-the-skin/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">98745</post-id> </item> <item> <title>SHOOT JEEZ MY GOSH</title> <link>http://thevisualist.org/2019/05/shoot-jeez-my-gosh/</link> <comments>http://thevisualist.org/2019/05/shoot-jeez-my-gosh/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Fri, 03 May 2019 00:00:01 +0000</pubDate> <category><![CDATA[Exhibition]]></category> <category><![CDATA[Reception]]></category> <category><![CDATA[Asier Solana]]></category> <category><![CDATA[Butoh Chicago]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Dadaware]]></category> <category><![CDATA[Kahori Furukawa]]></category> <category><![CDATA[Kazuhisa Uchihashi]]></category> <category><![CDATA[No Nation - Art Gallery and Tangential Unspace Lab]]></category> <category><![CDATA[SHOOT JEEZ MY GOSH]]></category> <category><![CDATA[Sigel Eschkol]]></category> <category><![CDATA[West Town]]></category> <category><![CDATA[YouTube]]></category> <category><![CDATA[Yuko Kaseki]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=97602</guid> <description><![CDATA[<p>This butoh dance performance is inspired by Henry Darger’s fantasy world that juxtaposes innocence with violence. Sounds from real battles found on the Internet are contrasted with iconic corporeal movements that represent innocence. The work attempts to pose a question to the feeling of ambivalence towards systematic violence of belief that imposes powerlessness, and simultaneously<a href="http://thevisualist.org/2019/05/shoot-jeez-my-gosh/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2019/05/shoot-jeez-my-gosh/">SHOOT JEEZ MY GOSH</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>This butoh dance performance is inspired by Henry Darger’s fantasy world that juxtaposes innocence with violence. Sounds from real battles found on the Internet are contrasted with iconic corporeal movements that represent innocence. The work attempts to pose a question to the feeling of ambivalence towards systematic violence of belief that imposes powerlessness, and simultaneously reminds of brutal terror that characterizes our epoch.</p> <p>The birth to kill<br /> Build to break down<br /> Existence<br /> To be erased<br /> To be pasted<br /> The invisible enemy<br /> Imperceptible voice<br /> The other side of the filter<br /> The inside of the monitor<br /> In order to be fooled<br /> In order to deceive<br /> Endless game of<br /> The world</p> <p>Video trailer: https://youtu.be/KarJvGyxX4A</p> <p>50min<br /> Concept/ Choreography/ Sound collage/ Dance: Yuko Kaseki<br /> Music: Sounds from YouTube and Kazuhisa Uchihashi<br /> Light design: Asier Solana<br /> Costume: Kahori Furukawa<br /> Photo: Dadaware, Sigel Eschkol</p><p>The post <a href="http://thevisualist.org/2019/05/shoot-jeez-my-gosh/">SHOOT JEEZ MY GOSH</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2019/05/shoot-jeez-my-gosh/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">97602</post-id> </item> <item> <title>Frontier in Body</title> <link>http://thevisualist.org/2019/05/frontier-in-body/</link> <comments>http://thevisualist.org/2019/05/frontier-in-body/#respond</comments> <dc:creator><![CDATA[Hannah McHugh]]></dc:creator> <pubDate>Wed, 01 May 2019 00:00:01 +0000</pubDate> <category><![CDATA[workshop]]></category> <category><![CDATA[Butoh Chicago]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Frontier in Body]]></category> <category><![CDATA[Outerspace]]></category> <category><![CDATA[West Town]]></category> <category><![CDATA[Yuko Kaseki]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=97212</guid> <description><![CDATA[<p>Butoh Improvisation Workshop with Yuko Kaseki May 1-4, 2019 Origin of you is full of miracles. Dig and cultivate body as a frontier to find out untapped field of emotions, memories and sensations… Research each of body parts in detail, in order to reconnect. Observe habits of movement in social functions and challenge yourselves out<a href="http://thevisualist.org/2019/05/frontier-in-body/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2019/05/frontier-in-body/">Frontier in Body</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>Butoh Improvisation Workshop with Yuko Kaseki<br /> May 1-4, 2019</p> <p>Origin of you is full of miracles.</p> <p>Dig and cultivate body as a frontier to find out untapped field of emotions, memories and sensations… Research each of body parts in detail, in order to reconnect.</p> <p>Observe habits of movement in social functions and challenge yourselves out of the comfort zones. Disorder is a way of creativity to find new avenues of physical awareness.</p> <p>The workshop’s emphasis is to develop original movement through body awareness, sensitivity and also helps discover hidden dynamic energy.</p> <p>Physical training is based on Noguchi gymnastics, elements of Tai-Chi Dao-yin and Butoh methodology. We practice for the whole body to be permeable and awaken deeper layers of sensitivity. We try to find the center of our body (Tanden), which is our energy source. Listening honestly to the variants of inner and develop this in relation to the outer.</p> <p>The workshop offers the possibility to seek and experience in solo, duet and group improvisations with image, element, space, and relationship. Through intensity and reduction everyone can dive deeply into stillness/movement and translate it into individual manifestations. It is important for each person to find one’s own unique body, physical reality and exposure of existence.