Feb 8th 2011

In the first session of the @work SALON series, we explore alternative models of curatorial practice.

In May 2010, e-flux editor Anton Vidokle published “Art Without Artists?” in which he described the dangers and demerits of the rising power of the Superstar Curator. The polemic essay elicited a flurry of equally polemic critical response from curators and artists, thus kindling the flames of a discontent with the increasingly independent role of the curator that have flickered since the 1970s.

In this SALON session, we respond to this discussion by proposing to move beyond it. Instead, we accept the premise of the creative curator, and ask: what are some boundaries-pushing, interdisciplinary curatorial models that fully embrace all the potential inherent in that role? How has the “educational turn” changed the stakes for independent and institutional curators? How are curators (aspiring or established) responding to, profiting from, or perhaps even ignoring, the academicization of their practice? And what are some thoughtful ways in which curatorial practice is responding to different institutional models, as well as reaching beyond the arts institution, to address activism and politics?

Invited guests Anna Cerniglia (Johalla Projects), Nicholas Frank (Inova), Aay Preston Myint (No Coast) and Kelly Shindler (Art:21) will help to lead a discussion that will address these questions and many more.

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