Ism, Ism, Ism: Recycled Cinema
@ The Block Museum
40 Arts Circle Dr, Evanston, IL 60208
Opening Friday, November 1st, from 7PM - 8:30PM
This evening offers two programs exploring alternative strategies of appropriation: found footage and camp. âRecycled Cinemaâ presents acts of decolonization and critique through collages of appropriated images and audio, challenging dominant modes of representation. In 1958âs âCowboyâ and âIndianâ Film, Nuyoriquen artist Raphael Montañez Ortiz hacked the reels of an American western to pieces with a tomahawk âto release their evil,â while a more recent work, Artemioâs Apoohcalypse Now, is a mash-up of Disneyâs Winnie the Pooh and Apocalypse Now. The filmmakers in âEstrellas de Ayerâ borrow an alternative reading of Hollywood stars, emphasizing queer nostalgia and excess. Films such as Teo Hernandez’s Estrellas de ayer and José Rodriguez Solteroâs Lupe pay homage to Greta Garbo, Joan Crawford, Marlene Dietrich, and Lupe Vélez with performative extravagance.
No D.R.
(Alfredo SalomoÌn, 2002, Mexico, digital, 1 min)
Newsreel 49
(InstituÌto Cubano de Artes e Industrias CinematograÌficas, 1960, Cuba, digital, 1 min)
Cowboy and âIndianâ Film
(Raphael MontanÌez Ortiz, 1958, USA, digital, 2 min)
Desde la Havana ¡1969! Recordar
(NicolaÌs GuilleÌn LandriaÌn, 1969, Cuba, digital, 17 min)
The Bombing of Washington
(Luis Ospina, 1972, Columbia/USA, digital, 1 min)
The Big Wack
(Ricardo Nicolayevsky, 2002, Mexico, digital, 3 min)
Prayer for Marilyn Monroe
(Marisol Trujillo, Miriam Talavera, and PepiÌn Rodriguez, 1983, Cuba, digital, 8 min)
Apoohcalypse Now
(Artemio, 2002, Mexico, digital, 8 min)
Pinochetâs Women
(Eduardo Menz, 2004, Canada/Chile, digital, 12 min)
The Ruins of BahiÌa Blanca
(Nicolas Testoni, 2012, Argentina, digital, 6 min)
Pobre del cantor
(Taller Independiente de Cine Experimental, 1978, Mexico, digital, 2 min)
Sloppy Work
(Enrique Colina, 1987, Cuba, digital, 11 min)
SERIES:
Ism, Ism, Ism: Experimental Cinema in Latin America
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