</p> <p>Yuko Kaseki is director, choreographer, Butoh dancer, performance artist, improviser and teacher, based in Berlin. She teaches and performs in solo and ensemble pieces and improvisations through out 26 countries. These works are poetic and vivid images that incorporate the spirit of Butoh, performance and live art. Her performance aims to reflect the outsider’s existence. Various International collaborations include inkBoat (SF), Tableau Stations (SF), CAVE (NY), Poema Theatre (Moscow), Salad Theater (Seoul) and more. She is also a key collaborator with mixed ability artists including Theater Thikwa (Berlin). www.cokaseki.com</p> <p>Workshop Calendar May 1-4, 2019:<br /> @OuterSpace Studios, 1474 N. Milwaukee Ave, Chicago, IL 60622<br /> Wednesday, May 1, 6-9pm;<br /> Thursday, May 2, 6-9pm;<br /> Friday, May 3, 12-3pm;<br /> Saturday, May 4, 1-6pm;<br /> Total: 14 hour workshop</p> <p>REGISTRATION PRICES:<br /> Early Bird Prices until April 21.<br /> $200 for full workshop, approximately $14/student hour, 1-3 day options available.</p> <p>This workshop does build every day, but our lives and schedules may not allow for complete immersion. Come to as many as you can, and we welcome all curious bodies! The space does have a long set of stairs however, so regrettfully is not wheelchair/handicapped accessible. Student/volunteer discounts available upon request and availability. Contact butohchicago@gmail.com for details</p> <p>Yuko Kaseki is brought to you in partnership with Sara Zalek, ButohChicago, and OuterSpace.</p><p>The post <a href="http://thevisualist.org/2019/05/frontier-in-body/">Frontier in Body</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2019/05/frontier-in-body/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">97212</post-id> </item> <item> <title>I’m hurting when you’re not with me</title> <link>http://thevisualist.org/2017/04/im-hurting-when-youre-not-with-me/</link> <comments>http://thevisualist.org/2017/04/im-hurting-when-youre-not-with-me/#respond</comments> <dc:creator><![CDATA[Michael Thomas]]></dc:creator> <pubDate>Tue, 11 Apr 2017 00:00:01 +0000</pubDate> <category><![CDATA[Screening]]></category> <category><![CDATA[Butoh Chicago]]></category> <category><![CDATA[Carole McCurdy]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[Connie Noyes]]></category> <category><![CDATA[DUBI KAUFMANN]]></category> <category><![CDATA[HUME]]></category> <category><![CDATA[Im Hurting When Youre not with me]]></category> <category><![CDATA[Logan Square]]></category> <category><![CDATA[Nabeela Vega]]></category> <category><![CDATA[Rami George]]></category> <category><![CDATA[Victoria Bradford]]></category> <guid isPermaLink="false">http://www.thevisualist.org/?p=66816</guid> <description><![CDATA[<p>A screening co-curated by Butoh Chicago and In/habit – an expanded performance art series 7pm- 10pm at Hume Gallery, 3242 West Armitage Avenue RSVP to let us know you are coming ♥ A night of short films and conversations. Longing for someone or something to be there with us is longing for solidarity, for presence,<a href="http://thevisualist.org/2017/04/im-hurting-when-youre-not-with-me/" class="read-more">Continue Reading</a></p> <p>The post <a href="http://thevisualist.org/2017/04/im-hurting-when-youre-not-with-me/">I’m hurting when you’re not with me</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></description> <content:encoded><![CDATA[<p>A screening co-curated by Butoh Chicago and In/habit – an expanded performance art series</p> <p>7pm- 10pm at Hume Gallery, 3242 West Armitage Avenue<br /> RSVP to let us know you are coming ♥</p> <p>A night of short films and conversations.</p> <p>Longing for someone or something to be there with us is longing for solidarity, for presence, for love, for understanding, for flesh, for friendship. Battles, repair and resilience only exist in relation to and the battlegrounds are not as desolate when you are with me.</p> <p>To acknowledge our need for one another, and how we might seek to repair our feelings of loss and isolation, the harm done to our body and the body politics, broken relationships, and share in the beauty that might be our shared grief.</p> <p>⬼ Nabeela Vega, Purge<br /> ⬼ Connie Noyes, A Revolution Around the Sun + The Rattle<br /> ⬼ Rami George, my mother and her sister always argued in arabic,<br /> i never understood what was said + Stanley, my Second Lover<br /> ⬼ Carole McCurdy, Bellows Below + Hunger<br /> ⬼ Dubi Kaufmann, Looking at You<br /> ⬼ Victoria Bradford, Yellow. A response to “Eros the Bittersweet,”<br /> an essay by classicist Anne Carson</p> <p>(more pieces to be confirmed soon)</p> <p>Free. Donations will be providing stipends to the film and videomakers. Thank you!</p> <p>Snacks and beverages will most likely be served (tbc), but feel free to BYO to this cozy artists-run gallery Hume Chicago<br /> http://humechicago.org/</p> <p>Rebecca & Sara</p> <p>This screening is part of the Battles:SS3 Post-Butoh Festival and the In/habit roving art series, more information and full calendar of events: www.butohchicago.com | www.inhabitartseries.weebly.com</p><p>The post <a href="http://thevisualist.org/2017/04/im-hurting-when-youre-not-with-me/">I’m hurting when you’re not with me</a> first appeared on <a href="http://thevisualist.org">The Visualist</a>.</p>]]></content:encoded> <wfw:commentRss>http://thevisualist.org/2017/04/im-hurting-when-youre-not-with-me/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <post-id xmlns="com-wordpress:feed-additions:1">66816</post-id> </item> </channel> </rss>