Join us as we welcome Daniel Borzutzky, Edwin Torres, and Cecilia Vicuña for an event to mark the publication of Daniel’s newest collection Written after a Massacre in the Year 2018.

This virtual event will be streamed via YouTube Live. Register for free and a link to view will be sent to you the day of the event.

In Written After a Massacre in the Year 2018, Daniel Borzutzky rages against the military industrial complex that profits from violence, against the unjust policing of certain bodies, against xenophobia passing for immigration policy, against hate spreading like a virus. He grieves for children in cages and those slain in the Tree of Life synagogue shooting in Pittsburgh. But pulsing amid Borzutzky’s outrage over our era’s tragedies is a longing for something better: for generosity to triumph over stinginess and for peace to transform injustice. Borzutzky’s strident language juxtaposes the horror of consumer-culture violence with its absurdity, and he masterfully shifts between shock and heartbreak over the course of the collection. Bleak but not hopeless, Written After a Massacre in the Year 2018 is an unflinching poetic reckoning with the twenty-first century.

Daniel Borzutzky is the author of several poetry collections, including The Book of Interfering Bodies; In the Murmurs of the Rotten Carcass Economy; The Performance of Becoming Human, winner of the 2016 National Book Award; and Lake Michigan, a finalist for the 2019 Griffin International Poetry Prize. His translation of Galo Ghigliotto’s Valdivia received the National Translation Award. He has also translated books by Chilean poets Raúl Zurita and Jaime Luis Huenún. He teaches at the University of Illinois at Chicago.

Edwin Torres (Nuyoricua, USA) is the author of ten books of poetry including, Xoeteox: the infinite word object (Wave Books), Ameriscopia (University of Arizona Press), The PoPedology of an Ambient Language (Atelos Books), and editor of the inter-genre anthology, The Body In Language: An Anthology (Counterpath Press). He has performed his multi-disciplinary bodylingo poetics worldwide and received fellowships from NYFA, The Foundation for Contemporary Art, and DIA Arts Foundation, among others. His work is included in many journals and anthologies, including Manifold Criticism, Fractured Ecologies, American Poets In The 21st Century: Poetics of Social Engagement, Kindergarde: Avant Garde Poems For Children, and Aloud: Voices From The Nuyorican Poets Café. His next book, The Animal’s Perception of Earth is forthcoming from Doublecross Press.

Cecilia Vicuña is a poet, artist, filmmaker and activist. Her work addresses pressing concerns of the modern world, including ecological destruction, human rights, and cultural homogenization. Born and raised in Santiago de Chile, she has been in exile since the early 1970s, after the military coup against elected president Salvador Allende. Vicuña began creating “precarious works” and quipus in the mid 1960s in Chile, as a way of “hearing an ancient silence waiting to be heard.” Her multi-dimensional works begin as a poem, an image that morphs into a film, a song, a sculpture, or a collective performance. These ephemeral, site-specific installations in nature, streets, and museums combine ritual and assemblage. She calls this impermanent, participatory work “lo precario” (the precarious): transformative acts that bridge the gap between art and life, the ancestral and the avant-garde. Her paintings of early 1970s de-colonized the art of the conquerors and the “saints” inherited from the Catholic Church, to create irreverent images of the heroes of the revolution. A partial list of museums that have exhibited her work include: The Museu de Arte Moderna do Rio de Janeiro, Brazil; The Museo Nacional de Bellas Artes de Santiago; The Institute of Contemporary Arts (ICA) London; Art in General in NYC; The Whitechapel Art Gallery in London; The Berkeley Art Museum; The Whitney Museum of American Art; and MoMA, The Museum of Modern Art in New York.

Vicuña has published twenty-two art and poetry books, including Kuntur Ko (Tornsound, 2015), Spit Temple: The Selected Performances of Cecilia Vicuña (Ugly Duckling Presse, 2012), Instan (Kelsey Street Press, 2001) and Cloud Net (Art in General, 2000). Her Selected Poems is forthcoming from Kelsey Street Press in 2017. In 2009, she co-edited The Oxford Book of Latin American Poetry: 500 years of Latin American Poetry. She edited ÜL: Four Mapuche Poets in 1997. She was appointed the Messenger Lecturer 2015 at Cornell University, an honor bestowed on authors who contribute to the “evolution of civilization for the special purpose of raising the moral standard of our political, business, and social life.” She divides her time between Chile and New York.

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Tags: Cecilia Vicuña, Chicago, Daniel Borzutzky, Edwin Torres, Lower West Side, Pilsen Community Books