Blue Hour Reading & Workshop Series
@ Haymarket House
800 W Buena Ave, Chicago, IL 60613
Opening Wednesday, October 16th, at 7:30PM
The Chicago Poetry Center presents BLUE HOUR, a free, public monthly in-person reading series and generative writing workshop hosted and facilitated by Marty McConnell.
The Blue Hour reading includes a brief open mic followed by two featured poets from Chicago and beyond. The open mic includes five readers drawn lottery-style from a hat that goes out at 7:15. The reading starts promptly at 7:30. Each open mic poet reads one poem or for three minutes, whichever comes first.
The name comes from a line by Chicago poet Li-Young Lee, from a section of “The City in Which I Love You”:
I waitin a blue hourand faraway noise of hammering,and on a page a poem begun, somethingabout to be dispersed,something about to come into being.
EVENT DETAILS FOR OCTOBER 16:
Workshop (registration required) begins promptly at 6 p.m., ends at 7 p.m.
Open mic sign-up begins at 7:15.
Reading (registration recommended) begins at 7:30, followed by community gathering time.
Reading registration is free; the workshop is sliding scale with a suggested donation of $10.
Register for the workshop here.
https://bhwkshpoct.eventbrite.com/
Get your ticket for the reading here.
https://www.eventbrite.com/e/blue-hour-poetry-reading-oct-16-featuring-joss-barton-charif-shanahan-tickets-1014682461557?aff=oddtdtcreator
Livestream is available here.
https://www.youtube.com/channel/UCBaCxEkr5bVbPLfcmhcQIow
ABOUT THE READING:
The Blue Hour reading features readings by two poets from Chicago and beyond, preceded by a five person lottery-style open mic and followed by community gathering time.
ABOUT THE WORKSHOP:
The Blue Hour generative writing workshop is suitable for writers and poetry fans of all levels. We will discuss a poem together, then Marty will guide the group through individual writing on an exploratory prompt that draws on themes from the poem.
ABOUT THE SPACE:
Accessibility, Health, & Safety:
– All restrooms at Haymarket House are gender-neutral, including single-user and stalled restrooms.
– Each event includes ASL interpretation. Haymarket House is ADA compliant and fully wheelchair-accessible; email curator@poetrycenter.org to ensure ramp access and with any other accessibility needs.
– Masks are currently strongly encouraged for all indoor events, and the space is equipped with a professional air filtration system.
OCTOBER FEATURES:
Charif Shanahan is the author of two collections of poetry, including “Trace Evidence: poems” (Tin House, 2023), which was a finalist for the National Book Critics Circle Award in Poetry and the Kingsley Tufts Poetry Award; longlisted for the National Book Award for Poetry; and winner of the Whiting Award, the Lambda Literary for Gay Poetry, and the Publishing Triangle’s Thom Gunn Award. Originally from the Bronx, he is an Assistant Professor of English at Northwestern University.
Joss Barton is a writer, journalist, and spoken word performance artist exploring and documenting queer and trans* life, love, and liberation. Her work blends femme-fever dreams over the soundtrack of the American nightmare. Combining prose poetry, non-fiction confessional essays, drag artistry, and spoken word stage performances, Joss examines the myriad states of queer trans womanhoods from historical, political, and pop cultural identities of death, desires, dreams, and disco.
ABOUT THE HOST:
Marty McConnell is a poet, educator, and healer based in Chicago. She is the author of when they say you can’t go home again, what they mean is you were never there, winner of the 2017 Michael Waters Poetry Prize; her first full-length collection, wine for a shotgun, received the Silver Medal in the Independent Publishers Awards and was a finalist for both the Audre Lorde Award and a Lambda Literary Award. Her first nonfiction book, Gathering Voices: Creating a Community-Based Poetry Workshop, is available through YesYes Books. She is the co-creator and co-editor of underbelly, a web site focused on the art and magic of poetry revision. An MFA graduate of Sarah Lawrence College, her work has appeared in numerous journals and anthologies including Best American Poetry, Southern Humanities Review, Gulf Coast, and Indiana Review.
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